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Cinq membres d'un groupe d'extrême droite américain graciés par Donald Trump après leur condamnation pour leur rôle dans l'assaut du Capitole à Washington réclament 100 millions de dollars de dédommagements au ministère de la Justice.

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Personnel Lee Morgan, Trumpet Wayne Shorter, Tenor Saxophone Bobby Timmons, Piano; Jymie Merritt, Bass Art Blakey, Drums Composers Disc One 1 Announcement By Pee Wee Marquette 1:06 2 The Opener 8:29 (Hank Mobley) 3 What Know 10:26 (Lee Morgan) 4 The Theme 1:37 5 Announcement By Art Blakey 0:21 6 Round About Midnight 9:44 (Thelonious Monk) 7 The Breeze And I 10:38 (Lecuona-Camarata-Stillman) Disc Two 1 Announcement By Pee Wee Marquette & Art Blakey 1:01 2 High Modes 13:09 (Hank Mobley) 3 Night Watch 8:34 (Hank Mobley) 4 The Things I Love 8:26 (H. Barlow-L. Harris) 5 The Summit 9:26 (Wayne Shorter) 6 The Theme 1:35 Recorded by Rudy Van Gelder live at Birdland in New York CB), on September 14, 1960

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Donald Trump delivers a commencement address at Lehigh University in Bethlehem, Pennsylvania on June 5, 1988. Note only audio of the address is available. Audio courtesy of Lehigh University. Uploaded to YouTube for archival purposes by Factba.se (https://factba.se)

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The Environmental Protection Agency has stopped estimating the dollar value of lives saved in the cost-benefit analyses for new pollution rules.

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Album: Outer Spaceways Incorporated [Black Lion (track previously unreleased), 1968] Personnel: Sun Ra (piano, clavioline)) Ahk Tal Ebah (trumpet, drum) Kwame Hadi (trumpet, drum) Ali Hassan (trombone, dum) Teddy Nance (trombone, drum) Bernard Pettaway (trombone) Marshall Allen (alto sax, flute, oboe, drums) Danny Davis (alto sax, flute) Robert Cummings (bass clarinet) Pat Patrick (baritone sax, flute, drums) John Gilmore (tenor sax, drums) Ronnie Boykins (bass) Nimrod Hunt (drums) James Jackson (drums, flute) Clifford Jarvis (percussion) Recorded live in New York City 1968.

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Sirena, the second album from Davey Ray Moor, Liam McKahey, Craig Vear and Joe Peet further demonstrates Cousteau's debt to Scott Walker, the Tindersticks and, indeed, any young man or men who have ever put on a suit, turned the lights down low and crooned sadly and sonorously, but edgily. A bunch of itinerant thirtysomethings led by tattooed Irish former decorator--the big-voiced McKahey--and jobbing Aussie musician-turned-writer of sepia-toned torchsong Moor, Cousteau's self-titled debut sold 100,000 copies on the back of endless touring and word-of-mouth. Whether the even more soulful and gently persuasive Sirena will signal a major breakthrough for Cousteau depends on how many of us want to hear musicians play simple but majestic pop without studio trickery, and need a bit of heartbreak poetry in our lives. Buoyed by dramatic pianos, subtle strings and even the odd keening steel guitar, these anthems of bruised machismo frame Liam's rich and relaxed slides between warm baritone and caressing falsetto. If there's a drawback, it lies in the rhythmic and textural sameyness of much of the material. But, at its best--"Nothing So Bad", "Heavy Weather", single "Talking To Myself", the deliciously sensual "Salome"--Sirena is an album of bittersweet bliss and old-fashioned swoon-pop values. --Garry Mulholland Arranged By – Cousteau (2) Bass, Violin, Piano, Vocals – Joe Peet Cello – Sophie Harris Drums, Percussion – Craig Vear Guitar, Vocals – Robin Brown Mastered By – Chris Blair Producer, Written-by, Piano, Vocals, Organ [Hammond], Flugelhorn, Harmonica, Accordion, Guitar, Strings – Davey Ray Moor Programmed By – Ger McDonnell, Matthieu Clouard, Paul Hicks Recorded By [Additional] – Dan Sansom, Davey Ray Moor, Zennor* Recorded By, Mixed By – Ger McDonnell Saxophone [Baritone] – Pelham Wood Saxophone [Tenor] – Jonathan Eato Technician [Studio Assistant] – Alison Grimsey, Ed Harlow, Kit Carpenter, Robbie Nelson (2) Trombone – Martin Gladdish Trumpet – Mick Ball Viola – Anne Stephenson, Claire Orsler, Clare Finnimore, Gini Ball Violin – Jackie Norrie*, Julia Singleton, Sally Herbert Vocals, Percussion – Liam McKahey ___________________ Subscribe : http://goo.gl/BV2SJb Like our Facebook page : https://goo.gl/Fu74E1 Follow Us on Twitter : https://goo.gl/uv8zdj Visit our website : http://goo.gl/LaHHZt In the gritty world of Kingston ghetto, there are a few ways out. Fortunately Marcia, a humble street vendor struggling to survive as a single mother, discovers the world of dancehall. Through it she finds more than great music and hot relationships, she finds a way to a better life. By day, she toils on the hot Kingston streets and by night she becomes "the mystery lady", the new star of the dancehall. Here is her chance to escape the clutches of Larry, who under the guise of helping her hard-pressed family is actually after her eldest daughter, Tanya. Also, she will finally be able to rid herself of Priest, the murderous thug who is threatening her very existence. If Marcia can win the dancehall contest, the prize money and more importantly, her own sense of worth, she will finally be free. Free not only of the lowlifes like Larry and Priest, but on the ghetto itself. Created by Island Records founder Chris Blackwell (Bob Marley, U2, Grace Jones etc.). Palm Pictures has always pushed musical boundaries and encouraged unlikely collaborations. Since the late 90's it has been a leader in the convergence of music and film, producing and distributing music documentaries, arthouse & foreign cinema, and music videos.

