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Raphael Anker, trumpet player from Geneva, one day decides to gather musicians for a live performance revisiting the golden age of Ethiopian music, the sound of Tlaloun Gessesse, Getatchew Mekurya, Mulatu Astatke, Mahmoud Ahmed and other legends. It's 2007, and the experience is so memorable that the one shot happening becomes a band: Imperial Tiger Orchestra, a nod to the Imperial Bodyguard Band from Addis-Abeba and to a classic line from Monthy Python's The Meaning of Life. A tiger - in Africa? ...Well it doesn't sound very likely...
Get it here:
http://bit.ly/Lv86Gd
http://www.myspace.com/imperialtigerorchestra
http://mentalgroove.ch
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A soulful tribute to Nirvana's In Utero by Heart-Shaped Tracks
Listen / buy the full length album: http://smarturl.it/soulfulnirvana
Michele Mara - vocals
João Marcelo - upright bass
Audryn Souza - trumpet
Rodrigo Lemos - organ beat, sample edit, honky tonk, backing vocals
Mixed by Guigo Berger at Rec n' Roll
Mastered by Rodrigo Deltoro at DaHouse Audio
Cover art by Pietro Domiciano
Produced by Rodrigo Lemos
© 2018 Mezcla Viva Records
Subscribe for new releases by Mezcla Viva Records:
http://mezclaviva.com
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Via: https://fonteufficiale.it
Le notizie del giorno spiegate sinteticamente da FonteUfficiale ???? Trump annuncia la sospensione di bombardamenti e attacchi contro l’Iran per due settimane. La tregua è vincolata alla riapertura dello Stretto di Hormuz, con negoziati previsti venerdì e l’ipotesi di colloqui diretti. Il petrolio intanto corre al ribasso. ???? L’Oman ha annullato l’incontro previsto per domani […]
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Spiralling · Erasure
The Circus
℗ 1987 Mute Records Ltd., a BMG Company
Vocals: Andy Bell
Producer: FLOOD
Trumpet: Guy Barker
Mastering Engineer: PAG
Mixing Engineer: Phil Harding
Mastering Engineer: TY1
Keyboards: Vince Clarke
Writer: Andy Bell
Composer: Erasure
Writer: Vince Clarke
Auto-generated by YouTube.
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Provided to YouTube by Rhino Atlantic
Love Don't Love Nobody (2003 Remaster) · The Spinners
Essentials
℗ 1974, 2003 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Background Vocals: Barbara Ingram
Vocals: Billy Henderson
Guitar: Bobby Eli
Trumpet: Bobby Hartzell
Trombone: Bobby Moore
Vocals: Bobby Smith
Background Vocals: Carla Benson
Drums: Earl Young
Trombone: Eddie Keskarella
Trombone: Freddy Joiner
Vocals: Henry Fambrough
Flute: Jack Faith
Alto Saxophone: Jack Faith
French Horn: Joe DeAngelis
Percussion: Larry Washington
Background Vocals: Linda Creed
Guitar: Norman Harris
Vocals: Pervis Jackson
Vocals: Philippé Wynne
Trombone: Richard Genovese
French Horn: Robert Martin
Trumpet: Rocco Bene
Guitar: Roland Chambers
Bass Guitar: Ronnie Baker
Arranger, Producer: Thom Bell
Conductor, Keyboards, Piano: Thom Bell
Vibraphone: Vince Montana
Background Vocals: Yvette Benton
Writer: Charles Simmons
Writer: Joseph B. Jefferson
Auto-generated by YouTube.
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"All-female Funk-Rock pioneers!"
Carol MacDonald is doubly important in the history of Rock. First, in the mid-60's she was guitarist for GOLDIE & THE GINGERBREADS, the first all-female Rock band signed by a major label. They toured with The Rolling Stones and made a handful of prized singles. Secondly, in the 70's she led ISIS, a ferocious all-female Funk-Rock octet who could take on the best of them.
