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I shed tears many times during the compilation of the pictures for this video. Always I kept in mind the words Pettersson uttered concerning all his music. "My music is a protest against predestination, the cruelty of man, the man without a chance". "The music forming my work is my own life, its blessings, and its cursings .... a way to attain purification and liberation". "I want to be a spokesman for the weak, for those who have it the hardest". The symphony No. 6 contains all of these contrasts in a monumental musical canvass that defies words, and certainly makes Pettersson a completely unique and unclassifiable personality in the repertoire of serious music.
Emerging from a tragic gloom, the music soon erupts into aggressive confrontations which are sustained until almost half way through the work, when suddenly a bright star arises, a hymn is sung out on the trumpets, and the hatred and brutality are replaced by love and caring. To convey this visually, I have used beautiful paintings of motherly love (not to be taken as a story board put out by Pettersson himself!). As we continue our journey, the landscape once more becomes rather bleak and sad, although the conflicts have abated. The road to liberation and purification is certainly not paved. The slums offer little more than struggle, starvation, and misery. The inequality between those who have abundance, and those who have nothing, is frighteningly stark - particularly if one surfs the photos of current events seen on Google Images. Why to this present day has the human race not forsaken greed and established peace? It was these ponderings and the things I saw that brought me to tears - the disastrous indifference of the social group to the outsider.
Yet again come some aggressive outbursts, but these do not last for long. The star of liberation again rises. A grand and noble theme emerges out of the brief tumult, and in a masterly and unique way Pettersson takes us once more back to the springs of living water where there is love and refreshment once again - the vitalizing agent.
Alas, there is no triumph. The symphony gradually loses confidence, and ends by receding back into the darkness from whence it came.
The symphony was written between 1963 and 1966, when crippling arthritis began to plague Pettersson, and he was unable to write out the score in his own hand. The premier took place on 21 January 1968.
Here the performance is by the Berlin Symphony Orchestra, directed very ably by Manfred Trojahn, recorded in 1993. The recording engineer Erdmann Muller has brought out all the many fine details in his balance. It might still be available on CD cpo 999 124-2
I dedicate my labors in this video to Lora Doman of "Acres of Love", who recently passed away prematurely, and who did so much to help the orphans and outsiders of underprivileged communities in South Africa.
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