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The compromise reached between Presidents Donald Trump and Vladimir Putin on August 15th has still not materialized in Ukraine. The obstacles are not those the United States anticipated. Ukraine is not cooperating, while Germany and the United Kingdom want war. President Donald Trump acknowledged to his counterpart Xi Jinping that he was his equal. Since […]

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Auf der Hacienda San José treffen sich Elliott und Greg mit ihren reichen Doppelgängern, den Coimbras. Abonniere unseren Kanal für neue wöchentliche Videos: https://bit.ly/30Y6B7I ----------------- Willkommen auf unserem YouTube-Kanal, der unseren beiden Helden, Bud Spencer und Terence Hill, gewidmet ist! Hier könnt ihr euch wöchentlich neue Videos mit den lustigsten, spannendsten und besten Momenten des Duos aus 16 verschiedenen Bud Spencer und Terence Hill Filmen ansehen. Dazu gehören unter anderem: Zwei bärenstarke Typen, Zwei Asse trumpfen auf and Zwei sind nicht zu bremsen. Die beiden italienischen Freunde Mario und Carlo, besser bekannt als Bud Spencer und Terence Hill, produzierten und inszenierten zusammen 18 Filme. Die meisten davon waren Western, die große Popularität erlangten und auch heute noch viele neue Fans anziehen. Ein neues Video wird Montags und Donnerstags um 18:00 Uhr hochgeladen. Abonniere unseren Kanal und schalte die Benachrichtigungen ein, damit du kein Video verpasst! ----------------- Willst du mehr? ???? Facebook: https://bit.ly/3nKUJ1w ???? Amazon: - Der Bomber: https://amzn.to/3YEryxA - Zwei haun´ auf den Putz: https://amzn.to/3V1YEo6 - Der Große mit seinem außerirdischen Kleinen: https://amzn.to/3FHrULf Voraussetzung ist ein kostenpflichtiges Prime-Abo bei Amazon - Filme von Bud Spencer und Terence Hill: Digital zum kaufen und leihen/Amazon *https://amzn.to/3r3FmTO ???? Jetzt im Google Play Store ansehen: https://play.google.com/store/movies/details/Vier_F%C3%A4uste_gegen_Rio?id=JuMSRJRQGsU&gl=DE Disclaimer: Einige der oben angegebenen Links sind Affiliate-Links. Diese sind mit einem (*) gekennzeichnet. Wenn Sie auf einen Affiliate-Link klicken, zu Amazon gehen und einen Artikel kaufen, erhalten wir einen kleinen Prozentsatz Ihres Einkaufs. Abonniere unseren Kanal für neue wöchentliche Videos: https://bit.ly/30Y6B7I #BudSpencer #TerenceHill #VierFäustegegenRio

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Tres hombres venezolanos le dijeron a NBC News que experimentaron tortura física y psicológica después de que el gobierno de Donald Trump los enviara a una notoria prisión en El Salvador.

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Provided to YouTube by Rhino/Warner Records Starfish and Coffee · Prince Sign "O" the Times ℗ 1987 Warner Records Inc. Paisley Park, distributed by Warner Records Inc., A Warner Communications Company Trumpet: Atlanta Bliss Mastering Engineer: Bernie Grundman Engineer: Coke Johnson Saxophone: Eric Leeds Arranger, Engineer, Producer: Prince Engineer: Susan Rogers Backing Vocals: Susannah Melvoin Writer: Prince Writer: Susannah Melvoin Auto-generated by YouTube.

