Via: https://www.economist.com

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Our war against Iran began six months ago this week, and I think that history will surely record it as the most disastrous military conflict in our national history. The debacle ironically came amidst the 250th anniversary of the American Declaration of Independence. Contrary to our often boastful patriotic narratives, many of our previous wars […]

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"@Don_Vito_08: "A picture is worth a thousand words" @realDonaldTrump #LyingTed #NeverCruz @MELANIATRUMP https://t.co/5bvVEwMVF8"

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The Trump administration’s proposed federal funding freeze would endanger critical brain injury programs that many brain injury survivors depend upon. The Brain Injury Association of America (BIAA) and the National […]

Via: https://whatthefuckjusthappenedtoday.com

Trump was the only world leader to skip a session devoted to climate change at the G7 summit; Trump floated the idea of holding the next G7 summit at his “magnificent” Doral golf resort in Miami; and

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President Trump, in his first public remarks about the invasive investigations launched by House Democrats, just checkmated Nancy Pelosi....

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Provided to YouTube by G.O.O.D. Music/Columbia Shine · John Legend · The Roots Wake Up! ℗ 2010 Getting Out Our Dreams and Sony Music Entertainment Released on: 2010-09-17 Associated Performer: John Legend & The Roots Vocal, Associated Performer, Piano, Producer: John Legend Associated Performer: The Roots Drums: Ahmir Thompson Piano, Organ, Producer: James Poyser Electric Guitar: Kirk Douglas Bass: Owen Biddle Fluegelhorn, Trumpet: Matt Cappy Flute, Saxophone: Chris Farr Lyricist, Composer: John Stephens Producer: Ahmir "?uestlove" Thompson Recording Engineer: Alex Venguer Engineer: Jon Smeltz Assistant Engineer: Nick Banns Mixing Engineer: Jimmy Douglass Assistant Engineer: Maki Suzuki Assistant Engineer: Darren Moore Mastering Engineer: Dave Kutch Auto-generated by YouTube.

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Broadway Brass Band puts their branded spin on the title track from the monster hit, "The Phantom of the Opera." CAST Jonnie Reinhart—The Phantom Benny Lipson—The Tuba filmed by Jonnie Reinhart & Jack Lipson art design by Jonnie Reinhart recorded in Los Angeles, CA April 2025 music by Andrew Lloyd Webber, lyrics by Charles Hart arrangement by Benny Lipson Jonnie Reinhart, lead vox Benny Lipson, tuba, trombone, banjo, trumpet, percussion, bgv mixed and mastered by Benny Lipson

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Special counsel Jack Smith urged a federal appeals court to reverse the dismissal of the criminal classified documents case against Trump; an Arizona judge set a January 5, 2026, trial date for Trump

Via: https://www.nationalreview.com

How the Trump administration is taking on race-based contracting.

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The second single from The Delevantes' 2021 release "A Thousand Turns". https://www.thedelevantes.com The Delevantes twitter.com/TDelevantes instagram.com/thedelevantes/ facebook.com/TheDelevantes https://www.thedelevantes.com Produced by The Delevantes, Garry Tallent, and Dave Coleman Bob Delevante: Vocals, rhythm guitar Mike Delevante: Vocals, Lead 12-string guitar Garry Tallent: Bass Bryan Owings: Drums Jody Nardone: Keyboards John Painter: Trumpet Recorded at Blackbird Studios, Nashville Tennessee. Engineered by Jeremy Cottrell Overdubs recorded at Howard's Apartment Studio. Engineered by Dave Coleman Mixed by Bill Schnee Mastered by Sunny Nam at Jacob's Well Mastering Words and music by Bob Delevante, Mandalay Songs/38 Jackson

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Provided to YouTube by Rhino Atlantic Memphis Soul Stew (Live at Fillmore West, 3/7/1971) · King Curtis Live at Fillmore West ℗ 1967 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Organ: Bobby Emmons Piano: Bobby Wood Trumpet: Bowlegs Miller Tenor Saxophone: Charlie Chalmers Saxophone: Floyd Newman Drums: Gene Chrisman Tenor Saxophone: Jimmy Mitchell Producer: King Curtis Tenor Saxophone: King Curtis Guitar: RF Taylor Electric Guitar: Reggie Young Bass Guitar: Tommy Cogbill Composer: Curtis Ousley Writer: Curtis Ousley Auto-generated by YouTube.

