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EABS "2061" Vinyl and CD
https://eabs.bandcamp.com/
Listen on all streaming platforms
https://orcd.co/EABS-2061
CREDITS:
Marek “Latarnik” Pędziwiatr - Grand piano, Nord Stage 2, Moog Voyager, Teisco 100p Synthesizer, Elka Rhapsody, Crumar Performer
Marcin Rak - Drums, Beat machine;
Paweł Stachowiak - Bass guitar, Double bass, Moog Sub Phatty
Olaf Węgier - Saxophones: tenor, sopran, baritone; Roland Aira System-1;
Jakub Kurek - Trumpet, Modal Electronics Cobalt8;
with the special appearance of Jan Ptaszyn Wróblewski - Tenor saxophone.
Executive production, A&R, manager: Sebastian Jóźwiak
Studio: Jassmine Jazz Club in Warsaw (12-14.04.2021)
Engineered by: Daniel Hawryluk
Mixed by: Jacek Antosik (Slava Tunes) & EABS
Mastering: Marcin Kwazar
Graphic design: Patryk Hardziej
Logo EABS: Marta Sieczkowska (Pantograf)
www.eabs.pl
Our great thanks to Adam Tarasiuk and Grzegorz Dworakowski of Jassmine Jazz Club for having us.
© 2022 EABS
(P) 2022 EABS & Astigmatic Records
All Rights Reserved
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Breaking News! President Trump Massive Announcement Affecting Truck Drivers Today!
Send your trucking videos to muthatruckernews@gmail.com
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Sing along with the Good News Guys in this fun and action packed version of the classic Sunday school song “Joshua Fought the Battle of Jericho”! Listen and enjoy the exciting story of Joshua as he leads the Israelites around the walls of Jericho. Through faith, obedience, and God’s amazing power, those walls came tumbling down! Woohoo! Celebrate this beloved Bible story in a way that will have your whole family marching, shouting, and praising the Lord!
???? Subscribe for more videos and songs from the Good News Guys!
► Thank you to Luke Thompson of ActionVFX.com for providing great advice and the visual effects for this video!
???? Listen to our latest album, "Battles of the Bible," on all major music platforms ► https://found.ee/BattlesoftheBible
Find merch ????, learn about our story ????, and see our upcoming live events ???? on our website ► https://goodnewsguys.com
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Learn the Good News about Jesus Christ with the Good News Guys! We create fun and engaging Christian content for children, featuring both new and classic Sunday school songs for kids' praise and worship. Our mission is to help children learn about Jesus, grow closer to God, and praise Him while having fun! Join us in spreading joy through music and engaging content. So come on, let’s praise the Lord together! ????????
Thank you for watching!
Lyrics -
Joshua fought the battle of Jericho, Jericho, Jericho
Joshua fought the battle of Jericho, and the walls came tumbling down.
You may talk about the Kings of Gideon,
You may talk about your man of Saul,
But there's none like good old Joshua
at the Battle of Jericho
Up to the walls of Jericho,
he marched with the sword in hand
"Go blow your ram horns!" Joshua cried, "For the battle is in God's hands!"
When the horns began to bellow and the trumpets began to sound
and Joshua commanded those children to shout the walls came tumbling down!
Joshua fought the battle of Jericho, Jericho, Jericho
Joshua fought the battle of Jericho, and the walls came tumbling down.
Joshua fought the battle of Jericho, Jericho, Jericho
Joshua fought the battle of Jericho, and the walls came tumbling down.
The walls came tumbling down!
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Tracks:
A1 The Chant 00:00
A2 Four 03:28
A3 Blues On Down 07:54
A4 Sonny Boy 13:44
B1 In Walked Ray 18:42
B2 Blue Bird 22:49
B3 Over The Rainbow 27:03
B4 Off-Color 33:42
Credits
Alto Saxophone – Julian "Cannonball" Adderley
Arranged By – Jimmy Heath, Victor Feldman
Baritone Saxophone – Tate Houston
Bass – Keter Betts (tracks: A4 to B3), Sam Jones (tracks: A1 to A3, B4)
Cello – Sam Jones (tracks: A4 to B3)
Cornet – Nat Adderley
Design [Cover] – Ken Deardoff
Drums – Louis Hayes
Engineer – Ray Fowler
Guitar – Les Spann (tracks: A1 to A3, B4)
Mastered By – Jack Matthews
Photography By – Lawrence Shustak
Piano – Victor Feldman (tracks: A1 to A3, B1, B4), Wynton Kelly (tracks: A4, B2, B3)
Producer, Liner Notes – Orrin Keepnews
Tenor Saxophone – Jimmy Heath
Trombone – Melba Liston
Trumpet – Blue Mitchell
Vibraphone – Victor Feldman (tracks: A4 to B3)
Recorded in New York City; January 13 and 26, 1961.
