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Provided to YouTube by Warner Records Portrait of Jennie · George Benson Big Boss Band ℗ 1990 Warner Records Inc. Mixing Engineer: Al Schmitt Audio Recording Engineer: Al Schmitt Co- Producer: Al Schmitt Trumpet: Bob Ojeda Trumpet: Byron Stripling Acoustic Piano: Carl "Ace" Carter Guitar: Charlton Johnson Trombone: Clarence Banks Bass Guitar: Cleveland Eaton Alto Saxophone: Danny Turner Additional Engineer: Dave Russell Alto Saxophone: David Glasser Tenor Saxophone: Doug Miller Drums: Duffy Jackson Mixing Engineer: Ed Rak Audio Recording Engineer: Elliot Scheiner Arranger: Frank Foster III Guitar: George Benson Producer: George Benson Lead Vocals: George Benson Trumpet: George Cohn Mastering Engineer: Greg Calbi Additional Engineer: Jeff Toone Baritone Saxophone: Johnny Williams Tenor Saxophone: Kenneth Hing Trombone: Melvin Wanzo Trumpet: Mike Williams Audio Recording Engineer: Peter Darmi Unknown: Russ Defilippis Trombone: Tim Williams Bass Trombone: William Hughes Writer: Gordon Burdge Writer: Joseph Russel Robinson Auto-generated by YouTube.
Veľké štátne pohreby vždy prinášajú množstvo pozoruhodných momentov. Svetoví lídri sa stretávajú na jednom mieste, aby vzdali poctu zosnulému. Zároveň však
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Watch Imogen, Simon Heyworth and Bill Sellar chat about remastering Speak For Yourself: https://sfy20.com/remasteringsfy Stream Speak For Yourself (20th Anniversary Remaster): https://sfy20.com/sfy20 Merch: https://sfy20.com/preorder Receive exclusive updates - subscribe to newsletter: https://sfy20.com/newsletter Become a Heapster: www.heapster.live - I Am In Love With You - Written, composed, produced, engineered, mixed by Imogen Heap Remastered by Simon Heyworth and Bill Sellar at Super Audio Mastering Trumpet: Arve Henriksen http://www.imogenheap.com/ https://www.facebook.com/imogenheap https://twitter.com/imogenheap https://instagram.com/imogenheap https://twitter.com/imogenheap https://imogenheap.app/
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(KUTV) A series of polls released Feb. 22 show a mostly negative view of President Donald Trump's behavior as president thus far.As reported by Philip Bump for the Washington Post, a poll released byMcClatchy-Maristfound that amajority of Americans ar
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Provided to YouTube by Epic Words Get In the Way · Miami Sound Machine Primitive Love ℗ 1985 Epic Records, a division of Sony Music Entertainment Released on: 1985-08-13 Vocal: Gloria M. Estefan Associated Performer: Miami Sound Machine Keyboards, Background Vocal: Betty Cortez Guitar: Wesley B. Wright Producer, Percussion: Emilio Estefan, Jr. Percussion: Rafael Padilla Drums: Enrique E. Garcia Keyboards: Roger Fisher Bass: Juan Marcos Avila Saxophone: Ed Calle Harmonica: Gustavo Lezcano Trumpet: Victor Lopez Trumpet: Tony Concepcion Lyricist, Composer: Gloria Estefan Auto-generated by YouTube.
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We are strongly condemning President Donald Trump’s latest effort to entangle religion and government through a White House event rewarding wealthy business leaders for promoting religion and aligning the federal government with sectarian interests. FFRF is also taking issue with Trump’s derogatory joke toward atheists at Monday’s luncheon in the White House’s State Dining Room, which you can see in the clip. This casual erasure of America's secular founding principles is alarming and we remain committed to challenging it at every level of government. Read our full statement here: https://ffrf.org/news/releases/ffrf-slams-trump-for-ridiculing-atheists-and-advancing-religious-agenda/ #ffrf #trump #faithoffice #atheist
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Provided to YouTube by OKEH I Have Dreamed · Kurt Elling · Branford Marsalis The Questions ℗ 2018 Kurt Elling Inc. under exclusive license to Sony Music Entertainment Released on: 2018-03-23 Associated Performer: Kurt Elling feat. Branford Marsalis Vocal, Associated Performer, Arranger, Co- Producer: Kurt Elling Saxophone, Associated Performer, Co- Producer: Branford Marsalis Arranger, Guitar: John McLean Piano: Stu Mindeman Bass: Clark Sommers Drums: Jeff "Tain" Watts Trumpet: Marquis Hill Composer: Oscar Hammerstein II Lyricist: Richard Rodgers Executive Producer: Bryan Farina Recording Engineer, Mixing Engineer: Chris Allen Assistant Engineer: Grant Valentine Mastering Engineer: Greg Calbi Auto-generated by YouTube.
