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???? 0 ???? 5 ❤️ 5 · Democrats seek to bar presidents from collecting settlement money from the government · Lawmakers drafted the bill after President Donald Trump sued the IRS and the Treasury Depart…
Donald Trump's swollen ankles appeared during a historic visit with King Charles, fueling more speculation about the POTUS' health.
Via: https://www.ms.now
The president seemed to forget that he appointed Federal Reserve Chair Jerome Powell, which was part of an unsettling pattern of cognitive missteps.
Via: https://www.newsbreak.com
The best local & breaking news source in the US, featuring local weather, alerts, deals, events and more.
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Join the excitement at LIV Golf Virginia 2026. Follow the leaderboard and watch top golfers compete at Trump National DC. Don’t miss it!
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Melissa Caen reports on criticism from Republicans and Democrats after bizarre post-Helsinki summit press conference (7-16-2018)
Via: https://mashable.com
Donald Trump just might get a visit from the same Secret Service that is charged with protecting him.
Via: https://sofrep.com
Trump’s UFO file pledge is less about little green men than the hard question of who controls America’s skies when Washington keeps the radar tape locked in...
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Podcast Episode · The MeidasTouch Podcast · April 29 · 22m
America continues to be made great again. Or so says the collective of fascist buffoons currently holding federal positions of power. The Trump administration has made a lot of noise about bringing…
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Provided to YouTube by Columbia/Legacy Caravan (Album Version) · Duke Ellington The Duke: The Columbia Years (1927-1962) ℗ Originally Released 1937 Sony Music Entertainment Inc. Released on: 2000-01-31 Associated Performer: Duke Ellington Drums: Sonny Greer Piano: Duke Ellington Bass: Billy Taylor Baritone Saxophone: Harry Carney Clarinet: Barney Bigard Trumpet: Cootie Williams Trombone: Juan Tizol Lyricist, Composer: D. Ellington Lyricist, Composer: J. Tizol Producer: Henri Renaud Auto-generated by YouTube.
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The dangerous divide in South Africa goes far beyond apartheid. Crime is on the rise, systemic inequality and breakdown of law and order. Why has a country once considered a beacon of unity descended into fear and division? How can the ongoing unrest be stopped? Or is it only exacerbating the division? #southafricanews #southafrica #crimestatssouthafrica #racialtensions #crimestories 00:00 Intro 01:17 South Africa's Dangerous Reputation 02:38 Power Transition in South Africa 04:28 World's Most Dangerous City 07:18 Hypothetical Division of South Africa 09:58 Elon Musk vs. Trump: A Racial Perspective 12:19 Farm Attacks in South Africa 14:15 Crime Rates and Safety Issues 16:03 Life in Gated Communities 20:34 Income Inequality in South Africa 25:20 Elon Musk's Influence 26:10 Orania: A Unique Community 32:52 Mandela's Historic Visit 33:57 Apartheid Legacy in Orania 39:16 The Great Trek Explained 41:35 Dynamics of Oppressor and Oppressed 42:30 Growing Up in Nature 43:36 Military Training Experiences 44:37 Nelson Mandela's Impact 45:15 Corruption in South Africa 45:50 Nostalgia for Apartheid Era 46:38 The White Population's Presence 47:14 Racial Dynamics: Whites and Blacks
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???? Need a Great Florida Realtor? Connect with Monika: https://grantgwarrington.com/c/monika ???? Stay informed with my newsletter: https://grantgwarrington.com Ron DeSantis could end the Florida governor race tomorrow with his endorsement, but he won’t. And the reason goes way deeper than you think. In this video, I break down the 2 real reasons Ron DeSantis isn’t endorsing a 2026 Florida governor candidate, what Trump and Susie Wiles are doing behind the scenes, and why nearly 50% of Florida voters are still waiting to hear what DeSantis says. Plus — I reveal who DeSantis really wants as Florida’s next governor (even if he’s not saying it yet), and why Jay Collins is the only candidate with the guts to follow in DeSantis’ footsteps and end Florida property taxes for good. *My wife Monika is a licensed real estate agent who can help you connect with a trusted agent anywhere in Florida. I’m not licensed in real estate and don’t take part in any deals or earn referral fees. I’m just pointing you to someone I trust who’s great at what she does. DISCLAIMER: This video is for informational and entertainment purposes only. I’m not a lawyer, real estate agent, financial advisor, or government official. I’m just sharing my opinions and research. Do your own research before making any decisions. This video may include commentary on political, financial, or real estate topics, but it should not be taken as legal or professional advice. Any claims or opinions expressed are my own and do not reflect those of any companies, agencies, or organizations. I do not accept money from politicians, political campaigns, or PACs — everything shared here is independent and based on my own analysis of public facts. Those interviewed in the video do not represent either the creator or YouTube. #FloridaPolitics #DeSantis #JayCollins #2026Election #FloridaGovernor
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Provided to YouTube by Rhino Atlantic This Is New · Chick Corea Tones For Joan's Bones ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Piano: Chick Corea Producer: Herbie Mann Masterer: Jean Ristori Drums: Joe Chambers Flute: Joe Farrell Tenor Saxophone: Joe Farrell Engineer: Phil Iehle Bass: Steve Swallow Trumpet: Woody Shaw Jr. Contributor: Chick Corea Contributor: Herbie Mann Writer: Ira Ghershwin Writer: Kurt Weill Auto-generated by YouTube.