ISIS burst out the gate soon after Fanny and Birtha had broken the barrier for all-female bands to make full albums. While those groups focused on blues-based Rock, ISIS was like a progressive octopus. Their first self-titled LP was overstuffed with stylistic ideas and the chops to pull them off. They were a match for anything Blood Sweat & Tears, Earth Wind & Fire, Chicago, or Parliament were putting out. They toured with Aerosmith, Kiss, ZZ Top, and Three Dog Night; made three very diverse albums; and got ignored by the Rock press and history.
Time reveals just how important they were. The ISIS collective was a training ground for dozens of female musicians, who seeded the future. They established a range of skill and style that broadened their successors' horizons. Their shocking debut cover declared they owned their sexuality on their own terms. And Carol had the immense courage to come out openly as a lesbian and sing about it in her work. Thus, ISIS paved the way for the Womyns Music labels, ESG, The Tom Tom Club, Madonna, Wendy & Lisa, Melissa Etheridge, Me'Shell Ndegeocello, Ani Defranco, Joi, Le Tigre, and Peaches.
That infamous cover was shot by Jon Stevens, whose work with silver body paint made him a rising star during the Glam era. ISIS created themselves as modern goddesses from a deep history, silver deities who could take on the soul and the cosmos. Their sprawling debut was produced by "Shadow" Morton (The Shangri-Las) who had just survived The New York Dolls. This song was written and sung by their steller bassist, Stella Bass; is it mocking of male touch sports, a rallying cry, a come-on, or really intimate footsies? You be the judge. And Suzi's lead guitar will take your head off!
This is dedicated to the memory of Carol MacDonald, who passed away in March of 2007.
Carol MacDonald: lead vocals, rhythm guitar, writer, arranger
Ginger Bianco: drums, co-leader, co-founder, co-writer
Suzi Ghezzi: lead guitar
Stella Bass: bass, vocals, writer
Nydia "Liberty" Mata: percussion, congas, bongos
Lauren Draper: trumpet, French horn, vocals
Lolly Bienenfield: trombone, vocals
Jeanie Fineberg: tenor saxophone
Learn more:
http://www.itsaboutmusic.com/isis.html
http://www.audiolunchbox.com/album?a=84522&z=
http://www.audiolunchbox.com/album?a=84523
http://www.myspace.com/isishornrock
See these other videos:
ISIS -AIN'T NO BACKIN'UP NOW (1975)
http://www.youtube.com/watch?v=Dqz79lz4tC8
ISIS -APRIL FOOL (1974)
http://www.youtube.com/watch?v=HIFiuIV67u0
(All rights reserved by the copyright owners. Fan-made video to promote the artist.)
tym stevens
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Rare Heavy Afro Psych Funk 70's from Nigeria
Asiko Rock Group – Asiko Rock Group
Label: EMI – NEMI (LP) 0199
Format: Vinyle, LP, Album
Pays: Nigeria
Sortie: 1976
Track B4 - Lagos City
Bass Guitar – Njoubi Basile
Drums – Paul Monnu
Lead Guitar – Evgene Ndema
Lead Vocals, Organ, Piano, Strings – Z. Joseph Bolandi
Rhythm Guitar – Ntaillou Idrissou
Trumpet – Ndovmbe Jylvand
Vocals, Congas, Percussion – Essombe Antoine Madie
Engineer – Kayode Salami, Monday Oki
Producer – Odion Iruoje
Asiko :
Nigerian group.
Members : Essombé Antoine, Eugene Ndema, Ndovmbe Jylvand, Njoubi Basile, Ntaillou Idrissou, Paul Mony, Z. Joseph Bolandi
Alias : Asiko Rock Group, Sos Asiko
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Provided to YouTube by Masterworks Jazz
Yesterday's Dreams · Freddie Hubbard
First Light (CTI Records 40th Anniversary Edition)
℗ Originally Released 1971 Sony Music Entertainment Inc.