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Artist: Lady Sovereign
Album: Public Warning
Year: 2006
Title: My England
It ain't about tea and biscuits. I'm one of those English misfits.
I don't drink tea I drink spirits, and I talk a lot of slang in my lyrics.
There goes a horse, horses for courses, nah more like corpses on corners,
and Staffordshire Bull Terriers and late night crawlers.
Police carry guns not truncheons, make your own assumptions.
London ain't all crumpets and trumpers, it's one big slum pit.
[Chorus:]
We ain't all posh like the queen, we ain't all squeaky clean,
Now do the Tony Blair, throw your hands int the air now everywhere,
We ain't all squeaky clean, we ain't all posh like the queen,
Now do the Tony Blair, throw your hands in the air now everywhere,
This is the picture I painted my low down, this my London that I call my home town,
It's where I'm living and this is my low down,
This is my England I'm letting you know now!
No I don't watch the Antiques Roadshow, I'd rather listen to Run the Road.
And smoke someone's fresh homegrown,
And not get bloated on a plate of scones,
Cricket, bowls, croquet, nah PS2 all the way, in an English coucil apartment,
We don't all wear bowler hats and hire servants.
More like 24 hour surveillance and dog sh*t on the pavements
[Chorus]
Big up Oliver Twist, letting us know the nitty gritty of what London really is,
It ain't all pretty, deal with the realness, it's all gritty, deal with the realness.
Ohh the changing of the Queen's guard, that's nothing for me to come out of the house for,
Tra la la, I'd rather sit on my arse,
And have a glass of Chardonnay, nah,
We ain't all Bridget Jones clones, who say pardon me
More like gwanin mate. You get me...
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Une rencontre entre le président ukrainien Volodymyr Zelensky et son homologue américain Donald Trump est prévue mercredi en marge du sommet de l'Otan à La Haye, a indiqué mardi à l'AFP un haut responsable de la présidence ukrainienne.
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Provided to YouTube by Columbia
Pressure · Fishbone
The Reality Of My Surroundings
℗ 1991 Columbia Records, a division of Sony Music Entertainment
Released on: 1991-04-22
Background Vocal: Vicky Calhoun
Associated Performer, Producer: Fishbone
Background Vocal: Kristen Vigard
Background Vocal: Aklia Chin
Background Vocal: James Grey
Background Vocal: Greg Bell
Background Vocal: Natalie Jackson
Background Vocal: Byron West
Background Vocal: Larry Fishburne
Background Vocal: Nadja Haynes
Background Vocal: Kyva Haynes
Background Vocal: Wendell Holmes
Background Vocal: Gaz Mayall
Background Vocal: Susan Rogers
Background Vocal: Sultana Muhammad
Background Vocal: Katherine Cederquist
Background Vocal: Clip Payne
Background Vocal: Jeff Conners
Background Vocal: Susan Stoval
Percussion: T-Bone
Trumpet: Fernando Pullum
Lyricist, Composer: A. Moore
Lyricist, Composer: K. Jones
Co- Producer: David Kahne
Engineer: Joel Stoner
Engineer: Clark Germain
Assistant Engineer: Dan Bosworth
Assistant Engineer: Mark Guilbeault
Assistant Engineer: Steve Holroyd
Assistant Engineer: Clif Norrell
Assistant Engineer: Rail Rogut
Assistant Engineer: Eric Rudd
Assistant Engineer: Richard Engstrom
Assistant Engineer: Kyle Beef
Assistant Engineer: Randy Wine
Assistant Engineer: Sylvia Massy
Assistant Engineer: Chris Theis
Assistant Engineer: Ken Felton
Mixing Engineer: Niko Bolas
Mastering Engineer: Wally Traugott
Auto-generated by YouTube.
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US foreign policy during Donald Trump’s second term will have significant implications for America’s western allies.
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???? 1 ???? 11 ❤️ 12 · Republicans Say Trump Is Tying a “Noose” Around Their Necks · GOP candidates are avoiding mentioning Donald Trump.
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???? 0 ???? 133 ❤️ 318 · Knives out for Trump as cost hikes start breaking gas station displays: ‘Good job Trumpy!’ · Diesel prices have spiked so high in parts of the United States that some gas stati…
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Reporters Andrea Bernstein, Ilya Marritz, and Andy Kroll bring you Episode 1: Most likely to succeed.
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In the wake of the turbulent election, Trump needs as much help as he can get. Paula White knows this, so she’s not only calling for God’s help, she’s trying to summon angels from Africa and South America as well.
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Russell Vought, President Donald Trump’s nominee for Office of Management and Budget director, was confirmed for that agency’s No. 2 slot in early 2018 after his former boss, Vice President Mike Pence, cast the tiebreaking vote. Having run the agency as acting director since January 2019 when his predecessor, Mick Mulvaney, became acting White House chief […]
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Paul Simon's 1966 classic, The 59th Street Bridge Song (Feelin' Groovy) as performed by Nicki Parrott on her latest CD, Feelin' Groovy on Arbors Records (ARCD#19490). Release date, May 3, 2024.