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Raphael Anker, trumpet player from Geneva, one day decides to gather musicians for a live performance revisiting the golden age of Ethiopian music, the sound of Tlaloun Gessesse, Getatchew Mekurya, Mulatu Astatke, Mahmoud Ahmed and other legends. It's 2007, and the experience is so memorable that the one shot happening becomes a band: Imperial Tiger Orchestra, a nod to the Imperial Bodyguard Band from Addis-Abeba and to a classic line from Monthy Python's The Meaning of Life. A tiger - in Africa? ...Well it doesn't sound very likely... Get it here: http://bit.ly/Lv86Gd http://www.myspace.com/imperialtigerorchestra http://mentalgroove.ch

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A soulful tribute to Nirvana's In Utero by Heart-Shaped Tracks Listen / buy the full length album: http://smarturl.it/soulfulnirvana Michele Mara - vocals João Marcelo - upright bass Audryn Souza - trumpet Rodrigo Lemos - organ beat, sample edit, honky tonk, backing vocals Mixed by Guigo Berger at Rec n' Roll Mastered by Rodrigo Deltoro at DaHouse Audio Cover art by Pietro Domiciano Produced by Rodrigo Lemos © 2018 Mezcla Viva Records Subscribe for new releases by Mezcla Viva Records: http://mezclaviva.com

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Le notizie del giorno spiegate sinteticamente da FonteUfficiale ???? Trump annuncia la sospensione di bombardamenti e attacchi contro l’Iran per due settimane. La tregua è vincolata alla riapertura dello Stretto di Hormuz, con negoziati previsti venerdì e l’ipotesi di colloqui diretti. Il petrolio intanto corre al ribasso. ???? L’Oman ha annullato l’incontro previsto per domani […]

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Provided to YouTube by Sire/Warner Records Spiralling · Erasure The Circus ℗ 1987 Mute Records Ltd., a BMG Company Vocals: Andy Bell Producer: FLOOD Trumpet: Guy Barker Mastering Engineer: PAG Mixing Engineer: Phil Harding Mastering Engineer: TY1 Keyboards: Vince Clarke Writer: Andy Bell Composer: Erasure Writer: Vince Clarke Auto-generated by YouTube.