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Donald Trump's Apprentice ending theme.... 0:24 where the action begins! I do not own anything, only for entertainment and informative purposes Download link: http://www.mediafire.com/?7bx3tebl1c7u53z

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Il n’était pas républicain ; les républicains sont devenus trumpistes. En quatre ans, le Président a converti les conservateurs américains au nationalisme.

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With Cozy, there's Dick Hyman (Organ and Arrangements), Bert Farber (Piano), Al Caiola (Guitar), Peanuts Hucko (Clarinet), Pepper Adams and Barney Bigard (Saxophones), Bernie Pevin and Joe Wilder (Trumpets), Urbie Green and Frank Rehak (Trombones), and Wendall Marshall (Bass).

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Rocky Horror Show creator Richard O'Brien: "Trump is a disgusting human being" Support local news and subscribe Youtube: youtube.com/chrislynchmedia.com. Facebook: Follow Chris Lynch at facebook.com/chrislynchmedia.com. Instagram: Instagram.com/chrislynchmedia.com Web: chrislynchmedia.com Tiktok: tiktok.com/@ChrisLynchMedia

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Provided to YouTube by RCA Bluebird Just A-Sittin' and A-Rockin' (1999 Remastered) · Duke Ellington and His Famous Orchestra Never No Lament: The Blanton-Webster Band ℗ Originally Recorded 1941. All Rights Reserved by BMG Music Released on: 2003-04-01 Composer, Piano: Duke Ellington Associated Performer: Duke Ellington and His Famous Orchestra Trumpet: Wallace Jones Trumpet: Ray Nance Cornet: Rex Stewart Trombone: Joe Nanton Trombone: Lawrence Brown Trombone: Juan Tizol Tenor Saxophone, Clarinet: Barney Bigard Alto Saxophone, Clarinet: Johnny Hodges Alto Saxophone: Otto Hardwick Tenor Saxophone: Ben Webster Baritone Saxophone, Alto Saxophone, Clarinet: Harry Carney Guitar: Fred Guy Bass: Jimmie Blanton Drums: Sonny Greer Composer: Billy Strayhorn Composer: Lee Gaines Reissue Producer, Additional Studio Producer, Engineer: Steven Lasker Reissue Producer: Orrin Keepnews Re- Mastering Engineer: Dennis Ferrante Auto-generated by YouTube.

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Master the trumpet at every level. Free sheet music, expert lessons, gear tips, and practice tools—everything you need to play smarter, stronger, better.

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???? NEW: The Indian government is complaining their citizens are being “STRANDED” in India due to President Trump’s increased vetting for H1-B visas STRANDED. IN THEIR HOME COUNTRIES ???? Just leave them there! Please! We DO NOT need them! https://t.co/5TUrpVzzDW

Via: https://www.atlanticcouncil.org

Russia’s recent hacking attacks on the Clinton campaign, the Democratic National Committee, and the party’s fundraising committee for candidates for the US House of Representatives reflect Moscow’s view that it is in a state of political war with the United States, if not the West. Efforts to take down Western political institutions are hardly a […]