Released on: 2011-04-12
Trumpet: Freddie Hubbard
Electric Guitar: George Benson
Drums: Jack DeJohnette
Vibraphone: Phil Kraus
Percussion: Airto Moreira
Piano: Richard Wyands
Violin: David Nadien
Violin: Paul Gershman
Violin: Emanuel Green
Violin: Harold Kohon
Violin: Joe Malin
Conductor, Arranger: Don Sebesky
Violin: Gene Orloff
Violin: Tosha Samaroff
Violin: Irving Spice
Violin: Matthew Raimondi
Viola: Alfred Brown
Viola: Emanuel Vardi
Cello: Charles McCracken
Cello: George Ricci
Bass: Ron Carter
Harp: Margaret Ross
Flute, Bassoon: Wally Kane
Flute: Hubert Laws
Clarinet, Flute: George Marge
English Horn, Clarinet, Flute, Oboe: Romeo Penque
Bassoon: Jane Taylor
French Horn: Ray Alonge
French Horn: James Buffington
Lyricist, Composer: D. Sebesky
Lyricist, Composer: N. Martin
Producer: Creed Taylor
Engineer: Rudy Van Gelder
Auto-generated by YouTube.
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It’s Donald and Melania’s Business Anniversary
#trump #anniversary #melaniatrump #satire #parody
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Via: https://www.nytimes.com
At issue is how to interpret a federal law barring hospitals from turning away poor or uninsured patients.
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How much does it cost to fly Air Force One? 6-figures ... per hour. Trump frequently uses it for trips to Palm Beach, some notable sporting events.
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Provided to YouTube by Sony Music Entertainment
A Peleja do Diabo Com o Dono do Céu · Zé Ramalho
A Peleja do Diabo com o Dono do Céu
℗ 1978 Sony Music Entertainment (Brasil) I.C.L.
Released on: 2019-10-13
Composer, Associated Performer, Violin, Lyricist: Zé Ramalho
Triangle: Zé Leal
Congas: Chacal
Trumpet: Marcio Montarroyos
Trombone: Edmundo Maciel
Bass: Chico Julien
Saxophone: Zé Bodega
Producer: Carlos Alberto Sion
Assistant Producer: Marcelo Falcão
Assistant Producer: Ligia Itiberé
Auto-generated by YouTube.
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Via: https://blisty.cz
Americké ministerstvo spravedlnosti vyslalo agenty FBI do bytů novinářů, aby doručili předvolání, a v alespoň jednom případě předložilo příkaz k zabavení zař...
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Eskalace Húsiů uvrhla Trumpa do dilematu v polovině volebního obdobíOzbrojení členové Íránem podporované Húsiovské milice se účastní demonstrací proti USA a...
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By Ben Olson Reader Staff According to Sandpoint resident Donald Kass, Donald Trump hasn’t changed a whole lot since he knew him as Donny Trump in grade school. “He was pig headed,” said Kass....
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Under Trump's leadership, the US took Russia's side at the UN, opposing a resolution acknowledging Russia’s responsibility for the war.
@gallego.senate.gov and I rushed to the floor to force the Senate to condemn this betrayal of our ally.
Republicans blocked us.
https://youtu.be/Wtazkuq1JhU?si=t4F3yQaCMI7C6Dyi
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Provided to YouTube by Rhino Atlantic
The Improvisors · Yusef Lateef
The Doctor Is In And Out
℗ 1976 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States excluding Austrailia and New Zealand. Warner Music New Zealand Limited for Austrailia and New Zealand.
Drums: Al Foster
Bass: Anthony Jackson
Guitar: Billy Butler
Synthesizer: Dana McCurdy
Percussion: Dom Um Romao
Trombone: Jack Jeffers
French Horn: James Buffington
Producer: Joel Dorn
Tuba: Jonathan Dorn
Trumpet: Joseph Wilder
Keyboards: Kenneth Barron
Trumpet: Leonard Goines
Bass: Robert Cunningham
Engineer: Robert Liftin
Mixing Engineer: Robert Liftin
Bass: Ron Carter
Arranger: Yusef Lateef
Oboe: Yusef Lateef
Alto Saxophone: Yusef Lateef
Tenor Saxophone: Yusef Lateef
Writer: Yusef Lateef
Auto-generated by YouTube.