This official "Feelin' Groovy" video features:
Nicki Parrott vocals/bass
Steve Russell piano
Reuben Bradley drums
Martha Baartz tenor sax
Todd Hardy flugelhorn
Shane Hannan trombone
Arranged by Nicki Parrott
Horn arrangements by Andrew Robertson
Additional video credits:
Brian Wittman Director
Josh Northeast Director of Photography
Kye Haywood Assistant Camera
Rodney Bertram Soundstage Director
The CD reimagines a myriad of songs from the Swinging Sixties and features her core all-Australian band (a first for the label):
Nicki Parrott vocals/bass/xylophone
Steve Russell piano/vintage Wurlitzer
Dave Sanders drums
Martha Baartz tenor sax/flute
Todd Hardy trumpet/flugelhorn
Shane Hannan trombone
with special guests
Jim Kelly guitar
Nanny Assis percussion
Executive Producer Rachel Domber Arbors Records, Inc.
Producer Brian Wittman VP/Arbors Records, Inc.
The CD, Nicki Parrott : Feelin' Groovy will be released on Arbors Records on May 3, 2024 and is distributed by MVD.
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Trump says they want to make deal to open Hormuz Strait immediately because they're losing so badly
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This song was extremely popular during the dance band era, with no less than 10 recorded versions. I have 5 of them! I'd venture that this is one of the more scarcer renditions, but it features a lovely hot trumpet solo after the vocals
EDISON BELL DANCE ORCHESTRA
2t / tb / 2 cl, as / cl, ts / vn / p / bj / bb / d / Stanley Kirkby, v.
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Quiet Fire, a reggae, Latin jazz, and R&B ensemble which emerged as one of the premier groups in the U.S. Virgin Islands, was founded by teenagers attending Croix Central High and St. Joseph’s Catholic high schools on St. Croix Island. They began as the Soul Busters in 1967. The original members (with dates of birth) were leader/principal trumpeter Claude Louis Richards Jr. (January 2, 1950), trumpeter Neal “Panta” Carrington (November 2, 1952), bass guitarist/vocalist Devin Francis Carrington (March 13, 1954), piano/vocalist Daryl Anthony Richards Sr. (December 16, 1955), guitarist Ronald E. Russell (born June 10, 1954), Ray “Haseen” Iles congas (March 19, 1951); Delroy “Deli” Iles, congas (September 4, 1948); Roy Delemos on the alto saxophone (November 30, 1950), Renholdt “Rookie” Jackson, tenor saxophone (September 13, 1949), Raymond “Hoofa” Richards, composer/vocalist/percussionist, trombonist Antoine L. Joseph (November 11, 1952), and percussionist/vocalist Robert Ernest “Bobby” Richards (April 20, 1954). They originally performed rhythm and blues and Caribbean covers principally. In 1978, the Soul Busters changed their name to Quiet Fire and the following year recorded their debut studio album, Tropical Depression. The band did two follow-up albums. The work was recorded in San Juan, Puerto Rico, by Ochoa Recording Studios. In 1984 Quiet Fire’s music […]
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Provided to YouTube by Warner Records
Oakland Stroke (Additional) · Tower Of Power
Back To Oakland
℗ 1974 Warner Records Inc.
Engineer: Alan Chinowsky
Congas: Brent Byars
Guitar: Bruce Conte
Background Vocals: Bruce Conte
Keyboards: Chester Thompson
Background Vocals: Chester Thompson
Drums: David Garibaldi
Tenor Saxophone: Emilio Castilo
Background Vocals: Emilio Castilo
Bass Guitar: Francis Rocco Prestia
Bells, Flugelhorn, Trumpet: Greg Adams
Background Vocals: Greg Adams
Engineer: Jim Gaines
Flute, Saxophone: Lenny Pickett
Lead Vocals: Lenny Williams
Flugelhorn, Trombone, Trumpet, Vocals: Mic Gillette
English Horn: Stephen Kupka
Baritone Saxophone: Stephen Kupka
Background Vocals: Stephen Kupka
Engineer: Tom Flye
Producer: Tower Of Power
Writer: David Garibaldi
Writer: Emilio Castillo
Writer: Stephen Kupka
Auto-generated by YouTube.
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This musical air horn plays the distinctively famed Spanish tune "La Cucaracha". The Kit comes with five strong black ABS trumpets, a 12V heavy duty compressor, hose, relay and mounting hardware. This kit has all the bells and whistles you would expect from Vixen Horns, and generates immediate attention.