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Cosa c’entrano Marx e Il Capitale, Elon Musk, Slavoy Žižek, Platone e i Grandi Antichi di Lovecraft con il film cult di John Carpenter Essi vivono? E perché Essi vivono è il prototipo di una TV come Ottolina? La stampa lo ha definito "Il film più folle della stagione (uscì nel 1988) e anche uno dei più coinvolgenti". La battuta più memorabile è quella di John Nada: "Sono venuto qui per masticare chewing gum e dare calci in culo. E ho finito le chewing gum". Ma solo nella versione inglese. Essi vivono è l’undicesimo film di John Carpenter, filmmaker – cioè regista vero, indipendente – che ha dedicato l’intera filmografia a temi come il male, la paura dell'ignoto, la critica al capitalismo e lo smascheramento della manipolazione mediatica. Tra i suoi personaggi figura spesso la figura dell'anti-eroe proletario (Essi vivono, 1997: Fuga da New York, e Fuga da Los Angeles). Slavoy Žižek ha detto: “Essi vivono è uno dei capolavori dimenticati della sinistra hollywoodiana. ... Gli occhiali da sole funzionano come una critica all'ideologia. Quando li indossi vedi la dittatura nella democrazia, l'ordine invisibile che sostiene la tua apparente libertà”. Nel frattempo, ad aprile, John Carpenter è stato inserito nella Hollywood hall of fame: Il che lo rende un po’ (o molto meno) indipendente? Non lo so, so solo che chi non guarda il video intero è un Grande Antico. ●▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬● Vuoi mandarli #tuttiacasa? Da oggi puoi contribuire a farlo anche con il tuo 5X1000. Basta indicare nell'apposita sezione della dichiarazione dei redditi (o comunicare al CAF o al commercialista) il codice fiscale di MULTIPOPOLARE: 92054980450 ●▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬●E' finalmente disponibile l'imperdibile libro di Vadim Bottoni e Giuliano Marrucci sull'ascesa e il declino del MITO DEL DOLLARO. Uno strumento fondamentale per capire le ragioni profonde della Trumpenomics e della Guerra Totale dell'Imperialismo USA contro lo sviluppo e la democrazia. Lo potete aquistare qui: https://poetsandsailors.com/shop/il-mito-del-dollaro/#OttolinaTV ●▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬● l'analisi e la proposta politica e culturale di OttolinaTV e di Multipopolare oggi sono anche un libro che potete acquistare a questo indirizzo: https://poetsandsailors.com/shop/riscossa-multipopolare/#Ottolinatv per acquistare le nostre magliette e non solo, invece, clicca qui: https://ottolinatv.it/shop/merchandising/ ●▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬● ???? ISCRIVITI AL CANALE E ATTIVA LE NOTIFICHE ???? ISCRIVITI AL CANALE INGLESE DI OTTOLINA: https://www.youtube.com/@OttolinaTV-English ▶ aderisci alla campagna di sottoscrizione di ottolinatv su GoFundMe ( https://www.gofundme.com/f/un-media-per-dare-voce-al-99-per-cento ) e su PayPal ( https://www.paypal.com/donate/?hosted_button_id=P8NZ93RTKC4VQ&fbclid=IwAR3uqPnM2cWqyqPNkM5hQX6z6quK3AFvTpiv05w4jWPO7s2VO07UVlJIvNc ) ◀ ???? VISITA IL SITO: https://ottolinatv.it/ ???? SEGUICI ANCHE SU... ???? ★ FACEBOOK: https://www.facebook.com/ottolinatv ★GRUPPO FACEBOOK: https://www.facebook.com/groups/ottolinatvgruppo ★INSTAGRAM: https://www.instagram.com/ottolinatv/ ★TIKTOK: https://www.tiktok.com/@ottolinatv ★TWITCH: www.twitch.tv/ottolinatv ★ SPOTIFY: https://podcasters.spotify.com/pod/show/ottolinatv ★ TWITTER: https://twitter.com/ottolinatv ???? PER PARTECIPARE E DISCUTERE CON OTTOLINATV ???? ★ CANALE TELEGRAM: https://t.me/Ottolina_TV ★ GRUPPO MULTIPOPOLARE: https://t.me/+OSGohHfdeuBhNDE0