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Album: The Cat Empire (2003) https://www.youtube.com/playlist?list=OLAK5uy_kOeIpOkvPBqPvVsCk2BmC38f4E_czpG-I Hear the bands latest 2021 releases https://www.youtube.com/playlist?list=PLCqP1i2WWzvRHaxVLg9N3YlJXoZ21un8s The Complete Collection https://youtube.com/playlist?list=PLCqP1i2WWzvTgUtIDTF0ugzOAuf0uNK_X Tour Dates: https://thecatempire.com/tour/ News: https://thecatempire.com/#subscribe Shop: https://store.thecatempire.com/collections Place of Recording: Studio Egrem, Havana, Cuba Producer: Jerry Boys, Felix Fiebl & The Cat Empire Engineer: Jerry Boys Mixer: Rafe McKenna & Jerry Boys Composer: Felix Riebl Publishing: BMG Publishing Lyricist: Felix Riebl Session Artists: Jesus Ramos “Aguaje” - Trombone, Yauren Muiz - Trumpet Record Label: Two Shoes Records PTY LTD Lyrics: [F.RIEBL] One day one woman asked him ‘what do you to survive?’ he said ‘oh my dear listen here’ and this is what he cried On my feet I wear two shoes for dancing ‘dancing to be free’ my feet they’re paying tribute to the Bobby Marley legacy My knees they’ve got some cuts and bruises from skating all my days when i’m skating with my friends my troubles drift away I say my legs they’re wearing baggy pants I like to move around cos getting down and jumping up these are some good things that I found Aeehhhiiiaaaaa boom shak the empire be rising Aeehhhiiiaaaaa boom shak we making some lovin Aeehhhiiiaaaaa boom shak the greedy men running Aeehhhiiiaaaaa boom shak got two shoes for dancin My waist it’s got a slinky belt with a clip that’s quick to open because loving is the sweetest thing and from my waist it happen And my stomachs got some tasty food that’s making me feel good cos sharing some meals is something i wish the world could do And my chest it wears a singlet ah my chest it beating proud my chest suggest I am a man that no institution can knock down And around my neck is superstition hanging from a chain because i’ve got my gods but in the end I make my own way CHORUS My mouth it’s got a great big smile that shows some great big teeth to friends it brings a happiness and to enemies it means defeat And my eyes they’ve got some vision that can see through many lies ah my eyes they look for better things the better things to see in life And my ears are wearing head phones that do play my favourite songs not music i’m told to like but the songs that make me dance along Cos on my feet are shoes for dancing ‘dancing to be free’ my feet they’re paying tribute to the bobby marley legacy About: Formed in Melbourne, Australia and adored the world over, The Cat Empire is a musical success story that continues to be written. Throughout their 20 year career, the band's stratospheric trajectory has continued unabated, becoming one of Australia's most successful musical exports, growing an army of ardent fans at home and abroad. Since their teens, the six bound together by a love of music, and bolstered by the career-long guidance of Manager Correne Wilkie, have gone about the business of crafting infectious, genre-embracing anthems and releasing chart-topping, multi-platinum albums to take to the live stage. It was not unusual to find the band performing on main stage bills at iconic international festivals, selling out the world's most famous arenas, mobbed by supporters and media at airports in Spain, and appearing on top rating T.V. shows like Letterman and Leno. In September 2021, The Cat Empire announced that after 20 years, the band's original line-up would play their final shows together, culminating in a massive show and virtual concert from their hometown of Melbourne in December. The next chapter of The Cat Empire begins with founding members Felix Riebl and Ollie McGill stepping forward with "a re-imagined, vibrant, cross-cultural, and joyful collective of musicians and artists", with new music planned for 2022. The Cat Empire: Vocals: Felix Riebl Vocals & Trumpet: Harry James Angus Keys: Ollie McGill Drums: Will Hull-Brown Bass: Ryan Monro DJ: Jamshid “Jumps” Khadiwala https://thecatempire.com https://facebook.com/thecatempire https://instagram.com/thecatempire https://twitter.com/thecatempire Contact: admin@thecatempire.com Copyright Two Shoes PTY LTD
Eric Deters, a long-shot candidate for Kentucky governor, said he paid $75,000 for a Trump fundraiser, where they agreed they dislike Mitch McConnell.
