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Via: https://www.lewrockwell.com
President Donald J Trump has been rampaging around the United States delivering campaign speeches that are all about himself as America’s “greatest president” when he is not smearing someone else employing his own unique brand of maniacal hatemongering. Recent sorties to the hinterland have including Trump in Michigan admiring the prominent asses of incumbent Senator […]
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3rd Street Jazz: Song for My Father is a 1965 album by the Horace Silver Quintet, released on the Blue Note label in 1965. The album was inspired by a trip that Silver had made to Brazil. The cover artwork features a photograph of Silver's father, John Tavares Silver, to whom the title song was dedicated. "My mother was of Irish and Negro descent, my father of Portuguese origin," Silver recalls in the liner notes: "He was born on the island of Maio, one of the Cape Verde Islands." The composition "Song for My Father" is probably Silver's best known. As described in the liner notes, this album features the leader's quintet in transition as it features a mix of tracks featuring his old group and his new line-up after Blue Mitchell had left. One of Blue Note's greatest mainstream hard bop dates, Song for My Father is Horace Silver's signature LP and the peak of a discography already studded with classics. Silver was always a master at balancing jumping rhythms with complex harmonies for a unique blend of earthiness and sophistication, and Song for My Father has perhaps the most sophisticated air of all his albums. Part of the reason is the faintly exotic tint that comes from Silver's flowering fascination with rhythms and modes from overseas -- the bossa nova beat of the classic "Song for My Father," for example, or the Eastern-flavored theme of "Calcutta Cutie," or the tropical-sounding rhythms of "Que Pasa?" Subtle touches like these alter Silver's core sound just enough to bring out its hidden class, which is why the album has become such a favorite source of upscale ambience. Song for My Father was actually far less focused in its origins than the typical Silver project; it dates from the period when Silver was disbanding his classic quintet and assembling a new group, and it features performances from both bands. Still, it hangs together remarkably well, and Silver's writing is at its tightest and catchiest. The title cut became Silver's best-known composition, partly because it provided the musical basis for jazz-rock group Steely Dan's biggest pop hit "Rikki Don't Lose That Number." Another hard bop standard is introduced here in the lone non-Silver tune, tenor saxophonist Joe Henderson's "The Kicker," covered often for the challenge of its stuttering phrases and intricate rhythms. Yet somehow it comes off as warm and inviting as the rest of the album, which is necessary for all jazz collections -- mainstream hard bop rarely comes as good as Song for My Father. Horace Silver – piano Carmell Jones – trumpet (solo 2 and 5, ensemble 1 and 4) Joe Henderson – tenor saxophone Teddy Smith – bass Roger Humphries – drums Tracks 3, 7, 9, 10 Horace Silver – piano Blue Mitchell – trumpet (ensemble) Junior Cook – tenor saxophone (ensemble) Gene Taylor – bass Roy Brooks – drums Tracks 6, 8 Horace Silver – piano Gene Taylor – bass Roy Brooks – drums https://www.facebook.com/3rdstreetjazz/
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Bald Eagle Vs. Donald Trump
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Provided to YouTube by Vogue Keeping Up With Jonesy (Master take) · Gigi Gryce and his Orchestra The Complete Paris Sessions, Vol. 1 ℗ 1953, Disques Vogue Released on: 1953-09-01 Associated Performer: Gigi Gryce and his Orchestra Composer, Alto Saxophone: Gigi Gryce Trumpet: Clifford Brown Trumpet: Art Farmer Trumpet: Fred Gérard Trumpet: Fernand Verstraete Trumpet: Walter Williams Trombone: Al Hayse Trombone: Jimmy Cleveland Trombone: Bill Tamper Alto Saxophone: Anthony Ortega Tenor Saxophone: Henry Bernard Baritone Saxophone: Henry Jouot Piano: Henri Renaud Bass: Pierre Michelot Drums: Alan Dawson Tenor Saxophone: Clifford Solomon Trumpet: Quincy Jones Reissue Producer: Daniel Baumgarten Auto-generated by YouTube.
