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Via: https://talkingupscotlandtwo.com
Grokked by Simon Templar @liam9904 With only 4 days left, support Talking-up Scotland’s work to counter the lies and get you the facts, daily, at: or by direct bank transfer method – Jo…
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Discover Vini Vici, Timmy Trumpet, Niklas Dee - Party So Hard on your favorite streaming platform: https://orcd.co/partysohard Click the bell to subscribe to the Smash The House channel for your weekly dose of new music: https://bit.ly/3Te5aHD With Vini Vici, Timmy Trumpet, and Niklas Dee colliding on the same track, you know things are going to get wild, and ‘Party So Hard’ absolutely delivers on that front. This colossal collaboration is a high-octane, genre-smashing party anthem engineered for maximum festival impact. From the jump, ‘Party So Hard’ goes full throttle. Its gritty psy-trance bassline lays the groundwork, while a cheeky male vocal recounts the fallout from an epic night out. The resulting vibe is controlled chaos. It’s loud, unruly, and designed for one thing only: blowing the roof off any arena it touches. Each artist brings their own heat to the mix. Vini Vici’s hypnotic, hard-hitting psy roots set the pulse racing. Timmy Trumpet injects his trademark brass-fuelled madness, and Niklas Dee, the fast-rising producer already making waves across Europe’s mainstages, polishes it off with modern festival sheen. The result is a peak-time banger with zero chill! If you’re looking for subtlety, you won’t find it here. But if you’re after a turbo-charged, fully-send-it style soundtrack for your next rave, ‘Party So Hard’ might just be your anthem of the season. Produced by: Timmy Trumpet, Vini Vici, Niklas Dee Written by: Niklas Dichtl, Timothy Jude Smith,Sean Berchik, Vini Vici Since its inception in 2010 Smash the House has rapidly forged a reputation as one of the major players in recent dance music history. Now well into its 12th year and continuing to surge out independent and cleverly crafted releases, the Smash the House imprint has gained popularity for consistently delivering top quality dancefloor bangers, with former 2 x World No.1 DJ’s Dimitri Vegas & Like Mike at the helm once again (having won No.1 title back in 2015 and 2019). Releasing music from a diverse range of artists that tread a spectrum of A-list names as well as bubbling-up talent, Smash The House has grown a reputation for identifying, supporting and releasing unshakeable anthems. Check out the Tomorrowland Official playlist: https://open.spotify.com/playlist/5ZgnTlYPLATJiTg9yTgppb?si=8a22de7d27194528 Connect with us: Instagram: https://www.instagram.com/smashthehouse/ YouTube: https://www.youtube.com/SmashTheHouse Facebook: https://www.facebook.com/smashthehouse SoundCloud: https://soundcloud.com/smashthehouse TikTok: https://www.tiktok.com/@smashthehousemusic Spotify: https://open.spotify.com/user/smashthehouse2 Website: https://www.smashthehouse.com/home #PartySoHard #timmytrumpet #niklasdee #psytrance
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???? PURPLE PENGUIN – De-Tuned ???? Cup Of Tea Records, UK 1996 Written-By – B.P.Dubuisson, E. Carahar (tracks: 9), J. Lundie (tracks: 11) Producer – Purple Penguin, Scholes, Lundie (tracks: 3, 4) Scratches [Cuts] – Scott Hendy (tracks: 5, 8) Guitar – Dave Smeaton (tracks: 3, 7) Trumpet – Roger Mills (tracks: 3, 4, 8) Vocals – Andrea Blythe (tracks: 3, 5, 11, 12), E. Carahar (tracks: 9) TRACKLIST: 1. Tombstone 0:00 2. Only 4:15 3. Mountain 8:31 4. Tribhuwan 13:18 5. No Action 18:20 6. New Harlem 23:11 7. Mute Noise 27:41 8. Razor 29:53 9. Passion 34:01 10. So High 39:36 11. Pressue (Re-Mix) 42:49 12. Memphis 47:21 13. End Theme 54:54 __________________________________ #triphop #PurplePenguin #CupOfTeaRecords ______________________________ ???? For a more rewarding experience, listening with headphones is recommended. ???? For promotional purposes only. Please support the artists and buy their music. ???? The THL YouTube channel has always been a demonetized channel, which means it does not generate revenue based on views. If you would like to support my work on the channel and other Trip Hop Lovers initiatives with a donation, please ask how at: triphoploverschannel@gmail.com
Robert Jeffress has also made inflammatory comments about Muslims, Mormons and Hindus.
Donald Trump wants “alpha male” influencer Nick Adams to represent the United States abroad.
