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Via: https://www.newsbreak.com
President Donald Trump’s Forest Service chief, Tom Schultz, was exposed Saturday for having potentially lied during a congressional hearing earlier this we
Via: https://zambianobserver.com
Politics THE INTERCEPTOR PROBLEM: Why Washington Really Paused July 26, 2026 0 THE INTERCEPTOR PROBLEM: Why Washington Really PausedForty-five minutes ago I reported what Axios had disclosed — that Trump had... Politics Four Pakistani Spaza Shop Owners Gunned Down in Kempton Park July 26, 2026 0 Four Pakistani Spaza Shop Owners Gunned Down in Kempton - Page 1325
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Trump Injects Self With Ebola So He Can Defeat That Next https://t.co/uOCWtX22d9
Via: https://www.museumsbund.at
Zeithistoriker Dirk Rupnow über Museum und Demokratie angesichts der Eingriffe ins Smithsonian Institute der Trump-Regierung im August 2025.
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Richard Strauss: Parergon on Symphonia Domestica for Piano "Left Hand" and Orchestra, Op.73 (1925) Piano: Paul Wittgenstein (1887-1961) Austrian-American Orchestra: The Boston Records Orchestra Conductor: Eric Simon Released: Boston Records 1959 Label: Boston Records – BST-1011 Format: Vinyl, LP, Album, Stereo Recorded At – Symphony Hall, Boston Matrix / Runout (Label Side A): K8OY-7883 Parergon (the Greek word means ‟addendum” or ‟supplement”), which, as Strauss’ sketches attest, was based on the ideas of ("Illness and Recovery"). Score: 1. (Langsam und schleppend) 00:01 F1 Introduction Orchestra (Slow and dragging) 00:19 "Elements of the child’s theme F14, from Sinfonia Domestica". 02:07 F2 Piano (in freiem, sehr leidenschaftlichem Vortag) - (in a free, very passionate) 03:26 F4 04:31 F6 05:25 F7 child theme 2. (Lebhafter) 06:45 F9 +5 (più vivace) Soaring, energetic theme 07:23 F11 08:53 F15 3. (Wieder langsam - Zeitmaß des Anfangs) 09:47 F17 +4 (Slowly again) dissonant 10:53 F20 (Etwas bewegter) Un poco piú allegro 11:34 F22 12:00 F23 (Orchestra) Yet this material is abruptly cut off and the uncertainties return with some more agitated and dissonant music. 13:21 F25 13:54 F26 (A meditative interlude culminating in a cadenza) 4. (Fröhlich bewegt) 15:34 F28 -8 Piano Solo (Fröhlich bewegt) 17:04 F28 -8 Woodwinds (Fröhlich bewegt) - (Happily moved) - Allegramente commosso The woodwinds intone a peaceful song which symbolizes the simple world of the child. This hymn-like tune turns out to be a variant of the soaring theme we heard before; it returns in its original form and is given a dazzling development. 18:11 F30 -2 18:22 F30 +5 Sehr lebhaft 18:41 F32 19:41 F36 (Ruhig) Calma 20:09 F38 (Wieder ruhig) Di nuovo tranquillo 20:27 F39 21:29 F44 -8 (Sehr lebhaft) Molto vivace 22:14 F47 (Orchestra) Lyrical and Peaceful. The peaceful version of the theme reappears, now sounding more lyrical in a richer orchestration. 22:48 F50 23:01 F51 23:29 F53 -5 (Fröhlich bewegt) espressivo cantando 5. (Sehr Schnell) 24:42 F56 -4 Molto veloce 25:14 F58 25:30 F59 Child theme 25:45 F60 (Etwas lebhafter) più vivace Child theme (Sinfonia domestica) 26:30 F63 +4 (Noch Schneller) Ancora più veloce Grandiose & Triumphant ending. F = Rehearsal number in the full orchestral score. ********************** Composed from 1924–25 Premiered on June 10, 1925 in Dresden by Paul Wittgenstein with the Berlin Philharmonic Instruments: 2 flutes, 2 oboes, 1 English horn, 2 clarinets, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 5 French horns, 2 trumpets, 3 trombones, 1 tuba, timpani, harp, 24 violins, 9 violas, 8 cellos, 6 double basses, & Solo Piano (Left Hand). History: In 1924, Richard Strauss received