The newest* Trump stories rising fast on social media, updated every minute.
Reload now to get 0 new stories
story
Stories loaded...
Via: https://youtube.com
This is a reading of the book "Goodnight trump" by Erich Origen and Gan Golan. It can be interpreted as a bedtime story, a cautionary tale, or a WAKE UP call.
Via: https://dedollarizenews.com
Get insights into the Trump vs Harris presidential election policies and their potential impact on investors. Understand the key differences and make informed decisions.
Via: https://youtube.com
Trump blames Newsom for wildfires over water management, protecting fish over people In a post on his social media network Truth Social, Trump said Newsom refused to sign a water restoration declaration, protecting the smelt rather than people. #california #wildfire #losangeles #fire #trump #newsom
Via: https://youtube.com
Provided to YouTube by Rhino Policeman · Chicago Chicago XI ℗ 1977 Rhino Entertainment Company Engineer: Armin Steiner Drums: Danny Seraphine Arranger: James Pankow Keyboards, Percussion, Trombone, Vocals: James Pankow Backing Vocals: James Pankow Producer: James William Guercio Percussion: Laudir de Oliveira Trumpet, Vocals: Lee Loughnane Mastering Engineer: Mike Reese Bass, Vocals: Peter Cetera Arranger: Robert Lamm Keyboards, Percussion: Robert Lamm Lead Vocals: Robert Lamm Guitar, Percussion, Vocals: Terry Kath Assistant Engineer: Tom Likes Clarinet, Flute, Saxophone: Walter Parazaider Engineer: Wayne Tarnowski Writer: Robert Lamm Auto-generated by YouTube.
Via: https://youtube.com
Provided to YouTube by Rhino/Warner Records What Happened to the World That Day (Remastered) · Tower Of Power The Very Best Of Tower Of Power: The Warner Years ℗ 1972 Warner Records Inc. Drums: Brebt Byars Drums: David Garibaldi Saxophone: Emilio Castilo Trumpet: Greg Adams Saxophone: Marc Russo Drums: Mark Sanders Trombone: Mic Gillette Vocals: Rick Stevens Producer: Ron Capone Flute: Skip Mesquite Saxophone: Stephen Kupka Saxophone: Steve Grove Producer: Tower Of Power Bass Guitar: Victor Conte Bass Guitar: Vito San Flippio Guitar: Willie Fulton Writer: Emilio Castilo Writer: Stephen Kupka Auto-generated by YouTube.
Via: https://youtube.com
Provided to YouTube by Parlophone (France) L'année du dragon (2011 Remaster) · Étienne Daho Corps et armes ℗ Label Parlophone, ℗ 2000, 2011 Warner Music France Assistant Engineer: Andrew Dudman Assistant Engineer: Andrew Nichols Trombone: Annie Whitehead Engineer: Ben Grassini Backing Vocals: Chris Ballin Guitar: Edith Fambuena Keyboards, Programmer: Fabien Waltmann Drums: Gavin Skinner Keyboards, Piano: Jean-Louis Piérot Engineer: Jean-Paul Gonnod Engineer: Jonathan Allen Assistant Engineer: Julien Delfaud Producer: Les Valentins Programmer: Les Valentins Bass: Marcel Aubé Engineer: Matthew Cullen Assistant Engineer: Neil Beck Engineer: Pascal Colomb Backing Vocals: Paul Johnson Flugelhorn, Trumpet: Roddy Lorimer Backing Vocals: Sarah Brown Saxophone: Simon Clarke Assistant Engineer: Sylvain Dollet Saxophone: Tim Sanders Mixing Engineer: Tom Durack Engineer: Will O'Donovan Conductor: Wilson Malone Producer: Étienne Daho Vocals: Étienne Daho Backing Vocals: Étienne Daho Composer: Carly Simon Writer: Étienne Daho Auto-generated by YouTube.
Via: https://youtube.com
Provided to YouTube by WM UK Stick It · Chris Rea Tennis ℗ 1980 Magnet Records Ltd. Engineer: Barry Hammond Guitar, Piano, Vocals: Chris Rea Producer: Chris Rea Guitar: Dave Burton Vocals: Jimmy Chambers Trumpet: Lee Thornberg Drums: Mark Rea Bass Guitar: Mick Hutchinson Drums: Norman Nosebait Writer: Chris Rea Auto-generated by YouTube.