We pay hundreds of Billions of Dollars to SUBSIDIZE Canada. Why? There is no reason. We don’t need anything they have. We have unlimited Energy, should make our own Cars, and have more Lumber than we can ever use. Without this massive subsidy, Canada ceases to exist as a viable Country. Harsh but true! Therefore, Canada should become our Cherished 51st State. Much lower taxes, and far better military protection for the people of Canada — AND NO TARIFFS!
The move is a blow to Donald Trump, who wants to push through the sale amid rising Gulf tensions.
We are living in James Madison’s nightmare. A Reuters/Ipsos poll right after Trump was handed the White House by the electoral college (after losing to Hillary by 3 million votes) found that fully 16 percent of Americans had stopped talking with a family member or friend because of the poison Trump ...
Via: https://apple.news
Russell Moore, formerly of the Southern Baptist Convention, thinks evangelicals have come dangerous adrift of morality
Via: https://youtube.com
The Trumpster fire demonstrates once again that he just doesn't give a damn about consistency or coherence. Straight up admits it's okay to treat Hillary under different rules. Sad.
Via: https://youtube.com
The Berrie Big Band lockdown home recording of the Bullseye TV Show Theme Tune. Created during the 2020 Covid-19 pandemic. The 17 different parts were recorded separately using whatever recording devices the musicians had at their disposal in their homes, and the results were been combined into a single video clip Alto Saxophone 1: JP Berrie Alto Saxophone 2: Hugh Levey Tenor Saxophone 1: Gordon Paton Tenor Saxophone 2: John Melone Baritone Saxophone: Ian Alexander Trumpet 1: Gordon Kyle Trumpet 2: Euan Allardice Trumpet 3: Helen Mitchell Trumpet 4: Jack Walker Trombone 1: Luke Williams Trombone 2: Ross Bahlaj Trombone 3: Mark Haldane Trombone 4: John Waller Guitar: John Watt Piano: Karen McKay Bass Guitar: Dana Cruickshank Drums: Gavin Paterson
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Provided to YouTube by Rhino/Warner Records Mama Take (2003 Remaster) · Chicago The Studio Albums 1979-2008 (Vol. 2) ℗ 2003 Rhino Entertainment Company, a Warner Music Group Company. All Rights Reserved. Assistant Engineer: Brad Leigh Drums: Danny Seraphine Producer: Danny Seraphine Guitar: Donnie Daccus Producer: Donnie Daccus Backing Vocals: Donnie Daccus Brass Arranger: James Pankow Producer: James Pankow Trombone: James Pankow Mixing Engineer: Jim Boyer Audio Recording Engineer: Jim Boyer Assistant Engineer: John Beverly Jones Percussion: Laudir de Oliveira Producer: Laudir de Oliveira Producer: Lee Loughnane Trumpet: Lee Loughnane Backing Vocals: Lee Loughnane Assistant Engineer: Nick Blagona Bass Guitar: Peter Cetera Producer: Peter Cetera Lead Vocals: Peter Cetera Backing Vocals: Peter Cetera Assistant Engineer: Peter Lewis Producer: Phil Ramone Assistant Engineer: Robbie Whelan Keyboards: Robert Lamm Producer: Robert Lamm Backing Vocals: Robert Lamm Assistant Engineer: Roger Ginsley Mastering Engineer: Ted Jensen Producer: Walter Parazaider Woodwinds: Walter Parazaider Writer: Peter Cetera Auto-generated by YouTube.