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http://trumpflix.com In this video Donald Trump is asked by Bill if he would take the President of China out for a fancy dinner and Trump said he would just take him to McDonalds and by him a hamburger... haha.
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Fascism has taken down democratic Republics multiple times in the past, will this happen to the United States under Trump?
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Thom Hartmann breaks down the very real possibility that we are looking at the end of the democratic experiment started in 1776.
What can we do to stop the end of our democracy? Is Donald Trump an authoritarian who wants to end democracy, is Donald Trump a fascist?
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Trumper: A supporter of Donald Trump. Used negatively in a derogatory fashion to insult someone.
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On Wednesday, August 8th, 1951, Charlie Parker (Bird) entered RCA Victor studios in New York City, accompanied by Red Rodney, trumpet, John Lewis, piano, Ray Brown, bass, and Kenny Clarke, drums. This assemblage bore some resemblance to Bird’s working quintet because it included Red Rodney, who had replaced Kenny Dorham at the end of 1949. Producer Norman Granz made a conscious effort, it would seem, not to record Bird’s working quintet, despite the artistic success of the Dial and Savoy recordings, so this date is the only studio recording with Bird and Red Rodney together.
Despite Bird’s best efforts, Rodney became a heroin addict during his years with the quintet. There’s a bogus scene in Clint Eastwood’s Bird, where Bird slams Rodney against a wall to make his feelings known, a melodramatic subversion of reality that typifies this irresponsible film. There was a more telling and historically accurate scene he might have included instead, especially given that Rodney was a consultant on the film. Picture this: while going cold turkey for the first time, Rodney arrives at Bird’s door suffering from severe abdominal pain. Having kicked many times himself, Bird knows this is atypical and gives Rodney an injection from his own supply. When withdrawal symptoms abate but not the abdominal pain, Bird rushes Rodney to the hospital, where he receives a lifesaving appendectomy. This actually happened, and had he included it Eastwood and audience would have had to sort through the moral ambiguities of such a scene, perhaps learning something in the process. Instead, due to his own artistic shortcomings, Eastwood relied on simplistic, and I think it’s quite fair to say racist, cinematic tropes and clichés.
Although he made a comeback of sorts in the 1970s, and lived into the 90s, Rodney’s career in the 50s was hobbled by intervals of prison time. It’s a shame, because he showed real promise. It’s easy to see what Bird found appealing. Rodney had a rich, nuanced sound, solid time, and an innate lyricism. He was in his early twenties when Bird approached him, and considered himself unworthy of the job. When he argued that others were more deserving, Bird replied, “Hey, let me be the judge of that. I want you. I think that you’re the player that I want in my band.” (This parallels his relationship with Miles.) Nevertheless, Rodney confides, “I was really frightened. I didn’t think I belonged.”
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On Wednesday, August 8th, 1951, Charlie Parker (Bird) entered RCA Victor studios in New York City, accompanied by Red Rodney, trumpet, John Lewis, piano, Ray Brown, bass, and Kenny Clarke, drums. This assemblage bore some resemblance to Bird’s working quintet because it included Red Rodney, who had replaced Kenny Dorham at the end of 1949. Producer Norman Granz made a conscious effort, it would seem, not to record Bird’s working quintet, despite the artistic success of the Dial and Savoy recordings, so this date is the only studio recording with Bird and Red Rodney together.
Very small and very white, with red hair, Rodney’s appearance has a what’s-wrong-with-this-picture effect in photographs. Coming up as a teenager in the world of white swing orchestras wouldn’t have prepared him for Bird’s quintet and all that went with it. Dizzy first introduced him to Bird in 1945, but it’s safe to assume that Rodney wasn’t part of Bird’s inner circle, and in some odd way that may account for Bird’s decision to tap him. Bird proved himself color-blind throughout his career. He wanted Stan Levey and Al Haig in the 40s and Rodney and Kotick in the 50s, and he spoke highly of Lennie Tristano, Dave Brubeck, Paul Desmond, and Chet Baker. Despite the impact of racism on every aspect of his life, Bird refused to let that carry over into the sacred sphere of music and taint his feelings toward his fellow musicians. He judged them entirely by the content of their characters, if you will.
When it comes to any solo by any player, reasonable listeners can disagree, but this session proved quite influential due to Bird’s composition Blues For Alice (named for Norman Granz’s secretary!). This remains the foremost example of what came to be referred to as a “Swedish Blues”, due to its substitutions in the first four bars.
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Peter Serafinowicz has always been ahead of his time. He was making fun of Donald Trump long before the world turned upside down, and the orange-haired maniac became President of the United States. Back when he was the harmless host of the Apprentice, Trump appeared on O News to give a tour of his garishly decorated house.
Watch full episodes of The Peter Serafinowicz Show right here ????
http://bit.ly/PeterSerafinowiczShow_Playlist
Absolute Jokes brings you the best of British comedy every week.
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