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These are the top 8 most expensive billionaire private jets. From Donald Trump's private plane aka Trump Force One to Kim Kardashian's "Kim Air". We are counting down the world's most expensive private planes and what makes them so expensive. Special thanks to Stephen Vella, CEO of Kestrel Aviation Management Website: https://www.kestrelaviation.com/ YouTube: https://www.youtube.com/@kestrelaviationmanagement4712 We'd also like to thank cameronmd80 - https://www.youtube.com/@cameronmd80/about Credits: @Lufthansa - https://youtu.be/VRAtpw7Kj2s @Boeing - https://youtu.be/GXQkBh_AA5s @GVASpotter - https://youtu.be/JDGNsETpR3M @hulu - https://www.youtube.com/hulu @gulfstreamaero - https://www.youtube.com/watch?v=63l988JR-H8&feature=youtu.be @TheTrumpOrganizationOfficial - https://www.trump.com/lifestyle/aviation @EricTrump - https://twitter.com/EricTrump/status/1544771695386533888 @WPTVnews - https://youtu.be/mvC80qaoMdE @royalbruneiair - https://youtu.be/TNoPW_2d-Us @viralstuff8375 - https://youtube.com/shorts/-qp4ccjNtIo?feature=share @Boeing - https://youtu.be/_g6UswiRCF0 @kestrelaviationmanagement4712 - https://youtu.be/_hvh-C710oQ @stmaartenaviation5298 - https://youtu.be/yW8wdxYTzm4 @cameronmd80 - https://youtu.be/D2uPlmSENE4 @11chadley - https://youtu.be/2vy0VkkodTk @AirLIFE_VKO - https://youtube.com/shorts/9axgGB675-E?feature=share @rodnae productions (Pexels) - https://www.pexels.com/video/a-black-horse-in-the-stable-8624792/ @usarmy - https://youtube.com/watch?v=9aoG579yuco&feature=shares

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Provided to YouTube by Columbia/Legacy I Love You More Than You'll Ever Know · Blood, Sweat & Tears Child Is Father To The Man ℗ Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment Released on: 2011-12-13 Lyricist, Vocal, Organ, Piano, Composer, Producer, Arranger: Al Kooper Associated Performer: Blood, Sweat & Tears Percussion, Drums, Vocal: Bobby Colomby Flute, Acoustic Guitar, Guitar, Vocal: Steve Katz Piano, Alto Saxophone, Arranger: Fred Lipsius Background Vocal: Valerie Simpson Arranger, Organ, Piano: John Simon Background Vocal: Melba Moore Alto: Fred Bass: Jim Fielder Trumpet, Fluegelhorn: Jerry Weiss Trumpet, Fluegelhorn: Randy Brecker Trombone: Dick Halligan Executive Producer: Bruce Dickinson Engineer: Fred Catero Engineer: Bob Berault Engineer: Stephen Stills Auto-generated by YouTube.

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Warning: This episode contains descriptions of captivity, mental-health trauma and suicidal thoughts. A Times investigation into a leading chain of psychiatric hospitals in the United States reveals a world where profits trump medical needs, and patients are detained against their will. Jessica Silver-Greenberg, an investigative reporter for the Business section of The New York Times, tells the story of one woman who was trapped inside. Guest: Jessica Silver-Greenberg (https://www.nytimes.com/by/jessica-silver-greenberg) , an investigative reporter for the Business section of The New York Times. Background reading:  • How a leading chain of psychiatric hospitals traps patients (https://www.nytimes.com/2024/09/01/business/acadia-psychiatric-patients-trapped.html) . For more information on today’s episode, visit nytimes.com/thedaily (http://nytimes.com/thedaily?smid=pc-thedaily) . Transcripts of each episode will be made available by the next workday. Subscribe today at nytimes.com/podcasts (http://nytimes.com/podcasts) or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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Available for streaming/download on all digital platforms. Also available to order on limited edition 7" vinyl from www.bigacrecords.com - Engineered and mixed by Lewis Durham at Durham Sound Studio. Mastered by Lewis Durham at The Exchange. Written and produced by Nick Corbin & The Hang-Ups Nick Corbin: Vocals and rhythm guitar Sahil Batra: Wurlitzer Stephen Springall: Lead Guitar Florian Bel: Bass Michael Hussain: Drums & percussion Harry Greene: Tenor Sax Luke Vice-Coles: Trumpet Kitty Liv Durham: Tambourine - Photography by Dean Chalkley © BIG AC RECORDS 2023 Cat No. BIGAC028

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Latest news on Snooker, covering World Championship, rankings, tournaments, Ronnie O'Sullivan, Judd Trump, the Crucible, centuries, and 147 breaks