Via: https://youtube.com
Harry Carney, baritone saxophone with Jimmy Hamilton, tenor saxophone, clarinet; Ray Nance, trumpet, violin; Tony Miranda, French horn; Leroy Lovett, piano; Billy Bauer, guitar; Wendell Marshall, bass; Louie Bellson, drums; strings. Recorded in 1954. -uploaded in HD at http://www.TunesToTube.com
Via: https://youtube.com
President Donald Trump was caught on camera with his eyes closed during the signing of the Whole Milk for Healthy Kids Act, a bipartisan bill aimed at promoting milk consumption among schoolchildren. The live feed of the Oval Office ceremony showed the President appearing to pause at the Resolute Desk, drawing attention from lawmakers, reporters and social media. Despite repeated footage showing his eyes closed, Trump aides defended the moment, stating it was relaxation, not sleep and insisted he remained fully aware throughout the public appearance. WATCH #trump #ovaloffice #trumpsleeping #milkbill #wholemilkforhealthykids #trumpnews #trumpcontroversy #trumpviral #billceremony #uspolitics #midday #middayindia #worldnews #globalaffairs #us #russia #ukraine #israel #iran #geopolitics #breakingnews #trending #featured #india #narendramodi #vladmirputin #benjaminnetanyahu #donaldtrump #usnews #uk #america We know Mumbai best, now we bring you the world. From the streets of Mumbai to headlines across the globe, stay updated with the latest in news, Bollywood, crime, sports, and more. We’re proudly #MadeInMumbai, reporting for the world. Subscribe now for real stories that matter: http://bit.ly/2KUYCyq Follow us here for exclusive updates and videos: Meta: https://www.facebook.com/middayindia X:https://x.com/mid_day Instagram: https://www.instagram.com/middayindia
Via: https://youtube.com
Check out "Cheerleader (Felix Jaehn Remix)" on our Dance All Day Spotify playlist! http://smarturl.it/DanceAllDay Follow OMI: http://www.omimusiconline.com/ https://twitter.com/omimusiconline https://www.facebook.com/OMItoday https://instagram.com/omi/ Director: Lenny Bass Exec Producer: Mikha Grumet Producer: Carolina Nunez Director of Photography: Angel Barroeta Production Company: Indigo Films Insightful Jamaican artist Omi (Omar Samuel Pasley) is bringing his breakthrough story to the U.S., with the compelling sheen of “Cheerleader,” leading the way. The smash dance song has notched more than 90 million Spotify streams, topping iTunes in 14 territories, including Germany, Australia, Sweden and others (Top 10 in nearly 30 other markets). Released in 2012, a cleverly understated remix by German DJ/Producer Felix Jaehn helped power the global momentum building around the infectious track. “Cheerleader” originally took off in Hawaii, but Omi was getting a larger sense of the song’s ‘stickiness’ where ever he performed it live. “People just gravitated to it, always remarking how it was their favorite.” Felix Jaehn’s 2014 remix added to the combustible nature of the track,” but by deftly imbuing acoustic gestures into the mix – conga, piano, trumpet – embellishing its unornamented feel. “I loved the mix even before it took off,” says Omi. “So calm; And unusual for a remix, it made you want to listen to the words, too.” from Ultra Music Subscribe to Ultra Music - http://www.youtube.com/subscription_c... Subscribe to UltraTV - http://www.youtube.com/subscription_c... Ultra Music is an American independent electronic music record label based in New York City. Ultra's current roster includes Benny Benassi, The Bloody Beetroots, Steve Aoki, Lil Jon, Above & Beyond, Hot Since 82, Faul, Chris Lake, Klingande, Bakermat, Carnage, Mr Probz, Flosstradamus, Hardwell, Henry Krinkle, Chris Malinchak, Storm Queen, Congorock, Adrian Lux, Axwell, TOKiMonsta, and others. Ultra has featured releases from the aforementioned artists and many others including Tiësto, Avicii, Paul van Dyk, Paul Oakenfold, The Crystal Method, Sasha & John Digweed, and others. Ultra Music Online: http://www.ultramusic.com http://www.twitter.com/ultrarecords http://www.facebook.com/ultramusic http://www.youtube.com/ultratv http://merch.ultramusic.com http://instagram.com/ultrarecords https://soundcloud.com/ultrarecords http://open.spotify.com/user/ultramus...