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Provided to YouTube by Rhino Atlantic Love Don't Love Nobody (2003 Remaster) · The Spinners Essentials ℗ 1974, 2003 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Background Vocals: Barbara Ingram Vocals: Billy Henderson Guitar: Bobby Eli Trumpet: Bobby Hartzell Trombone: Bobby Moore Vocals: Bobby Smith Background Vocals: Carla Benson Drums: Earl Young Trombone: Eddie Keskarella Trombone: Freddy Joiner Vocals: Henry Fambrough Flute: Jack Faith Alto Saxophone: Jack Faith French Horn: Joe DeAngelis Percussion: Larry Washington Background Vocals: Linda Creed Guitar: Norman Harris Vocals: Pervis Jackson Vocals: Philippé Wynne Trombone: Richard Genovese French Horn: Robert Martin Trumpet: Rocco Bene Guitar: Roland Chambers Bass Guitar: Ronnie Baker Arranger, Producer: Thom Bell Conductor, Keyboards, Piano: Thom Bell Vibraphone: Vince Montana Background Vocals: Yvette Benton Writer: Charles Simmons Writer: Joseph B. Jefferson Auto-generated by YouTube.

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"All-female Funk-Rock pioneers!" Carol MacDonald is doubly important in the history of Rock. First, in the mid-60's she was guitarist for GOLDIE & THE GINGERBREADS, the first all-female Rock band signed by a major label. They toured with The Rolling Stones and made a handful of prized singles. Secondly, in the 70's she led ISIS, a ferocious all-female Funk-Rock octet who could take on the best of them. ISIS burst out the gate soon after Fanny and Birtha had broken the barrier for all-female bands to make full albums. While those groups focused on blues-based Rock, ISIS was like a progressive octopus. Their first self-titled LP was overstuffed with stylistic ideas and the chops to pull them off. They were a match for anything Blood Sweat & Tears, Earth Wind & Fire, Chicago, or Parliament were putting out. They toured with Aerosmith, Kiss, ZZ Top, and Three Dog Night; made three very diverse albums; and got ignored by the Rock press and history. Time reveals just how important they were. The ISIS collective was a training ground for dozens of female musicians, who seeded the future. They established a range of skill and style that broadened their successors' horizons. Their shocking debut cover declared they owned their sexuality on their own terms. And Carol had the immense courage to come out openly as a lesbian and sing about it in her work. Thus, ISIS paved the way for the Womyns Music labels, ESG, The Tom Tom Club, Madonna, Wendy & Lisa, Melissa Etheridge, Me'Shell Ndegeocello, Ani Defranco, Joi, Le Tigre, and Peaches. That infamous cover was shot by Jon Stevens, whose work with silver body paint made him a rising star during the Glam era. ISIS created themselves as modern goddesses from a deep history, silver deities who could take on the soul and the cosmos. Their sprawling debut was produced by "Shadow" Morton (The Shangri-Las) who had just survived The New York Dolls. This song was written and sung by their steller bassist, Stella Bass; is it mocking of male touch sports, a rallying cry, a come-on, or really intimate footsies? You be the judge. And Suzi's lead guitar will take your head off! This is dedicated to the memory of Carol MacDonald, who passed away in March of 2007. Carol MacDonald: lead vocals, rhythm guitar, writer, arranger Ginger Bianco: drums, co-leader, co-founder, co-writer Suzi Ghezzi: lead guitar Stella Bass: bass, vocals, writer Nydia "Liberty" Mata: percussion, congas, bongos Lauren Draper: trumpet, French horn, vocals Lolly Bienenfield: trombone, vocals Jeanie Fineberg: tenor saxophone Learn more: http://www.itsaboutmusic.com/isis.html http://www.audiolunchbox.com/album?a=84522&z= http://www.audiolunchbox.com/album?a=84523 http://www.myspace.com/isishornrock See these other videos: ISIS -AIN'T NO BACKIN'UP NOW (1975) http://www.youtube.com/watch?v=Dqz79lz4tC8 ISIS -APRIL FOOL (1974) http://www.youtube.com/watch?v=HIFiuIV67u0 (All rights reserved by the copyright owners. Fan-made video to promote the artist.) tym stevens

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Rare Heavy Afro Psych Funk 70's from Nigeria Asiko Rock Group – Asiko Rock Group Label: EMI – NEMI (LP) 0199 Format: Vinyle, LP, Album Pays: Nigeria Sortie: 1976 Track B4 - Lagos City Bass Guitar – Njoubi Basile Drums – Paul Monnu Lead Guitar – Evgene Ndema Lead Vocals, Organ, Piano, Strings – Z. Joseph Bolandi Rhythm Guitar – Ntaillou Idrissou Trumpet – Ndovmbe Jylvand Vocals, Congas, Percussion – Essombe Antoine Madie Engineer – Kayode Salami, Monday Oki Producer – Odion Iruoje Asiko : Nigerian group. Members : Essombé Antoine, Eugene Ndema, Ndovmbe Jylvand, Njoubi Basile, Ntaillou Idrissou, Paul Mony, Z. Joseph Bolandi Alias : Asiko Rock Group, Sos Asiko

