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AIYOUアプリでフル・バージョンを独占販売中 https://aiyou-music.com/aiyou/contents/YPDoJ2ezAWG6rEqZ 世界中でシティ・ポップが再評価される先駆けとなった竹内まりやの名曲「プラスティック・ラブ」をコーノ・イ・ロス・チーコス・デ・クーバがダンサブルなキューバン・サルサでカヴァー。 [AIYOUアプリ]（iPhoneのみ） https://aiyou-music.com/aiyou/contents/YPDoJ2ezAWG6rEqZ AIYOUアプリ版には、独占配信となるフル・サイズの音源（スペイン語バージョンと日本語バージョン）が収録されています。 TRACK LIST I. Plastic Love (Amor Plástico - Full Version) II. Plastic Love (Full Version) AIYOU-0007 ¥800（税込） [7-inch vinyl] https://www.konoyloschicos.com/tagged/Discography [ネット配信] https://linkco.re/G9bmtxPg Plastic Love (Amor Plástico - Short Edit) Kono y Los Chicos de Cuba Lyrics/Composition：Mariya Takeuchi Arrangement/Spanish translation：Kono y Los Chicos de Cuba Kono y Los Chicos de Cuba Haruhiko Kono 河野治彦 : Leader, Percussion Roberto Vázquez "Chino" ロベルト・ヴァスケス : Bass Adner López アドネル・ロペス : Drums, Percussion Greter Ortega グレテル・オルテガ : Trumpet, Vocal Jorge Sergio Ramírez ホルヘ・セルヒオ・ラミーレス : Sax Alejandro Carbonell アレハンドロ・カルボネル : Piano, Keyboard Yuniet Lombida ジュニエ・ロンビーダ : Arrange Guest Musician Kevin Robinson Figueredo : Trumpet Sheira Thalía Sánchez : Chorus Kadir González : Chorus Marino Calzado : Chorus Recording Engineer：José Raúl Varona Mastering Engineer：Daelsis Pena Recording Assistant：Edian Correa Video Director：Alexis Oliva Video Editor : Henry García Creative Coordination : Motoki Kobayashi Visual Support : Takano Kubo Produced by Ivonne Moreira, Haruhiko Kono, Yuji Baba Kono y Los Chicos de Cuba（コーノ・イ・ロス・チーコス・デ ・クーバ） https://www.konoyloschicos.com/ https://www.facebook.com/kono.y.los.chicos/ 日本人パーカッショニスト河野治彦によりキューバの首都ハバナで結成されたラテン・ジャズ・グループ。2015年12月に行われたジャズ・フェス「フェスティバル・ジャズ・プラザ」でデビュー。2017年に日本民謡全12曲のカバーアルバム「ウニヴェルソス・パラレーロス」を発表。キューバのリズムと日本民謡のメロディーを合わせる実験的なスタイルが話題を呼ぶ。2021年11月にはピチカート・ファイヴの「東京は夜の七時」のスペイン語キューバンサルサ・カヴァーをリリースした。ハバナを拠点に活動中。 #plasticlove #プラスティックラブ #KonoYLosChicosDeCuba #AIYOU

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Provided to YouTube by Epic Nowadays (Roxie) (Album Version) · Renée Zellweger · Taye Diggs Chicago - Music From The Miramax Motion Picture ℗ 2002 Epic Records, a division of Sony Music Entertainment Released on: 2002-11-08 Conductor, Vocal Arranger: Paul Bogaev Associated Performer: Renée Zellweger Associated Performer: Taye Diggs Guitar, Banjo: Mitch Dalton Arranger, Drums: Perry Cavari Piano: David Hartley Violin: Chris Garrick Bass: Paul Morgan Clarinet: Jamie Talbot Clarinet: Stan Saltzman Clarinet: Alan Barnes Trumpet: Derrick Watkins Producer, Vocal Arranger: Ric Wake Composer: John Kander Lyricist: Fred Ebb Orchestrator: Michael Starobin Producer: Randy Spendlove Assistant Producer: Marc Russell Assistant Producer: Jennifer Love Assistant Producer: David Barratt A& R Coordinator: Tamar Chammou A& R Director: Rachel Levy Assistant Engineer: John Bailey Assistant Engineer: Chris Barrett Mixing Engineer: Dan Hetzel Mixing Engineer: Jim Annunziato Recording Engineer: Joel Moss Auto-generated by YouTube.