Via: https://web.archive.org/web/20201022155311/https://www.newyorker.com
A former assistant at the network accused Guilfoyle, who is now one of the Trump campaign’s top fund-raising officials, of sexual harassment—and of attempting to buy her silence.
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Provided to YouTube by Rhino/Warner Records La Scala, She Too Pretty to Be Blue (2003 Remaster) · Duke Ellington The Symphonic Ellington ℗ 1964 Reprise Records Trombone: Buster Cooper Trumpet: Cat Anderson Bass Trombone: Chuck Connors Trumpet: Cootie Williams Piano: Duke Ellington Bass: Ernie Shepard Clarinet: Harry Carney Bass Clarinet: Harry Carney Baritone Saxophone: Harry Carney Clarinet: Jimmy Hamilton Tenor Saxophone: Jimmy Hamilton Alto Saxophone: Johnny Hodges Trombone: Lawrence Brown Orchestra: Paris Symphony Orchestra Tenor Saxophone: Paul Gonsalves Cornet: Ray Nance Trumpet: Roy Burrowes Clarinet: Russell Procope Alto Saxophone: Russell Procope Drums: Sam Woodyard Contributor: Cynthia Sesso Writer: Duke Ellington Auto-generated by YouTube.
In the weeks leading up to the Jan. 6 riot at the Capitol, President Donald Trump repeatedly said he wanted his supporters to fight Congress on accepting the electoral college results that showed Joe Biden won. “We’re going to walk down to the Capitol, and we’re going to cheer on our brave senators, and congressmen […]
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Provided to YouTube by Rhino Young Turks (with The Royal Philharmonic Orchestra) · Rod Stewart · The Royal Philharmonic Orchestra You're In My Heart: Rod Stewart (with The Royal Philharmonic Orchestra) ℗ 2026 Rhino Entertainment Company Trumpet: Adam Wright First Violin: Andrew Klee Viola: Andrew Sippings Second Violin: Andrew Storey Masterer: Andy Walter Cello: Anna Mowat Cello: Anna Stuart First Violin: Anthony Protheroe Double Bass: Ben Wolstenholme Double Bass: Benjamin Cunningham Drums: Carmine Appice Backing Vocals: Carmine Appice French Horn: Carsten Williams Double Bass: Cathy Colwell Cello: Chantal Webster Second Violin: Charlotte Ansbergs Viola: Chian Lim Viola: Clive Howard Second Violin: Colin Callow Trumpet: Craig Wild Cello: David Gordon Second Violin: David O'Leary Electric Piano: Duane Hitchings Synthesizer: Duane Hitchings First Violin: Duncan Riddell First Violin: Erik Chapman Viola: Esther Harling First Violin: Esther Kim Viola: Esther Vickers Flute: Harry Winstanley Second Violin: Helen Cochrane Viola: Helen Picknett Harp: Hugh Webb Second Violin: Ikuko Sunamura-Aso Second Violin: Ingrod Button Bass: Jay Davis Cello: Jean-Baptiste Toselli First Violin: Jeff Moore Second Violin: Jennifer Christie Second Violin: Jennifer Dear Lead Guitar: Jim Cregan Producer: Jim Cregan Backing Vocals: Jim Cregan First Violin: Joana Valentinaviciute Second Violin: Joanna Watts Mixing Engineer: Joel M Peters Programming: Joel M Peters Oboe: John Roberts French Horn: John Ryan Viola: Jonathan Hallett First Violin: Judith Templeman Arranger: Julian Hinton Orchestral Conductor: Julian Hinton Programming: Julian Hinton Clarinet: Katy Ayling First Violin: Kay Chappell Clavinet, Synthesizer: Kevin Savigar Drum Machine Drums: Kevin Savigar Backing Vocals: Linda Lewis Viola: Liz Varlow First Violin: Lynette Win Second Violin: Manuel Porta Recording Assistant: Marc McCouig Clarinet: Marie Lloyd Double Bass: Mark O'Leary Recorded By: Mat Bartram First Violin: Maya Bickel Trumpet: Mike Allen French Horn: Nicholas Mooney Viola: Pamela Ferriman French Horn: Paul Cott Second Violin: Peter Graham Viola: Rachel Roberts Cello: Richard Harwood Rhythm Guitar: Robbie LeMesurier Backing Vocals: Robbie LeMesurier Cello: Roberto Sorrentino Producer: Rod Stewart Lead Vocals: Rod Stewart Backing Vocals: Rod Stewart First Violin: Rosemary Hinton First Violin: Rosemary Wainwright Assistant Mixer: Sam Baker First Violin: Shana Douglas Second Violin: Siân McInally First Violin: Sophia Mather Second Violin: Stephen Payne First Violin: Tamás András With Orchestra: The Royal Philharmonic Orchestra Cello: Tim Steggals Oboe: Timothy Watts Trumpet: Toby Street Producer: Trevor Horn Viola: Triona Milne Viola: Ugne Tiškuté Second Violin: Victoria Lyon Cello: William Heggart First Violin: Winona Fifield Writer: Carmine Appice Writer: Duane Hitchings Writer: Kevin Savigar Writer: Rod Stewart Auto-generated by YouTube.
