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Big Girls (feat. Abena Koomson-Davis) · Natalie Merchant · Abena Koomson-Davis
Keep Your Courage
℗ 2023 Big City Sister, Inc., under exclusive license to Nonesuch Records Inc.
Featured Vocals: Abena Koomson-Davis
Drums, Percussion: Allison Miller
Rhodes Piano: Carmen Staaf
Grand Piano Piano: Carmen Staaf
Viola: Dana Lyn
Engineer: David Snyder
Cello: Eleanor Norton
Acoustic Guitar: Erik Della Penna
Electric Guitar: Erik Della Penna
Horns Arranger: John Mills
Masterer: Kim Rosen
Baritone Saxophone: Kris Jensen
Tenor Saxophone: Kris Jensen
Violin: Marandi Hostetter
Assistant Engineer: Matt Hall
Violin: Megan Gould
Electric Bass: Mike Rivard
Producer: Natalie Merchant
Vocals: Natalie Merchant
Mixer: Ryan Freeland
Strings Arranger: Stephen Barber
Trombone: Steve Davis
Trumpet: Tony Kadleck
Writer: Natalie Merchant
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Donald Trump is touting more than just his candidacy on Tuesday night. He mentions his steaks and wine in his speech after the GOP primaries in Michigan and Mississippi.
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NBC News exclusively reports a fourth allegation has been made against Trump Supreme Court nominee Brett Kavanaugh. Rep. Eric Swalwell responds to the latest allegation, saying that “the arrows are pointing in the same direction” and Kavanaugh would have to be the “single unluckiest person in the world for these people to conspire and make up lies against him”
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Rep. Swalwell: Mounting Kavanaugh Allegations 'Pointing' To Guilt | The Beat With Ari Melber | MSNBC
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The Trump administration is canceling $7.6 billion in grants that supported hundreds of clean energy projects in 16 states, all of which voted for Democrat Kamala Harris in last year's presidential election.
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Donald Trump had claimed the 11-turbine wind farm off Aberdeen would spoil the view from his golf course.
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Album: Two Fisted Mama | https://www.alligator.com/artists/Katie-Webster/ | Lyrics:
So many days since you've been away
I often think of you, my sweet daddy
each night and day
But some day, someday, my sweet daddy
You won't be no trouble
You won't worry my life anymore
But baby, you just goin' around spending my money
Chasing every single woman in town
But listen man, if you knew didn't want my lovin'
Why the hell would you stop, stop and put my dollars down?
You know that is the one thing, the main thing, baby
That could get you a lifetime home in the ground
But baby, why'd you tell my best friend
That you didn't want me no more
But I know that's a lie because every time I turn my back
You're trying to sneak back into my back door
And I'm telling you
I'm warning you if you don't stop all that jive
And stop trying to be so high classed
Somebody's gonna shoot you right dead in your...
I can't understand why don't you just pack your bags
Don't you see I don't need you no more?
Because my other man is just waitin'
For you to step out of that front door
But I said I'm sorry, baby
I warned you and now I'm for real
Because baby, this here pussycat
Ain't gonna be your pussycat no more
Bass – Gus Thornton
Drums – Gerald Warren
Engineer – Jay Shilliday
Mastered By – Tom Coyne
Mixed By – David Axelbaum
Producer – Bruce Iglauer
Producer, Guitar – Vasti Jackson
Producer, Piano, Organ, Vocals – Katie Webster
Tenor Saxophone – Andrew Love
Trumpet, Trombone – Wayne Jackson
At the time of her death on September 9, 1999 at the age of 63, Katie Webster was acknowledged as the one of the premier blues artists of her generation. Webster's sassy and sensuous blend of barrelhouse boogie-woogie, New Orleans R&B, Gulf Coast swamp-pop, deep bayou blues and Southern gospel-flavored soul placed her among the most in-demand blues artists in the country and made her a favorite at festivals and concert halls all over the world. As a teen, Webster was already hailed as South Louisiana's reigning piano queen. She recorded on more than 500 singles during the 1950s and 1960s. She joined Otis Redding's touring band in 1965 and enjoyed a successful solo career in the 1980s, releasing albums on Arhoolie and a number of European labels. She signed with Alligator Records in 1988, cutting three albums for the label: 1988's Swamp Boogie Queen (with guests Bonnie Raitt and Robert Cray), 1989's Two Fisted Mama! and 1991's No Foolin'. In February 1999, Alligator released Deluxe Edition, a collection of Webster's greatest recorded performances from her years with the label.