a commission from Paul Wittgenstein, a pianist who lost his right arm in World War I, to compose a work for piano left hand & orchestra. The pianist, older brother of the philosopher Ludwig Wittgenstein, came from a prominent Viennese family; their father, Karl, was a steel magnate, arts patron, and host of a salon where many of the greatest luminaries of the time, including Brahms, were regular guests. Strauss had known the Wittgenstein family before the war, and he used to play piano duets with Paul when the latter was a child. The commission reached Strauss at a time when he had just finished his autobiographical opera Intermezzo. In the opera, Kapellmeister Storch & his wife had a young son named Franz, just as the Strausses did in real life. But the opera captures a much earlier moment in the Strausses’ lives; by 1924, Franz Strauss was a grown man. Recently married, he contracted typhus on his honeymoon in Egypt & for a while his life was in danger. Under these circumstances, Strauss’ thoughts naturally turned to his Symphonia Domestica, written two decades earlier, also inspired by his family life. Franz was a child then, and he was given a lyrical theme that, along with the themes of his parents, formed the basis of much of the work. Elements of the child’s theme, now ‟grown up,” inform the Parergon (the Greek word means ‟addendum” or ‟supplement”), which, as Strauss’ sketches attest, was based on the ideas of illness and recovery. Structure: The conflict between those two opposite emotional poles generates the entire structure of the work, as an extensive, brooding, and chromatically complex introduction gives way to a more upbeat, faster section with a soaring, energetic theme. Yet this material is abruptly cut off and the uncertainties return with some more agitated & dissonant music. After a meditative interlude culminating in a cadenza, the woodwinds intone a peaceful song which symbolizes the simple world of the child. This hymn-like tune turns out to be a variant of the soaring theme we heard before; it returns in its original form & is given a dazzling development. The peaceful version of the theme reappears, now sounding more lyrical in a richer orchestration, before the grandiose & triumphant ending.
Via: https://youtube.com
In 1944, Capt. Charlie Nelson (Errol Flynn) leads a platoon of paratroopers into Burma to blow up a Japanese radar station in advance of the allied invasion. They're accompanied on the mission by Mark William (Henry Hull), an American journalist who is there to write about their exploits. The mission goes off without a hitch and without the loss of any men. The plan was for them to be picked up by two transport airplanes at an old landing strip but a Japanese patrol prevents them from doing so. The men are now forced to march towards the front lines, however the closer they get, the greater the number of Japanese troops they will face. In creating his soundscape, Waxman composed five primary themes and a number of reoccurring motifs, including; the long-lined Main Theme, which is borne by surging strings and woodwinds dramatico. “Main Title” offers a powerful score highlight where Waxman introduces his primary themes and perfectly establishes the tone of the film. We open dramatically with gong strikes, then trumpets militare. Waxman sows tension atop dire chords and snare drums bellicoso, entwined within this martial passage, which creates a tense and powerful synergy. The musical narrative is grim as the planned mission is daunting and full of risk. The tremolo strings of flight and horns militare support the flight of an American Liberator reconnaissance plane scanning for Japanese troop movement below.