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The officials and advisers of the Trump 2 administration represent diverse ideological currents, some of which are relatively new to Washington.

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Steve Coleman - alto saxophone Geri Allen - piano Lonnie Plaxico - bass Mark Johnson (track 5), Marvin "Smitty" Smith (tracks 1-4 & 6-8) - drums Graham Haynes - trumpet (tracks 3 & 5) Cassandra Wilson - vocals (track 5)

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Provided to YouTube by IDOL Tales of Old (Hugo Kant Remix) · Boogie Belgique Postlude to Machine ℗ Le Plan Recordings under exclusive license from Boogie Belgique Records Released on: 2024-04-12 Background Vocals: Jussi De Nys Background Vocals: Cedric Van Overstraeten Drums: Martijn Van Den Broek Lead Vocals: Emily Van Overstraeten Producer: Oswald Cromheecke Producer: Aiko Devriendt Producer: Cedric Van Overstraeten Producer: Jussi De Nys Remixer: Hugo Kant Saxophone: Ambroos De Schepper Synthesizer: Oswald Cromheecke Trumpet: Cedric Van Overstraeten Composer: Oswald Cromheecke Composer: Aiko Devriendt Composer: Cedric Van Overstraeten Composer: Jussi De Nys Auto-generated by YouTube.

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Israel's 9/11

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It may be impossible today to understand fully the shock and outrage which alto saxophonist Ornette Coleman’s 1959 arrival in New York caused within the jazz community.  Coleman’s innovations freed his quartet from traditional structures of form, chordal harmony, tonality, and rhythm, and though his work has sharply divided opinion, he is widely acknowledged as having transformed the way in which jazz is heard and performed. Born in 1930 in Fort Worth, Texas, Coleman began playing tenor saxophone in rhythm and blues (R&B) bands, his own style rooted in the bebop idiom.  Though undocumented, his early development suggests something unique – Coleman was assaulted and his tenor saxophone destroyed after a particularly off-putting dance solo in Baton Rouge.  In 1949 Coleman settled in Los Angeles where he worked as an elevator operator and independently studied music theory.  On the alto saxophone, which remains his primary voice, Coleman developed a plaintively raw and vocalized tone, exploring micro-tonalities and speech-like cries.  In Los Angeles Coleman befriended drummers Ed Blackwell and Billy Higgins, as well as trumpeter Don Cherry, all of whom would later become mainstays in Coleman’s ground-breaking Atlantic quartets.  In 1958 Coleman found a willing partner in pianist Paul Bley, and with […]

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Provided to YouTube by Kontor New Media GmbH Mr. Clean · Peter Herbolzheimer Rhythm Combination & Brass Waitaminute ℗ Edel Germany GmbH Released on: 2015-05-06 Artist: Peter Herbolzheimer Rhythm Combination & Brass Saxophone: Herb Geller Bass: Niels-Henning Ørsted Pedersen Percussion: Sabu Martinez Drums: Tony Inzalaco Organ: Dieter Reith Piano: Horst Mühlbradt Saxophone: Ferdinand Povel Guitar: Sigfried Schwab Trombone: Peter Herbolzheimer Trombone: Jiggs Whigham Trombone: Rudi Füsers Trumpet: Rick Kiefer Composer: Weldon Irvine Trumpet: Ack Van Rooyen Trumpet: Art Farmer Trumpet: Palle Mikkelborg Music Publisher: NODLEW PUBLISHING Auto-generated by YouTube.