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From the album ‘Porgy and Bess’, recorded August 8, 1958 in New York. Arranged and conducted by Gil Evans, featuring Miles Davis on trumpet. The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time. Join me on Patreon for Lead Sheets, Play-Alongs, Transcriptions, Lessons and much more: https://www.patreon.com/jazzguitarcomprehensive Some notes about the composition as found on https://www.jazzguitarcomprehensive.com/ Composer: George Gershwin Lyricist: DuBose Heyward Year: 1934 Origin: Introduced in the 1935 Opera Porgy and Bess. Style: Originally composed as an aria, over the years it has been adapted to a wide variety of styles. Form: A-B (16 Bars) [8-8] The head is played twice on the way in and out. Key: Commonly played in A minor, although it is often taken in many different keys. Harmony/Overview: The harmony of the composition is altogether very functional, and along with the melody possesses an almost folk-song like aesthetic due its simplicity and pentatonic based lament. The song begins on the relative minor, and proceeds to IVmi in the 5th bar. The A section then finishes with a minor II - V back to Imi. The B section begins identically to A, although it ventures to the relative Major briefly before returning back to Imi with another minor II - V. Recordings: This composition is one of the most popular jazz standards of all time, with over 2,000 different recordings to date. The first release comes from Helen Jepson in 1935, although a recording taken earlier that year at a rehearsal of Porgy and Bess features Abbie Mitchell performing the tune. This recording however was not released publicly until much later. The tune has since been adapted and performed in nearly every style imaginable with great cross-over success. Countless jazz musicians have left behind memorable recordings and it continues to be performed frequently to this day. JGC Top Picks: John Coltrane, My Favorite Things, 1960 Joe Henderson, Porgy & Bess, 1997 Jonathan Kreisberg, Nine Stories Wide, 2003 Please consider supporting this channel through a donation, https://www.paypal.com/paypalme/jazzguitarc You can also support me on Patreon for much more musical content, https://www.patreon.com/jazzguitarcomprehensive Be sure to subscribe to my main channel: https://www.youtube.com/channel/UCsHefbnzId7of6XcFJWh8UQ As well as my second channel for Play-Alongs and Loops: https://www.youtube.com/channel/UCPZJrGlk1zNvczjpbNbyOiA The World's Premier Site for Jazz Guitar Education and Beyond https://www.jazzguitarcomprehensive.com/ DISCLAIMER: This video has been uploaded for educational purposes and is protected under fair-use. This channel will never be monetized and any ads are run solely on behalf of the rightful copyright owner. #MilesDavis #GilEvans #Summertime

