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Ne manquez pas les prochaines vidéos. Abonnez-vous à @contactpodcast Intolérance à l’endroit de la diversité d’opinion, polarisation, cancel culture : les maux de notre époque viendraient-ils d’un modèle d’éducation défaillant ? Alors que les mots comme « fragilité » et « vulnérabilité » sont devenus des étendards moraux, l’anthropologue et clinicien Samuel Veissière, de retour au micro de Contact pour une deuxième fois, nous invite à un voyage aux origines de notre époque formidable ! Son essai, Homo Fragilis, explore une thèse audacieuse : notre espèce a été façonnée non par la force, mais par le soin et l’interdépendance. Mais cette fragilité, qui a fait de nous une espèce unique, peut aussi se retourner contre nous. Son travail nous pousse à examiner les racines de ce que notre invité appelle la culture de la fragilité, qui s’est élevée sur le terreau d’une jeunesse surprotégée par une « parentalité positive ». Cette approche, qui a troqué l’autorité pour l’écoute, a pu se transformer en un culte de « l'enfant-roi » , incapable de tolérer la frustration. Dans cette dynamique, les rapports de couple s’enlisent dans une « syndicalisation des émotions » et une compétition de la souffrance. C'est dans ce contexte que la détresse masculine émerge comme un sujet brûlant. Au-delà des discours sur le « patriarcat », Samuel Veissière nous force à considérer les racines profondes de cette angoisse, liée à la « jetabilité masculine », où les hommes sont plus nombreux à mourir ou à être sacrifiés. Samuel Veissière est professeur associé au département de psychologie de l’UQAM. Liens officiels : https://www.facebook.com/stephanbureaucontact/ https://contactmedias.com/ https://linktr.ee/contactlepodcast https://www.instagram.com/contact.lepodcast/ 00:00 - Intro 03:35 - Homo Fragilis : Une autre manière de comprendre notre époque. 07:36 - La loi du plus faible. 14:30 - Sa majesté, le bébé ! 21:32 - Le patrimoine culturel, racine ou chaînes pour la jeunesse occidentale ? 25:45 - « Croyances de luxe », privilège de riches ? 28:20 - Confusion entre les mots et les maux 34:50 - Trump fait-il la bonne chose avec les universités américaines? 41:40 - « Plus les choses vont bien, plus elles ont l’air d’aller mal. » 46:45 - Le couple à l’heure des “griefs syndiqués” 55:02 - La misère sexuelle de la majorité des hommes. 01:01:52 - La féminisation du monde. 1:06:47 - La douleur des incels et des trans, même combat ? 1:11:35 - À l’heure de l’annulation: prendre un risque au lieu de se taire.
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Tracklist 1 Enlightenment 2 Love In Outer Space 3 Space Is The Place 4 Discipline 27-11 / What Planet Is This? / Life Is Splendid / Immeasurable 5 Watusi 6 Outer Spaceways Incorporated Sociétés, etc. Phonographic Copyright (p) – Alive/Total Energy Records Copyright (c) – Alive/Total Energy Records Recorded At – Ann Arbor Blues & Jazz Festival Mastered At – Catasonic Studios Crédits Alto Saxophone – Larry Worthington* Alto Saxophone, Flute – Danny Davis, Marshall Allen Baritone Saxophone – Pat Patrick Baritone Saxophone, Flute – Danny Thompson* Bass Clarinet – Leroy Taylor (2) Design [Cover] – Patrick Boissel Drums – Alzo Wright, Lex Humphries Drums [Space] – Harry Richards, Robert Underwood Lead Vocals – June Tyson Mastered By, Transferred By [Digitally Transferred From The Original Stereo Recordings] – Mark Wheaton Percussion – Russell Branch, Stanley Morgan Photography By – Leni Sinclair Piano, Organ [Space], Keyboards, Lead Vocals – Sun Ra Producer [Original Recording] – Jimmie Douglass*, Michael Cuscuna, Tunc Erim* Producer, Liner Notes, Other [Production Consultation] – John Sinclair (2) Recorded By – Jimmie Douglass* Supervised By [Original Recording] – Mark Meyerson Tenor Saxophone, Percussion – John Gilmore Trumpet – Lamont McClamb Trumpet, Flugelhorn, Vocals – Akh-Tal Ebah* Voice [Space Ethnic Voices] – Cheryl Bank*, Judith Holton, Ruth Wright Notes Recorded in performance at Otis Spann Memorial Field, Ann Arbor, Michigan, at the Ann Arbor Blues & Jazz Festival, 1972 for Atlantic Records. Production consultation for the Rainbow Multi-Media Corporation. Produced for Big Chief Productions in association with Saturn Research. Digitally transferred from the original stereo recordings and mastered at Catasonic on October/September 1999. Total time: 37:11 (P) & (C) 1999 Alive!/Total Energy Records.
