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Knights of Cydonia · Muse
Knights of Cydonia
℗ 2006 A&E Records Limited
Strings: Around Art
Assistant Recording Engineer: Chris Wolstenholme
Bass Guitar: Chris Wolstenholme
Producer: Chris Wolstenholme
Background Vocals: Chris Wolstenholme
Assistant Mixing Engineer: Claudius Mittendorfer
Audio Recording Engineer: Claudius Mittendorfer
Drums, Percussion: Dominic Howard
Assistant Recording Engineer: Dominic Howard
Producer: Dominic Howard
Background Vocals: Dominic Howard
Assistant Engineer: Eddie Jackson
First Violin: Edoardo de Angelis
Mastering Engineer: Howie Weinberg
Trumpet: Marco Brioschi
Assistant Recording Engineer: Matthew Bellamy
Guitar, Piano, Synthesizer: Matthew Bellamy
Producer: Matthew Bellamy
Lead Vocals: Matthew Bellamy
Assistant Mixing Engineer: Max Dingle
Assistant Engineer: Myriam Correge
Mixing Engineer: Rich Costey
Audio Recording Engineer: Rich Costey
Co- Producer: Rich Costey
Assistant Mastering Engineer: Roger Lian
Assistant Engineer: Ross Peterson
Assistant Engineer: Ryan Simms
Assistant Recording Engineer: Tommaso Colliva
Mastering Engineer: Vlado Meller
Writer: Matthew Bellamy
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Mike Bryan Electric Guitar
Georgie Auld Tenor
Doc Severinsen Trumpet
Harry Sheppard Vibes
Derek Smith Piano
Jack Lesberg bass
Mousie Alexander Drums
Filmed in Jan. 1962 as part of a series of jazz films commissioned by Goodyear as a promotional item. This features the 7-man (?) Mike Bryan Sextet, which was really just formed for this particular recording, as far as I know they never recorded as a group in any other setting. If someone knows otherwise let me know.
The DVD is titled "Jazz Festival, Vol. 2" by Storyville Films and is available at various online vendors. It also features sets by Duke Ellington and Bobby Hackett.
Volume 1 features Louis Armstrong, Eddie Condon and again Bobby Hackett, all filmed in similar fashion in high fidelity stereo.
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You're Driving Me Crazy ! (What Did I Do)
Words and Music by Walter Donaldson
Performed by Guy Lombardo and His Royal Canadians
Recorded November 11, 1930
Columbia 2335-D
Guy Lombardo was the leader of probably the most commercially successful dance band of all time and active for more than 40 years. The band was named Guy Lombardo and His Royal Canadians. The Lombardo Brothers, Guy, Carmen, Lebert and Victor formed the band as youngsters in Canada and Guy was installed as leader. By 1925, they played vaudeville in Cleveland appearing at Lake Road Inn and other spots in the area. Next to New York then to Chicago followed by active recording for Columbia, Brunswick, Victor and Decca. Carmen wrote many of the arrangements, played lead saxophone and was principle vocalist. Brother Lebert was lead trumpet and Victor played baritone sax.
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Profecia: Netanyahu será el último primer ministro y entregará el reino al mesías! ¿Trump abandonó a Israel? Muchos se hacen esta pregunta tras los recientes acontecimientos políticos. Sin embargo, desde la perspectiva de la Biblia Hebrea, la verdadera seguridad de Israel nunca ha dependido de presidentes, imperios o alianzas humanas. Las Escrituras enseñan que el Dios de Israel vela por Su pueblo y cumple Sus promesas a pesar de los cambios políticos mundiales. En este video analizamos el papel de Donald Trump, Benjamin Netanyahu y las profecías relacionadas con la Era Mesiánica.
También exploraremos una interesante enseñanza presente en círculos rabínicos acerca de si Netanyahu podría ser el último primer ministro antes de la llegada del Mashíaj. ¿Está Israel acercándose al cumplimiento de las profecías de Ezequiel, Isaías y Zacarías? ¿Qué papel desempeñan Gog y Magog? ¿Qué enseñan realmente la Torá, los Profetas y la tradición judía sobre el futuro gobierno del Mesías?
Además, examinaremos por qué Roma, representada por el cristianismo, e Ishmael, representado por el islam, no determinan el destino profético de Israel según la visión de la Biblia Hebrea. Descubre cómo las profecías anuncian que el Reino pertenece a Hashem y que toda la humanidad reconocerá la soberanía del Dios de Abraham, Isaac y Jacob.