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Provided to YouTube by Columbia Doo Wop (That Thing) (Gordon's Dub) · Lauryn Hill Doo Wop ℗ 1998 Ruffhouse Records LP Released on: 1998-05-13 Lyricist, Vocal, Associated Performer, Composer, Producer: Lauryn Hill Background Vocal: Lenesha Randolph Background Vocal: Jenni Fujita Background Vocal: Rasheem "Kilo" Pugh Background Vocal: Fundisha Johnson Piano, Background Vocal: James Poyser Saxophone: Dean Frasier Trumpet: Chico Chin Trombone: Nambo Robinson Assistant Engineer: Errol Brown Assistant Engineer: Storm Jefferson Mixing Engineer: Warren Riker for Rikers Island Productions Mixing Engineer, Recording Engineer: Comissioner Gordon Mastering Engineer: Vic Anesini Recording Engineer: Warren Riker Drum Programmer: Vada Nobles Auto-generated by YouTube.
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Zubin Mehta conducts the Belgrade Philharmonic Orchestra in performances of Mozart's "Marriage of Figaro" overture and Symphony No. 40. 01:05 Marriage of Figaro, overture Symphony No. 40 06:35 I movement: Molto allegro 15:30 II movement: Andante 23:40 III movement: Menuetto. Allegro - Trio 28:25 IV movement: Finale. Allegro assai From the program notes: In search for a new libretto, W. A. Mozart met the poet and librettist Lorenzo da Ponte, who had just arrived to Vienna from Venice and served as the court poet for Emperor Joseph II. Mozart hired him to adapt the Beaumarchais play The Marriage of Figaro, which was the start of an important and long collaboration between the poet and the composer, the kind of which was recorded in music history only several more times. The overture of The Marriage of Figaro was famously composed a day before the opera's premiere, and apart from the jubilant atmosphere of a celebration, contains no music materials from the opera score itself. Three themes play one after the other, maintaining the same joyful character. After the failure of the Viennese premiere of Don Giovanni, Mozart was not a favorite among the music circles of the Austro-Hungarian capitol. His confidence lost, the artist turned to composing some of his most famous works, whose publishing and premieres he did not live to see. In the summer of 1788, three of Mozart's last symphonies were written - according to biographers, "as in one breath". Symphony No. 40 in G minor was already a sensation based on its key alone. Mozart rarely composed in minor key, and this was just his second venture in this direction within the symphonic genre. The symphony's orchestration was another sharp turn from norm, with originally no parts for clarinet, trumpet or timpani. With this famous work, Mozart left tradition and standards set by Joseph Haydn, through bold harmonies, tight form on both macro and micro levels, and the beginnings of counterpoint; these tendencies would all culminate in his Jupiter symphony. Concert date: October 12, 2024. Recording by: Radio-televizija Srbije (RTS) Beogradska filharmonija | Belgrade Philharmonic Orchestra www.bgf.rs
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Why has the phrase "Make America Great Again" captivated millions? What deep psychological mechanisms are at play behind its power—and its peril? In this provocative and insightful video, Dr. Raj Persaud, a consultant psychiatrist in private practice on Harley Street, London, offers a psychiatric deconstruction of one of the most iconic and controversial political slogans of our time. Blending clinical insight, political psychology, and even a personal confession about his hat obsession (!), Dr. Persaud explores: ???? How delusions of grandeur and paranoia mirror national identity ???????? What the phrase says about America’s sense of decline ???? The dangerous allure of blaming outsiders ???? Why past American achievements like the Moon landing and the Manhattan Project mattered—and how they happened ???? What tennis, Roger Federer, and psychosis can teach us about greatness Whether you're interested in psychology, politics, or just trying to understand the modern American psyche, this video challenges you to think differently about nationalism, decline, and the power of belief. ???? Don’t forget to like, comment, and subscribe for more psychological deep dives into current events and cultural phenomena. #DrRajPersaud #Psychology #MAGA #MakeAmericaGreatAgain #PoliticalPsychology #DonaldTrump #Nationalism #MentalHealth #Paranoia #Delusions #YouTubeLecture