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"The Life You Save May Be Your Own" by Beat Circus from the album 'Boy From Black Mountain' (Cuneiform Records). Purchase now @: iTunes: https://itunes.apple.com/us/album/boy-from-black-mountain/id389827968 Amazon: http://www.amazon.com/From-Black-Mountain-Beat-Circus/dp/B002KBBG3M Bandcamp: http://www.cuneiformrecords.com/picts/buy_bandcamp.png Wayside Music: http://www.waysidemusic.com/Music-Products/Beat-Circus---Boy-From-Black-Mountain__RUNE294.aspx Album Personnel: Brian Carpenter - vocals, harmonica, piano, trumpet, accordion, harmonium Paran Amirinazari - violin, vocals Jordan Voelker - viola, vocals Paul Dilley - double bass, acoustic guitar Andrew Stern - guitar, banjo Doug LaRosa - trombone Ron Caswell - tuba Gavin McCarthy - drums Bill Cole - Chinese suona on "The Sound and the Fury" Larkin Grimm - vocals on "Saturn Song and "The Life You Save May Be Your Own" Julia Kent - cello Ellen Santaniello - voice Carson Ellis - artwork Boy From Black Mountain is the third release from the determinedly eclectic Boston-based ensemble Beat Circus. Beat Circus is the brainchild of multi-instrumentalist / singer-songwriter Brian Carpenter. The music bridges a number of disparate genres including experimental music, Americana, cabaret, circus music, Appalachian string music, bluegrass music, old-time music, Southern Gospel, and funereal music. The current edition of the band features a unusual and versatile instrumentation. Brian brought in violinist Paran Amirinazari and violist Jordan Voelker (who also provide background vocals), trombonist Doug LaRosa, and the rockabilly-style rhythm section composed of upright bassist Paul Dilley, guitarist/banjoist Andrew Stern, and drummer Gavin McCarthy. The understatedly beautiful cover artwork and illustrations within the full color booklet are by Carson Ellis, known for her work on albums by The Decemberists Boy From Black Mountain began shortly after Carpenter's son was diagnosed with autism in late 2006. He began writing songs inspired by the experience of living with his son during the time of diagnosis and treatment. Carpenter further dedicates the album to his father and grandparents, whose lives as watermelon farmers in the rural Bible Belt inspired some of the songs. This is a very artful-yet-accessible album with great lyrics, memorable songs and rich orchestrations. In addition to the songs are a handful of haunting instrumentals which help to frame the overall work of the songs to a larger canvas. "With the release Boy From Black Mountain, the second album in [Brian Carpenter's] “Weird American Gothic” trilogy, Carpenter and his Beat Circus have created something completely unique and yet somehow amazing. Most concept albums fall short due to a lack of the artists understanding that while filling the concept lyrically and musically, the album still has to be listenable and captivating. Carpenter gets that. The lyrics...aren’t about some made up land or characters, but rather the life he has experienced... To bring the songs to life with a Southern Gothic feel, Carpenter has used a wide range of not so typical instruments that at any given time include accordion, viola, tuba, cello, and Chinese Suona. Wrap the odd instrumentation around a deep and dark lead vocal that is often times accompanied by a haunting soprano and this album comes alive. Concept albums are typically not my thing but this one delivers on every level from relatable lyrics to a well-crafted story of everyday life." – Guest List "...the band mixes carnivalesque tunes with rock moments. The rich and tight orchestrations feature a Morricone-inspired combination of harmonica, viola, banjo, guitar, tuba, violin, trombone, upright bass, and drums." — The New Yorker "Boston's circus of malcontents not only has the chops but features a fallen hellfire preacher/band leader (the captivating Brian Carpenter) who simultaneously channels Nick Cave and Johnny Cash." — The Village Voice For more information: http://cuneiformrecords.com http://twitter.com/cuneiformrecord http://www.facebook.com/cuneiformrecords https://www.instagram.com/cuneiformrecords http://www.briancarpenter.net/ https://www.facebook.com/beatcircusmusic/

