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Dutch Prime Minister Rob Jetten on why Europe should learn from Ukraine's battlefield innovation, Kyiv's future in NATO, the prospects for peace negotiations with Russia, and Europe's evolving relationship with U.S. President Donald Trump's administration.
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from "Compassion" (1979), Inner City Records.
Chico Freeman - tenor saxophone ;
Joe Gardner - trumpet ;
Dennis Moorman - piano ;
Cecil McBee - bass ;
Steve McCall - drums ;
Famoudou Don Moye - percussion.
Written by Chico Freeman.
Recorded live at the Sweet Basil, New York City on August 3, 1977.
Recording engineer: Bob Cummins.
Mixed by Carlos Albrecht.
Mastered by Robert Ludwig, Masterdisk.
Produced by Cecil McBee.
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Most studies on elephant vocal communication have focused on the low-frequency rumble, with less effort on other vocalization types such as the most characteristic elephant call, the trumpet. Yet, a better and more complete understanding of the elephant vocal system requires investigating other vocalization types and their functioning in more detail as well. We recorded adult female Asian elephants (Elephas maximus) at a private facility in Nepal and analyzed 206 trumpets from six individuals regarding their frequency, temporal and contour shape, and related acoustic parameters of the fundamental frequency. We also tested for information content regarding individuality and context. Finally, we recorded the occurrence of non-linear phenomena such as bifurcation, biphonation, subharmonics and deterministic chaos. We documented a mean fundamental frequency ± SD of 474 ± 70 Hz and a mean duration ± SD of 1.38 ± 1.46 s (Nindiv. = 6, Ncalls = 206). Our study reveals that the contour of the fundamental frequency of trumpets encodes information about individuality, but we found no evidence for trumpet subtypes in greeting versus disturbance contexts. Non-linear phenomena prevailed and varied in abundance among individuals, suggesting that irregularities in trumpets might enhance the potential for individual recognition. We propose that trumpets in adult female Asian elephants serve to convey an individual’s identity as well as to signal arousal and excitement to conspecifics.
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Download the transcription here: https://www.ramseycastaneda.com/transcriptions/chris-potter-transcription-gingerbread-boy.html
A few more Chris Potter transcriptions
"Straight, No Chaser" from the same concert: https://youtu.be/Ljdf9Azld0M
"In a Mellow Tone" from the same concert: https://youtu.be/oIqXVen8IFw
...and on "Moment's Notice" at 14: https://youtu.be/Q8uo-FpzN6E
...and "Four:" https://youtu.be/IDEkLD4Wrug
... and a short one on "Nardis:" https://youtu.be/vJFhBQ61EkA
Recorded in the fall of 1987.
Featuring:
Terry Rosen (guitar)
Chris Potter (alto saxophone)
Johnny Helms (trumpet)
Frank Duval (bass)
Ted Linder (drum set)
I've been working on a Chris Potter sideman discography since 2011. Check it out and help me keep it current by letting me know if you see anything missing. Here's the link: https://www.ramseycastaneda.com/chris-potter-discography/index.html
If you're curious, you can read an outdated/old "about page" that details some of the backstory behind my Chris Potter collection: https://www.ramseycastaneda.com/potter_discography_project.html
(I also made some interactive scale / chord-degree flashcards that can be fun to do with students or for music theory practice. Check them out here: https://music-theory-practice.com/jazz/chord-scale-degree-flashcards.html)
Thanks!
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In this episode, we discuss Roy Marcus Cohn (1927-1986) with professional attorney, Tony Taouk of Magna Carta Lawyers in Sydney, Australia.
Tony and I walk through Roy Cohn's history, and Tony brings an attorney's perspective to some of Cohn's vicious tactics, personal life, as well as areas where he displayed both pure brilliance and borderline diabolical evil.
We cover:
-Cohn's upbringing and early life
-Cohn's involvement in the Julius and Ethel Rosenberg trial in the early 1950's
-Cohn's involvement in the McCarthy investigations of the 1950's during the Cold War and Communism scares
-Cohn's eventual fall from grace after his misconduct was discovered and re-emergence as a private practice attorney
-Cohn's legal representation of various mobsters including John Gotti, Tony Salerno, and Carmine Galante
-Cohn's representation of various celebrities including Donald Trump
-Some of Cohn's brilliant and vicious tactics
-We debate Cohn's legacy and a top mob lawyer
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Melania Trump steals Michelle Obama's speech at RNC 2016
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The president goes in search of water during a speech, prompting comparisons with a man he mocked.