Via: https://youtube.com
The San Antonio Spurs coach lambasted Donald Trump in a 12-minute diatribe from the team's annual media day, joining the many team owners, executives, coaches and athletes who have denounced the president's comments regarding NBA and NFL players from Golden State Warriors star Stephen Curry to former San Francisco 49ers quarterback Colin Kaepernick.
Via: http://learningfromexperiencelarryhirschhorn.blogspot.com
T he Trident Pin On November 21, President Trump tweeted that the U.S. Navy could not take away the Trident pin, a badge of...
Via: https://www.newsbreak.com
President Trump appeared to be confused during an interaction with a journalist Thursday prompting renewed fears about his health
Via: https://youtube.com
Karl Lauterbach zitiert Hegel. Quellen: "Is Trump a German Idealist?" https://www.youtube.com/watch?v=MOYoou3genk "Markus Lanz vom 17. November 2021" https://www.zdf.de/gesellschaft/markus-lanz/markus-lanz-vom-17-november-2021-100.html "Vereinbarte Debatte zur SARS-CoV-2-Impfpflicht - Karl Lauterbach" https://www.bundestag.de/mediathek?videoid=7533352#url=bWVkaWF0aGVrb3ZlcmxheT92aWRlb2lkPTc1MzMzNTI=&mod=mediathek
We know there’s a concerted effort to punish anyone who dares to show anything but complete, unqualified reverence for Charlie Kirk’s corpse. The man who made millions by denigrating an…
NEW YORK (AP) — Former President Donald Trump repeatedly declined in an interview aired Sunday to answer questions about whether he watched the Capitol riot unfold on television, saying he would “t…
Via: https://www.trumptowerny.com
Learn more about the history of Trump Tower New York
Via: https://youtube.com
Those Who Are About to Die Salute You - Morituri Te Salutant is the debut album by Colosseum, released in 1969 by Fontana. The title is a translation of the Latin phrase morituri te salutant that according to popular belief (but not academic agreement), gladiators addressed to the emperor before the beginning of a gladiatorial match. The album reached number 15 in the UK Albums Chart.[1] Dave Greenslade - organ, vibraphone, piano, backing vocal on "The Road She Walked Before" Dick Heckstall-Smith - saxophones Jon Hiseman - drums James Litherland - guitar(except on "Backwater "Blues"), lead vocals Tony Reeves - bass guitar Henry Lowther - trumpet on "Walking in the Park"[2] Jim Roche - guitar on "Backwater Blues"[2]
Via: https://youtube.com
President Trump clashed Tuesday with Democratic leaders Chuck Schumer and Nancy Pelosi with the cameras rolling in the Oval Office, as the president insisted he's willing to let the government shut down if Congress doesn't approve funding for his U.S.-Mexico border wall. "If we don't have border security, we'll shut down the government," Trump said. The highly anticipated sit-down quickly escalated, in public, as Trump allowed the press to attend the start of it. Trump began by repeatedly telling Pelosi, the House Democratic leader, his party is limited in what it can do because it will take Democratic support to pass anything through the Senate. Schumer then raised his voice as he claimed the Senate could pass measures to keep the government running regardless.
Via: https://www.pbs.org
In their filing, lawyers in the office of Maryland Attorney General Brian Frosh argue that the job should have gone to Deputy Attorney General Rod Rosenstein instead of to Matthew Whitaker.