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The song "Boy From Black Mountain" from Beat Circus' album 'Boy From Black Mountain' (Cuneiform Records) Buy 'Boy From Black Mountain' at... iTunes: https://itunes.apple.com/us/album/boy-from-black-mountain/id389827968 Amazon: http://www.amazon.com/From-Black-Mountain-Beat-Circus/dp/B002KBBG3M Bandcamp: http://www.cuneiformrecords.com/picts/buy_bandcamp.png Wayside Music: http://www.waysidemusic.com/Music-Products/Beat-Circus---Boy-From-Black-Mountain__RUNE294.aspx Boy From Black Mountain is the third release from the determinedly eclectic Boston-based ensemble Beat Circus. Beat Circus is the brainchild of multi-instrumentalist / singer-songwriter Brian Carpenter. The music bridges a number of disparate genres including experimental music, Americana, cabaret, circus music, Appalachian string music, bluegrass music, old-time music, Southern Gospel, and funereal music. The current edition of the band features a unusual and versatile instrumentation. Brian brought in violinist Paran Amirinazari and violist Jordan Voelker (who also provide background vocals), trombonist Doug LaRosa, and the rockabilly-style rhythm section composed of upright bassist Paul Dilley, guitarist/banjoist Andrew Stern, and drummer Gavin McCarthy. The understatedly beautiful cover artwork and illustrations within the full color booklet are by Carson Ellis, known for her work on albums by The Decemberists Boy From Black Mountain began shortly after Carpenter's son was diagnosed with autism in late 2006. He began writing songs inspired by the experience of living with his son during the time of diagnosis and treatment. Carpenter further dedicates the album to his father and grandparents, whose lives as watermelon farmers in the rural Bible Belt inspired some of the songs. This is a very artful-yet-accessible album with great lyrics, memorable songs and rich orchestrations. In addition to the songs are a handful of haunting instrumentals which help to frame the overall work of the songs to a larger canvas. "With the release Boy From Black Mountain, the second album in [Brian Carpenter's] “Weird American Gothic” trilogy, Carpenter and his Beat Circus have created something completely unique and yet somehow amazing. Most concept albums fall short due to a lack of the artists understanding that while filling the concept lyrically and musically, the album still has to be listenable and captivating. Carpenter gets that. The lyrics...aren’t about some made up land or characters, but rather the life he has experienced... To bring the songs to life with a Southern Gothic feel, Carpenter has used a wide range of not so typical instruments that at any given time include accordion, viola, tuba, cello, and Chinese Suona. Wrap the odd instrumentation around a deep and dark lead vocal that is often times accompanied by a haunting soprano and this album comes alive. Concept albums are typically not my thing but this one delivers on every level from relatable lyrics to a well-crafted story of everyday life." – Guest List "...the band mixes carnivalesque tunes with rock moments. The rich and tight orchestrations feature a Morricone-inspired combination of harmonica, viola, banjo, guitar, tuba, violin, trombone, upright bass, and drums." — The New Yorker "Boston's circus of malcontents not only has the chops but features a fallen hellfire preacher/band leader (the captivating Brian Carpenter) who simultaneously channels Nick Cave and Johnny Cash." — The Village Voice Album Personnel: Brian Carpenter - vocals, harmonica, piano, trumpet, accordion, harmonium Paran Amirinazari - violin, vocals Jordan Voelker - viola, vocals Paul Dilley - double bass, acoustic guitar Andrew Stern - guitar, banjo Doug LaRosa - trombone Ron Caswell - tuba Gavin McCarthy - drums Bill Cole - Chinese suona on "The Sound and the Fury" Larkin Grimm - vocals on "Saturn Song and "The Life You Save May Be Your Own" Julia Kent - cello Ellen Santaniello - voice Carson Ellis - artwork For more information: http://cuneiformrecords.com http://twitter.com/cuneiformrecord http://www.facebook.com/cuneiformrecords https://www.instagram.com/cuneiformrecords http://www.briancarpenter.net/ https://www.facebook.com/beatcircusmusic/

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President Donald Trump is forcing the Republican Party into a politically perilous position in advance of the upcoming midterm elections — and they are now

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Provided to YouTube by Parlophone UK I Ate up the Apple Tree · Dr John N'Awlinz Dis, Dat, or D'Udda ℗ 2004 Parlophone Records Ltd, a Warner Music Group Company Congas: Alfred "Uganda" Roberts Trumpet: Bernard Floyd Mastering Engineer: Bernie Grundman Masterer: Bernie Grundman Conductor, Copyist: Brian Quezerque Saxophone: Carl Blouin Sr Trumpet: Charlie Miller Vocals: Connie Finch Trombone: Craig Klein Bass: David Barard Electric Bass Guitar: David Barard Engineer: Doug Tyo Piano, Vocals: Dr John Piano, Vocals: Dr. John Producer: Ed Gerrard Saxophone: Eric Traub Trombone: Eric Trolsen Drums: Herman Ernest III Saxophone: Jason Mingledorff Engineer: Kevin Meeker Producer: Peter Himberger Vocals: Randy Newman Engineer, Mixer: Rik Pekkonen Coordinator: Shawn Hall Tambourine: Smokey Johnson Jr Vocals: Stephanie Whitfield Producer: Stewart Levine Vocals: Sunni Fitch Vocals: The Creolettes Vocals: The Wardell Quezergue Horns Guitar: Walter "Wolfman" Washington Guitar: Walter 'Wolfman' Washington Guitar: Walter Wolfman Washington Engineer, Pro Tools: Wesley Fontenot Pro Tools: Wesley Fontenot Composer: Dave Williams Arranger: Wardell Quezerque Auto-generated by YouTube.

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Ông Trump hâm nóng không khí trước cuộc tranh luận với bà Harris, dọa rằng nếu đắc cử ông sẽ truy tố các quan chức gian lận trong cuộc bầu cử năm nay.