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Edvard Grieg: Concerto for Piano and Orchestra in A minor, Op. 16 (with Score) Composed: 1868 Piano: Radu Lupu Conductor: André Previn Orchestra: London Symphony Orchestra 00:00 1. Allegro molto moderato (A minor) 13:43 2. Adagio (D-flat major) 20:27 3. Allegro moderato molto e marcato (A minor – A major) Grieg was born on Norway's fjord-coast in the same year that Leipzig's storied Konservatorium opened under the direction of Felix Mendelssohn. By the time Ole Bull, the Norse Paganini, persuaded Grieg's parents to send their gifted 15-year old there for instruction, Mendelssohn was already dead 11 years. His successors were solid, German-schooled academicians whom Edvard hated, and against whom he rebelled. Ever after, he made five years in Leipzig sound like a prison sentence. That he learned so much from allegedly hidebound and uncaring teachers validates the soundness of their instruction. Most notably, Grieg absorbed the salient stylistic traits of Mendelssohn and Schumann (who taught there briefly before moving to Dresden). Indeed, his Piano Concerto could be called Schumannesque (likewise in A minor) without invalidating its Scandinavian character or Lisztian flourishes. Despite posthumous scorn for Grieg's large solo oeuvre during much of the twentieth century, his natural habitat was the keyboard. Grieg composed this music in 1868 for himself to play; however, Edmund Neupert played the first public performance in Copenhagen on April 3, 1869. A government grant enabled Grieg to visit Italy in 1869, where he showed the work to Liszt at his residence near Rome. The kindly Abbé played it at sight with unconcealed pleasure (brilliantly, too, although for Grieg "rather too quickly" during the opening part). Liszt encouraged him to "go on, and don't let anything scare you," but tastelessly suggested that the second subject of the first movement be played by a trumpet instead of cellos. Grieg didn't restore it to the strings until his revision of 1905-1906. The concerto opens with a drum-roll and solo flourish, after which the winds play a simple, unsophisticated main theme that the piano preempts, and embroiders at length, Allegro, molto moderato. The cello subject (più lento -- a little slower) is contrastingly "soulful." Trumpets usher in the development, and later on the reprise. A solo cadenza comes just before the end. In the second movement, the key shifts from A minor to D flat major. This structurally uncomplicated Adagio in 3/8 time begins introspectively with muted strings. The piano rhapsodizes until a dramatically angular version of the main theme shatters the mood. Eventually, calm is restored, and a quiet ending leads without pause to the third movement another quick-but-not-too-quick movement in A minor, additionally marked marcato, whose structure combines sonata and rondo. The piano introduces a main theme based on the 2/4 rhythm of a Norwegian folk dance, the halling. The second subject is quirkier and more elaborate but no less folk-like. The solo flute initiates a tranquil episode, after which the main theme returns for extended development. A short solo cadenza precedes Grieg's long-delayed transition from minor to major for yet another dance, this one in 3/4 time at an accelerated tempo. During a final cadenza, Lisztian bravura blows away any lingering traces of Schumann. (https://www.allmusic.com/composition/piano-concerto-in-a-minor-op-16-mc0002369705)

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Provided to YouTube by Rhino/Elektra Pure Sin · Carly Simon Spy ℗ 1979 Elektra/Asylum Records, A Division of Warner Communications, Inc. Producer: Arif Mardin Lead Vocals: Carly Simon Backing Vocals: Carly Simon Synthesizer: Cliff Carter Guitar: David Spinozza Acoustic Piano: Don Grolnick Guitar: Frank Carillo Mastering Engineer: George Piros Guitar: Joe Caro Mixing Engineer: Lew Hahn Unknown: Lew Hahn Baritone Saxophone: Lewis Delgatto Tenor Saxophone: Michael Brecker Assistant Engineer: Mike O' Reilly Alto Saxophone: Peter Ballin Trumpet: Randy Brecker Cowbell Percussion: Raphael Cruz Drums: Steve Gadd Backing Vocals: Tim Curry Trombone: Tom Malone Bass Guitar: Tony Levin Electric Piano: Warren Bernhardt Writer: Carly Simon Writer: Frank Carillo Auto-generated by YouTube.

