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In the weeks leading up to the Jan. 6 riot at the Capitol, President Donald Trump repeatedly said he wanted his supporters to fight Congress on accepting the electoral college results that showed Joe Biden won. “We’re going to walk down to the Capitol, and we’re going to cheer on our brave senators, and congressmen […]
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Provided to YouTube by Rhino Young Turks (with The Royal Philharmonic Orchestra) · Rod Stewart · The Royal Philharmonic Orchestra You're In My Heart: Rod Stewart (with The Royal Philharmonic Orchestra) ℗ 2026 Rhino Entertainment Company Trumpet: Adam Wright First Violin: Andrew Klee Viola: Andrew Sippings Second Violin: Andrew Storey Masterer: Andy Walter Cello: Anna Mowat Cello: Anna Stuart First Violin: Anthony Protheroe Double Bass: Ben Wolstenholme Double Bass: Benjamin Cunningham Drums: Carmine Appice Backing Vocals: Carmine Appice French Horn: Carsten Williams Double Bass: Cathy Colwell Cello: Chantal Webster Second Violin: Charlotte Ansbergs Viola: Chian Lim Viola: Clive Howard Second Violin: Colin Callow Trumpet: Craig Wild Cello: David Gordon Second Violin: David O'Leary Electric Piano: Duane Hitchings Synthesizer: Duane Hitchings First Violin: Duncan Riddell First Violin: Erik Chapman Viola: Esther Harling First Violin: Esther Kim Viola: Esther Vickers Flute: Harry Winstanley Second Violin: Helen Cochrane Viola: Helen Picknett Harp: Hugh Webb Second Violin: Ikuko Sunamura-Aso Second Violin: Ingrod Button Bass: Jay Davis Cello: Jean-Baptiste Toselli First Violin: Jeff Moore Second Violin: Jennifer Christie Second Violin: Jennifer Dear Lead Guitar: Jim Cregan Producer: Jim Cregan Backing Vocals: Jim Cregan First Violin: Joana Valentinaviciute Second Violin: Joanna Watts Mixing Engineer: Joel M Peters Programming: Joel M Peters Oboe: John Roberts French Horn: John Ryan Viola: Jonathan Hallett First Violin: Judith Templeman Arranger: Julian Hinton Orchestral Conductor: Julian Hinton Programming: Julian Hinton Clarinet: Katy Ayling First Violin: Kay Chappell Clavinet, Synthesizer: Kevin Savigar Drum Machine Drums: Kevin Savigar Backing Vocals: Linda Lewis Viola: Liz Varlow First Violin: Lynette Win Second Violin: Manuel Porta Recording Assistant: Marc McCouig Clarinet: Marie Lloyd Double Bass: Mark O'Leary Recorded By: Mat Bartram First Violin: Maya Bickel Trumpet: Mike Allen French Horn: Nicholas Mooney Viola: Pamela Ferriman French Horn: Paul Cott Second Violin: Peter Graham Viola: Rachel Roberts Cello: Richard Harwood Rhythm Guitar: Robbie LeMesurier Backing Vocals: Robbie LeMesurier Cello: Roberto Sorrentino Producer: Rod Stewart Lead Vocals: Rod Stewart Backing Vocals: Rod Stewart First Violin: Rosemary Hinton First Violin: Rosemary Wainwright Assistant Mixer: Sam Baker First Violin: Shana Douglas Second Violin: Siân McInally First Violin: Sophia Mather Second Violin: Stephen Payne First Violin: Tamás András With Orchestra: The Royal Philharmonic Orchestra Cello: Tim Steggals Oboe: Timothy Watts Trumpet: Toby Street Producer: Trevor Horn Viola: Triona Milne Viola: Ugne Tiškuté Second Violin: Victoria Lyon Cello: William Heggart First Violin: Winona Fifield Writer: Carmine Appice Writer: Duane Hitchings Writer: Kevin Savigar Writer: Rod Stewart Auto-generated by YouTube.