Via: https://theiowastandard.com
On Tuesday, Ohio Issue 1, which adds a right to abortion to the Ohio State Constitution, was voted on and passed. Lila Rose, founder and president of Live Action, released the following statement: “The truth will ultimately prevail. The truth always trumps temporary political victories. What is the truth? Human life begins at the moment of […]
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Composer: Jacques Prévert, Johnny Mercer, Joseph Kosma Bass: Ron Carter Drums: Tony Williams Piano: Herbie Hancock Tenor Saxophone: George Coleman Trumpet: Miles Davis Recorded on September 20, 1963 live at the Monterey Jazz Festival Released in 2007 Monterey Jazz Festival Records Producer: Jimmy Lyons Recorded By: Wally Heider Sign up for Ron’s newsletter and get behind the scenes news, access to Ron on Zoom, special discounts, playing tips and more. https://tinyurl.com/wwdk33vb
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⦿ SUPPORT US ON PATREON ⦿ https://www.patreon.com/musicprofessor ⦿ BUY US A Kofi ⦿ https://ko-fi.com/themusicprofessor ⦿ Support us on PayPal ⦿ https://paypal.me/themusicprofessor?c... ⦿ SUBSCRIBE TO THIS CHANNEL ⦿ https://bit.ly/3Pnnwon "Handel is the greatest composer who ever lived. I would uncover my head and kneel down at his tomb." - Ludwig van Beethoven in 1824 Handel’s Zadok the Priest was composed for the coronation of George II in Westminster Abbey in 1727 and has been performed in every British coronation since that date. The first performance was something of a disaster: having forgotten to sing another piece, the choir sang the anthem at the wrong point in the service, and another performance during the service was described as ending “in confusion”. The reason for Zadok the Priest’s enduring popularity probably has something to do with its marvelous blend of musical elements: the unexpected hush of the opening, the stately tread of the music, its style derived from keyboard improvisation, with its softly expressive string arpeggios, taking the listener on a journey of inexorable but slightly unexpected harmonic shifts, building in intensity until the choir and trumpets finally burst out in regal splendor. The music that follows (rather like monarchy itself) is glittering and festive but less interesting than the build-up to its arrival. The tiny recorded excerpts of Zadok the Priest used in this video come from a spectacular live performance that took place in 2009 (in the Market church in Halle, where Handel was baptized in 1685). The English Concert and the Händelfestspielorchester Halle were conducted by Howard Arman. You can hear the complete performance on YouTube here: https://www.youtube.com/watch?v=5xWhclVLQyI&t=9s You may also be interested to see Handel's music enhancing the ritual theatre of the coronation service in this footage of King Charles III's coronation in Westminster Abbey on 6th May, 2023: https://www.youtube.com/watch?v=SCZAEI4zouE A more sedate version of the anthem, with a larger choir and orchestra, more in line with the performance practice of the early 1950s, can be heard in this famous footage of the coronation of Queen Elizabeth II (also in Westminster Abbey) in 1953: https://www.youtube.com/watch?v=Y3qH0rpwwe4 Edited by Ian Coulter ( https://www.iancoultermusic.com ) Produced and directed by Ian Coulter & Matthew King
Via: https://music.youtube.com
Provided to YouTube by Columbia Movin' Down the Line · Raphael Saadiq Stone Rollin' ℗ 2011 Sony Music Entertainment Released on: 2011-03-25 Drums: Carl Lemar Carter Composer, Vocal, Associated Performer, Guitar, Lyricist, Producer: Raphael Saadiq Performance Arranger, Bass: Calvin Turner Piano: Larry Dunn Trumpet: Raymond Monteiro Trombone: Garrett Smith Alto Saxophone: Randy Ellis Tenor Saxophone: Miguel Gandelman Concert Master: JoAnn Tominaga Guitar: Wa Wa Watson Harp: Gayle Levant Trumpet: Dan Foreno Trumpet: Harry Kim Saxophone: Dan Higgins Saxophone: Jeff Driskill Horn: Sarah Bach Horn: Jean Marinelli Horn: Stephanie O'Keefe Violin: Brian Benning Violin: Mark Cargill Violin: Johana Krejci Violin: Gina Kronstadt Violin: Kathleen Robertson Violin: Anatoly Rosinsky Violin: Haim Shtrum Violin: Lesa Terry Violin: Elizabeth Wilson Violin: John Wittenberg Violin: Shari Zippert Viola: Karen Elaine Viola: Jorge Moraga Viola: Robin Ross Viola: Harry Shirinian Cello: Miguel Martínez Cello: Vahe Karykian Cello: Giovanna Clayton Mixing Engineer, Co- Producer, Recording Engineer: Charles Brungardt Recording Engineer, Engineer: Gerry "The Gov." Brown Recording Engineer, Assistant Engineer, Engineer: Marlon Marcel Assistant Engineer: Ricardo Ribeiro Assistant Engineer: Wesley Seidman Performance Arranger: Paul Riser Mastering Engineer: Bernie Grundman Project Coordinator: Lauren Barford Auto-generated by YouTube.
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Provided to YouTube by Sony Classical A Streetcar Named Desire · Steven Mercurio · Carl Allen · Kenny Kirkland · Reginald Veal · Donald Harrison · Terence Blanchard · Steve Turre · Alex North Jazz in Film ℗ 1999 SONY BMG MUSIC ENTERTAINMENT Released on: 1999-02-22 Conductor: Steven Mercurio Drums: Carl Allen Piano: Kenny Kirkland Bass: Reginald Veal Alto Saxophone: Donald Harrison Producer, Trumpet, Arranger: Terence Blanchard Trombone: Steve Turre Composer: Alex North Co- Producer: Robin Burgess Executive Producer: Laraine Perri Auto-generated by YouTube.