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NOVEMBER 3--In the aftermath of the 2001 terror attack on the World Trade Center, Donald Trump, a billionaire son of New York City, did not make a single charitable donation to any of the not-for-pr
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Chicago Symphony Orchestra conucted by Sir Georg Solti. I - Moderato - Langsamer - Tempo I - Langsamer - Tempo I: 0:00 II - Andante. Feierlich, etwas bewegt: 18:11 III - Scherzo. Mässig schnell - Trio. Gleiches Tempo - Scherzo da capo - Koda: 35:03 IV - Finale. Mehr schnell - Etwas langsamer - Tempo I - Langsamer - Tempo I - Tempo des ersten satzes - Langsamer - Tempo I - Sehr schnell: 41:11 Bruckner's Symphony No.2 was composed between October 11 of 1871 and September 11 of 1872. Otto Dessoff, conductor of the Vienna Philharmonic Orchestra, rehearsed the piece and rejected it saying "What nonsense", as him and a number of players considered it impossible to perform. The composer then modified the work switching the order of the inner movements, eliminating the repeats of the scherzo and other small changes. Bruckner himself successfully conducted the premiere of the work in Vienna on October 26 of 1873, performed by said orchestra after contracting it with the money of patron Johann Merbeck (another source claims it was Prince Johann Liechtenstein). It was well-received, and even harsh critic Eduard Hanslick praised it. Small tweaks also followed in 1876 after a new performance. Then in 1877, Bruckner more thoroughly revised the work, making cuts and reworking some sections of the piece. The score wasn't published until 1892, and a great mess was unleashed when musicologists tried to discern, separate and categorize each version according to Bruckner's own revisions. The differences between these versions (beyond the ones previously mentioned) encompass different tempi, slight reorchestrations, as well as cuts as additions of musical material, but no complete rewrites nor structural changes. In the end, Bruckner selected the 1877 version as his final one. With this symphony, Bruckner's mature style start to form, were before they were occasional flashes of brilliance. The traditional forms begin to be twisted to fit Bruckner's own conceptions and needs. Hallmark elements, such as the dramatic recall of previous themes, great dynamic contrast, abundant use of tremolos, as well as Bruckner's rhythm (which juxtaposes duple and triple divisions of the beat and is featured so prominently in later scores) appear here for the first time. The romantic influences of Beethoven, Schumann and specially Wagner are by then already absorbed and exploited by Bruckner. It has received the nickname of "Symphony of Pauses" for the use of rests to separate major sections of the music. The first movement is structured in a large-scale, modified sonata form. It begins with expecting tremolos from strings, followed by the introduction of an expressive and passionate main theme on cellos, with interventions of the trumpet. After a brief pause, a deeply lyrical second theme is presented by cellos, soon taken by the woods. It is followed by a more rhythmic and expansive third theme, which soon reaches a powerful climax. A new pause leads us to the development section opened by ominous low string tremolos, the material being transformed with the main theme as reference. A grand climax is reached, followed by a diminuendo and a pause. The recapitulation is very similar to the exposition, the music rising in a grand crescendo but suddenly coming to a complete halt several times, with the main theme reappearing before launching a dramatic and forceful coda. The second movement is written as an expanded ternary form. It opens with a lyrical and noble main theme on strings, expressively unfolding and leading to a religious chorale as the second theme, introduced by horns over strings pizzicati. The main theme is then recapitulated with more passion and harmonic variety, leading to a swelling climax. The second is also recapitulated in a varied way, concluding with a brief pause. A new recapitulation of the main theme again rises to an expansive climax. This part ends with a quote of Benedictus from Bruckner's Mass in F minor. The main theme then leads us to a peaceful coda with the horn referencing the second theme for the last time. The third movement is a scherzo in ternary form. It begins with a rhythmic and agitated main theme, unfolding with great abrasiveness. The scherzo is composed of two parts that may be repeated, which rarely happens. After a pause, the trio opens with a lighter, dance-like second theme reminiscent of a Ländler, an Austrian rustic dance. The scherzo is then continued with great energy, the trio makes its way to a forceful coda with strings reaching the heights with runs of the C minor scale, as the rest of the orchestra pounds out the opening rhythm. [Musical analysis continued in the comments section]. Picture: "The Aegean Sea" (1877) by the American painter Frederic Edwin Church. Musical analysis partially written by myself. Sources: https://tinyurl.com/26znmegy and https://tinyurl.com/26xwjdhd To check the score: https://tinyurl.com/2a7hp432