Via: https://youtube.com
The Whole Enchilada (2010): What does the rapid growth of the Latino population in America mean for the country's future? For similar stories, see: Meet America's First Latina Supreme Court Judge https://www.youtube.com/watch?v=NjvuRkzuKs8 The Mexicans Tackling Trump Over Migrant Rights Row https://www.youtube.com/watch?v=Xr9g-BdC17Y Desperate Mexican Families' New Plan To Get Into America https://www.youtube.com/watch?v=XZC0s3TCfoA Subscribe to journeyman for daily uploads: http://www.youtube.com/subscription_center?add_user=journeymanpictures For downloads and more information visit: http://www.journeyman.tv/film/4786 Like us on Facebook: https://www.facebook.com/journeymanpictures Follow us on Twitter: https://twitter.com/JourneymanVOD https://twitter.com/JourneymanNews Follow us on Instagram: https://instagram.com/journeymanpictures By 2050, Latin Americans could be the American majority. Yet from a clampdown on 'illegal' Latino immigrants, to a wave of hate crimes, this Latino expansion is experiencing some acute growing pains. "Latinos are coming. They're going to be recognised" Geraldo Rivera, one of the most famous Latino stars in America says. The Latino community is exploding, with the number of Latinos in the US expected to triple between 2005-2050. "And they will change the face of America", Rivera states. We travel through the States meeting successful Latino personalities, in all walks of life from acting to politics. We see signs of hope and pride, as they demand their right to be counted in society. "Who is to say who this country belongs to?", questions a famous actress, "this is my country." Yet hate crimes and rapidly expanding Hispanic gang culture hint that the expansion is not going to be easy. Fear, resentment and suspicion follow close behind in its wake. ABC Australia – Ref. 4786 Journeyman Pictures is your independent source for the world's most powerful films, exploring the burning issues of today. We represent stories from the world's top producers, with brand new content coming in all the time. On our channel you'll find outstanding and controversial journalism covering any global subject you can imagine wanting to know about.
Join our rapid response peacekeeping safety marshal and street medic teams on call 8am-8pm for anti-Trump/MAGA/ICE/Fascism protest events in Washington DC.
Via: https://sofrep.com
Via: https://youtube.com
Greetings fellow sonic explorers. Today I have something special. A viewer who only identified themself as "Ben" contacted me asking if I take requests. They sent me a copy of LUIE LUIE - Creator of "Touchy". Join me as we unravel the myth, magic, and music of LUIE LUIE, the enigmatic artist behind the album "Touchy." Despite extensive research, real details about its creation or its creator remain elusive. LUIE LUIE's biography reads like a Chuck Norris-style saga filled with incredible feats and accomplishments. Self-taught and undisturbed by other musicians, LUIE LUIE showcases his talent through creative numbers, effortlessly switching styles with a distinguished manner. His performances blend song and dance with a jolly trumpet, captivating audiences and winning hearts. LUIE LUIE is a mesmerizing performer, able to connect with his audience and leave a lasting impact. His drum solos and trumpet performances command respect and admiration, drawing from a myriad of cultural influences. His music transcends time, creating enormous fabrics of sound for the giant screen. Beyond his music, LUIE LUIE is portrayed as a champion of peace and love, guiding listeners to a more memorable life. His achievements span various realms, including martial arts and musical endeavors, yet many claims remain unverified. In 1974, LUIE LUIE released "Touchy," an eclectic mix of Latin, Funk, Soul, Psychedelic, Lounge, and Spoken Word genres. Despite its limited commercial success, the album remains a testament to his creative genius. Songs like "El Touchy," "Tastee Touchy," and "Touch of the Pharaohs" showcase his innovative style and enduring appeal. Adding to the enigma is Penstar Productions, the record label behind "Touchy." Despite thorough searches, no information about Penstar Productions could be found, deepening the mystery surrounding LUIE LUIE and his works. LUIE LUIE's story blends the boundaries between reality and fantasy, continuing to inspire and intrigue. Whether or not all his accomplishments are verifiable, his narrative remains captivating. Join me, Finnley the Dolphin, as we celebrate the joy, creativity, and love that LUIE LUIE passionately shared with the world. Thank you for joining me on this unforgettable adventure. Don't forget to subscribe to Finnley's Audio Adventures and hit the notification bell to stay updated with our latest explorations. Until next time, keep your ears open and your hearts full of music! Read more about this album at https://finnleysaudioadventures.com
Via: https://publicseminar.org
Photo credit: Singleline / Shutterstock.com _____ During Donald Trump’s racially charged 2016 presidential campaign, many people started wondering to what...Read More
Via: https://music.youtube.com
Provided to YouTube by P.I.R. Theme from the Planets · Dexter Wansel Life on Mars ℗ 1976 Sony Music Entertainment Released on: 1976-07-01 Drums, Percussion: Darryl Brown Bass: Derrick Graves Guitar: Calvin Harris Flute, Saxophone: Bob Malach Fluegelhorn, Trumpet: Al Harrison Percussion: Joe Johnson Percussion: Charles Collins Horn, Strings: MFSB Engineer: Jim Gallagher Engineer: Jay Mark Assistant Engineer: Peter Humphreys Assistant Engineer: Jeffrey Stewart Assistant Engineer: Mike Hutchinson Auto-generated by YouTube.