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Ellington Field, TX
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Snakket i 16 minutter etter at han tok eden som USAs 45. president.
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In the Midnight Hour · Wilson Pickett
Original Album Series
℗ 1965 Atlantic Recording Corporation
Drums: Al Jackson
Tenor Saxophone: Andrew Love
Tenor Saxophone: Charles Axton
Bass Guitar: Duck Dunn
Saxophone: Floyd Newman
Producer: Jerry Wexler
Piano: Joe Hall
Guitar: Steve Cropper
Trumpet: Wayne Jackson
Vocals: Wilson Pickett
Writer: Steve Cropper
Writer: Wilson Pickett
Auto-generated by YouTube.
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Democrats vs Republicans... Who will win the political food race? From George Washington to Joe Biden and everyone in between, we taste EVERY U.S. president's favorite food. Some of these are wild!
Don't forget to check out MaxJerky here! https://www.maxjerky.com/pages/all-products
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#president #donaldtrump #biden #joebiden #democrats #republicans #friedchicken #icecream
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When LindellTV's @alisonintheknow asked @RepHoulahan about @POTUS Trump's upcoming announcement regarding alleged foreign interference in the 2020 election, Houlahan was dismissive."I'll wait with bated breath. I have no interest in the president's opinion on the elections."When Steinberg followed up by asking whether any credible evidence of election interference should be investigated, Houlahan replied"Of course. And there's no evidence. There has been years of this witch hunt looking for evidence that doesn't exist."The exchange ended moments later when Houlahan said"I'm done with this conversation." #confront
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Buy here: https://hardwax.com/80959/luke-slater/love-remixes/
https://www.deejay.de/LUKE_SLATER_LOVE_REMIXES_MOTELP05_Vinyl__930521
https://www.juno.co.uk/products/luke-slater-love-remixes/728595-01/
https://www.beatport.com/release/love-remixes/2578369
https://www.decks.de/track/luke_slater-love_remixes/cem-9s
https://bleep.com/release/128886-luke-slater-love-remixes-inc-burial-remix
https://www.rushhour.nl/record/vinyl/love-remixes
https://clone.nl/item56289.html
Label: Mote-Evolver
Release date: 15 May 2019
Tracklist:
Love (Burial Remix)
Love (Lucy Remix)
Love (The 7th Plain Collage Remix)
Love (Planetary Assault Systems Low Blow Remix)
Love (Marcel Dettmann City Remix)
Love (Silent Servant Remix)
Love (Marcel Dettmann's Black Gloves Remix)
Love (Scuba's Bagleys Remix )
Released on Slater's iconic 'Freek Funk' album on NovaMute - one of the most seminal techno albums of?the 90s - 'Love' finally gets the remix treatment it deserves more than two decades after its initial release.
Leading the charge, Burial makes one of his rare appearances on remix duties and doesn't disappoint with?an atmospheric and mesmerising reimagining with an aesthetic reminiscent of 'Untrue'. Lucy then reels out?a deep-diving techno roller with precision kicks and tantalising melodies. Luke Slater then adopts his The?7th Plain moniker for a collage of sound extending past the 15-minute mark, before upping the energy with?a moody reverberating number as Planetary Assault Systems.?
Marcel Dettmann provides two takes on 'Love'; his 'City' remix features a cacophony of metallic rhythm,?ebbing pads and plenty of swing whilst mantra-like vocals operate throughout, followed by the thudding?'Black Glove' remix with its murky tones and rattling effects. Cascading drums and lively trumpets is next?in Silent Servant's upbeat and infectious take, until Scuba concludes the release under his SCB alias with?a high-tempo cut fuelled by funk complete with an idyllic breakdown.
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Wyatt C. Louis is a Plains Cree folk singer-songwriter based in Moh'kinstsís (Calgary). And has made an impact on the eclectic city with songs built from soaring melodies, railroad-like finger picking and quiet, haunting vocals and lyrical phrasing.