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The first recording of Tadd Dameron’s “lady Bird”, featuring Tadd Dameron – piano, Fats Navarro - trumpet, Allen Eager/Wardell Gray - tenor saxophone, Curly Russell - bass, and Kenny Clarke – drums. Recorded for Blue Note Records in New York on September 13, 1948. The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time. Join me on Patreon for Lead Sheets, Play-Alongs, Transcriptions, Lessons and much more: https://www.patreon.com/jazzguitarcomprehensive Some notes about the composition as found on https://www.jazzguitarcomprehensive.com/ Composer: Tadd Dameron Year: 1939 Origin: First recorded on a session for Blue Note Records in 1948. Style: Swing, played at a wide variety of tempos. Form: A-B (16 Bars) [8-8] The head is usually played twice on the way in and out. Key: C Major Harmony/Overview: The harmony of this composition is mostly functional, being predominantly made up of II - V's. The A section begins on IMaj7 before a II - V of bIII. Instead of resolving to bIII however it returns back to IMaj7 before a II - V sets up bVIMaj7. The B section begins on bVIMaj7 and also moves through various II - V's. The final turnaround of the piece (I Maj7 - bIII Maj7 - bVI Maj7 - bII Maj7) has become massively influential, being used frequently among improvisers, arrangers, and composers alike. Miles Davis would use the changes of this piece as the basis of his composition "Half Nelson", and iconic turnaround can also be heard on the Kenny Dorham blues "An Oscar For Oscar". Recordings: This song has been recorded over 90 times to date and is one of the many Tadd Dameron compositions to become a standard. Tadd Dameron first recorded it himself with his Sextet on a 1948 session for Blue Note Records, and he would also record it the following year with Miles Davis. It continues to be performed frequently to this day and is a jam session mainstay. JGC Top Picks: Tadd Dameron (with Miles Davis), Live at Salle Pleyel, 1949 The Jazz Messengers, The Jazz Messengers at the Café Bohemia, 1955 Dexter Gordon, More Power!, 1969 Please consider supporting this channel through a donation, https://www.paypal.com/paypalme/jazzguitarc You can also support me on Patreon for much more musical content, https://www.patreon.com/jazzguitarcomprehensive Be sure to subscribe to my main channel: https://www.youtube.com/channel/UCsHefbnzId7of6XcFJWh8UQ As well as my second channel for Play-Alongs and Loops: https://www.youtube.com/channel/UCPZJrGlk1zNvczjpbNbyOiA The World's Premier Site for Jazz Guitar Education and Beyond https://www.jazzguitarcomprehensive.com/ DISCLAIMER: This video has been uploaded for educational purposes and is protected under fair-use. This channel will never be monetized and any ads are run solely on behalf of the rightful copyright owner. #TaddDameron #LadyBird #JazzHistory

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Provided to YouTube by Columbia/Legacy September · Earth, Wind & Fire September ℗ 1978 Columbia Records, a division of Sony Music Entertainment Released on: 2018-04-17 Lyricist, Vocal, Composer, Recording Engineer, Producer: Maurice White Associated Performer: Earth, Wind & Fire Vocal: Al McKay Composer, Electric Guitar, Lyricist: Albert McKay Trombone: Louis Satterfield Trumpet: Michael Harrison Congas, Vocal: Philip Bailey Guitar: Johnny Graham Keyboards: Larry Dunn Vocal, Bass: Verdine White Drums: Ralph Johnson Tenor Saxophone: Andrew Woolhawk Trumpet: Rahmlee Michael Davis Drums: Fred White Composer, Lyricist: Allee Willis Mastering Engineer: Mark Wilder Performance Arranger: Tom Tom 84 Auto-generated by YouTube.