Born Kathryn Jewel Thorne on January 11, 1936 in Houston, Texas, Webster first learned piano as a child. Her deeply religious parents strictly warned her to play only gospel and classical music, going so far as to keep the piano under lock and key so Katie could only play while being supervised. But Webster loved the blues, rock and R&B she heard on an old Philco radio hidden under the bed covers late at night, and would play her secular music at every opportunity. While still a teenager, Webster moved to South Louisiana when her parents relocated to California. She lived with less rigid relatives who allowed her to play the music she loved. By the age of 15 Webster was one of the most requested studio musicians in the region. Both Jay Miller of Excello Records and Eddie Shuler of Goldband Records used her on hundreds recordings in the 1950s and 1960s, including sides with Guitar Junior (Lonnie Brooks), Slim Harpo, Lazy Lester, Lightnin' Slim, and Clifton Chenier. In 1964, a young Otis Redding caught Webster's set with her band the Uptighters in Lake Charles, Louisiana, and demanded she join his touring band the very next day.
???? Don’s Tunes is about the music. It’s about the sound. It’s about the real thing.
My mission for over 10 years is to collaborate with & promote lesser known, but extremely talented blues & jazz artists and bring you a selection of tunes with an audiophile sound and real emotion. On my website you can read more about the artists featured on the channel: https://www.donstunes.com/
If you're an artist or label and want to me featured on the channel, Spotify and my website visit: https://www.donstunes.com/getfeatured/ & write me on don@donstunes.com
The song is used with a promotional purpose. All visual & audio copyrights belong to their respective owners. Re-uploading this video on other channels is prohibited.
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Chicken Heads · Oscar Brown Jr.
Fresh
℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Trumpet: Arthur Hoyle
Bass: Bernard Reed
Harmonica: Billy Branch
Drums: Brian Grice
Guitar: Byron Gregory
Tenor Saxophone: Clifford Davis
Additional Percussion: Henry Gibson
Producer: Jerry Butler
Keyboards: Marvin Yancy
Drums: Morris Jennings
Trumpet: Murray Watson
Vocals: Oscar Brown Jr
Engineer: Paul Serrano
Trumpet: Paul Serrano
Guitar: Phillip Upchurch
Tenor Saxophone: Steele Seals
Keyboards: Tennyson Stephens
Writer: Bobby Rush
Writer: Calvin Carter
Arranger: Richard Evans
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Donald trump
Ivana Trump
Ivanka, Trump
Donald Trump Junior
Donald Trump arrested
Donald Trump indictment
Donald Trump president
From a President Donald Trump
One term president, Donald Trump
Marla Maples
Tiffany Trump
Barron Trump
Melania Trump
Donald Trump and Melania
How long is Trump and Melania married?
Ivanka, Trump and Jared Kushner
Trump
Trump is a loser
Trump at the courthouse
#donaldtrump
#trump
#trump2024
#kamalaharris
#kamala
2
Trump 2024
Trump this the USA president 2025
Gaza
#donaldtrump
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No one is likely to call Biden a cult leader anytime soon, the Era of Presidential Idolatry appears to be over, but is that essentially good or bad or just a thing? “I have to tell you, you know, i…
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???????????? DO NOT BE DISTRACTED & STAY LOUD
DONALD TRUMP IS GOING DOWN
TRUMP & EPSTEIN ARE SEX TRAFFICKERS & I’m gonna post this every day so nobody forgets exactly who Pedophile Trump is and why the Epstein files have suddenly disappeared ???????????? https://t.co/6QnpGLfYUu
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President Trump wants federal architecture to return to its classical past. Meanwhile, many local governments have been going in the opposite direction, providing a public forum for new, modern building designs.