Trump llama a la insubordinación; hará todo para seguir en el poder. Impedir que suceda, por la vía electoral, es ya una cuestión de salvación nacional
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-ENG/FR - Amazing direction/writing/visuals in this week's House of The Dragon, episode 9! Musically speaking I really enjoyed Aegon's Coronation ceremony, we can hear the same theme that played when Alicent first made her "Green Dress" entrance. Please consider leaving a like/subscribe to the channel if you enjoyed the video and feel like supporting the work! 0:00 Buisine/Medieval Trumpets Announcement 0:11 Aegon marches through the crowd 1:08 Aegon reaches his family 1:42 The Coronation 2:13 Aegon raises his sword -FR- Cet épisode 9 de House of The Dragon est encore parfaitement réussi selon moi, que ce soit au niveau de l'écriture, des visuels, de la réalisation et de la musique. EN parlant de musique, la scène qui m'a le plus attiré pour en faire un cover est celle du couronnement d'Aegon. On peut d'ailleurs y entendre le même thème qui avait été utilisé par Ramin Djawadi quand Alicent Hightower est entrée pour la première fois avec sa robe verte. Laisse un like/abonne-toi si tu as aimé la vidéo et souhaite soutenir mon travail! ------------------------------------------------------------- ► HQ Downloads/MIDI FIles/Stems : https://www.patreon.com/jeremybrauns ► Spotify : https://open.spotify.com/artist/6FA73HIITY5GBLet4Ki3S0?si=CXVPzDsKQXCeU4op6zVe4Q&dl_branch=1 ► Business Inquiries & Commissions : jeremybraunsmusic@gmail.com ► Insta : jeremy_brauns_music ------------------------------------------------------------- Original Game of Thrones Theme by Ramin Djawadi Original Score for HBO's House of the Dragon by Ramin Djawadi Lament & Fate of The Kingdoms by Ramin Djawadi Arranged & Orchestrated by Jeremy Brauns Aegon's Coronation - SOUNDTRACK OST (House of The Dragon Episode 9) #houseofthedragon
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'In response to HuffPost’s query about who suggested Budapest, White House press secretary Karoline Leavitt responded, “Your mom did,” and White House communications director Steven Cheung replied: “Your mom.”' Everytime you think they can't sink any lower: https://www.huffpost.com/entry/trump-putin-budapest_n_68f165cce4b017d85b74991b
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Provided to YouTube by Kontor New Media GmbH When Sunny Gets Blue · The Hi-Lo's Back Again ℗ Edel Germany GmbH Released on: 2017-05-05 Artist: The Hi-Lo's Bass: Don Thompson Drums: Terry Clarke Flute: Eugene Amaro Flute: Earl Seymour Flute: Moe Koffman Guitar: Ed Bickert Percussion: Marty Morell Piano: James Dale Saxophone: Gary Morgan Saxophone: Jerry Toth Saxophone: Rick Wilkins Trombone: Bob Livingston Trombone: Dave McMurdo Trombone: Ian McDougall Trombone: Ron Hughes Trumpet: Erich Traugott Trumpet: Sam Noto Horn: Arnie Chycoski Horn: Guido Basso Vocals: Bob Morse Vocals: Clark Burroughs Vocals: Don Shelton Vocals: Gene Puerling Composer, Lyricist: Marvin Fisher Composer, Lyricist: Jack Segal Music Publisher: SONY-ATV TUNES LLC Auto-generated by YouTube.
The U.S. had 44 CDC staffers “in China to observe what was going on. (President Trump) brought home the vast majority of them, I think left only four in place.”
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Miles Davis septet performing at the Berkshire Music Center, Tanglewood, MA on August 18, 1970. This is the last of four "Fillmore at Tanglewood" shows produced by Bill Graham in the summers of 1969 and 1970. Miles opened the concert for Santana. Miles Davis - trumpet Gary Bartz - sax Keith Jarrett - organ Chick Corea - rhodes Dave Holland - bass Jack DeJohnette - drums Airto Moreira - percussion
The former president allegedly spoke about the vessels during an event at his Mar-a-Lago club after he left the White House.