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NOVEMBER 3--In the aftermath of the 2001 terror attack on the World Trade Center, Donald Trump, a billionaire son of New York City, did not make a single charitable donation to any of the not-for-pr
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Chicago Symphony Orchestra conucted by Sir Georg Solti. I - Moderato - Langsamer - Tempo I - Langsamer - Tempo I: 0:00 II - Andante. Feierlich, etwas bewegt: 18:11 III - Scherzo. Mässig schnell - Trio. Gleiches Tempo - Scherzo da capo - Koda: 35:03 IV - Finale. Mehr schnell - Etwas langsamer - Tempo I - Langsamer - Tempo I - Tempo des ersten satzes - Langsamer - Tempo I - Sehr schnell: 41:11 Bruckner's Symphony No.2 was composed between October 11 of 1871 and September 11 of 1872. Otto Dessoff, conductor of the Vienna Philharmonic Orchestra, rehearsed the piece and rejected it saying "What nonsense", as him and a number of players considered it impossible to perform. The composer then modified the work switching the order of the inner movements, eliminating the repeats of the scherzo and other small changes. Bruckner himself successfully conducted the premiere of the work in Vienna on October 26 of 1873, performed by said orchestra after contracting it with the money of patron Johann Merbeck (another source claims it was Prince Johann Liechtenstein). It was well-received, and even harsh critic Eduard Hanslick praised it. Small tweaks also followed in 1876 after a new performance. Then in 1877, Bruckner more thoroughly revised the work, making cuts and reworking some sections of the piece. The score wasn't published until 1892, and a great mess was unleashed when musicologists tried to discern, separate and categorize each version according to Bruckner's own revisions. The differences between these versions (beyond the ones previously mentioned) encompass different tempi, slight reorchestrations, as well as cuts as additions of musical material, but no complete rewrites nor structural changes. In the end, Bruckner selected the 1877 version as his final one. With this symphony, Bruckner's mature style start to form, were before they were occasional flashes of brilliance. The traditional forms begin to be twisted to fit Bruckner's own conceptions and needs. Hallmark elements, such as the dramatic recall of previous themes, great dynamic contrast, abundant use of tremolos, as well as Bruckner's rhythm (which juxtaposes duple and triple divisions of the beat and is featured so prominently in later scores) appear here for the first time. The romantic influences of Beethoven, Schumann and specially Wagner are by then already absorbed and exploited by Bruckner. It has received the nickname of "Symphony of Pauses" for the use of rests to separate major sections of the music. The first movement is structured in a large-scale, modified sonata form. It begins with expecting tremolos from strings, followed by the introduction of an expressive and passionate main theme on cellos, with interventions of the trumpet. After a brief pause, a deeply lyrical second theme is presented by cellos, soon taken by the woods. It is followed by a more rhythmic and expansive third theme, which soon reaches a powerful climax. A new pause leads us to the development section opened by ominous low string tremolos, the material being transformed with the main theme as reference. A grand climax is reached, followed by a diminuendo and a pause. The recapitulation is very similar to the exposition, the music rising in a grand crescendo but suddenly coming to a complete halt several times, with the main theme reappearing before launching a dramatic and forceful coda. The second movement is written as an expanded ternary form. It opens with a lyrical and noble main theme on strings, expressively unfolding and leading to a religious chorale as the second theme, introduced by horns over strings pizzicati. The main theme is then recapitulated with more passion and harmonic variety, leading to a swelling climax. The second is also recapitulated in a varied way, concluding with a brief pause. A new recapitulation of the main theme again rises to an expansive climax. This part ends with a quote of Benedictus from Bruckner's Mass in F minor. The main theme then leads us to a peaceful coda with the horn referencing the second theme for the last time. The third movement is a scherzo in ternary form. It begins with a rhythmic and agitated main theme, unfolding with great abrasiveness. The scherzo is composed of two parts that may be repeated, which rarely happens. After a pause, the trio opens with a lighter, dance-like second theme reminiscent of a Ländler, an Austrian rustic dance. The scherzo is then continued with great energy, the trio makes its way to a forceful coda with strings reaching the heights with runs of the C minor scale, as the rest of the orchestra pounds out the opening rhythm. [Musical analysis continued in the comments section]. Picture: "The Aegean Sea" (1877) by the American painter Frederic Edwin Church. Musical analysis partially written by myself. Sources: https://tinyurl.com/26znmegy and https://tinyurl.com/26xwjdhd To check the score: https://tinyurl.com/2a7hp432
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Provided to YouTube by Reprise Hold On · Michael Bublé The Best of Bublé ℗ 2024 Reprise Records Piano: Alan Chang Engineer: Alejandro Rodriguez Arranger, Producer: Bob Rock Background Vocals: Bryan Adams Engineer: Eric Helmkamp Mastering Engineer: George Marino Mixing Engineer: Humberto Gatica Baritone Saxophone: Jacob Rodriguez Guitar: Joel Shearer Drums: Josh Freese Trumpet: Justin Ray Guitar: Keith Scott Percussion: Lenny Castro Vocals: Michael Bublé Lead Vocals: Michael Bublé Guitar: Michael Landau Tenor Saxophone: Mike Allen Trombone: Nick Vayenas Bass Guitar: Paul Bushnell Engineer: Randy Staub Engineer: Roger Monk Guitar: Rusty Anderson Writer: Alan Chang Writer: Amy Foster Writer: Michael Bublé Auto-generated by YouTube.