???? Suscríbete al canal, activa las notificaciones, deja tu comentario y comparte este video. Regresa para más estudios sobre la Torá, la profecía bíblica, Israel y la Era Mesiánica.
#raiceshebreas #sendaantigua #viral #shorts #Israel #Netanyahu #Trump #Mesias #ProfeciasBiblicas #Torah #GogYMagog #BibliaHebrea
⏱ CAPÍTULOS
00:00 ¿Trump abandonó a Israel?
00:30 Dios nunca abandona a Israel
01:00 ¿Será Netanyahu el último primer ministro?
01:30 La llegada de la Era Mesiánica
02:00 Gog y Magog según la Biblia Hebrea
02:30 El Reino pertenece a Hashem
???? Temas relacionados
✅ Las profecías de Ezequiel sobre Gog y Magog
✅ El papel de Jerusalén en la Era Mesiánica
✅ Las señales de la llegada del Mashíaj
✅ Qué enseñan los rabinos sobre el fin de los tiempos
✅ La diferencia entre el Mesías judío y el concepto cristiano
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US poster of Jess Franco’s Count Dracula (1970). Public domain. “We’re fighting against barbarians who want to demolish our liberty and our traditions and everything we hold dear.” These are some of the words that Donald Trump addressed to a group of “freedom-loving patriots” in a prerecorded message on May 5th. These patriots, who, according […]
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Congresswoman Marjorie Taylor Greene said on Twitter that she is currently supporting just President Donald J. Trump for Speaker of the House. Greene, who voted against vacating the chair, said Trump will end the war in Ukraine, secure the border, end the politically weaponized government, make American energy independent again, pass her bill to stop […]
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I shed tears many times during the compilation of the pictures for this video. Always I kept in mind the words Pettersson uttered concerning all his music. "My music is a protest against predestination, the cruelty of man, the man without a chance". "The music forming my work is my own life, its blessings, and its cursings .... a way to attain purification and liberation". "I want to be a spokesman for the weak, for those who have it the hardest". The symphony No. 6 contains all of these contrasts in a monumental musical canvass that defies words, and certainly makes Pettersson a completely unique and unclassifiable personality in the repertoire of serious music.
Emerging from a tragic gloom, the music soon erupts into aggressive confrontations which are sustained until almost half way through the work, when suddenly a bright star arises, a hymn is sung out on the trumpets, and the hatred and brutality are replaced by love and caring. To convey this visually, I have used beautiful paintings of motherly love (not to be taken as a story board put out by Pettersson himself!). As we continue our journey, the landscape once more becomes rather bleak and sad, although the conflicts have abated. The road to liberation and purification is certainly not paved. The slums offer little more than struggle, starvation, and misery. The inequality between those who have abundance, and those who have nothing, is frighteningly stark - particularly if one surfs the photos of current events seen on Google Images. Why to this present day has the human race not forsaken greed and established peace? It was these ponderings and the things I saw that brought me to tears - the disastrous indifference of the social group to the outsider.
Yet again come some aggressive outbursts, but these do not last for long. The star of liberation again rises. A grand and noble theme emerges out of the brief tumult, and in a masterly and unique way Pettersson takes us once more back to the springs of living water where there is love and refreshment once again - the vitalizing agent.
Alas, there is no triumph. The symphony gradually loses confidence, and ends by receding back into the darkness from whence it came.
The symphony was written between 1963 and 1966, when crippling arthritis began to plague Pettersson, and he was unable to write out the score in his own hand. The premier took place on 21 January 1968.
Here the performance is by the Berlin Symphony Orchestra, directed very ably by Manfred Trojahn, recorded in 1993. The recording engineer Erdmann Muller has brought out all the many fine details in his balance. It might still be available on CD cpo 999 124-2
I dedicate my labors in this video to Lora Doman of "Acres of Love", who recently passed away prematurely, and who did so much to help the orphans and outsiders of underprivileged communities in South Africa.