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Provided to YouTube by Masterworks Jazz Yesterday's Dreams · Freddie Hubbard First Light (CTI Records 40th Anniversary Edition) ℗ Originally Released 1971 Sony Music Entertainment Inc. Released on: 2011-04-12 Trumpet: Freddie Hubbard Electric Guitar: George Benson Drums: Jack DeJohnette Vibraphone: Phil Kraus Percussion: Airto Moreira Piano: Richard Wyands Violin: David Nadien Violin: Paul Gershman Violin: Emanuel Green Violin: Harold Kohon Violin: Joe Malin Conductor, Arranger: Don Sebesky Violin: Gene Orloff Violin: Tosha Samaroff Violin: Irving Spice Violin: Matthew Raimondi Viola: Alfred Brown Viola: Emanuel Vardi Cello: Charles McCracken Cello: George Ricci Bass: Ron Carter Harp: Margaret Ross Flute, Bassoon: Wally Kane Flute: Hubert Laws Clarinet, Flute: George Marge English Horn, Clarinet, Flute, Oboe: Romeo Penque Bassoon: Jane Taylor French Horn: Ray Alonge French Horn: James Buffington Lyricist, Composer: D. Sebesky Lyricist, Composer: N. Martin Producer: Creed Taylor Engineer: Rudy Van Gelder Auto-generated by YouTube.

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It’s Donald and Melania’s Business Anniversary #trump #anniversary #melaniatrump #satire #parody

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At issue is how to interpret a federal law barring hospitals from turning away poor or uninsured patients.

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How much does it cost to fly Air Force One? 6-figures ... per hour. Trump frequently uses it for trips to Palm Beach, some notable sporting events.

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Provided to YouTube by Sony Music Entertainment A Peleja do Diabo Com o Dono do Céu · Zé Ramalho A Peleja do Diabo com o Dono do Céu ℗ 1978 Sony Music Entertainment (Brasil) I.C.L. Released on: 2019-10-13 Composer, Associated Performer, Violin, Lyricist: Zé Ramalho Triangle: Zé Leal Congas: Chacal Trumpet: Marcio Montarroyos Trombone: Edmundo Maciel Bass: Chico Julien Saxophone: Zé Bodega Producer: Carlos Alberto Sion Assistant Producer: Marcelo Falcão Assistant Producer: Ligia Itiberé Auto-generated by YouTube.

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Americké ministerstvo spravedlnosti vyslalo agenty FBI do bytů novinářů, aby doručili předvolání, a v alespoň jednom případě předložilo příkaz k zabavení zař...

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 Eskalace Húsiů uvrhla Trumpa do dilematu v polovině volebního obdobíOzbrojení členové Íránem podporované Húsiovské milice se účastní demonstrací proti USA a...

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By Ben Olson Reader Staff According to Sandpoint resident Donald Kass, Donald Trump hasn’t changed a whole lot since he knew him as Donny Trump in grade school. “He was pig headed,” said Kass....

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Under Trump's leadership, the US took Russia's side at the UN, opposing a resolution acknowledging Russia’s responsibility for the war. @gallego.senate.gov and I rushed to the floor to force the Senate to condemn this betrayal of our ally. Republicans blocked us. https://youtu.be/Wtazkuq1JhU?si=t4F3yQaCMI7C6Dyi

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Provided to YouTube by Rhino Atlantic The Improvisors · Yusef Lateef The Doctor Is In And Out ℗ 1976 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States excluding Austrailia and New Zealand. Warner Music New Zealand Limited for Austrailia and New Zealand. Drums: Al Foster Bass: Anthony Jackson Guitar: Billy Butler Synthesizer: Dana McCurdy Percussion: Dom Um Romao Trombone: Jack Jeffers French Horn: James Buffington Producer: Joel Dorn Tuba: Jonathan Dorn Trumpet: Joseph Wilder Keyboards: Kenneth Barron Trumpet: Leonard Goines Bass: Robert Cunningham Engineer: Robert Liftin Mixing Engineer: Robert Liftin Bass: Ron Carter Arranger: Yusef Lateef Oboe: Yusef Lateef Alto Saxophone: Yusef Lateef Tenor Saxophone: Yusef Lateef Writer: Yusef Lateef Auto-generated by YouTube.

