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Baby, Won't You Please Come Home · Lena Horne
Stormy Weather (Expanded Edition)
℗ Originally Recorded 1956. All rights reserved by BMG Music
Released on: 2002-04-22
Vocal: Lena Horne
Trumpet: Harold Baker
Trumpet: Jimmy Maxwell
Trumpet: Ernie Royal
Trombone: Robert Byrne
Trombone: Urbie Green
Trombone: Lou McGarity
Saxophone: Danny Banks
Saxophone: Charles O'Kane
Saxophone: Hymie Schertzer
Saxophone: Eddie J. Wasserman
Saxophone: Al Cohn
Piano: Gene DiNovi
Bass: George Duvivier
Drums: John Cresci
Conductor: Lennie Hayton
Composer: Charles Warfield
Lyricist: Clarence Williams
Producer: E.O. Walker
Reissue Producer: Barry Feldman
Mastering Engineer: Michael O. Drexler
Auto-generated by YouTube.
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- VIDEO NOTES
David Renton is a barrister and historian. He is the author of "No Free Speech for Fascists", discussing the history of, and the case for, "no-platforming" fascist speakers (and only fascist speakers).
- LINKS
Buy "No Free Speech for Fascists": https://amzn.to/3mhpahK
- TIMESTAMPS
0:00 Introduction
2:42 No Free Speech for Fascists
7:08 Is Donald Trump a fascist?
13:59 Why no-platform fascists?
23:13 Can this apply to the left?
36:15 Is no-platforming itself fascistic?
47:32 When no-platforming backfires
54:43 Why does no-platforming only apply to fascists?
59:08 Free speech
1:06:49 Outro
- SPECIAL THANKS
As always, I would like to direct extra gratitude to my top-tier patrons:
Itamar Lev
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James Davis
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James Davis
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In an interview with Russian state TV this month, Viktor Bout—the international arms dealer freed by the United States in exchange for basketball star Brittney Griner—revealed that he had sent a private message to former President Donald Trump, urging him to flee to Russia for safety. “Most likely
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Margo Leadbetter loves to use logical fallacies in her arguments with Jerry (or any other bugger, come to think of it).
This super-cut of Margo committing 'straw-man', 'hyperbolic', 'appeal to flattery', 'appeal to emotion' and many other logical fallacies, is the accompanying video to our special bonus episode (episode 23.5) with Jim Cliff, author of 'Fallacious Trump'.
Check out the bonus episode to hear Jim explain what Margo is doing in each instance, by clicking https://www.youtube.com/watch?v=06kMjGugHqw (or listening wherever you get your podcasts).
#thegoodlife #saddo #margoleadbetter #logicalfallacies #fallacioustrump #strawman
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President Donald Trump’s attorneys filed three separate motions to dismiss Monday against the bogus January 6 indictment in Washington D.C. MOTION to Dismiss Case Based on Constitutional Grounds “First and foremost, the indictment must be dismissed because it seeks to criminalize core political speech and advocacy that lies at the heart of the First Amendment.” […]
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1950's Los Angeles is the seedy backdrop for this intricate noir-ish tale of police corruption and Hollywood sleaze. Three very different cops are all after the truth, each in their own style: Ed Exley (Guy Pierce), the golden boy of the police force, willing to do almost anything to get ahead, except sell out; Bud White (Russell Crowe), ready to break the rules to seek justice, but barely able to keep his raging violence under control; and Jack Vincennes (Kevin Spacey), always looking for celebrity and a quick buck until his conscience drives him to join Exley and White down the one-way path to find the truth behind the dark world of L.A. crime.
Regardless of the score's technical merits, Goldsmith succeeds in producing a very dark and mysterious film noir accompaniment, made complete by several trumpet solos to reflect those songs. The score is surprisingly urgent, featuring the creepy, low piano rumblings and synthesized beats resembling the John Williams style of sophisticated corruption in the 1990's. Thankfully, the electronic noises, because they are mixed at a distance behind the constant trumpet and piano solos, do not break the feeling of the period. The action scenes announce themselves with extremely heavy percussion, highlighted by a prominent role for timpani. The bombastic role of that instrument in "Bloody Christmas" will revive memories of classic Goldsmith action. The title theme and its variants, almost always performed by trumpet, are somewhat limp, used sporadically and often in minor fragments throughout the suspense cues.