Via: https://www.palmbeachpost.com
Donald Trump attended Fordham and Wharton of the University of Pennsylvania. As the White House and Harvard clash, some wonder if he applied.
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July 28, 2025 Chapiteau - Marciac, France The Wynton Marsalis Sextet performing "No Surrender", from The Integrity Suite, at Jazz in Marciac 2025. Personnel: Wynton Marsalis, trumpet Marcus Roberts, piano Reginald Veal, bass Jason Marsalis, drums Chris Lewis, sax Abdias Armenteros, sax
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WELKER: When does it become the Trump economy? TRUMP: It partially is right now. I think the good parts are the Trump economy and the bad parts are the Biden economy
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Provided to YouTube by RCA Bluebird Five O'Clock Whistle · Glenn Miller & His Orchestra The Complete Glenn Miller and His Orchestra ℗ Recorded prior to 1972. All rights reserved by BMG Music Released on: 1991-09-24 Associated Performer: Glenn Miller & His Orchestra Trombone: Glenn Miller Trumpet: Zeke Zarchy Trumpet: Dale McMickle Trumpet: Johnny Best Trumpet: Charles Frankhauser Trombone: Jim Priddy Trombone: Paul Tanner Trombone: Frank J. D'Annolfo Alto Saxophone: Hal McIntyre Alto Saxophone: Wilbur Schwartz Tenor Saxophone: Tex Beneke Tenor Saxophone: Al Klink Alto Saxophone, Baritone Saxophone: Ernie Caceres Piano: Chummy MacGregor Guitar: Jack Lathrop Bass: Tony Carlson Drums: Maurice Purtill Vocal: Marion Hutton Composer, Lyricist: Kim Gannon Lyricist, Composer: Joe Myrow Composer, Lyricist: Gene Irwin Arranger: Bill Finegan Producer: John Snyder Engineer: Joe Lopes Engineer: Jay Newland Auto-generated by YouTube.
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CHET BAKER - LIVE IN TOKYO - June 14th, 1987. Chet definitely falls in the category of one of the greatest Trumpeters of all times. I said one of and falls in that group. This concert was done almost one year before his death. A tortured soul with such talents. Trumpet, singer, and composer. He's performing: "Stella By Starlight", and My Funny Valentine". Chet Baker - trumpet Harold Danko piano Drums - John Engels Bass - Hein Van de Geyn
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REPORTER: Is a pardon for Ghislaine Maxwell something you would consider? TRUMP: Well, I'm allowed to give her a pardon
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1/24/13 From YahuShua HaMashiach, Our Lord and Savior For a Brother in Christ, and For All Those Who Have Ears to Hear ???? Source: https://www.thevolumesoftruth.com/The_Sabbath_Was_Made_for_Man,_and_Not_Man_for_The_Sabbath ▶️ God Speaks About The Sabbath - Video Playlist: https://www.youtube.com/playlist?list=PLSVchFJ22QYJT9-4xZy5yygXYgYELJYlo ▶️ Letters to The Lord's Little Flock - Video Playlist: https://www.youtube.com/playlist?list=PLE8FlkxQPQkMIFKwAICFtCCIxuaoHNJSh *Also See Related Topics - ANSWERS ONLY GOD CAN GIVE: - God Speaks About The Sabbath: https://answersonlygodcangive.com/God_Speaks_About_The_Sabbath - Regarding The Kingdom and Heaven: https://answersonlygodcangive.com/Regarding_The_Kingdom_and_Heaven *Also See Grace AND The Law (Bible/Letter Study): http://trumpetcallofgodonline.com/index.php5?title=Grace_AND_The_Law_%28Bible/Letter_Study%29 Tags: #thesabbath #shabbat #millennialkingdom #seventhday #kingdomofgod #tencommandments #forthcommandment #sabbath #kingdom
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"Interpid Fox" Freddie Hubbard-Trumpet Junior Cook-Tenor Sax, Flute George Cables-Electric Piano Kent Brinkley-Bass Michael Carvin-Drums
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President Donald Trump is pursuing a range of strategies to change how Americans vote, but he's hitting roadblocks in the courts and in Congress.