Via: https://c4ss.org
Last week, President Trump announced intentions to roll back the Obama administration’s opening of relations between the U.S. and Cuba. Trump called for stricter enforcement of the ban on Americans visiting Cuba as tourists, as well as doing business with Cuba’s Armed Forces Business Enterprises Group.
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Trump's just a grabbin' against their will.
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Provided to YouTube by Sony Music Media Quién Fuera Luna (Album Version) · Manzanita Un Ramito De Violetas ℗ 1981 Sony Music Entertainment (Spain) S.A. Released on: 2000-10-23 Percussion: Glen Velez Associated Performer, Guitar: Manzanita Percussion: Pepe Ebano Percussion: Frank Menusan Drums: Jimmy Young Piano: Jordan Kaplan Trumpet: John Trebor Clark Violin: Richard Young Lyricist, Composer: Gustavo Adolfo Bécquer Composer, Lyricist: E. López Del Saa Arranger: Dave Thomas Producer: José Luis de Carlos Auto-generated by YouTube.
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Yente was not available, so Donald Trump went to Brad Raffensperger as his matchmaker to find him some votes. See the entire Fiddler on the Roof / Donald Trump playlist: https://youtube.com/playlist?list=PLTJ51MPoPijxl1FLlOFuBIAkgEp6AU3g0 === Lyrics === Raffensperger, Raffensperger, Find me some votes Please don’t record Stop taking notes Raffensperger, Raffensperger, You know I won So find me a few more votes Raffensperger, Raffensperger, Ballots were stuffed Why won’t you help? I feel so rebuffed Bring me more votes, Or you’re going to see Republican anarchy There were dead folks All casting ballots In numbers That have never been seen In bathrooms There were boxes on pallets I’m told they were brought in by submarine Raffensperger, Raffensperger, Find me some votes Please don’t record Stop taking notes I’m getting tired of these politics So find me some votes, Before Jan 6 {Break} Donald, oh Donald, Have I got some fraud for you! There’s thousands of ballots Alright, there’s only two But it’s a good catch, a big dump, true? True. I promise we’ll find more of them, Before the night is through, But they might be for Biden This state turned blue — Sir! We’ve got it A plan you can embrace We’ll get some fake electors And they can take the place Of all the real ones We’ll bring guns Intense? Intense! There’s only one more problem We’re checking with Mike Pence We don’t know if he’ll do it He’s on the fence — Did you think that it would work? Did you think you would prevail? With a plan by John Eastman and with Giuliani Be glad you’re not in jail! (yet) — Raffensperger, Raffensperger, You know that I’m Frightfully old I can’t do hard time Right at this moment Would be opportune If I could be found immune Dear Clarence Do me a favor Remember Those things done by your bride If I grant Ginni a pardon Then you can delay And I’ll stay untried Raffensperger, Raffensperger, Found me no votes Made a recording And took lots of notes I cannot stand Fani’s face when she gloats So Fight me no fights Dispense with Mike Pence Make me no fakes Find me no votes And we will win, Totes McGotes! === Credits === Music from "Matchmaker, Matchmaker" London Cast Recording https://youtu.be/RIkK2MuosWg
Via: https://www.opensecrets.org
President Donald Trump’s selection of J.D. Vance as his 2024 running mate cemented the political rise of a first-term senator…
Via: https://www.irishstar.com
Ryan Wesley Routh wrote "I will be glad when you are gone," to Trump on social media a month ago