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The FBI is examining whether Russian officials suggested to Jared Kushner that Russian banks could finance Trump associates' business ventures if US sanctions were lifted or relaxed.
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Provided to YouTube by Rhino/Warner Records
Rubberband of Life (feat. Ledisi) · Miles Davis · Ledisi
Rubberband EP
℗ 2019 Rhino Entertainment Company, a Warner Music Group Company.
Arranger, Producer: Anthony "Mac Nass" Loffman
Keyboards, Programming, Samples: Anthony "Mac Nass" Loffman
Arranger, Producer: Arthur Haynes
Upright Bass: Arthur Haynes
Keyboards, Programming: Arthur Haynes
Rhythm Arranger: Attala Zane Giles
Unknown: Attala Zane Giles
Producer: Attala Zane Giles
Executive Producer: Cheryl Davis
Executive Producer: Darryl Porter
Unknown: Dave Rideau
Unknown: Ed Cherney
Executive Producer: Erin Davis
Unknown: Gabe Burch
Assistant Engineer: Isaiah Sharkey
Mastering Engineer: John Webber
Unknown: Keith Lewis
Engineer: Kevin Santos
Mixing Engineer: Kevin Santos
Unknown: Kevin Santos
Congas: King Errisson
Lead Vocals: Ledisi
Background Vocals: Ledisi
Trumpet: Miles Davis
Assistant Engineer: Munyungo Jackson
Rhythm Arranger: Randy Hall
Unknown: Randy Hall
Guitar: Randy Hall
Producer: Randy Hall
Mixing Engineer: Reginald Dozier
Unknown: Reginald Dozier
Arranger: Vincent Wilburn Jr.
Assistant Engineer: Vincent Wilburn Jr.
Percussion: Vincent Wilburn Jr.
Producer: Vincent Wilburn Jr.
Executive Producer: Vincent Wilburn Jr.
Composer: Anthony Loffman
Composer: Arthur Haynes
Composer: Attala Zane Giles
Composer: Miles Davis
Composer: Randy Hall
Composer: Vince Wilburn, Jr.
Auto-generated by YouTube.
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CHERRY
Words by Ray Gilbert, music by Don Redman
McKinney's Cotton Pickers
Directed by Don Redman, vocal by Jean Napier
Recorded July 12, 1928, Chicago
Personnel:
Don Redman (reeds, director, arranger), John Nesbitt (trumpet), Langston Curl (trumpet), Claude Jones (trombone), Milton Senior (clarinet), George Thomas (alto sax), Prince Robinson (clarinet, tenor sax), Todd Rhodes (piano), Dave Wilborn (banjo), Ralph Escudero (tuba), Cuba Austin (drums), Jean Napier (vocal)
(Note: The date shown at the beginning of the video is wrong. The correct date is July 12, 1928)
Although McKinney's Cotton Pickers is properly regarded as a Midwest band, its growth was traceable to a number of sources. In 1924, which was about the time Don Redman joined Fletcher Henderson's Orchestra in New York, McKinney's was a band that depended only partly on musicianship. Taking its name from William McKinney, a former circus drummer, it went in for vaudeville, for comic effects and musical tomfoolery. This was not unusual for bands of the time. That jazz had to be "sold" was still a widely held opinion.
But jazz was already on its way and McKinney's was destined to become one of the important bands on the 1920's, linking the early jazz of bands that worked usually without orchestrations and with very simple instrumentation, to those that came later-- the name bands of the Thirties in which an instrumentation of seven brass, four reed and four rhythm instruments was generally the minimum.
Don Redman was the moving spirit of McKinney's Cotton Pickers. It was while he was musical director of the group, between 1928 and 1931, that it became famous --- and through records, was to become increasingly so --- for its pioneering in the field of arranged jazz. Meanwhile the band was not devoid of talent; if so, it would hardly have been worth Redman's while to join up.. William McKinney did not play with the band during its most famous period, but helped manage it and the name stuck. (Not to be confused with the White band known simply as "The Cotton Pickers", which grew out of The Memphis Five.")