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AEW's Dustin Rhodes has clarified his political stance, claiming he's not part of 'MAGA' despite voting for and supporting Donald Trump.
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La Cour suprême américaine a unanimement annulé une décision de la justice du Colorado déclarant Donald Trump inéligible dans cet Etat du Nord-Ouest pour ses actes lors de l'assaut du Capitole. Cette décision intervient à la veille du "Super Tuesday" lors duquel 15 États, dont le
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Provided to YouTube by Rhino Atlantic
It Had to Be You · Ray Charles
The Genius Of Ray Charles
℗ 1959 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Trombone: Al Grey
Baritone Saxophone: Bennie Ross "Hank" Crawford Jr.
Tenor Saxophone: Billy Mitchell
Baritone Saxophone: Charlie Fowlkes
Drums: Charlie Persip
Trumpet: Clark Terry
Tenor Saxophone: David "Fathead" Newman
Bass: Eddie Jones
Bass: Edgar "Lemon, Thumper" Willis
Arranger: Ernest "Ernie" Brooks Wilkins Jr.
Trumpet: Ernie Royal
Trumpet: Eugene "Snooky" Young
Flute: Frank Wess
Alto Saxophone: Frank Wess
Tenor Saxophone: Frank Wess
Guitar: Freddie Green
Producer: Jerry Wexler
Trumpet: Joe Newman
Trumpet: John Hunt
Trumpet: Marcus Belgrave
Alto Saxophone: Marshall Royal
Trombone: Melba Liston
Producer: Nesuhi Ertegun
Tenor Saxophone: Paul Gonsalves
Trombone: Quentin Jackson
Piano, Vocals: Ray Charles
Drums: Teagle Fleming
Trombone: Thomas Mitchell
Engineer: Tom Dowd
Engineer: William "Bill" Schwartau
Writer: Gustav "Gus" Gerson Kahn
Writer: Isham Edgar Jones
Auto-generated by YouTube.
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E. Jean Carroll is a journalist (Vanity Fair, The Atlantic, Elle), is a totally fabulous woman, and is suing Donald Trump for Defamation.
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Via: https://www.lewrockwell.com
Russia has now made the strategic decision in response to prepare for war in Europe. The de-escalation framework that unfolded in the U.S.-Iran Lucerne talks largely stayed true to the original Iranian 10-point plan. Meanwhile, President Trump and Vice-President Vance deliberately muddy the waters, claiming that Iran has already agreed to IAEA inspections of Iran’s […]
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Via: https://theiowastandard.com
Good riddance to failed woke extremist Nicola Sturgeon of Scotland! This crazed leftist symbolizes everything wrong with identity politics. Sturgeon thought it was OK to put a biological man in a women’s prison, and if that wasn’t bad enough, Sturgeon fought for a “Gender Recognition Reform Bill” that would have allowed 16-year-old children to change […]
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Via: https://newsbusters.org
CNN anchor Jake Tapper stopped by The Late Show Monday, to have a friendly chat with host Stephen Colbert. As usual, bashing President Trump for his response to the coronavirus took center stage amidst the friendly banter. At one point Colbert even wondered if journalists, like Tapper had a larger role in becoming policy advisors to the president, (for the public’s sake, of course.)
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Provided to YouTube by Epic
Steven's Last Night in Town · Ben Folds Five
Whatever And Ever Amen
℗ 1997 Epic Records, a division of Sony Music Entertainment
Released on: 1997-02-10
Composer, Lyricist, Producer: Ben Folds
Producer: Caleb Southern
Violin: Alicia Suigals
Mixing Engineer: Andy Wallace
Clarinet: Matt Darrian
Mastering Engineer: Howie Weinberg
Trumpet: Frank Wondor
Recording Engineer: Celeb Southern
Auto-generated by YouTube.
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Source:The Bulwark talking about what Donald J. Trump would like to do to former U.S. Representative Liz Cheney (Republican, Wyoming) who was Vice Chairman of the House January 6. Committee. Source…
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Trump-endorsed Christian candidate Ken Paxton should be on the campaign trail. Instead, the married MAGA firebrand opted for a summer getaway with his mist
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Le gouvernement américain a publié de nouvelles règles limitant la capacité de visite des lieux de rétention de migrants par les parlementaires, en plein bras de fer entre l'administration Trump et l'opposition sur la question de l'immigration.