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Kokoroko's new single Age of Ascent is out now ???????? Listen here ➡️ www.youtube.com/watch?v=mBH3hltXaL0 Their long-awaited debut album Could We Be More, is due for release on August 5th 2022 via Gilles Peterson’s Brownswood Recordings. Pre-order the debut album here: https://Kokoroko.lnk.to/CouldWeBeMoreID A primer on London’s bright-burning young jazz scene, this new compilation brings together a collection of some of its sharpest talents. A set of nine newly-recorded tracks, We Out Here captures a moment where genre markers matter less than raw, focused energy. Surveying the album’s running order, it could easily serve as a name-checking exercise for some of London’s most-tipped and hardworking bands of the past couple of years. Recorded across three long, fruitful days in a North West London studio, the results speak for themselves: they’re a window into the wide-eyed future of London’s musical underground. Kokoroko (meaning 'be strong' in Urhobo), are a collective of young musicians brought together by a love for Afrobeat led by trumpeter Sheila Maurice-Grey. They specialise in a soul shaking, horn fuelled sound with West African roots and inner London hues. 'Abusey Junction' is a ballad written by guitarist Oscar Jerome (fast making a name as an artist in his own right). It was written on the roof of a compound in Gambia where the band spent time last year immersing themselves in the soundscapes of the region. Sheila Maurice-Grey - Trumpet Cassie Kinoshi - Alto Sax Richie Seivwright - Trombone Oscar Jerome (Laurence) - Guitar Yohan Kebede - Keyboard Onome Edgeworth - Percussion Mutale Chashi - Bass We Out Here compilation released 9th Feb 2018 https://weouthere.bandcamp.com/album/we-out-here Follow - Kokoroko - http://bit.ly/2xt66Q8 Buy - We Out Here - http://bit.ly/2NRXywv
Via: https://southdakotasearchlight.com
President Donald Trump signaled his continued support for cryptocurrency, saying at an industry conference he wanted to see the United States lead the world in digital asset technology.
Via: https://www.winchesterstar.com
DONALD SEARS
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Available on iTunes and Spotify! How Donald Trump has driven us to drink … We have finally managed to pull ourselves out of the pub and into the studio to record this song. And then back into the pub for the video. It is our protest song against Trump, Clinton and other politicians! "Between Hell & America" Written by Adam Johns Produced by James Grady Performed by Paper Street Soap Company: Adam Johns – lead vocals/acoustic guitar Grahame Scott – electric double bass/vocals Pat Grady – drums/percussion/vocals Seán McAusland – accordion/tin whistle/vocals © 2017 Paper Street Soap Company ℗ 2017 Paper Street Soap Company
Via: https://abcnews.com
President Donald Trump continued Wednesday to dismiss calls within his own party for more transparency into the Jeffrey Epstein investigation.
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Provided to YouTube by Atlantic Records One Last Time (44 Remix) · Christopher Jackson · Barack Obama · BeBe Winans One Last Time ℗ 2018 Hamilton Uptown Limited Liability Company under exclusive license to Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States Percussion: Aaron Draper Bass: Adam Blackstone Producer: Alex Lacamoire Producer: BeBe Winans Assistant Engineer: Brandon Chevere Choir: Carl Robinson Jr. Choir: Chenee Campbell Guitar: Clayton Sears Piano: Daniel Weatherspoon Unknown: Derik Lee Conductor: Donald Lawrence Additional Engineer: Ian Kagey Assistant Engineer: Ian Kagey Mixer: Jeff Balding Production: Jill Dell'Abate Assistant Engineer: Joseph Pomarico Choir: Katrice Walker Choir: Linny Smith Jr. Choir: Melonie Daniels-Walker Drums: Mike Reid Assistant Engineer: Neal Shaw Choir: Nicole Phifer Choir: Nicole Vega Trumpet: Phil Lassiter Masterer: Randy Merrill Choir: Stephanie Oplacio Keyboards: Terence Vaughn Assistant Engineer: Yihan Wei Assistant Engineer: Zachary Kornhauser Arranger: Adam Blackstone Arranger: Daniel Weatherspoon Arranger: Donald Lawrence Composer, Lyricist: Lin-Manuel Miranda Auto-generated by YouTube.
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Maybe it was done to her husband, or maybe to the U.S. Public, or maybe the speech writer did it to her, but Melania just Rick Rolled somebody.