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- Truth Is Born Of Arguments 00:00 - Penetration 05:32 - I Feel Cold Inside Because Of The Things You Say 10:30 - Saturated Love 16:36 - When We Coincide 22:25 - I Believe In A Love I May -Never Know 27:47 - The Optimist 33:11 - I Become Overwhelmed 40:28 - I Am Afraid Of Who I Am 45:49 - Inside I Am Crying 50:06 - The Love You Cruelly Gave Me Would Not Last 55:31 (p) 1995 R&S Records. All titles composed & realised by Mark Van Hoen except Penetration which was composed & realised by Mark Van Hoen & Daren Seymour with additional production from Sarah Peacock & Justin Fletcher. All titles published by Chrysalis Music. All instruments played by Mark Van Hoen except for vocals on Penetration by Sarah Peacock (courtesy of Warp Records), vocals on Saturated Love by Wendy Roberts, hurdy gurdy on When We Coincide by Enzo Puzzovio & trumpet on I Become Overwhelmed by Del Crabtree (courtesy of Elemental Records). Engineered by Mark Van Hoen The Enclosure & Mark Brydon @ FON. I Feel Cold Inside Because of the Things You Say recorded live Sentrum Scene Oslo December 1994. Cut Porky's by Denis Blackham & George Peckham. Thanks to Dave Taylor, Alistair Macdonald, Enzo Puzzovio, Jelly, Paul Infanti, Pig 64, Sim Lister Graham McElearney, Dean Honer, Pete Darnborough & Rob Mitchell for all your kind help FON. Thanks to Renaat & all Apollo/R & S, Daren Seymour, Tara Patterson Kevin Hector, Tony Wilson, Adam Morris, Virginia Astley, Paul & Phil Hartnoll, Paul Harper. Mark Bell, Jez Varley, Steve Sacre @ Syco Systems & Mark Hartridge for yo ontributions, advice & enthusiasm. Sleeve by The Designers Republic, Sheffield. Mode arah Pritchard @ Storm, London. Photography by Richard Weedon, assisted by Chr e-Joule. Make up by Akemi Ishizuka & styling by Sophie Padmore. Management b Menace 2 Park Road Radlett Hertfordshire WD78EQ England. t.+44 (0)1923 853 789
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Luke discusses Trump’s reaction to Biden dropping out of the race and much more. Want to support the show and gain access to a daily bonus show? Become a member by clicking the "join" button on the home page! Get connected below! Twitter(X) - https://twitter.com/lukepbeasley Instagram - https://www.instagram.com/lukebeasleyofficial/ Facebook - https://www.facebook.com/lukebeasleyofficial TikTok - https://vm.tiktok.com/TTPdSfpPHw/ Show is available on all podcasting platforms as a fully audio show!
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Provided to YouTube by Syco Music Salute · Little Mix Salute ℗ 2013 Simco Limited under exclusive license to Sony Music Entertainment UK Limited Released on: 2013-11-11 Lyricist, Drums, Composer: Tom Barnes Associated Performer: Little Mix Keyboards: Pete Kelleher Composer, Bass Guitar, Lyricist: Ben Kohn Guitar: Guy Langley Horn: Kick Horns Trumpet: Ryan Quigley Trumpet: Paul Spong Baritone Saxophone, Performance Arranger: Simon Clarke Tenor Saxophone: Tim Sanders Trombone: David Liddell Lyricist, Composer: Peter Kelleher Vocal Arranger, Composer, Lyricist, Recording Engineer: Maegan Cottone Composer, Lyricist: Perrie Edwards Composer, Lyricist: Jesy Nelson Lyricist, Composer: Leigh-Anne Pinnock Lyricist, Composer: Jade Thirlwall Producer: TMS Programmer: Nicky D'Silva Engineer: Ben Collier Mastering Engineer: Tom Coyne Mixing Engineer: Ken "DURO" Ifill Auto-generated by YouTube.
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Part of the IDENTITY: FREEDOM series. Pianist and composer Dave Burrell premieres Harlem Renaissance, the latest iteration of his continuing exploration of the Harlem Renaissance, presented in tribute to the Civil Rights activist and entertainer Josephine Baker. The piece centers on the interaction between piano and dancer Marguerite Hemmings and J'royce Jata, augmented by a brass line featuring Ted Daniel (trumpet), Steve Swell (trombone), and Dick Griffin (trombone), and rhythm section of William Parker (bass) and Hamid Drake (drums). Piano and dance take turns leading and following the ensemble, blurring lines between composition and free improvisation.
Via: https://americanbridgepac.org
Today Donald Trump will speak about veterans' affairs in Virginia Beach. You never know what Trump will say, but his words and actions throughout the
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Provided to YouTube by BMG Rights Management (UK) Limited Golden Ticket · The Bamboos Night Time People ℗ 2018 The Bamboos under exclusive licence to BMG Rights Management (Australia) Pty Ltd. Released on: 2018-07-06 Guitar, Producer: Lance Ferguson Hammond Organ: Ben Grayson Drums: Danny Farrugia Bass: Yuri Pavlinov Flute, Saxophone: Anton Delecca Trumpet: Ross Irwin Producer: John Castle Sound Engineer: Bob Clearmountain Composer: Lance Ferguson Composer: Kylie Auldist Auto-generated by YouTube.