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Live from Germany, cramped in around a desk in a camper (peaking out from behind the giant bass) STREAM THE BIG IDEA HERE: https://ffm.to/thebigidea Lily Talmers - vocals, song, guitar Aidan Cafferty- bass Tree Palmedo- trumpet John Cushing- trombone Jonathan Binhack- driving and *vibes* Eliya Smith- Camera Samuel Krupke- camera and sound #tinydeskcontest #tinydeskcontest2026 #tinydeskconcert #tinydesk #nprtinydesk #npr #thebigidea #lilytalmers

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At The Dark End Of The Street & Mr. Pitiful performed by Oscar Toney Jr. at Porretta Soul Festival, Italy 2009 with Austin de Lone Allstar Band feat. Austin de Lone: Hammond B3, piano; Danny Caron: Guitar; Eric McCann: Bass; Ernest "Boom" Carter: Drums; Charles McNeal: Tenor Sax;Alex Budman: Baritone Sax; Mike Rinta: Trombone; Joel Behrman: Trumpet; Sweet Nectar (Sue McCracklin, Maureen Smith, Marcia Gamble): Bkg Vocals

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Released 1998-xx-xx TRACKLIST: 1. Big Fun / Hollywuud - 0:00 2. Agharta Prelude - 4:03 3. Miles Dewey Davis III-Great Ancestor - 17:07 4. Black Satin - 28:09 5. Ife - 36:05 6. Maiysha - 1:11:39 7. Calypso Frelimo - 1:19:56 8. Moja — Nne - 1:45:37 9. Themes From Jack Johnson - 1:55:50 10. Wii (For Dave) - 2:30:11 Genre: Jazz, Rock, Funk / Soul Style: Jazz-Rock, Fusion For my money, the 1970s electric period of Miles Davis’ career is a strong contender for the best music ever made. The fearless advancement of improvisation, the calculated yet reckless abandon with which Miles collided jazz and rock together (functionally inventing jazz fusion), and the quality of players he had in his ensemble to realize this goal is something that everyone in art should aspire to. So it makes sense that when I first heard about this project, I was immediately interested. For the uninitiated, “Yo Miles!” is an ensemble led by guitarist Henry Kaiser and trumpeter Wadada Leo Smith. Both titans of American improvised music, Kaiser has played with artists as diverse as Richard Thompson, “Drumbo” French, Weasel Walter and everyone in between, and Smith has made a name for himself by becoming the most important trumpet player since Miles and Don Cherry. His pedigree is truly otherworldly, from his several monumental solo records (many of which could be called the greatest album of all time), to his performances with Roscoe Mitchell, Matthew Shipp, Derek Bailey, and-even more literally than Kaiser-everyone else you can name. But back to the project. As I said, it’s spearheaded by these two figureheads of the improvised music world, and is a direct tribute and continuation of what Miles was doing in his 70s electric period. In order to achieve this, they not only learned Miles’ material from this period, but also wrote several original compositions in this style. The result is a tribute that is equally respectful as it is dangerous, and is truly one of the only ensembles to recapture some of the magic that was that era in Miles Davis’ discography (the only other one I can think of is Pete Cosey’s Children of Aghartha, and he was an alumni of that specific period). Of course, to pull off such a feat, you also need a star studded cast of musicians to round out the group-just like Miles-and this record has no shortage of it. On this record, you have Oluyemi Thomas on bass clarinet, Michael Manring on bass, Lukas Ligeti and Wally Ingram on drums, Elliott Sharp and Nels Cline on guitar, Chris Muir on guitar and electronics, Freddie Roulette on lap steel, Bob Bralove on keyboards, Greg Goodman on piano, John Medeski and Paul Plimley on on organ to round out the rhythm section. For the horns, you have Bruce Ackley, George Brooks, Jon Raskin, Larry Ochs and Steve Adams. And, of course, there’s Henry Kaiser on guitar and Wadada Leo Smith on trumpet. This is truly a star-studded cast, and this sprawling record is a testament to the power of what Miles did in the 70s and how much more ground there is still to be covered. Please, if this sounds at all interesting to you, check it out! I cannot recommend it enough. As always, please email me at liveandalive85@gmail.com if you would like a video removed! I'm happy to oblige all requests.

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‘Trump made a tramp out of me,’ Guthrie lamented, denouncing his landlord who barred black families and pocketed federal funds.