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Via: https://theiowastandard.com
$7.59 gasoline in various parts in California—a record, and going higher. All over the Country gasoline is spiking. If the Trump Administration were in there, it would right now be $2 a gallon or less. – President Donald J. Trump Author: The Iowa Standard
Via: https://donnyferguson.com
President Donald Trump has scoffed at the measurement even as the White House heralded the successes of his first 100 days in office. In the final week before this key presidential marke…
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« Un type formidable », lance Donald Trump d’une voix tonitruante au téléphone. « C’est un vrai plaisir d’être en sa compagnie. » Photo : New York Magazine
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???? ???????????????????? ????????????????, ????????????????????????????????????????, ????????????-???????????????? ???????????????????????????????????????????? ???????? "???? ????????????'???? ???????????????? ????????????????????????????" — ???????????????? ???????????????????????????? ???????????????? ???????? ???????????????????????????? ???????????????? ????????????, ????????????????. This stunning footage captures Phil Collins’ "Both Sides of the World Tour 1994" (later renamed "Far Side of the World Tour" in 1995), a massive run of 171 shows across five continents, during its stop at the Orlando Arena, Orlando, Florida. The video is taken from the original promo tape distributed to US TV stations to promote the concert coverage. ???????????????????????????? & ???????????????????????????????????????? When "Both Sides" was released on November 8, 1993, it initially received mixed reviews, especially from adult contemporary radio, which criticized its introspective tone and slower pace. Expectations were sky-high — this was, after all, the follow-up to "…But Seriously". Yet the album became Collins’ most personal and emotional work, written during the collapse of his marriage to Jill Tavelman. Reflecting on that period, Collins said: “???? ???????????????????????????? ???? ???????????????????? ???????????????????? ???????????????? ????????????????????????????????, ???????????????????????????? ???????????????????? ???????????????? ????????????????????????. ???? ???????????????????????????????? ???????????????? ???? ???????????? ???? ???????????? ???????? ????????????.” The result was an album that marked a return to the darker, more melancholic atmosphere of "Face Value" and "Hello, I Must Be Going!". Despite its moody nature, Both Sides sold over three million copies within months, reaching #1 in eight countries (including the UK) and #13 in the U.S. In a 2016 interview with "The Guardian", Collins described Both Sides as his favorite album from a songwriting and creative standpoint, explaining: “???????? ???????????? ???????????????? ???????????????? ???? ???????????????? ????????????????????. ???? ???????????????????????? ????????????????????????????????????????. ???????????? ???????????????????? ???????????????? ???????????????????????????????? ???????????? ???????? ????????… ???????? ???????????? ???????????? ???????????????? ????????????????????????????????????????????.” The album was recorded entirely by Collins himself — no Hugh Padgham, no Daryl Stuermer, no Leland Sklar, no Phenix Horns. After sketching demos at home, he finished the record in just six weeks at The Farm with engineer Paul Gomersall, playing every instrument. It was a bold experiment that reflected both his isolation and artistic independence. ???????????? ???????????????? Only a few months after the album’s release, Collins embarked on the "Both Sides of the World Tour," which opened in Utrecht and later visited Europe, North America, South America, Australia, and Japan. The stage design echoed the video for "We Wait and We Wonder": an urban, working-class backyard scene — corrugated metal walls, dented trash cans, flickering “HOTEL” signs, wooden boards, and even newspapers and coffee cups — turning the stage into a cinematic set. Compared to the previous "Serious Tour 1990", Collins reshaped almost his entire band. Only a few familiar faces remained: Arnold McCuller (backing vocals), Brad Cole (keyboards), and Daryl Stuermer (guitars). Amy Keys replaced Bridgette Bryant on backing vocals; Nathan East (of Eric Clapton fame and co-writer of Easy Lover) took over on bass; and the legendary Vine Street Horns replaced the Phenix Horns, led by ex-member Harry Kim. Replacing Chester Thompson behind the kit was Ricky Lawson, an accomplished drummer whose groove perfectly complemented Collins’ energy. When asked about the major lineup changes, Phil explained: “???????????????? ???????????????????? ???????????? ???? ???????????????????????????????????????? ???????????????????????????????????? ???????????????????? — ???? ???????????????????????? ???????????????? ???????????????????????????????????? ???????? ???????????????????? ???????? ????????????????.” The show was split into two halves: the first quiet and introspective, featuring six songs from Both Sides; the second brighter and more dynamic, with a powerful light show and fan favorites. Despite the lack of an official concert release, the "Both Sides Tour" remains one of Collins’ finest — his most theatrical, emotional, and musically daring production. The setlists featured deep cuts, rare tracks, unexpected covers, and the longest shows of his career, often surpassing three hours. This video — remixed and remastered in 16:9 4K, featuring a new audio mix by our dear friend Blukaos — offers a rare opportunity to experience one of Collins’ most powerful tours, taken from a tour long known for its scarcity of professional footage and official releases. Fun fact: ???????????????????????????????????????????????????? ???????????????????? ???????????????????????? ???????????? ???????????????????????????????????????? ???????????????????? ???????????? ???????????? ???????????????? ???????????? ???????????????????????? ???????????????? ???????????????????????? ???????????????????????????????????????? ???????????? ???????? ???????????????????????????????? ????????????????????????????????????????????. ???????????? ???????????????? Phil Collins – Drums / Vocals / Piano / Tambourine / Solo Hi-Hat during band introductions Brad Cole – Keyboards Nathan East – Electric Bass Guitar / Electric Upright Bass / Vocals Amy Keys – Backing Vocals Arnold McCuller – Backing Vocals Ricky Lawson – Acoustic Drums (Remo) / Electric Drums and Drum Triggering Daryl Stuermer – Electric / Acoustic Guitars ????ℎ???? ???????????????? ???????????????????????? ???????????????????? Daniel Fornero – Trumpet Harry Kim – Trumpet Arturo Velasco – Trombone Andrew Woolfolk – Saxophones #PhilCollins #BothSides #Orlando
Via: https://www.governing.com
President Trump continues to attack the vote-by-mail system, claiming it will increase fraud, but Washington state’s mail-in program that has worked well for years might be a perfect counterexample.
Via: https://www.irishmirror.ie
As Donald Trump's presidency comes to an end what will become of the two women who are closest to him - and why do the loathe each other
Via: https://theiowastandard.com
From President Donald J. Trump: Democrats have no solutions to today’s crime surge. Here’s how they shrug off the mayhem. First: Deep denial. Through Sept. 27, New Orleans suffered 208 homicides, up 44% versus that period in 2021 and 141% in 2019. The Crescent City has become America’s Murder Capital. “I do not embrace that at all,” said Democratic Mayor […]
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CNN going on and on about % of Wisconsin GOPs "scared" of Trump. They should be scared -- we're moving the refugees to Wisconsin.
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Paul Ingrassia, who withdrew his nomination to lead the Office of Special Counsel last month, says in a farewell email that he’s moving to the General Services Administration.
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The White House
Nineteen electors vote unanimously in tradition that began in Commonwealth in 1789
???? 0 ???? 12 ❤️ 10 · The architecture of resistance: America’s year of mobilizing against ICE · Ordinary people launched a movement against Trump’s secret police. They’re still at it.
During his interview with Lex Fridman, Donald Trump reiterated his false election fraud claims but conceded that he did lose the 2020 race
Via: https://iclnoticias.com.br
O episódio da campanha de Jair Bolsonaro em 2018 voltou à tona depois do atentado contra Donald Trump no sábado (13)
Via: https://democracyjournal.org
How Trump’s immigration policies have shrunk the American concept of belonging.
The New York Times found more than 5,300 files with references to Mr. Trump and related terms. They include salacious and unverified claims, as well as documents that had already been made public.
Via: https://www.secoloditalia.it
Attentato a Trump, le serie tv ci girano intorno, ma i Simpson lo avevano previsto in un episodio su cui ora esplode un giallo "social"
Via: https://apnews.com
Donald Trump has criticized Detroit while delivering remarks to an economic group in the very same city.
CNN is upset because President Donald Trump's border control policies are working so well thanks in large part to the cooperation of the Mexican government. And it is that cooperation with Mexico that also irks Univision anchor Jorge Ramos from whom it is obvious CNN got many of their talking points.
Barry McCaffrey brought Nazi Germany to mind with a damning analysis of the current GOP and the former president's MAGA followers.