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"The Predatory Wasp of the Palisades Is Out to Get Us!" from 'Illinoise: A New Musical' https://illinoiseonstage.com/
Music & Lyrics by Sufjan Stevens (Based on the album 'Illinois')
Arrangements/Orchestrations: Timo Andres
Nathan Koci – Conductor
Elijah Lyons – Lead Vocals
Shara Nova – Background Vocals, Electric Guitar
Tasha Viets-VanLear – Background Vocals
Domenica Fossati – Flute
Kathy Halvorson – Oboe
Christina Courtin – Violin
Kyra Sims – Horn
Brandon Ridenour – Trumpet
Brett Parnell – Acoustic Guitar
Daniel Freedman – Drums
Jessica Tsang – Bass Drum
Sean Peter Forte – Piano
Eleonore Oppenheim – Acoustic Bass
#Illinoise #SufjanStevens
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“I Burned My MAGA Hat” is a hilarious and scathing pop-country protest song told from the perspective of a disillusioned MAGA supporter who's had enough of Trump's lies, Epstein secrets, and authoritarian nonsense. With biting lyrics, twangy humor, and a backyard bonfire of regret, this parody skewers the cult of personality surrounding Donald Trump and calls out MAGA loyalists now waking up to the con. If you're fed up with the hypocrisy, secrecy, and swampier-than-ever GOP, this satirical anthem is your new political breakup song. Perfect for fans of musical comedy, political satire, and country tunes with guts.
Listen to the other songs in the RESIST playlist: https://www.youtube.com/playlist?list=PLiQ69l6ay0IglhNKiK-Sph_jgIHBQPNoa
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The Event ~ The Activation Chamber of Abundance ~ Blue Electric Night ~ Divine Masterplan
https://primedisclosure.com/universal-abundance
photo in video - -Luc Jean-Luc Bozzoli
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QTZ1214, The Resistance, Nibiru, Planet X, ETs, The Storm, Mark Taylor, UFOs, living in the heart, being in the heart, Revelations,End of the Mayan Calendar, The Rapture, The End of Time, religion, Jesus, White Dragon, Red Dragon Society, Green Dragon Society, IMF, World Bank, General Dunford, Global Reset, END TIMES, pbince, R. Scott Lemriel, Meg Benedicte, Walter Russell, Tesla, Rainbow Body, Karma, THE EARTH ALLIANCE, Starseeds, Angelic Command Center , Prime Creator, Lemuria , Lori Ladd, Crystalline DNA, Return of the Bird Tribe, Elohim , Blue Avians, Yeshua Kristos, Lightbody , Arcturians, Ashtar Command, Atlantis Command, Pink Ray, Divine Feminine, Gamma Light, Divine Feminine, Earth Alliance, Planetary Forgiveness, 444 , 222 , Ecuador, Violet Fire,Lemurians, Indigo, DNA Upgrades, Galactic Portal Activation, Rainbow Waves, Phoenix, Blue Rays, Birthing, , Quantum Upgrades, Deep Disclosure
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https://youtu.be/DxQ5CaUNaPM
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Guess Who · Billie Holiday · Teddy Wilson & His Orchestra
Lady Day: The Complete Billie Holiday On Columbia (1933-1944)
℗ Originally released 1936. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Released on: 2001-10-01
Associated Performer: Billie Holiday with Teddy Wilson & His Orchestra
Associated Performer: Billie Holiday
Guitar: Lawrence Lucie
Associated Performer: Teddy Wilson & His Orchestra
Drums: Cozy Cole
Piano: Teddy Wilson
Alto Saxophone: Johnny Hodges
Clarinet: Harry Carney
Trumpet: Jonah Jones
Composer, Lyricist: Ralph Freed
Composer, Lyricist: B. Lane
Producer: Bernie Hanighen
Producer: John Hammond
Re- Mastering Engineer: Mark Wilder
Re- Mastering Engineer: Seth Foster
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Last week, I announced the creation of a major new company that will challenge the dominance of the Big Tech giants and Big Media bosses. Today I want to explain more about what I am doing and why. For me, this endeavor is about much more than politics. This is about saving our country. America […]
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The Humanist Report (THR) is a progressive political podcast that discusses and analyzes current news events and pressing political issues. Our analyses are guided by humanism and political progressivism. Each news story we cover is supplemented with thought-provoking, fact-based commentary that aims for the highest level of objectivity.
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Look Into My Eyes (Album Version) · The Electric Flag
A Long Time Comin'
℗ Originally Released 1968 Sony Music Entertainment Inc.