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Miles Davis - trumpet Dave Schildkraut - alto sax Horace Silver - piano Percy Heath - bass Kenny Clarke - drums

Via: https://periodicos.ufac.br

A general suspicion of Mormonism in American politics and media dates back to the 19th century and continues today. Weber (2019) has described Mormonism as a "meme" that is malleable enough to symbolize different things for different audiences in different contexts. In this study, I examine the presence of "Mormonism as meme" in 511 posts composed by government-sponsored Twitter accounts as part of information operations before, during, and after the 2016 U.S. presidential election. I retrieved these posts from a dataset of government-sponsored tweets made available by Twitter and used a mix of computational and human methods to determine: 1) which countries used Mormonism as meme, 2) whether government-sponsored accounts originated or amplified these messages, 3) what identities government-sponsored accounts adopted, and 4) how government-sponsored accounts used Mormonism as a meme. This study's results indicate that six governments invoked Mormonism as part of their information operations during this time frame. Venezuela pursued a strategy that depended on using pro-Trump accounts to repeatedly share messages describing Mormons as communitarian and insular. Other countries (including Russia and Iran) pursued more subtle strategies, more often retweeting others' posts than writing their own. However, they still invoked aspects of Mormonism that called into question its compatibility with liberal, conservative, or broadly American values. As a whole, these posts correspond with both Weber's (2019) description of Mormonism as malleable meme and information operations' twin purposes of influencing the 2016 election and dividing Americans.

Via: https://youtube.com

“That was some great music we made at both those sessions and I’m really proud of it today,” Miles Davis wrote in 1989 about the sessions for Relaxin'. Featuring an all-star personnel of Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (bass) and Philly Joe Jones (drums), Relaxin' with the Miles Davis Quintet is one of the four albums that came out of the two legendary 1956 sessions held at the Rudy Van Gelder Studio in Hackensack, NJ. #MilesDavis #TheMilesDavisQuintet #Jazz

Via: https://youtube.com

Helen Merrill with Jimmy Jones Sextet - You've Got a Date with the Blues (1959) Personnel: Helen Merrill (vocals), Kenny Dorham (trumpet), Jerome Richardson (flute), Jimmy Jones (piano, arrange), Barry Galbraith (guitar), Milt Hinton (bass), John Cresci (drums) from the album 'YOU'VE GOT A DATE WITH THE BLUES' (Metrojazz Records)

Via: https://www.bible.com

I was in the Spirit on the Lord's day, and heard behind me a great voice, as of a trumpet

Via: https://youtube.com

‘If I wanted to win that war, Afghanistan would be wiped off the face of the Earth.’ — Trump suggested that he would nuke Afghanistan if the sole American interest were to ‘win that war.’ » Subscribe to NowThis: http://go.nowth.is/News_Subscribe » Sign up for our newsletter KnowThis to get the biggest stories of the day delivered straight to your inbox: https://go.nowth.is/KnowThis #Trump #Politics #News #NowThis #NowThisNews Connect with NowThis » Like us on Facebook: http://go.nowth.is/News_Facebook » Tweet us on Twitter: http://go.nowth.is/News_Twitter » Follow us on Instagram: http://go.nowth.is/News_Instagram » Find us on Snapchat Discover: http://go.nowth.is/News_Snapchat NowThis is your premier news outlet providing you with all the videos you need to stay up to date on all the latest in trending news. From entertainment to politics, to viral videos and breaking news stories, we’re delivering all you need to know straight to your social feeds. We live where you live. http://www.youtube.com/nowthisnews @nowthisnews

Via: https://www.dailyjournal.com

Via: https://jaapl.org

Via: https://www.enorsai.com

Via: https://music.youtube.com

Provided to YouTube by Rhino Atlantic Everybody Loves a Winner · William Bell The Soul Of A Bell ℗ 1967 Atlantic Recording Corporation. Drums: Al Jackson Jr. Tenor Saxophone: Andrew Love Keyboards: Booker T. Jones Bass Guitar: Donald 'Duck' Dunn Keyboards: Isaac Hayes Alto Saxophone: Joe Arnold Guitar: Steve Cropper Trumpet: Wayne Jackson Vocals: William Bell Unknown: Yves Beauvais Writer: Booker T. Jones Writer: William Bell Auto-generated by YouTube.