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Provided to YouTube by Reprise Hold On · Michael Bublé The Best of Bublé ℗ 2024 Reprise Records Piano: Alan Chang Engineer: Alejandro Rodriguez Arranger, Producer: Bob Rock Background Vocals: Bryan Adams Engineer: Eric Helmkamp Mastering Engineer: George Marino Mixing Engineer: Humberto Gatica Baritone Saxophone: Jacob Rodriguez Guitar: Joel Shearer Drums: Josh Freese Trumpet: Justin Ray Guitar: Keith Scott Percussion: Lenny Castro Vocals: Michael Bublé Lead Vocals: Michael Bublé Guitar: Michael Landau Tenor Saxophone: Mike Allen Trombone: Nick Vayenas Bass Guitar: Paul Bushnell Engineer: Randy Staub Engineer: Roger Monk Guitar: Rusty Anderson Writer: Alan Chang Writer: Amy Foster Writer: Michael Bublé Auto-generated by YouTube.
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What he has done for America and Israel is remarkable!
Brian Schatz warned "American democracy is at stake" after Trump's attorney said assassinating a political rival could be covered by presidential immunity.
"The American military has been completely rebuilt under my administration at a cost of $2.5 trillion."
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President Trump speaks to reporters ahead of a trip to San Antonio, Texas, where he is scheduled to hold a midterm rally at the Freeman Coliseum.
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Despacito - Music by Luis Fonsi, Daddy Yankee & Erika Ender/Arranged by Mihkel Kallip Follow us on: Facebook: https://www.facebook.com/Brassical/ Instagram: https://instagram.com/brassical_official/ Trumpets: Märt Metsla, Mihkel Kallip Trombone: Margus Toompere Tuba: Enri Remmelgas Video: Mihkel Kallip Sound: Margus Toompere Filmed completely on iPhone 7 and Filmic PRO Not your classical brass ensemble! It all started in 2011 when a group of friends decided to do something different. Inspired by the world famous Mnozil Brass, Brassical was born. We created a show never before seen in Estonia, mixture of classical and pop music infused with lots of humor. For a few years we enjoyed perfoming all over Estonia and abroad but after hundreds of concerts it started to fade away. We gave our last concerts with this programme in 2015. In 2017 Brassical was reborn. We have made some slight changes in our ensemble. Our aim is still to do things differently and aspire to improve but the most important of all is to have fun while doing it. Thank you for watching and don't forget to subscribe for more!
Trump makes an announcement as midterms less than a month away.
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Trump makes an announcement as midterms less than a month away.
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“Both Sorry Over Nothin’” from the album The East Bay Archive, Vol. I on Mack Avenue Records. LISTEN NOW https://smarturl.it/top.eastbayarchive BUY NOW https://towerofpower.com/store FOLLOW TOWER OF POWER FB link: https://www.facebook.com/OfficialTowerOfPowerBand/ IG link: https://www.instagram.com/towerofpowerofficialband/ Twitter link: https://twitter.com/officialtopband?l Website: https://towerofpower.com/ TOWER OF POWER Lenny Williams – Lead Vocals Mic Gillette – Trumpet, Vocals Greg Adams – Trumpet, Vocals Emilio Castillo – Tenor Saxophone, Vocals Lenny Pickett – Tenor Saxophone, Flute, Clarinet, Vocals Stephen “Doc” Kupka – Baritone Saxophone Chester Thompson – Keyboards, Vocals Bruce Conte – Guitar, Vocals Francis Rocco Prestia – Bass David Garibaldi – Drums Brent Byars – Congas Mack Avenue Music Group https://www.mackavenue.com LEGAL LINES Ⓟ© 2008 Tower of Power under exclusive license to Mack Avenue Records II, LLC. Marketed and distributed worldwide by Artistry Music. 18530 Mack Avenue, #299, Grosse Pointe Farms, MI 48236. All rights reserved.
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