2020 Under Exclusive Right to Slow Weather Music Inc.
released June 25, 2020
'Dancing with Sue' is available to stream everywhere! Visit: https://orcd.co/wcl-dws
Credits
Wyatt C. Louis: Composer, Guitar, Voice, Percussion
Phenix Warren: Producer, Engineer, Mixing, Pedal Steel, Guitar, Omnichord
Brett McCrady: Guitar
Keath Mueller: Trumpet
Maxwell McFadyen: Bass
Kyle Donauer: Drums, Percussion
Jonathan Anderson: Mastering
Shaun Miller: Artwork
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Night And Day
From RKO Film "Gay Divorcee"
Foxtrot
Tommy Dorsey And His Orchestra
Instrumental
Writer: Cole Porter
Instrumentation: 4 Saxophones, 3 Trumpets, 3 Trombones, Guitar, Piano, String Bass and Drums
Tommy Dorsey (Director, Trombone)
Johnny Mince (Saxophone)
Bud Freeman (Saxophone)
Freddie Stulce (Saxophone)
Fletcher "Skeets" Herford (Saxophone)
Pee Wee Erwin (Trumpet)
Andy Ferretti (Trumpet)
Joe Bauer (Trumpet)
Les Jenkins (Trombone),
Walter Mercurio (Trombone)
Carmen Mastren (Guitar)
Howard Smith (Piano)
Gene Traxler (String Bass)
Dave Tough (Drums)
Catalog Number: Victor 25657-A
Matrix Number: BS-011356 (Take 1, 10", 78 RPM)
Place and Take Date: New York NY, Studio 2, 1937-07-20
The recording on the other side of this disc: Smoke Gets In Your Eyes
Source for audio restoration: https://archive.org/details/78_night-and-day_tommy-dorsey-and-his-orchestra-cole-porter-t-dorsey-l-jenkins-w-me_gbia0030215a
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My 2011 MacBook Pro has officially died and I have no way to edit/upload videos. ???? Currently working on getting a new computer but I will just leave this here for now... Stay safe people!
Oh, and I love these “David Dockery” style videos. If you don’t know who he is check out his channel!
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Rep. Alexandria Ocasio-Cortez said it is incumbent upon television news stations not to air a speech by President Donald Trump set for Thursday. The post
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Music doesn't need to be serious.
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Anika Moa spends the day with legendary kiwi actor Sam Neill. Sam takes Anika on a tour of his Southland home and introduces her to his pet pig named Taika. Sam has trouble answering some of Anika's outrageous questions in an interview covering everything from Donald Trump, knighthood, drinking urine, dry humping and Sam's potty mouth.
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“To learn who rules over you, simply find out who you are not allowed to criticize.” Attributed to Voltaire Our federal government—especially under Donald J. Trump—is doing everything it can to suppress free speech in the United States, particularly speech that is critical of Israel. Under Trump, public colleges and universities are under duress and […]
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In September of 2025 when President Trump was attacking Thomas Massie I wrote Donald Trump Is a Putz!. “The one thing that Trump could actually accomplish to make the US and the world at large a better place is to root out the neoconservative war mongers from the Republican party and national discourse.” I noted […]
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Miles Davis Octet Live at Theatro Municipal, São Paulo, Brazil, June 1st, 1974. Recorded on-stage by Dave Liebman. Full show (2 sets).
_-Setlist First set:_
01. Funk [Prelude, part 1] (M. Davis)
02. Ife (M. Davis)1
03. Right Off (inc) (M. Davis) (Cut off)
_-Setlist Second set:_
04. Calypso Frelimo (M. Davis)
05. Turnaroundphrase (M. Davis)
06. Tune in 5 (M. Davis)
07. Turnaroundphrase (M. Davis)
08. Agharta Prelude (M. Davis)
09. For Dave (with applause) [Mr. Foster] (M. Davis)
_-Lineup:_
Dave Liebman: Alto Saxophone, Flute, Soprano Saxophone
James Mtume Forman: Congas, Percussion
Al Foster: Drums
Michael Henderson: Electric Bass
Dominique Gaumont: Guitar
Reggie Lucas: Guitar
Pete Cosey: Guitar, Percussion
Miles Davis: Trumpet, Organ
_The Miles Davis Octet_ made a tour of South American cities in May 1974, and they were booked for three nights in Rio de Janeiro (May 23-25: Thursday-Saturday) and three in São Paulo (May 28th and 31st, June 1st: Tuesday, Friday, Saturday). Several recordings from this tour exist (made by Liebman or others in the band).