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This is an excerpt from the fantastic Charles Mingus Epitaph concert in 1989. Personnel for this particular song: Bass: Edwin Schuller Trombone: Britt Woodman Alto Sax: John Handy Tenor Sax: George Adams Trumpet: Jack Walrath Drums: Victor Lewis Piano: John Hicks On June 3rd, 1989, the Alice Tully Hall at New York's Lincoln Center was the venue for the world premiere performance of Charles Mingus' masterpiece "Epitaph". Conductor Gunther Schuller directed 30 musicians in what the New York Times described as "One of the most memorable jazz events of the decade". The piece had been discovered after Mingus' death in 1979 and painstakingly restored and copied. It is the largest and longest piece for jazz orchestra ever written. It's available on DVD!
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Royal Liverpool Philharmonic Orchestra conducted by Vasily Petrenko. I - Allegretto - Più mosso - Allegretto - Allegro non troppo: 0:00 II - Scherzo. Allegro - Meno mosso - Allegro - Meno mosso: 8:16 III - Lento - Più mosso - Largo - Più mosso - Lento - (attacca): 13:52 IV - Allegro molto - Lento - Allegro molto - Meno mosso - Allegro molto - Molto meno mosso - Adagio - Largo - Più mosso - Presto: 23:16 Shostakovich's Symphony No.1 was composed between October 1924 and July 1925, written as graduation exercise for Maximilian Steinberg’s composition course at the Leningrad Conservatory. However, several of its ideas and materials were dated much earlier. It was premiered on May 12 of 1926, performed by the Leningrad Philharmonic Orchestra conducted by Nicolai Malko. The piece was an instant success, being widely performed in the Soviet Union and outside in Europe and America. Even today, it is still frequently performed. Despite the conservatism of Steinberg, who tried to guide him towards the Russian romanticism of Tchaikovsky and Rimsky-Korsakov, Shostakovich's own voice quickly emerged as shown in the symphony. Influences of Prokofiev, Stravinsky and Mahler are also audible, as well as the composers own sessions playing the piano as support for film scores. A sardonic humour, reminiscent of Stravinsky's "Petrushka", permeates the first two movements, while Mahler's tragic and expressive soundscape pours into the latter two. The first movement is structured in sonata form. It begins with a quirky introduction in which motives and fragments are gradually introduced and passed between instruments in a chamber-like setting, being the basis of the following themes. The main allegro begins with an ironic, march-like main theme introduced by the clarinet, contrasted by a light second theme in form of a delicate waltz, presented by the flute. The development section returns to the grotesque, full of musical jokes as it twists the material and reaches a portentous climax. An inverted recapitulation begins with the second theme, followed by the main one. A laconic coda ends the movement with the same elements from the introduction. The second movement is a scherzo in ternary form. After a false start on low strings, a rhythmic main theme is introduced by the clarinet in form of a frenetic Russian dance, which passes to multiple instruments. The piano is prominent in this part, enhancing the cartoonish character of the music. The trio features a lyrical, lullaby-like second theme on flutes, passing to the woods. The scherzo then continues, with the second theme in counterpoint on the brass in an excited climax. The darkly comic attempts of the piano to end the movement form one of Shostakovich’s most witty (and haunting) musical jokes. The third movement is written in ternary form. It opens with a darkly expressive main theme on oboe, answered dramatically by the solo cello and becoming more tragic on the rest of strings. A menacing brass call leads us to an anguished climax. The central section features a second theme in form of a slow, funereal march that is unfolded with great gloom and pathetism. The ensuing climax pits anguished