Released on: 1988-12-13
Background Vocal: Bloomfields and Courts (Quartet)
Associated Performer: The Electric Flag
Percussion, Guitar: Michael Bloomfield
Guitar, Bass, Percussion: Harvey Brooks
Percussion, Guitar: Sivuca
Percussion, Sitar: Richie Havens
Drums, Percussion: Buddy Miles
Percussion, Producer: John Court
Trumpet, Percussion: Marcus Doubleday
Percussion: Nick Gravenites
Percussion: Joe Church
Keyboards: Barry Goldberg
Keyboards, Baritone Saxophone: Herbie Rich
Keyboards: Mike Fonfara
Tenor Saxophone: Peter Strazza
Composer: H. Brooks
Composer: B. Miles
Engineer: Roy Segal
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The relationship between President Donald Trump and Senate Republicans neared a breaking point this week as he upended their efforts to speedily confirm on
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Utwór zarejestrowany w Moskwie pod koniec 1972 roku dla radzieckiej wytwórni "Miełodia".
Po nagraniu płyty "Krywań, Krywań" w maju 1972 Skaldowie koncertowali z materiałem w Niemczech, Czechosłowacji, ZSRR, gdzie mieli możliwość zarejestrować w tamtejszych studiach na nowo swoje utwory. Właśnie z nagranej w Moskwie płyty "Skaldy", wydanej w 1973 roku pochodzi ta wersja, która na radzieckim albumie nosi tytuł "Krivan'yu krivan'yu, ty mój vysokij"
W 2010 ukazała się na kompilacji "Skaldowie - Progressive Years 1970-1973", na której zebrane są utwory Skaldów zarejestrowane w zagranicznych studiach w latach 1970-1973.
Wersja nagrana w ZSRR - oprócz tego, że jest nieco dłuższa (prawie 22 minuty, oryginał prawie 18) jakoś specjalnie się nie różni od wersji z polskiego wydania. W nagraniu nieco bardziej słyszalna jest gitara, niestety, jedynie w roli akompaniującej, żadnych solowych popisów. Bo jedyne czego w tym utworze mi brak, to własnie jakieś monstrualne gitarowe solo w rodzaju np tego z niemenowskiego "Człowiek jam niewdzięczny" Tomasza Jaśkiewicza. Nie było chyba jednak wtedy w zespole takich gitarowych możliwości...
SKALDOWIE:
Andrzej Zieliński - Hammond organ, vocal
Jacek Zieliński - lead vocal, violin, trumpet, percussion
Jerzy Tarsiński - guitar
Konrad Ratyński - bass guitar, vocal
Jan Budziaszek - drums
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È successo mentre saliva sull’Air Force One | Corriere Tv
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It’s no secret that Hollywood celebrities and their ideological counterparts in the mainstream media despise President Trump. In the runup to the 2016 election, that contempt spilled over to his supporters. The “basket of…
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What A Wonderful World (Outtake) · Brian Wilson · Van Dyke Parks
Orange Crate Art
℗ 2020 Warner Records Inc.
Unknown: Andy Waterman
Drums, Percussion: Bernie Dresel
Guitar, Mandolin: Brian Otto
Unknown: Brian Soucy
Lead Vocals: Brian Wilson
Unknown: Britt Bacon
Programmer: Bruce Donnelly
Concert Master Conductor: Bruce Dukov
Bass Guitar: Carl Sealove
Drums, Percussion: Chili (Darryl Francis) Charles
Unknown: Clark Germain
Solo Trumpet: Dan Savant
Unknown: David Appelt
Harmonica: David McKelvy
Guitar, Mandolin: Dennis Budimir
Mixer: Ed Cherney
Guitar, Mandolin: Fred Tackett
Guitar, Mandolin: Grant Geissman
Guitar, Mandolin, Programmer: Ira Ingber
Unknown: Jon Baker
Unknown: Ken Deranteriasian
Bass Guitar: Lee Sklar
Executive Producer: Leonard Waronker
Programmer: Marvin Saunders
Mixer: Michael Frondelli
Programmer: Mike Watts
Unknown: Murray McFadden
Solo Violin: RICHARDGreene
Steel Drums: Robert Odin Greenidge
Assistant Mixing Engineer: Ronnie Rivera
Concert Master Conductor: Sid Page
Harmonica: Tommy Morgan
Producer: Van Dyke Parks
Masterer: Wally Traugott
Writer: George Weiss
Writer: Robert Thiele
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Western capitalists and Russian elites first began developing Ukrainian resources in the mid-19th century.