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Before Donald Trump delivers any amount of monetary damages to E. Jean Carroll, he could engage in a long appeals process.
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Earth, Wind & Fire (featuring Maurice and Verdine White and Philip Bailey) perform an epic version of “Magic Mind” in 1979 featuring the Phenix Horns which included saxophonist Don Myrick, trombonist Louis Satterfield, and trumpeters Rahmlee Davis and Michael Harris. #ewf
Reelin’ In The Years Productions has available for licensing over 30,000 hours of music footage spanning 90 years. Additionally, we have more than 8,000 hours of in-depth interviews with the 20th century’s icons of Film and Television, Politics, Comedy, Literature, Art, Science, Fashion, and Sports.
To search for footage please visit our online database at http://reelinintheyears.com.
Note: these clips are available on YouTube for producers, directors, researchers and clearance companies for potential use in their projects. Our website on the screen is to protect the footage from being used without our consent and so industry professionals can find us to properly license the footage.
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Track from the band’s third studio album Men Amongst Mountains (2015).
**About The Revivalists**
The Revivalists are an American rock band formed in New Orleans, Louisiana, in 2007. The eight-piece band consists of Ed Williams (pedal steel guitar, guitar), David Shaw (lead vocals), Zack Feinberg (guitar), Rob Ingraham (saxophone), George Gekas (bass guitar), Andrew Campanelli (drums and percussion), Michael Girardot (keyboards and trumpet), and Paulet "PJ" Howard (drums and percussion).
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A startling exposé revealed that President Donald Trump helped his sons score a billion-dollar mining deal in Kazakhstan. The bombshell New York Times repo
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From President Donald J. Trump: The contrast between the Democrat and Republican visions for America has perhaps never been sharper. Republicans want to put Americans, not the federal government, in control of their lives and families. We want to strengthen the American Dream so that more Americans can move up the ladder of success and free themselves from government […]
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This track, “Strength and Sanity”, written by the brilliant composer and trumpeter Booker Little, was first recorded in 1960 by Booker’s sextet which featured Eric Dolphy, Max Roach and Don Friedman on the piano. The album, Out Front, was recorded the same year of Booker’s death at the age of 23. These tunes, although known to some jazz musicians, are sort of lost masterpieces. As far as I know, Don, hadn’t revisited these songs in the 57 years since he had recorded them. They are inventive, modern and brilliant compositions and Don and his trio of Phil Palombi and Shinnosuke Takahashi played them with reverence and attitude. This is the title track, performed solo by Don, from their record Strength and Sanity released as part of our First Season set. This was Don’s last studio album, he passed away in May of 2016.
Song by Booker Little. Shot by Jim Hoppin. Edited by Ben Chace.
Available now on Newvelle Records
https://www.newvelle-records.com/
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"Do I Do" is a song written and performed by American singer and songwriter Stevie Wonder, first released in 1982 on the compilation album, Stevie Wonder's Original Musiquarium I (1982). The single peaked at #2 on the US Billboard soul chart and #13 on the Billboard Hot 100. On the Billboard dance chart, "Do I Do" went to number one for two weeks. Overseas, it reached #10 in the UK.
The album version of the song is ten and a half minutes long. It features a rare example of Wonder rapping near the end of the track. Dizzy Gillespie is also featured on the track with a trumpet solo. Both of these are omitted from the single edit of the song (some longer edits retain the Gillespie solo but omit the rapping). Wonder audibly counts down at the end of the track, which is not commonly heard at the end of musical singles. The song is noted by bassists for its intricate bassline, played by Nathan Watts. A commercial success, it was the recipient of three Grammy Award nominations including for Best Male R&B Vocal Performance and Best R&B Song. The song became the basis for Ja Rule's "Livin it Up."
Stevland Hardaway Morris, known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. He is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder.