strings against baleful brass. The violin recapitulates the main theme in an expressive solo, answered by the brass call. As the music gradually fragments, we finally hear an uplifting moment, before a drum roll transition leads us to the finale. The fourth movement is episodic in structure. It begins with a brooding introduction dominated by low strings and woodwinds, with a yearning theme on clarinet. A crescendo leads us to a furious allegro with a scurrying theme on clarinet and piano. The irony and humour we found in the first two movements now has been filtered through the darkness of the third. A lyrical contrasting theme appears on the violin, almost too beautiful to be real. The acid allegro section then continues, culminating in a sustained fortissimo climax for full orchestra, which suddenly breaks off. A fateful timpani solo based on the brass call motive from the third movement follows, leading to the return of the lyrical theme on solo cello. It passes to trumpet and strings, growing more intense before being cut-off by violent fanfares that bring the symphony to a vigorous and dramatic end. Picture: "Russian Toys" (1925) by the Russian painter Sergei Sudeikin. Musical analysis partially written by myself. Sources: https://tinyurl.com/2a2qnotm and https://tinyurl.com/25gs6ukv To check the score: https://tinyurl.com/24rpql5s
Via: https://apnews.com
WASHINGTON (AP) — President Donald Trump needled his Democratic rival Joe Biden on Friday for limiting his campaign appearances to virtual events from the basement of his home in Delaware.
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Provided to YouTube by SINPHONY Mad World · Timmy Trumpet · Gabry Ponte Mad World ℗ Under exclusive license to SINPHONY Ltd / SpinninRecords.com, ℗ 2020 Smash The House Producer: Andrea Di Gregorio Producer: Gabriele Ponte Programmer: Gabry Ponte Producer, Vocals: Julianna Isabella Pollifrone Producer: Timmy Trumpet Programmer: Timmy Trumpet Writer: R. Orzabal Auto-generated by YouTube.
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President Donald Trump claimed a pipeline project has made Germany “totally controlled” by and “captive to Russia” during a combative breakfast Wednesday that kicked off what was already expected to be a fraught NATO summit. Subscribe to TIME ►► http://po.st/SubscribeTIME Get closer to the world of entertainment and celebrity news as TIME gives you access and insight on the people who make what you watch, read and share. https://www.youtube.com/playlist?list=PL2EFFA5DB900C633F Money helps you learn how to spend and invest your money. Find advice and guidance you can count on from how to negotiate, how to save and everything in between. https://www.youtube.com/playlist?list=PLYOGLpQQfhNKdqS_Wccs94rMHiajrRr4W Find out more about the latest developments in science and technology as TIME’s access brings you to the ideas and people changing our world. https://www.youtube.com/playlist?list=PLYOGLpQQfhNIzsgcwqhT6ctKOfHfyuaL3 Let TIME show you everything you need to know about drones, autonomous cars, smart devices and the latest inventions which are shaping industries and our way of living https://www.youtube.com/playlist?list=PL2862F811BE8F5623 Stay up to date on breaking news from around the world through TIME’s trusted reporting, insight and access https://www.youtube.com/playlist?list=PLYOGLpQQfhNJeIsW3A2d5Bs22Wc3PHma6 CONNECT WITH TIME Web: http://time.com/ Twitter: https://twitter.com/TIME Facebook: https://www.facebook.com/time Google+: https://plus.google.com/+TIME/videos Instagram: https://www.instagram.com/time/?hl=en Magazine: http://time.com/magazine/ Newsletter: time.com/newsletter ABOUT TIME TIME brings unparalleled insight, access and authority to the news. A 24/7 news publication with nearly a century of experience, TIME’s coverage shapes how we understand our world. Subscribe for daily news, interviews, science, technology, politics, health, entertainment, and business updates, as well as exclusive videos from TIME’s Person of the Year, TIME 100 and more created by TIME’s acclaimed writers, producers and editors. President Trump Kicks Off NATO Summit By Claiming Germany Is ‘Controlled’ By Russia | TIME https://www.youtube.com/user/TimeMagazine