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Lenny Williams -When Im Dancin Remix -MyGrooves -Afshin & Alex Finkin #discowithsoul#Towerofpower
https://soundcloud.com/afshindjoon/sets/my-grooves-edits-afshin-alex
Williams was born in Little Rock, Arkansas, and moved to Oakland, California, at a young age. Learning to play the trumpet in elementary school fueled his interest in music; his skills as a vocalist were first nurtured by singing in gospel choirs and groups around the Bay Area. He worked with several notable artists, such as Sly Stone, Andraé Crouch, Billy Preston and members of the Hawkins family, Edwin, Walter and Tramaine.
Professional recordings
After winning several local talent contests, Williams signed his first recording contract with Fantasy Records. He cut two singles for the label, including "Lisa's Gone" and "Feelin Blue", written by John Fogerty of Creedence Clearwater Revival. In 1972, Williams joined the emerging funk band Tower of Power. A string of hits followed, including "So Very Hard to Go", "What Is Hip", "Don't Change Horses (In The Middle of the Stream)" and "Willing To Learn". During his two years with the group, Williams participated in three albums: Back To Oakland, Urban Renewal and the gold LP Tower of Power. Williams and Tower of Power toured throughout the United States, Europe and Asia.
Solo works
While still with Tower of Power, he recorded his first solo album Pray for the Lion for Warner Bros. Records in 1974. At the end of 1975, Williams left the band and returned to his solo projects. Initially signing with Motown Records in 1975, he later moved to ABC Records in 1977 (which was then purchased by MCA Records in 1979). With producer Frank Wilson at the helm and songwriters such as Judy Wieder, Clay Drayton, Terry McFadden, and John Footman, over the next four years, he scored ten chart hits, including "Shoo Doo FuFu Ooh", "Choosing You", "You Got Me Running", "Love Hurt Me Love Healed Me", "Here's to the Lady," and "Midnight Girl". Williams recorded four more albums from 1977 to 1980: Choosing You, his first gold LP; Spark of Love (contains the hits "You Got Me Running", and "Cause I Love You" as well as "Midnight Girl"); Love Current; "Taking Chances" and Let's Do It Today.
After leaving MCA, Williams recorded for the independent record labels, Rockshire and Knobhill. In 1986, he was invited to sing vocals on "Don't Make Me Wait For Love", a track from Duotones, a multi-platinum recording by Kenny G. The song became a Top 20 Billboard Hot 100 and R&B hit the following year.
His 1978 hit song "Cause I Love You" was sampled by Havoc of Mobb Deep for the track "Nothing Like Home", and by Kanye West for the songs "Overnight Celebrity" by Twista and "I Got A Love" by Jin. The track was sampled a fourth time in 2007 by Scarface for his single "Girl You Know" featuring Trey Songz & Young Jeezy sampled "Let's Talk It Over" for his single "I Do" featuring Jay-Z and Andre 3000. His song "Half Past Love" was also sampled by The Coup for their 2006 single "My Favorite Mutiny" featuring Black Thought of The Roots and Talib Kweli of Black Star.
Since that time, Williams has continued his solo career, touring the US, Europe and South Africa, and has also expanded his career to include acting, starring in several stage plays, including Love on Lay Away starring Deborah Cox, Mel Jackson and Martha Wash; What Men Don't Tell starring Kenny Lattimore, Chante Moore, and Dottie Peoples; and When A Woman's Fed Up. He is also one of the featured artists on Urbanland Music's DVD The Big Show, recorded at the Orpheum Theatre in Boston, Massachusetts, on November 29, 2002.
#lennywilliams #TOWEROFPOWER #choosingyou #discowithsoul
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President Donald Trump signed a declaration on Friday 1st Sept making Sunday a National Day of Prayer for the victims of Hurricane Harvey. Trump’s declaration comes one day after Texas Gov. Gregg A…
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When Donald Trump met President Barack Obama at the White House, their antipathy was barely concealed.
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Title Track : "Betrayal =3EM25="
Album : Shiro SAGISU Music from ''EVANGELION:3.0'' YOU CAN (NOT) REDO.