Wonder's single "Fingertips" was a No. 1 hit on the Billboard Hot 100 in 1963, at the age of 13, making him the youngest solo artist ever to top that chart. Wonder's critical success was at its peak in the 1970s. His "classic period" began in 1972 with the releases of Music of My Mind and Talking Book, the latter featuring "Superstition", which is one of the most distinctive and famous examples of the sound of the Hohner Clavinet keyboard. His works Innervisions (1973), Fulfillingness' First Finale (1974) and Songs in the Key of Life (1976) all won the Grammy Award for Album of the Year, making him the only artist to have won the award with 3 consecutive album releases. Wonder began his "commercial period" in the 1980s; he achieved his biggest hits and highest level of fame, had increased album sales, charity participation, high-profile collaborations (including with Paul McCartney and Michael Jackson), political impact, and television appearances. Wonder has continued to remain active in music and political causes.
Wonder is one of the best-selling music artists of all time, with sales of over 100 million records worldwide. He has won 25 Grammy Awards (the most by a male solo artist) and one Academy Award (Best Original Song, for the 1984 film The Woman in Red). Wonder has been inducted into the Rhythm and Blues Music Hall of Fame, Rock and Roll Hall of Fame and Songwriters Hall of Fame. He is also noted for his work as an activist for political causes, including his 1980 campaign to make Martin Luther King Jr.'s birthday a federal holiday in the U.S. In 2009, he was named a United Nations Messenger of Peace, and in 2014, he was honored with the Presidential Medal of Freedom.
John Birks "Dizzy" Gillespie (October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon.
In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman.
He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time, Gillespie was such a complex player that his contemporaries ended up being similar to those of Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated. Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time".
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Provided to YouTube by Parlophone UK
Mr Tembo · Damon Albarn
Everyday Robots
℗ 2014 Thirteen Limited under exclusive license to Parlophone Records Limited. A Warner Music Group company.
Choir: Celia Murphy
Choir: Conroy Griffiths
Lead Vocals: Damon Albarn
Trumpet: Dan Carpenter
Assistant: John Foyle
Assistant: Kaktus Einarsson
Mastering Engineer: Kevin Metcalfe
Samples: Lord Buckley
Choir: Margurita Edwards
Choir: Mary Oldacre
String Arranger: Mike Smith
Violin: Oli Langford
Choir: Patsy Walsh
Drums, Sound Effects ( Sfx): Richard Russell
Producer: Richard Russell
Mixing Engineer: Stephen Sedwick
Audio Recording Engineer: Stephen Sedwick
Choir: Veona Byfield Bowen
Writer: Damon Albarn
Writer: Richard Russell
Auto-generated by YouTube.
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???? 1 ???? 10 ❤️ 10 · US supreme court rules Trump’s firing of Lisa Cook from Fed was unconstitutional · Justices find president does not have constitutional authority to fire Federal Reserve governor…
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Provided to YouTube by Masterworks
Just Breathe · Caitlin Kinnunen
The Prom: A New Musical (Original Broadway Cast Recording)
℗ 2018 Sony Music Entertainment/ The Prom Cast Album Recording LLC
Released on: 2018-12-14
Composer, Producer: Matthew Sklar
Composer: Chad Beguelin
Conductor: Meg Zervoulis
Orchestrator: Larry Hochman
Keyboards: Ted Arthur
Arranger: Glen Kelly
Cello: Laura Bontrager
Violin: Sean Carney
Guitar: Eric Davis
Clarinet: Julie Pacheco-Eismann
Clarinet: John DiSanto
Bass: Brian Hamm
Percussion: Bill Hayes
Viola, Violin: Adda Kridler
Violin: Whitney LaGrange
Trombone: Matt Melore
Trumpet: Brian Pareschi
Trumpet: Rob Slowik
Drums: Jared Schonig
Programmer: James Abbott
Producer: Scott M. Riesett
Co- Producer: Dori Berinstein
Co- Producer: Bill Damaschke
Co- Producer: Scott Farthing
Mixing Engineer, Recording Engineer: Lawrence Manchester
Assistant Engineer: Ben Miller
Assistant Engineer: Dan Fyfe
Assistant Engineer: Gloria Kaba
Recording Engineer: Isaiah Abolin
Recording Engineer: Angie Teo
Mastering Engineer: Oscar Zambrano
Auto-generated by YouTube.
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Via: https://emptywheel.net
You have a choice. You can spend the next few weeks making a big stink about the fact that the aspiring FBI Director tried to help Trump steal classified documents. Or you can spend it clinging to false claims about Merrick Garland so you can blame him rather than John Roberts for the fact that Trump won.