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Provided to YouTube by Rhino Upon Arrival (2003 Remaster) · Chicago Chicago XIV ℗ 1980 Warner Strategic Marketing. Warner Music Group, an AOL Time Warner Co. Mastering Engineer: Bernie Grundman Additional Guitar: Chris Pinnick Drums: Danny Seraphine Additional Keyboards: David "Hawk" Wolinski Remastering Engineer: David Donnelly Additional Keyboards: Ian Underwood Trombone: James Pankow Percussion: Laudir de Oilveira Trumpet: Lee Loughnane Additional Guitar: Mark Goldenberg Mixing Engineer: Michael Carnevale Audio Recording Engineer: Michael Carnevale Bass Guitar: Peter Cetera Lead Vocals: Peter Cetera Backing Vocals: Peter Cetera Keyboards: Robert Lamm Lead Vocals: Robert Lamm Backing Vocals: Robert Lamm Producer: Tom Dowd Woodwinds: Walter Parazaider Writer: Peter Cetera Writer: Robert Lamm Auto-generated by YouTube.
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Milt Jackson – vibes.... Ray Brown - bass, conductor.... Al Aarons (# 4, 5 & 8), John Audino (# 1-3 & 9), Bud Brisbois (# 6, 7 & 10), Buddy Childers (# 1-3 & 9), Harry Edison (# 1-3, 6, 7, 9 & 10), Ollie Mitchell (# 6, 7 & 10) - trumpet.... Randy Aldcroft (# 1-3 & 9), Jimmy Cleveland (# 6, 7 & 10) - trombone Kenny Shroyer - bass trombone (# 6, 7 & 10).... John T. Johnson - tuba (# 1-3 & 9).... Ernie Watts - alto saxophone (# 1-3 & 9).... Jim Horn - alto saxophone, flute, baritone saxophone (# 1-3, 6, 7, 9 & 10).... Teddy Edwards - tenor saxophone (# 4-8 & 10).... John Lowe - baritone saxophone (# 1-3 & 9).... Mike Melvoin - piano, electric piano (# 1-3, 6, 7, 9 & 10).... Joe Sample - electric piano (# 4, 5 & 8).... Howard Roberts (# 4, 5 & 8), Fred Robinson (# 4-8 & 10) - guitar.... Wilton Felder - electric bass.... Cubby O'Brien (# 6, 7 & 10), Paul Humphries (# 4, 5 8), Earl Palmer (# 1-3 & 9) - drums.... Victor Feldman - percussion (# 4, 5 & 8).... .......................................................................... "Uh-Huh" - 3:48 "One Mint Julep (One Way)" - 2:33 "Oh Happy Day" - 3:30 "Memphis Junction" - 2:49 "Queen Mother Stomp" - 6:30 "Braddock Breakdown" - 3:40 "A Sound for Sore Ears" - 3:02 "Enchanted Lady" - 5:06 "One Mint Julep (The Other Way)" - 2:44 "Picking Up the Vibrations - 4:11 ......................................................................... Recorded - October 9 & 10, 1969 ......................................................................... Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings! ............................................................ Please let me know if i have missed something. ............................................................ Make it easy on yourself.. check my playlists, or search my channel for your favorite artist/song..... ............................................................ Subscribe yourself to the channel to keep up with the latest uploads ............................................................ Have Fun!! ........................................................... I Will remove any video if asked too. ........................................................... And most of all !!! ........................................................... I hope that , trough these video's, i have inspired you to go and get the original recordings because there is nothing like the original!! So that's what i'm doing it for..... Go to your local recordstore, the internet or whatever, and get the original!! ........................................................... Enjoy !!! ............................................................ FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i.e. my production of the copy of this copyrighted artwork and sharing of it here on Youtube in this particular case - is totally non-profit, and that I believe that my production of this copy of this copyrighted artwork and sharing of it here in Youtube in this particular case can only increase value of this copyrighted artwork and produce only positive effects for this copyrighted artwork in its potential market.
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The result highlights extremist tendencies growing within the Republican Party, which may boost the general election prospects for Attorney General Josh Shapiro who won the Democratic nomination for governor.