Produced & Composed by Shiro SAGISU
Choir Lyrics : Mike Wyzgowski
Total arrangement : Shiro SAGISU
Orchestra arrangement : Masamichi Amano and Shiro SAGISU
Choir arrangement : Shiro SAGISU
Rhythm arrangement : CHOKKAKU and Shiro SAGISU
Programming, all guitars & basses : CHOKKAKU
Synthesizers & Drums programming : Shiro SAGISU
[ -Shiro SAGISU's Special Choir- ]
Organized by Stephen Henderson and Catherine Bott
Soprano/Soprano soloist : Catherine Bott
Alto : Deborah Miles-Johnson
Tenor/Tenor soloist : Andrew Busher
Bass/Bass soloist : Michael George
[ -The London Studio Orchestra- ]
Conductor : Nick Ingman
Violin (1st Principal) : Perry Montague-Mason
Violin (2nd Principal) : Emlyn Singleton
Viola (Principal) : Peter Lale, Vicci Wardman
Cello (Principal) : Anthony Pleeth
Contrabass (Principal) : Chris Laurence
Flute : Jonathan Snowden, Anna Noakes, Eliza Marshall
Oboe : David Theodore, Jane Marshall, Chris Cowie
Clarinet : Jon Carnac, Anthony Pike, Dave Fuest
Bassoon : Richard Skinner, Gavin McNaughton, Stephen Maw
Horn : Richard Watkins, Michael Thompson, Philip Eastop, Nicholas Korth, Nigel Black, Richard Berry
Trumpet : Andy Crowley, John Barclay, Paul Mayes, Tom Rees-Roberts, Derek Watkins, Maurice Murphy
Trombone : Andy Wood, Mark Nightingale, Richard Edwards
Bass Trombone : Dave Stewart, David Vines
Tuba : Owen Slade, Nick Hitchens, Lee Tsarmaklis
Harp : Skaila Kanga
Timpani : Stephen Henderson
Percussion : Frank Ricotti, Gary Kettel, Glyn Matthews, Bill Lockhart
Orchestra Contractor : Isobel Griffiths, Lucy Whalley
Assistant producer : Yuiko Mukaino
Studios management : Philip Bagenal and Alison Burton
Management assistants : Yukiko Tanimoto, Junnosuke Fujita and Fumio Miyata
Recording engineers : Rupert Coulson, Jonathan Allen, Jake Jackson, Masahiro Kawaguchi, Philip Bagenal, Geoff Foster and Shiro SAGISU
Recorded at Air Lyndhurst Hall, Abbeyroad, Eastcote (London), Beethoven (Paris), and King Sekiguchi-dai (Tokyo)
Mixed by Rupert Coulson, Masahiro Kawaguchi and Shiro SAGISU
Mixed at Beethoven (Paris), Air (London) and Ro-JAM downstairs (Tokyo)
Mastered by Patricia Sullivan Fourstar at Bernie Grundman Mastering (Hollywood)
Executive Producers : Hideaki Anno and Toshimichi Otsuki
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Thanks Artworks by...
- studiomuku https://www.deviantart.com/studiomuku/art/Rebuild-of-Evangelion-Film-Poster-Minimal-Vector-284207973
- 雾语 https://www.pixiv.net/en/artworks/33454138
- skyzofreniak https://www.deviantart.com/skyzofreniak/art/Rebuild-of-the-third-impact-463877534
- Chris Lejman http://www.brokentone.net/wall/112-rolling-roadshow/
Translated Thai Lyrics, Edited & Rendering Directed by @S2P_ThaiLyrics_infinity (S2P_p8k)
Thanks for Watching ^ ^
#Evangelion #ShiroSAGISU #TheLondonStudioOrchestra #MasamichiAmano #SpecialChoir #CatherineBott #DeborahMilesJohnson #AndrewBusher #MichaelGeorge #CHOKKAKU #エヴァンゲリオン #エヴァ #鷺巣詩郎 #天野正道 #島田直 #S2P_ThaiLyrics #S2P_infinity
◆ All pictures belong to their respective owners. ◆
◆ All music rights go to Shiro SAGISU, Mike Wyzgowski, khara and King Record Co., Ltd. ◆
NEW
Via: https://youtube.com
1 Between The Rain Drops
2 Sobre Una Nube
Balafon – Jumma Santos
Baritone Saxophone, Flute, Written-By – Hamiet Bluiett
Bass – Junie Booth*
Drums – Phillip Wilson
Trumpet – Olu Dara
Recorded in concert at the Ladie's Fort in New York City, June 19, 1976.