Via: https://youtube.com
St Petersburg State Symphony Orchestra & Glinka Choral College Boys’ Choir conducted by Vladimir Lande I - Adagio sostenuto: 0:00 II - Allegretto: 14:48 III - Allegro molto: 22:20 IV - Largo: 29:49 V - Andantino: 37:32 Weinberg's Sixth Symphony was completed in 1963 and was premiered on November 12 of the same year, performed by the Moscow Philharmonic Orchestra and the Moscow Choral School children's choir conducted by Kiril Kondrachin. It is the first of a set of six symphonies that use voices. It is dedicated to his daughter Victoria, using a children's choir in the second, fourth and fifth movements. It is a very expressive and intimate work dedicated to children. Weinberg was no doubt influenced in his approach to the "Jewish Question" by Shostakovich's Thirteenth Symphony ("Babi Yar"), given its controversial première at the end of 1962. The second movement is a setting of Lev Kvitko, while the fourth and fifth movements set texts by Samuil Galkin and Mikhail Lukonin respectively. Traditional formal archetypes, both in individual movements and over the symphony as a whole, are treated with notable freedom, yet the sense of music that charts a course from innocence to experience can be perceived at both a symphonic and an emotional level: which aspect no doubt impressed Shostakovich, who used the work as teaching material in his own classes. The first movement is an introduction. It begins with a pensive melody presented by the horns, answered by a hesitant theme of the strings supported by pizzicatos. The theme intensifies, finally passing to the cellos which continue it in a somber way. Wood and metal enter, elevating the music to its climax. The theme continues on the strings accompanied by timpani hits. A flute solo performing whimsical arabesques interrupts the action. Then the motif goes to the horn and then to the clarinet. The recapitulation is started by the low strings, leading to a polyphony, ending with an unresolved dissonance of the flute and strings. The second movement sets a Kvitko poem which epitomizes care-free youth: a boy making a violin from scraps upon which he plays to an audience of animals and birds. It opens with a whimsical idea shared between the woodwind and strings, which serves as a basis for the nonchalant theme that the choir now takes up against a sparse, yet telling instrumental backdrop. Woodwind and percussion add a vital rhythmic injection that gradually plays itself out, leaving solo oboe then violin to muse uncertainly over timpani before the choir resumes with more fragmentary phrases. Solo violin fleetingly reappears prior to a reveille on trumpet and percussion, with an unexpectedly forceful conclusion. The third movement begins with a rhythmically trenchant theme on brass and percussion, strings joining them in a hectic dance that soon draws in the whole orchestra for almost the first time in the work. This continues as a series of energetic exchanges, timpani at length initiating a quirkily sardonic theme for upper woodwind and strings, with just the occasional interjection on xylophone, before the earlier theme is intently resumed by woodwind and strings, the music once again involving the full forces on its way to an aggressive close. The fourth movement (a subtle reworking of the fifth number from Weinberg’s Jewish Songs of 1944) sets a Galkin poem to evoke an image of graphic reflection, where the home once stood is now a graveyard for the murdered children, and will one day serve as a memorial to future generations. It starts with violent fanfares on brass and percussion, subsiding to reveal the choir in a plaintive mood which soon becomes more anguished as the expression intensifies. From here the movement dies down for an evocative passage featuring celesta and woodwind, building to a baleful climax on brass and timpani that collapses into a more consolatory passage with the main theme now on woodwind as the music leads directly into the next movement. The fifth movement sets a Lukonin poem as a lullaby in which the children of the present and the future, from the Mississippi to the Mekong, are bid sleep in the confidence of a bright and productive tomorrow. It opens with a ruminative idea high in violins and offset by pert woodwind gestures. From here the choir enters with a theme whose wistful manner is enhanced by the woodwind and given further gravitas with its spare accompaniment on lower strings. Elements that were heard earlier tentatively reappear as the choir falls silent and the music loses any remaining impetus, with solo violin rhapsodizing over lower strings and timpani as a virtual stasis is reached. Horn and strings return to their melody from the very beginning, the work ending with a soft dissonance on woodwind and strings that now provides a sense of closure. Picture: "The Vision to the Youth Bartholomew" (1889-90) by the Russian-Soviet painter Mikhail Nesterov. Sources: https://bit.ly/2SqWbpm