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The most famous 80 year old celebrities including Donald Trump, Bill Clinton, Sylvester Stallone, George W. Bush, Cher and many more.

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All of the negative news about President Donald Trump provided a convenient smokescreen to obscure a story highly damaging to former President Barack Obama on Wednesday. As first reported by Circa News, “The National Security Agency under former President Barack Obama routinely violated American privacy protections while scouring through overseas intercepts and failed to disclose the extent of the problems until the final days before Donald Trump was elected president last fall.” As would be expected, the Big Three Networks (ABC, CBS, and NBC) completely omitted from their evening broadcasts.

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An anti-Trump protester screams in agony as the new US President is sworn in. The woman, sitting cross-legged on the ground close to Capitol Hill, was filmed yelling "no" at the top of her voice as Donald Trump took his oath. http://townhall.com/tipsheet/christinerousselle/2017/01/20/watch-protestor-becomes-completely-unglued-as-trump-is-sworn-in-n2274574

Via: https://newsbusters.org

All of the negative news about President Donald Trump provided a convenient smokescreen to obscure a story highly damaging to former President Barack Obama on Wednesday. As first reported by Circa News, “The National Security Agency under former President Barack Obama routinely violated American privacy protections while scouring through overseas intercepts and failed to disclose the extent of the problems until the final days before Donald Trump was elected president last fall.” As would be expected, the Big Three Networks (ABC, CBS, and NBC) completely omitted from their evening broadcasts.

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Tracklist: 01. So Far As I Know (Mladen (Bobby) Gutesha) 02. Estrelle (Mladen (Bobby) Gutesha) 03. To Fly Or Not To Fly (Mladen (Bobby) Gutesha) 04. One Of Those Love Songs (Mladen (Bobby) Gutesha) 05. Remember The Islands (Mladen (Bobby) Gutesha) Benny Bailey: Trumpet, Flugelhorn Siegfried ''Siggi'' Schwab: Guitar, Sitar Eberhard Weber: Bass Lala Kovacev: Drums

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Taken from 'The Epic', released 4th May 2015 on Brainfeeder. Subscribe to Brainfeeder on YouTube: http://smarturl.it/SubscribeBFYoutube Buy: iTunes: http://smarturl.it/kwepit Ninjashop: http://smarturl.it/kwepnj Follow: Twitter: http://twitter.com/KamasiW Soundcloud: @kamasi-washington Youtube: http://youtube.com/user/KamasiWashington http://kamasiwashington.com/ Composed, Arranged and Produced by Kamasi Washington. Lyrics by Kamasi Washington and Patrice Quinn. Engineered by Tony Austin and Chris Constable. Mixed by Benjamin Tierney. Mastered by Stephen Marcussen at Marcussen Mastering. Recorded at King Size Sound Labs. Kamasi Washington- Tenor Saxophone Shaunte Palmer - Trombone Todd Simon - TrumpetCameron Graves - Piano Brandon Coleman - Organ Miles Mosley - Acoustic Bass Ronald Bruner - Drums Patrice Quinn - Lead Vocal Neel Hammond - Violin Tylana Renga Enomoto - Violin Paul Cartwright - Violin Jennifer Simone - Violin Lucia Micarelli - Violin Molly Rodgers - Viola Andrea Whitt - Viola Artyom Manukyan - Cello Ginger Murphy - Cello Dawn Norfleet - Choir Vocal Thalma de Freitas - Choir Vocal Maiya Sykes - Choir Vocal Gina Manziello - Choir Vocal Patrice Quinn - Choir Vocal Natasha F Agrama - Choir Vocal Dwight Trible - Choir Vocal Steven Wayne - Choir Vocal Taylor Graves - Choir Vocal Charles Jones - Choir Vocal Jason Morales - Choir Vocal Dexter Story - Choir Vocal Cameron Graves - Choir Vocal Tracy Carter - Choir Vocal