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What he has done for America and Israel is remarkable!
Brian Schatz warned "American democracy is at stake" after Trump's attorney said assassinating a political rival could be covered by presidential immunity.
"The American military has been completely rebuilt under my administration at a cost of $2.5 trillion."
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Despacito - Music by Luis Fonsi, Daddy Yankee & Erika Ender/Arranged by Mihkel Kallip Follow us on: Facebook: https://www.facebook.com/Brassical/ Instagram: https://instagram.com/brassical_official/ Trumpets: Märt Metsla, Mihkel Kallip Trombone: Margus Toompere Tuba: Enri Remmelgas Video: Mihkel Kallip Sound: Margus Toompere Filmed completely on iPhone 7 and Filmic PRO Not your classical brass ensemble! It all started in 2011 when a group of friends decided to do something different. Inspired by the world famous Mnozil Brass, Brassical was born. We created a show never before seen in Estonia, mixture of classical and pop music infused with lots of humor. For a few years we enjoyed perfoming all over Estonia and abroad but after hundreds of concerts it started to fade away. We gave our last concerts with this programme in 2015. In 2017 Brassical was reborn. We have made some slight changes in our ensemble. Our aim is still to do things differently and aspire to improve but the most important of all is to have fun while doing it. Thank you for watching and don't forget to subscribe for more!
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Trump makes an announcement as midterms less than a month away.
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“Both Sorry Over Nothin’” from the album The East Bay Archive, Vol. I on Mack Avenue Records. LISTEN NOW https://smarturl.it/top.eastbayarchive BUY NOW https://towerofpower.com/store FOLLOW TOWER OF POWER FB link: https://www.facebook.com/OfficialTowerOfPowerBand/ IG link: https://www.instagram.com/towerofpowerofficialband/ Twitter link: https://twitter.com/officialtopband?l Website: https://towerofpower.com/ TOWER OF POWER Lenny Williams – Lead Vocals Mic Gillette – Trumpet, Vocals Greg Adams – Trumpet, Vocals Emilio Castillo – Tenor Saxophone, Vocals Lenny Pickett – Tenor Saxophone, Flute, Clarinet, Vocals Stephen “Doc” Kupka – Baritone Saxophone Chester Thompson – Keyboards, Vocals Bruce Conte – Guitar, Vocals Francis Rocco Prestia – Bass David Garibaldi – Drums Brent Byars – Congas Mack Avenue Music Group https://www.mackavenue.com LEGAL LINES Ⓟ© 2008 Tower of Power under exclusive license to Mack Avenue Records II, LLC. Marketed and distributed worldwide by Artistry Music. 18530 Mack Avenue, #299, Grosse Pointe Farms, MI 48236. All rights reserved.
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Trump makes an announcement as midterms less than a month away.
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Provokunstneren Jens Galschiøt har sendt én stor og 6.000 små figurer af en nøgen præsident Trump til Brasilien.