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Provided to YouTube by Warner Sunset/Warner Records Why so Serious? · Hans Zimmer · James Newton Howard The Dark Knight (Original Motion Picture Soundtrack) ℗ 2008 Warner Bros. Entertainment, Inc. Mixer: Alan Meyerson Music Editor: Alex Gibson Co- Producer: Alex Gibson Cello: Anthony Pleeth. Orchestration: Brad Dechter Conductor: Bruce Fowler Orchestration: Bruce Fowler Orchestral Contractor: Charlotte Matthews Assistant Engineer: Chris Bacon Assistant Engineer: Chris Barrett Samples: Claudius Bruse Music Editor: Daniel Pinder Orchestration: Elizabeth Finch Percussion: Frank Ricotto Percussion: Gary Kettel Conductor: Gavin Greenaway Recorded By: Geoff Foster Assistant Engineer: Greg Vines Producer, Synthesizer: Hans Zimmer Synthesizer Programmer: Hans Zimmer Additional Musicians: Heitor Pereira Synthesizer Programmer: Howard Scarr Orchestral Contractor: Isobel Griffiths Synthesizer Programmer: Jacob Shea Piano, Producer: James Newton Howard Orchestration: Jeff Atmajian Additional Engineer: Jeff Biggers Assistant Engineer: Katia Lewin Orchestra: Kevin Kaska Music: Lorne Balfe Co- Producer: Lorne Balfe Masterer: Louie Teran Additional Engineer: Mark Wherry Additional Musicians: Martin Tillman Conductor: Matt Dunkley Trumpet: Maurice Murphy Music: Mel Wesson Samples: Michael Hobe Additional Musicians: Michael Levine Additional Programmer: Noah Sorota Tuba: Owen Slade Percussion: Paul Clarivs Trombone: Pete Davies Engineer: Peter "Oso" Snell Viola: Peter Lale Orchestration: Randy Kerber Horn: Richard Watkins Orchestra Leader: Rose Warren-Green Assistant Engineer: Ryan Rubin Additional Musicians: Ryeland Allison Additional Musicians: Satnam Ramgotra Piano: Simon Chamberlain Engineer: Stuart Thomas Orchestration: Suzette Moriarty Additional Programmer: Thomas Broderick Orchestration: Walter Fowler Samples: Zain Effendi Upright Bass: mary Scully Composer: Hans Zimmer Arranger: Henry Jackman Composer: James Newton Howard Auto-generated by YouTube.

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Actor Samuel Leroy Jackson was born on December 21, 1948 in Washington, D.C. to factory worker Elizabeth Jackson. His father abandoned his mother shortly after Jackson’s birth and then died of alcoholism. Jackson and his mother moved to Chattanooga, Tennessee, where they lived with her family. Jackson attended Riverside High School and played the trumpet and the French horn until graduating. Jackson attended Morehouse College in Atlanta, majoring in dramatic arts. He founded the Just Us Theater while attending Morehouse, and in 1968 he was an usher at the funeral of Martin Luther King Jr.  In 1969 Jackson and several other students held the members of the Morehouse Board of Trustees hostage on campus until they agreed to administrative and curriculum changes. An agreement was made but Jackson was forced to leave Morehouse for two years. He returned and graduated in 1972. While in Atlanta Jackson was involved with the Black Power movement and worked with Stokely Carmichael, H. Rap Brown, and movement leaders.  He also joined the Black Image Theater Company which performed plays illustrating racial injustice and discrimination. Jackson met his future wife, Latanya Richardson, at the Company, and the two were married in 1980. The two had a daughter […]

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Peter Davis is best known as the music teacher of Louis Armstrong.  Much of his life story is found in interviews. The exact date of his birth is uncertain, but he recalled in a 1965 interview having been born on October 25, 1887, near the French Quarter in New Orleans, Louisiana.  Other sources claim his birth was in 1880. No discernible information could be found on the Davis family except that the census data indicate that his father listed himself as a widower and a day worker. Davis was first introduced to music training when he took lessons from the celebrated music teacher William J. Nickerson beginning in the late 1890s. Davis learned the piano and then the cornet.  By the time he was an adult, he was training other students.  The music teaching career of Davis began around 1912 when he was hired as the warden at the Colored Waifs’ Home for Boys soon after became the director of music. The facility was used to house African American boys who had been incarcerated by court order. Most of his students were given lessons on the cornet or the trumpet. However, many more took lessons on a variety of instruments, including […]

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Essential to understanding Trump is his attempt to subject the public to his own solipsistic reality—and thereby destroy our shared basis for democracy.