The video’s release comes on the same day that Clinton is scheduled to deliver a speech on the so-called “alt-right” political movement.
Via: https://twitter.com
An early look at tomorrow's front page: TRUMP FOR PREZ - Ex-KKK leader: Donald just like us! https://t.co/kVep9MWIZz https://t.co/ls4iIFxlsn
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Vini Vici x Timmy Trumpet x Niklas Dee - Party So Hard (Extended Mix) Released 2025-04-25 by Smash The House Official Get it: https://www.beatport.com/release/party-so-hard-extended-mix/5029510 Vini Vici Tracks: http://bit.ly/1W1mn5h Vini Vici Live: http://bit.ly/1CE8wv7 Follow Vini Vici: Facebook: https://www.facebook.com/ViniViciMusic Instagram: https://www.instagram.com/vinivicimusic Spotify: https://open.spotify.com/user/vinivicimusic Twiter: https://twitter.com/vinivicimusic beatport: https://pro.beatport.com/artist/vini-vici/370281 Soundcloud: https://soundcloud.com/vinivicimusic
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Provided to YouTube by Parlophone UK Diana Ross · The Concretes The Concretes ℗ 2004 Licking Fingers AB under exclusive licence to Parlophone Records Ltd Violin: Anna Rodell Viola: Anne Pajunen Unknown: Bjorn Hansell Recorder: Bjorn Hansell Unknown: Björn Hansell Cello: Christian Horgren String Arranger: Christian Horgren Cello: Christian Hörgren String Arranger: Christian Hörgren Unknown: Christoffer Lundquist Recorder: Christoffer Lundquist Unknown: Christoffer Roth Recorder: Christoffer Roth Guitar, Performance: Daniel Varjo Vocals: Erik Bunger Backing Vocals: Erik Bünger Mastering Engineer: Henrik Jonsson Masterer: Henrik Jonsson Harp: Irene Kastner Mixing Engineer: Jari Haapalainen Unknown: Jari Haapalainen Mandolin, Percussion, Producer, Recorder: Jari Haapalainen Mixer: Jari Haapalainen Violin: Jonna Sandell Mixing Engineer: Linus Larsson Mixer: Linus Larsson Drums, Performance: Lisa Milberg Performance, Saxophone: Ludvig Rylander Vocals: Malte Holmberg Guitar, Performance: Maria Eriksson Bass, Performance: Martin Hansson Vocals: Nicolai Dunger Organ, Performance: Per Nystrom Unknown: Per Wikstrom Recorder: Per Wikstrom Unknown: Per Wikström Vocals: Petter Nyhlin Vocals: The Concretes Viola: Thomas Ringquist Viola: Thomas Rinquist Piano: Tomas Hallonsten Performance, Trumpet: Ulrik Karlsson Performance, Vocals: Victoria Bergsman Arranger: Christian Horgren Auto-generated by YouTube.
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On his radio show today, Bryan Fischer said it was "an absolute mystery" to him why self-identified evangelical Christians would be supporting Donald Trump for president, leading him to conclude that there must be something unnatural, otherworldly and Satanic at work... Read More At: http://www.rightwingwatch.org/content/bryan-fischer-says-donald-trumps-evangelical-support-being-orchestrated-satan Clip from The Kyle Kulinski Show, which airs live on Blog Talk Radio and Secular Talk Radio Monday - Friday 4:00 - 5:30 PM Eastern time zone. Check out our website - and become a member - at: http://www.SecularTalkRadio.com Listen to the Live Show or On Demand archive at: http://www.blogtalkradio.com/kylekulinski Follow on Twitter: http://www.twitter.com/kylekulinski Like on Facebook: http://www.facebook.com/SecularTalk Friends Of SecularTalk: http://www.facebook.com/beastofreason AMAZON LINK: (Bookmark this link to support the show for free!!!) http://www.amazon.com/?tag=seculacom-20
Fulton County has been under scrutiny since 2020, when it became the center of President Donald Trump's election fraud claims in the state.