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Good fences make good neighbors. Or maybe not. General Leonard Chapman guided the Marines Corp through some of the most difficult years in its history. He was brilliant, organized, decisive and indefatigable. Then he turned his attention to the America’s immigration crisis. You think you want effective leadership? Be careful what you wish for. Season 3 (2018) #podcast #revisionisthistory #malcolmgladwell ABOUT REVISIONIST HISTORY Revisionist History is Malcolm Gladwell’s journey through the overlooked and the misunderstood. Every podcast episode re-examines something from the past — an event, a person, an idea, even a song — and asks whether we got it right the first time. Because sometimes the past deserves a second chance. ABOUT MALCOLM GLADWELL Malcolm Gladwell is president and co-founder of Pushkin Industries. He is a journalist, a speaker, and the author of six New York Times bestsellers including The Tipping Point, Blink, Outliers, David and Goliath, and Talking to Strangers. He has been a staff writer for the New Yorker since 1996. He is a trustee of the Surgo Foundation and currently serves on the board of the RAND Corporation. ABOUT PUSHKIN INDUSTRIES Pushkin Industries is an audio production company dedicated to creating premium content in a collaborative environment. Co-founded by Malcolm Gladwell and Jacob Weisberg in 2018, Pushkin has launched seven new shows into the top 10 on Apple Podcasts (Against the Rules, The Happiness Lab, Solvable, Cautionary Tales, Deep Cover, The Last Archive, and Lost Hills), in addition to producing the hugely successful Revisionist History. Pushkin’s growing audiobook catalogue includes includes the bestselling biography “Fauci,” by Michael Specter, “Hasta La Vista, America,” Kurt Andersen’s parody Trump farewell speech performed by Alec Baldwin, "Takeover" by Noah Feldman, and “Talking to Strangers,” from Pushkin co-founder Malcolm Gladwell. Pushkin is dedicated to producing audio in any format that challenges listeners and inspires curiosity and joy. STAY CONNECTED Web: https://www.pushkin.fm/podcasts/revisionist-history Twitter: https://twitter.com/gladwell Facebook: https://facebook.com/malcolmgladwellbooks Instagram: https://instagram.com/malcolmgladwell Newsletter: https://www.pushkin.fm/newsletter
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A revelatory journey inside the world of Fox News and Roger Ailes—the brash, sometimes combative network head who helped fuel the rise of Donald Trump NEW YORK TIMES BESTSELLER • NOW...
CBS White House correspondent Weijia Jiang was on a crusade to take down President Trump and politicize the coronavirus crisis in the process. As NewsBusters as documented over recent weeks, she has been out of control: getting into repeated shouting matches with the President, decry his messages of hope, and directly claimed blood was on his hands. She flaunted her animus again on Monday when she parroted words from an unnamed Democratic aide who said Trump was “insane and criminal.”
Donald Trump’s second presidency could accomplish peace in the Middle East and his son-in-law Jared Kushner is the ticket, one American academic and Trump insider told Iran International.
I work for the president but like-minded colleagues and I have vowed to thwart parts of his agenda and his worst inclinations.
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Provided to YouTube by Columbia/Legacy Side Car II (Album Version) · Miles Davis The Complete Columbia Studio Recordings Of The Miles Davis Quintet January 1965 To June 1968 ℗ 1979 Sony Music Entertainment Inc. Released on: 1998-03-17 Lyricist, Composer, Associated Performer, Trumpet: Miles Davis Guitar: George Benson Drums: Tony Williams Piano: Herb Hancock Bass: Ronald Carter Tenor Saxophone: Wayne Shorter Producer: Teo Macero Mixing Engineer, Mastering Engineer: Mark Wilder Mastering Engineer: Rob Schwarz Recording Engineer: Frank Laico Auto-generated by YouTube.
Speaking to religious leaders in Washington, the presumptive Republican nominee for next year's US presidential election questions Joe Biden's cognitive ability, but gets mixed up when talking about world wars and his political rivals.
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Provided to YouTube by Volcano UHF · "Weird Al" Yankovic UHF: "Weird Al" Yankovic ℗ 1989 Volcano Entertainment, III, L.L.C. Released on: 1989-07-18 Associated Performer: "Weird Al" Yankovic Trumpet: Warren Luening Background Vocal: Julia Waters Background Vocal: Maxine Waters Lyricist, Arranger, Composer: Al Yankovic Producer: Rick Derringer Mixing Engineer, Engineer: Tony Papa Auto-generated by YouTube.
Krasnov serait le pseudonyme donné à D. Trump par le KGB. L'affirmation d'un ancien agent soviétique met les médias sociaux en ébullition. Euroverify mène l'enquête. #EuroVerify
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A combination of horse race journalism and anti-union bias led to absurd reporting.