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Official Music Video for Oh No (Pt. 2) performed by L.A.B @LABMusic ,Live at Massey Studios ???? Watch or listen to more from L.A.B ⚡️ https://youtube.com/playlist?list=PLyLRteo6J9RpnE989C_GuBhWlGYrvS2Gu In The Air: https://youtu.be/wI5usbhzmbY Casanova: https://youtu.be/_u7d1wNDOyc Proud Man Live: https://youtu.be/HNCnPsc53cE Mr Reggae: https://youtu.be/-l2dfrPbwE0 Controller: https://youtu.be/O4LPzm4S1As Rocketship: https://youtu.be/bHdeXS4zdu8 ???? Subscribe for more! https://www.youtube.com/@LABMusic ???? Download or stream ⬇️ https://lab.ffm.to/labvi-deluxe ???? Connect and follow L.A.B online ???? https://www.instagram.com/lab_music https://www.facebook.com/LABmusicNZ https://www.tiktok.com/@lab_music https://soundcloud.com/lab-sc https://music.apple.com/nz/artist/l-a-b/6080342 Bandcamp: https://labmusic.bandcamp.com Loop: https://www.loop.co.nz/artists/lab Oh No (Pt. 2) (Live at Massey Studios) from our new album L.A.B VI (Deluxe) - out now. L.A.B are Brad Kora (drums, backing vocals), Stu Kora (keyboards, guitar, backing vocals), Joel Shadbolt (vocals, lead guitar), Ara Adams-Tamatea (bass), Miharo Gregory (keys, backing vocals). Percussion: Dean Rodrigues Saxophone: Louisa Williamson Trumpet: Ben Hunt Trombone: Kaito Walley Taiko Drums by Taikoza Wellington: Ben Whitton, Jos Coolen, Natalie Hunt, Sai Archana Pararasasingam, Sam Tardif, Thomas Schickedanz Produced by Loop Director & DOP - Shae Sterling Producer - Mikee Tucker Assistant Producer - Aimee Sinclair Massey Studios Producer - James Coyle Camera Operators - Sam Warner, Shae Sterling, Antonio Lim Edited by Shae Sterling Wrangler - Kerry Pulham Massey Studios Sound Engineer - Mike Gibson Massey Studios Assistant Engineer - Finn Harris Mixed by Lee Prebble at The Surgery Mastered by Mike Gibson at Munki Horn compositions by Brad Kora & Louisa Williamson String compositions by Mahuia Bridgman-Cooper Special thanks to Loop, Massey Studios, Massey University, College of Creative Arts Toi Rauwhārangi, New Zealand On Air. #LAB #LABMusic #LABVIDeluxe

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CNN video PO-76MO. Subscribe to WAAY on YouTube: https://bit.ly/3RbqKw6

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Provided to YouTube by Ghostlight Records Through Heaven's Eyes · Gary Wilmot · The Prince of Egypt Original Cast Ensemble The Prince of Egypt (Original Cast Recording) ℗ 2020 Sh-K-Boom Records, LLC. The Ghostlight logo is a trademark of Sh-K-Boom Records LLC. 1633 Broadway, New York, NY 10019. All rights reserved. Manager: Anthony Field Orchestration: August Eriksmoen Second Violin: Daniel Bhattacharya Drums: Daniel Ellis Copier: Dave Hagen Horn: David McQueen Conductor: David Rose Director: David Rose Second Violin: Dominic Moore Arranger: Dominick Amendum Producer: Dominick Amendum Music Supervisor: Dominick Amendum Horn: Duncan Fuller Viola: Fiona Leggat Copier: Jake Parker Engineer: Jeremy Murphy Bouzouki, Guitar: John Gregson Executive Producer: Kurt Deutsch Pro Tools: Laura Becks Cello: Magda Pietraszewska Musical Director: Mark Collins Keyboards: Mark Collins Percussion: Murdoch MacDonald Leader Violin: Nina Foster Masterer: Oscar Zambrano First Violin: Penny Ainscow Viola: Polly Wiltshire Double Bass: Rory Dempsey Woodwind: Rupert Widdows Copier: Ryan Driscoll Second Violin: Sebastian Rudnicki First Violin: Sonya Fairbairn Producer: Stephen Schwartz Designer: Taylor Williams Flugelhorn, Trumpet: Tony Cross Composer, Lyricist: Stephen Schwartz Auto-generated by YouTube.

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Trump has boasted about ending eight wars, styling himself as "the president of peace" and therefore deserving of the Nobel honour but those claims have been exaggerated.

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Composer- Fats Waller Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. He received numerous accolades including the Grammy Award for Best Male Vocal Performance for Hello, Dolly! in 1965, as well as a posthumous win for the Grammy Lifetime Achievement Award in 1972, and induction into the National Rhythm & Blues Hall of Fame in 2017. Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing.