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#davestapleton #jazzalbum #jazzinstrumental #jazzbeats The Listening Room by Edition Records A series of in depth in-person and virtual interviews and live events, telling the stories behind the music. Sign up for exclusive access - https://mailchi.mp/editionrecords/listeningroom == When It Rains is the first single from the Dave Stapleton album Quiet Fire [2026] https://editionrecords.com/releases/quiet-fire-dave-stapleton/ == Quiet Fire is the new project from the Edition Records and Slowly Rolling Camera founder, keyboardist and composer, Dave Stapleton. Rhodes-driven, beat-based jazz with atmospheric electronica, leaning into a more instinctive, producer-driven sound. Dave Stapleton - Rhodes & Synths Jon Goode - Bass Elliot Bennett - Drums Olga Amelchenko - Alto Saxophone Nils Petter Molvaer - Trumpet Tara Cunningham - Guitar Victoria Stapleton - Violin Music composed by Dave Stapleton Produced by Dave Stapleton Mixed by Deri Roberts Mastered by Alex DeTurk at The Bunker Studio Album artwork by Oli Bentley, Split Photos by Dave Stapleton == www.editionrecords.com open.spotify.com/user/editionrecords www.instagram.com/editionrecords Quiet Fire is the new album from British producer, musician and Edition Records founder Dave Stapleton – a beat-based jazz record shaped by rhythmically-driven, loop-focused production with the feel of a live band. Centred on Rhodes, bass and drums, the music sits in the space where jazz, instrumental beats and atmospheric electronica meet, drawing on a shared lineage that runs through early Bonobo, Jon Hopkins, Yussef Dayes, BADBADNOTGOOD, Kamaal Williams, Richard Spaven and Alfa Mist. His first album under his own name in over 12 years, Quiet Fire reflects a move towards beat-led writing, loop-based structure and a producer’s mindset rather than a traditional score-driven process. Prophet and Moog textures, sampled fragments and understated voices broaden the sound, with guest performances from Nils Petter Molvær (trumpet), Olga Amelchenko (saxophone) and Stuart McCallum (guitar), alongside the core trio of Jon Goode (bass) and Elliot Bennett (drums). Quiet Fire is an album about evolution, adaptation and instinct, marking a clear shift in Stapleton’s approach shaped by years of intensive studio work – including seven albums with the acclaimed Slowly Rolling Camera.
Via: https://goodmenproject.com
US President Donald Trump’s recent crackdown on migration has not only been enforced on the ground but also in his official communication.
Via: https://save-it.cc
The first single from Cologne- & Hamburg-based Nighthawks’ upcoming album Paris Dakar will be released this Friday, September 19.The track showcases the band’s signature blend of warm grooves, lyrical trumpet, intricate guitar, and keyboard interplay, offering a cinematic and poetic listening experience. Pre-save Finally Timeless today to be among the first to experience this elegant introduction to the Nighthawks’ latest work and get ready for the full album!
Via: http://trad-news.blogspot.com
Typical caravan member fleeing "oppression" and desperate to do the jobs that Americans don't want to do. Mexico is finally showing ...
Over an 18-hour period spanning two days, anchors on MSNBC and CNN all read from the same script as they warned viewers that President Trump’s typical criticism of the liberal media during a Tuesday address was akin to the authoritarian regime described in George Orwell’s dystopian novel 1984.
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Under the Trump administration, the Department of Homeland Security bulldozed thousands of saguaros to build up the border wall. The agency tried to save face by transplanting a few of them, but many of those transplants were already dead six months later. Saguaros are very slow-growing cacti, reaching only about 1.5 inches within their first 10 years of life, and they don’t blossom till they’re about 7 to 8 feet tall. That means some of the bulldozed cacti were over a century old. Please take a moment to share this video showing the tragic fate of these once-mighty desert sentinels. More details: https://fronterasdesk.org/content/1871287/more-100-saguaros-were-transplanted-trumps-rush-build-border-wall-many-have-died This video was featured in our Endangered Earth newsletter, issue 1,236 (March. 14, 2024): https://www.biologicaldiversity.org/publications/earthonline/endangered-earth-online-no1236.html ----- About the Center: The Center for Biological Diversity is a 501c3 nonprofit headquartered in Tucson, Arizona. At the Center, we believe that the welfare of human beings is deeply linked to nature — to the existence in our world of a vast diversity of wild animals and plants. Because diversity has intrinsic value, and because its loss impoverishes society, we work to secure a future for all species, great and small, hovering on the brink of extinction. We do so through science, law and creative media, with a focus on protecting the lands, waters and climate that species need to survive. We want those who come after us to inherit a world where the wild is still alive. Where to find us: WEBSITE: https://www.biologicaldiversity.org/ TWITTER: https://twitter.com/CenterForBioDiv FACEBOOK: https://www.facebook.com/CenterforBio... INSTAGRAM: https://www.instagram.com/centerforbi... TIKTOK: https://www.tiktok.com/@centerforbiodiv TAKE ACTION: https://www.biologicaldiversity.org/action/ For questions or media inquiries, email us at center@biologicaldiversity.org.