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The president continues his visit to Ireland by attending the Irish Open, before returning home to the United States.
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Soviet-born writer and filmmaker Eduard Topol published an open letter addressed to U.S. President Donald Trump. The letter, released by Kontinent, a Russian-language outlet in the United States, has since circulated widely online. In it, Topol argues that Russian President Vladimir Putin cannot stop the war in Ukraine, not because he does not want to, but […]
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Via: https://dsmp.io
The Maestro Map is a recap of the key military and economic achievements in the timeline of the covert military operation occurring in tandem with the Trump Presidency. 7 years of research, and deep knowledge of the Q operation have informed the creation of this diagram. The timeline takes the viewer through Term 1, the Pause (also known as the Biden Show), and the prospective plan for Trump’s Term 2, or Agenda 47. Watch Dylan’s walkthrough of this map on Rumble. Click Here Size: 22” x 28” (Standard poster size, easily framable with a store bought poster frame) Lithograph on Gloss Cardstock, Made in USA. Version: v.10.10.24, 2024 Sold Unframed. *Blurring Removed on Actual Poster.
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Republicans were still cautious — or silent entirely — about shunning the former president-turned-2024 candidate.
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???? 0 ???? 33 ❤️ 33 · Trump Admin Sued Over Plan to Send Armed ICE Agents to the Polls · The city of Denver has teamed up with multiple civil rights organizations to try to protect the midterm electio…
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Donald Trump has sustained an $18 million loss since buying his luxury golf resort in Doonbeg, County Clare in 2014, according to a recent Forbes analysis.
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Cookin' was the first classic album to be released from the famed extended recording sessions of the Miles Davis Quintet (Miles Davis, John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones) in 1956, wherein they taped the band's basic repertoire in the manner of nightclub sets rather than the repetition of the usual studio takes. The essential albums Relaxin', Workin' and Steamin' also resulted from these sessions. From the muted eloquence of "My Funny Valentine," to the finger-poppin' "Blues By Five," and the urgent swing of "Airegin" and "Tune Up," Cookin' has the ability to thrill the listener no matter how many times it is played, the mark of an all-time great performance.
In Miles’s own words, he says he called this album Cookin’ because "that’s what we did—came in and cooked." What’s particularly significant about this Davis album is his first recording of what became a classic tune for him: "My Funny Valentine." Hot playing is also reserved for the uptempo number "Tune Up," which revs with the zoom of both the leader and Trane.
Musicians:
Miles Davis (trumpet)
John Coltrane (tenor saxophone)
Red Garland (piano)
Paul Chambers (bass)
Philly Joe Jones (drums)
Track Listing:
1. Airegin
2. Tune Up
3. Just Squeeze Me
4. Blues By Five
5. My Funny Valentine
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President Donald Trump announced plans to develop a United States Space Force. Like the Air Force, but in space. He classified outer space as a "war-fighting domain," and implied that the United States could create a militarized fleet to fight battles throughout the galaxy. One couldn't help but wonder if we already executed this idea in various films, video games, and cartoons, potentially even with the same title? The answer is a resounding and neon-tinted "yes."
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pick up Starcom: The U.S. Space Force: goo.gl/2snzet
Starcom: The U.S. Space Force is a terrifically Eighties cartoon about a futuristic bad-ass military force set to protect the world (but mainly America) from the evils of space. It ran for one 13-episode season in 1987. That year, Trump's children from his first marriage to Ivana - Don Jr., Ivanka, and Eric - were all between 4 and 10 years old respectively; squarely in the target demo for Space Force. It's a little insane to wonder if this cartoon seeped into Trump's consciousness at some point and stayed there until it reemerged this week. Yet, the cartoon is also essentially what Trump proposed.
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animated series tech president trump speech