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Bass – Pierre Michelot Drums – Benny Bennet Piano – Henri Renaud Trumpet – Clifford Brown Cover – F. Wolff, Gil Mellé Recorded: 1953 A1 Come Rain Or Come Shine 0:00 A2 I Can Dream, Can't I 4:08 A3 Blue And Brown 7:05 B1 The Song Is You 10:12 B2 You're A Lucky Guy 13:01 B3 It Might As Well Be Spring 15:44 FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
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Provided to YouTube by Warner Music Group - X5 Music Group Boogie Shoes · KC & The Sunshine Band 70s Soul Classics ℗ 2025 Warner Music Group - X5 Music Group Released on: 2025-03-12 Engineer, Masterer: Akihiko Kurazono Background Vocals: Beverly Champion Engineer, Mastering: Bob Fisher Percussion: Fermin Goytisolo Producer: Harry Wayne Casey Keyboards, Lead Vocals: Harry Wayne Casey Background Vocals: Jeanette Williams Guitar: Jerome Smith Trumpet: Ken Faulk Background Vocals: Margaret Reynolds Tenor Saxophone: Mike Lewis Percussion: Oliver Brown Producer: Richard Finch Bass, Drums, Percussion: Richard Finch Drums: Robert Johnson Trumpet: Vinnie Tanno Baritone Saxophone: Whit Sidener Composer Lyricist, Writer: Harry Wayne Casey Composer Lyricist, Writer: Richard Finch Auto-generated by YouTube.
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theTrumpet.com delivers in-depth news analysis on top stories, world news, weather, economics and society in the light of Bible prophecy.
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Provided to YouTube by J Records You Don't Know My Name (Unplugged Live at the Brooklyn Academy of Music, Brooklyn, NY - July 2005) · Alicia Keys Unplugged ℗ 2005 RCA/JIVE Label Group, a unit of Sony Music Entertainment Released on: 2005-10-11 Keyboards, Arranger: Onree Gill Lyricist, Composer, Associated Performer, Arranger: Alicia Keys Percussion: Pablo Batista Drums: Paul John Guitar: Arthur White Bass Guitar: Steve Mostyn Arranger, Conductor: Ray Chew Background Vocal: Anaysha Figueroa Background Vocal: Sara Devine Background Vocal: Denise Stoudmire Trumpet, Fluegelhorn: Joe Romano Flute, Saxophone: Dave Watson Trombone: Jeff Dieterle Violin: Gwen Laster Violin: Mariana Green-Hill Viola: Anne-Marie Bedney Cello: Eileen Folson Background Vocal: Jermaine Paul Lyricist, Composer: Kanye West Lyricist, Composer: Harold Lilly Lyricist, Composer: J.R. Bailey Composer, Lyricist: Mel Kent Lyricist, Composer: Ken Williams Recording Engineer: John Harris Mixing Engineer: Manny Marroquin Producer, Director: Alex Coletti Assistant Engineer: Jared Robbins Assistant Engineer: Ann Mincieli Assistant Engineer: Stewart White Auto-generated by YouTube.
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Provided to YouTube by J Records If I Ain't Got You (Unplugged Live at the Brooklyn Academy of Music, Brooklyn, NY - July 2005) · Alicia Keys Unplugged ℗ 2005 RCA/JIVE Label Group, a unit of Sony Music Entertainment Released on: 2005-10-11 Keyboards, Arranger: Onree Gill Arranger, Associated Performer, Composer, Lyricist: Alicia Keys Percussion: Pablo Batista Drums: Paul John Conductor, Arranger: Ray Chew Guitar: Arthur White Bass Guitar: Steve Mostyn Background Vocal: Anaysha Figueroa Background Vocal: Sara Devine Background Vocal: Denise Stoudmire Fluegelhorn, Trumpet: Joe Romano Saxophone, Flute: Dave Watson Trombone: Jeff Dieterle Violin: Gwen Laster Violin: Mariana Green-Hill Viola: Anne-Marie Bedney Cello: Eileen Folson Background Vocal: Jermaine Paul Recording Engineer: John Harris Mixing Engineer: Manny Marroquin Producer, Director: Alex Coletti Assistant Engineer: Jared Robbins Assistant Engineer: Ann Mincieli Assistant Engineer: Stewart White Auto-generated by YouTube.