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美國總統特朗普一聲令下入侵伊朗，既為美國帶來無窮無盡的煩惱，還有巨大的經濟損失。據新華社報道，美國國會研究服務部於10月5日發表報告，表示自從2月28日美以兩國發動掀起這場戰爭以來，美軍總共有81架飛機受損或者被毀，當中包括12架F-15戰機。 報道引述報告指出，這81架戰損飛機，包括12架F-15E戰機、2架A-10「雷電」攻擊機、7架KC-135加油機、1架E-3「哨兵」預警機、1架MQ-4C大型無人偵察機、45架MQ-9「死神」無人機等等。這個「戰績」不可謂不肉酸。 報告提到，這些戰損數字，來自於傳媒報道、美國戰爭部、美軍中央司令部、國防部監察長等等。 眾所周知，美國因為特朗普政府而捲入這場仗，截至8月1日，僅僅5個月多一點的時間，已經「燒」掉了380億美元，相當和味。今次的報告，就是美國國會用來衡量怎樣批出公帑以修理、更換戰機，用來評估戰況、伊朗的威脅，以至如何調整美軍裝備、戰術或基地部署態勢等等的重要參考。有了這種相對實在的報告，總好過聽著「美國敗家仔」、戰爭部長赫格塞思吹奏得天花龍鳳而被誤導。 這次入侵伊朗，可說是美國近年來成本最高的軍事行動之一，更加是最讓美國光環受損的「大龍鳳」，應該沒有之一。在臨近11月初的中期選舉時，這份慘淡的報告，如同大揭特朗普的瘡疤，也為共和黨的選情，添上另一個負面的註腳。 記得Follow 我哋 IG: instagram.com/silentmajority.hk/ FB: fb.com/silentmajorityhk Weibo: weibo.com/u/6655322587 YouTube: youtube.com/@silentmajority_hk 原圖：The White House網頁 https://www.whitehouse.gov/gallery/president-donald-j-trump-makes-an-announcement-on-steel-september-28-2026/
Entertaining, educational card game loved for bringing your favourite Justice League heroes and villains to life Play Top Trumps anytime, anywhere, with as many people as you like Find out how strong Batman is, or how agile Catwoman is Easy-to-carry plastic case means there are no limits on gameplay Prepare to outsmart your opponents, discover new and exciting DC facts and duel your way to becoming the Top Trump!
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Start your loan application with Money Trumpet. A simple online form, no credit search by Money Trumpet and no fee to use our credit-broking service.
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At Tanagra - Eat The Roddenberries Album Composers: Doug Fieger, Berton Averre Lyrics: Beth Kellner Arranged and Performed by The Roddenberries Eat The Roddenberries, 2019 Co-produced by Kevin Gallagher and The Shanley Barr Family Recorded, mixed and mastered by Joe 'The Butcher' Nicolo Blacbird/Universal Meet The Roddenberries: Sister Spock - Beth Kellner - Vocals Spocknik: William Tayoun - Keys Capt. Scotch Whiskey - Scott R. Johnston - Vocals Commandrew - Andrew Geller - Guitar, Percussion J-Warp - Joseph Tayoun - Percussion Capt. Benjamin Disko - Paul P.M. Eaton - Guitar Zephram Coque-Ring - Ned Sonstein - Bass Khanrath - Chris Unrath - Guitar Col. Chuck Jagermeister - Michael Baldwin - Vocals Christopher Pikeland Pils - Chris Pires - Drums Shotty - Jon Trimble - Trumpet Smiles O'Highren - Kevin Gallagher - Chief Engineer Supporting Red Shirt Musicians: Matthew Fischer - Trombone Frank Machos - Saxophone Brian Fitzgerald - Violin Kah'lesque - Rick Pepper Holmes - Vocals Adm. Roddenberry Dangerfield IV - Richard Hill - Horn Arrangements WATCH FULL SHOWDOWN 2020 CONCERT: https://youtu.be/spGWUaN_AkE #startrek #llap #artsaves FIND US ON Etsy: https://www.etsy.com/shop/TheRoddenberries Spotify: https://spoti.fi/39lUyS4 Bandcamp: https://theroddenberries.bandcamp.com/ Apple Music: https://music.apple.com/us/artist/the-roddenberries/1578078470 YouTube: http://www.youtube.com/theroddenberries?sub_confirmation=1 Facebook: https://www.facebook.com/TheRoddenberries/ Instagram: https://www.instagram.com/theroddenberries/ TikTok: https://www.tiktok.com/@theroddenberriesband Website: http://www.theroddenberries.com