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The FBI is examining whether Russian officials suggested to Jared Kushner that Russian banks could finance Trump associates' business ventures if US sanctions were lifted or relaxed.

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Provided to YouTube by Rhino/Warner Records Rubberband of Life (feat. Ledisi) · Miles Davis · Ledisi Rubberband EP ℗ 2019 Rhino Entertainment Company, a Warner Music Group Company. Arranger, Producer: Anthony "Mac Nass" Loffman Keyboards, Programming, Samples: Anthony "Mac Nass" Loffman Arranger, Producer: Arthur Haynes Upright Bass: Arthur Haynes Keyboards, Programming: Arthur Haynes Rhythm Arranger: Attala Zane Giles Unknown: Attala Zane Giles Producer: Attala Zane Giles Executive Producer: Cheryl Davis Executive Producer: Darryl Porter Unknown: Dave Rideau Unknown: Ed Cherney Executive Producer: Erin Davis Unknown: Gabe Burch Assistant Engineer: Isaiah Sharkey Mastering Engineer: John Webber Unknown: Keith Lewis Engineer: Kevin Santos Mixing Engineer: Kevin Santos Unknown: Kevin Santos Congas: King Errisson Lead Vocals: Ledisi Background Vocals: Ledisi Trumpet: Miles Davis Assistant Engineer: Munyungo Jackson Rhythm Arranger: Randy Hall Unknown: Randy Hall Guitar: Randy Hall Producer: Randy Hall Mixing Engineer: Reginald Dozier Unknown: Reginald Dozier Arranger: Vincent Wilburn Jr. Assistant Engineer: Vincent Wilburn Jr. Percussion: Vincent Wilburn Jr. Producer: Vincent Wilburn Jr. Executive Producer: Vincent Wilburn Jr. Composer: Anthony Loffman Composer: Arthur Haynes Composer: Attala Zane Giles Composer: Miles Davis Composer: Randy Hall Composer: Vince Wilburn, Jr. Auto-generated by YouTube.

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CHERRY Words by Ray Gilbert, music by Don Redman McKinney's Cotton Pickers Directed by Don Redman, vocal by Jean Napier Recorded July 12, 1928, Chicago Personnel: Don Redman (reeds, director, arranger), John Nesbitt (trumpet), Langston Curl (trumpet), Claude Jones (trombone), Milton Senior (clarinet), George Thomas (alto sax), Prince Robinson (clarinet, tenor sax), Todd Rhodes (piano), Dave Wilborn (banjo), Ralph Escudero (tuba), Cuba Austin (drums), Jean Napier (vocal) (Note: The date shown at the beginning of the video is wrong. The correct date is July 12, 1928) Although McKinney's Cotton Pickers is properly regarded as a Midwest band, its growth was traceable to a number of sources. In 1924, which was about the time Don Redman joined Fletcher Henderson's Orchestra in New York, McKinney's was a band that depended only partly on musicianship. Taking its name from William McKinney, a former circus drummer, it went in for vaudeville, for comic effects and musical tomfoolery. This was not unusual for bands of the time. That jazz had to be "sold" was still a widely held opinion. But jazz was already on its way and McKinney's was destined to become one of the important bands on the 1920's, linking the early jazz of bands that worked usually without orchestrations and with very simple instrumentation, to those that came later-- the name bands of the Thirties in which an instrumentation of seven brass, four reed and four rhythm instruments was generally the minimum. Don Redman was the moving spirit of McKinney's Cotton Pickers. It was while he was musical director of the group, between 1928 and 1931, that it became famous --- and through records, was to become increasingly so --- for its pioneering in the field of arranged jazz. Meanwhile the band was not devoid of talent; if so, it would hardly have been worth Redman's while to join up.. William McKinney did not play with the band during its most famous period, but helped manage it and the name stuck. (Not to be confused with the White band known simply as "The Cotton Pickers", which grew out of The Memphis Five.")

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The president continues his visit to Ireland by attending the Irish Open, before returning home to the United States.