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Provided to YouTube by Parlophone Portugal És Tão Boa! · Herman José És Tão Boa! ℗ 2005 Warner Music Portugal, Lda Saxophone: Alberto Roque Saxophone: Guto Lucena Vocals: Herman José Guitar: J. A. Raharitahiana Editor, Mixer: Joaquim Monte Engineer: Luís Caldeira Bass: Marino Freitas Trumpet: Miguel Gonçalves Engineer: Pedro Banha Director, Piano, Producer: Pedro Duarte Keyboards: Rui Filipe Reis Trombone: Rui Gonçalves Drums: Sertório Calado Editor, Mixer, Trumpet: Simon Wadsworth Composer: Herman José Auto-generated by YouTube.

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Sesame Street featured Canadian Brass many times over the years. This clip features trumpeter Fred Mills. We love you, Fred!

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Eddie Marshall on drums, with Peck Allmond on trumpet, Glen Pearson on piano, and bassist Jeff Chambers at Piedmont Piano Company February 27, 2011 playing Eddie's original tune "Too Much Romance"

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this is from the johnny cash show 16 decembre 1970. everyone is is western costumes and theres a duel between some awesome trumpet players !! the carter sisters look so pretty in the old west clothes :-) i don't see helen though #johnnycash #johnnycashshow #carterfamily #western #alhirt #trumpet -- * I do not own the rights to the images/audio in this video. * Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commenting, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

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Jared and Ivanka Persuaded Then-President Trump to Secretly Embrace Chabad Lubovitch. It is Described by Wikipedia as "one of the largest Hasidic dynasties" in Judaism.

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In a wide-ranging, year-end interview with NPR, the president says he makes "no apologies" for going after ISIS "appropriately and in a way that is consistent with American values." The interview comes as Obama's strategy to fight terror is receiving low approval from the public and fierce criticism from the right for not being more forceful. The president also discusses his concern that campus activists aren't hearing other points of view, the legacy of his climate deal and why he feels Donald Trump is "exploiting" the anger and fear of some American voters. This video is copyrighted by NPR. NPR hereby grants permission for anyone to use up to sixty (60) consecutive seconds of the video and/or audio on the condition that such excerpts are credited to "NPR News." Television usage of interview video/audio must include on-screen chyron to "NPR News" with NPR logo. For permission to use extended clips of the video/audio, please contact permissions@npr.org. SUBSCRIBE ???? NPR Podcasts: https://www.youtube.com/c/nprpodcasts ???? NPR Entertainment: https://www.youtube.com/c/nprentertainment ????️ NPR Daily News: https://www.youtube.com/c/nprdailynews ???? Planet Money: https://www.youtube.com/c/planetmoney ???? NPR Music (Tiny Desk): https://www.youtube.com/nprmusic ???? Jazz Night in America: https://www.youtube.com/jazznightinamerica ???? NPR: https://www.youtube.com/npr FOLLOW NPR ELSEWHERE https://www.instagram.com/npr/ https://www.tiktok.com/@npr https://twitter.com/npr https://www.facebook.com/NPR https://www.npr.org/

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Provided to YouTube by Rhino Atlantic Ev'ry Time We Say Goodbye · Simply Red Men and Women ℗ 1987 Warner Music UK Ltd. Producer: Mick Hucknall Engineer: Barry Mraz Assistant Engineer: Chris Dickie Drums, Percussion: Chris Joyce Cello: Eleanor Morris Flugelhorn, Keyboards, Percussion, Trumpet: Fritz McIntyre Baritone Saxophone: Ian Kirkham Tenor Saxophone: Ian Kirkham Vocals: Janette Sewell Vocals: Mick Hucknall Programmer: Steve Rainford Guitar: Sylvan Mastering Engineer: Ted Jensen Bass Guitar: Tony Bowers Percussion: Tony Bowers Engineer, Producer: Yvonne Ellis Writer: Cole Porter Auto-generated by YouTube.

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<p>In Japan, "they take a bowling ball from 20 feet up in the air and they drop it on the hood of the car. And if the hood dents, then the car doesn't qualify...It's horrible, the way we're treated."</p>