_(plosin.com)._
*_Miles Davis_* (May 26th, 1926 – September 28th, 1991) was a revolutionary American jazz trumpeter, bandleader, and composer, renowned for his innovative spirit and for pioneering multiple jazz styles, including cool jazz, hard bop, and jazz fusion, remaining a leading figure in jazz for over 40 years and influencing countless musicians. He was known for his distinctive trumpet sound, mercurial personality, and constant reinvention, from leading iconic groups like his Second Great Quintet to creating the best-selling jazz album ever, Kind Of Blue.
milesdavis.com
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Provided to YouTube by RCA/Legacy
Land of Their Dreams · Autosalvage
Autosalvage
℗ Recorded prior to 1972. All rights reserved by BMG Music
Released on: 1968-01-22
Producer: Bob Cullen
Drums, Vocal, Composer, Lyricist: Darius Davenport
Conductor, Composer, Lyricist: Emmett E. Boone
Engineer: Mike Moran
Guitar, Composer, Lyricist: Warwick A. Turner
Guitar, Vocal, Composer, Lyricist: Thomas J. Danaher
Conductor: Jack L. Davenport
Flute: Arthur W. Kaplan
Trumpet: Marvin Stamm
Fluegelhorn: Bernie Glow
Trombone: Dominick J. Gravine
French Horn: Donald Corrado
Violin: Harry Lookofsky
Violin, Arranger: Irving Spice
Violin: Joseph Haber
Violin: Julius Brand
Violin: Lewis Eley
Violin: Louis Habor
Violin: Louis Stone
Violin: Michael Comisn
Viola: David Sackson
Viola: Murray Sandry
Cello: Maurice Bialkin
Cello: Seymour Barab
Vocal: Rick Turner
Vocal: Skip Boone
Auto-generated by YouTube.
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'Jesse Watters Primetime' analyzes the latest cases of 'Trump Derangement Syndrome.'
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Senate Democrats are moving forward with a $3.5 trillion spending package without Republican support; Kamala Harris said she’s “having conversations with folks” about filibuster reform; Trump called f
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Omar Sosa's Eighty-Eight Well-Tuned Drums is a documentary about the life and music of Cuban-born pianist and composer Omar Sosa. The film features interviews and never-before-seen footage of multiple performances set against the backdrop of recording sessions for Sosa's new album, Ilé, set for 2015 release.
The film traces Sosa's origins from his birth in Camagüey, Cuba's third-largest city, conservatory education in Havana, and relocation to Ecuador where he briefly wrote and arranged commercial jingles. Sosa's story continues with a fateful mid-90s move to the U.S., a stint as a sought-after sideman in the Bay Area's Latin jazz scene, and partnership with manager Scott Price that continues to this day.
Since 1997, Sosa has released 24 albums and received four Grammy nominations and three Latin Grammy nominations. Performing approximately 80 concerts on six continents annually, Sosa is known for a rhythmic style, hence the "Drums" of the film's title, and musical influences as varied as his travel itinerary.
During the past two years, whenever Sosa appeared in the northeastern U.S., filmmaker Soren Sorensen was granted unprecedented access to Sosa and his bandmates for interviews, rehearsals, and performances. Omar Sosa's Eighty-Eight Well-Tuned Drums includes glimpses of the globetrotting artist in duo with celebrated Italian trumpeter Paolo Fresu, with the Afri-Lectric Sextet, and with his latest band, the New AfroCuban Quartet in storied venues including New York's Blue Note Jazz Club.
Sosa's New AfroCuban Quartet features fellow Camagüey natives Leandro Saint-Hill on alto saxophone and flute and Ernesto Simpson on drums and bassist Childo Tomas who hails from Maputo, Mozambique. Perhaps most thrilling for fans will be the full-circle nature of Sosa's forthcoming ilę, which is poised to reunite Sosa's music with his Cuban roots.
www.OmarSosa.com
www.OmarSosaFilm.com