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Barack also mocked Trump's obsession with crowd sizes -- and even made a dirty joke by spreading his hands apart to reflect the length of a penis.
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On Tuesday, excerpts from Watergate journalist Bob Woodward’s new book Fear: Trump in the White House began circulating among the liberal media, who wasted little time in using them to trash the President. During the evening newscasts, ABC, CBS, and NBC racked up over 13 minutes of coverage pushing the book’s claims. They basically gave it free advertisements.
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Semion Mogilevich remains a subject of fascination in the Trump-Russia story. I’ve written before about Mogilevich’s ties to Trump Tower and how the man called the most powerful Mobster…
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By Zachary Mider
Bloomberg
Donald Trump boasts that he elevated real-estate dealmaking to an art form. But in 2008, there was one transaction that he just couldn’t seem to close.
That was when Trump swooped in, promising to…
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From pitch-perfect politicians to eccentric celebrities, some impressions seem impossible to get right... Join us as we count down the SNL impressions so notoriously difficult that when cast members nailed them, they became legendary! Our countdown includes Tina Fey as Sarah Palin, Kate McKinnon as Hillary Clinton, Maya Rudolph as Beyoncé and more! Whether capturing Palin's folksy cadences, embodying Björk's otherworldly persona, or mimicking Trump's rambling syntax, these performers didn't just do impressions—they created comedy gold. Some even got the stamp of approval from their subjects, like when Jennifer Aniston joined Vanessa Bayer on Weekend Update. Which impression do you think was most spot-on? Let us know in the comments below!
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We’re closing out this run of GLDNHR with one of our faves, L X X I (@curatedbylxxi). With her signature smooth blends and an ear that always finds the magic, she glides through throwback hits, R&B, House, Dance, and easy grooves to help us float out of summer and into fall. If you're familiar with her SoundCheck, then you already know. No gimmicks, pure vibes.
Watch for a quick cameo from "pops" when the funk hits, lollll. He got caught in the groove and gave us a whole moment. GLDNHR has a lil something for everybody! ✨
We appreciate you for getting us to 14K SUBS! ???? Like, comment, share, and subscribe. Watch our SoundCheck playlist for one-on-one sets.
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Live set by - L X X I
Produced by - RCE | Ryan & Craig Entertainment
Directed/Edited/Created by - Joia Danai
DP & Mixing Engineer - Gordan Price
Lighting/Camera Operator - A. Devon Johnson
Recap Video - A. Devon Johnson
Catering - Kitchen on Locke
Location Partner - Zevarra Lofts
Event Partners - Angel's Envy & JBL
**TRACKLIST**
Get You X Trip (Rich Ellis Mashup) - Daniel Caesar
Stay Ready x Can't You See (DJ Mister S Remix) - Jhene Aiko
Snooze / One More Chance (Trayze Remix) - SZA
TRICK DADDY - Isaiah Falls
So Good - Destiny's Child
Loose Change (Shahiem's Afrobeat Remix) - Brent Faiyaz
Summer Mazza - Reload Sound
Novacane (esentrik edit) - Frank Ocean
Balance x In Your Arms (Saï T Edit) - Saï T
f u g e e l a y e - Dave Nunes
1 Thing 2 Know (Noxz mashup) - Amerie
He Loves Me Bounce (Matthew Law Remix) - Jill Scott
Funkin' for Jamaica - Tom Browne
Back to Life (Cupidon Flip) - Cupidon
Show Me XXXTRUMPET (Amapiano Edit) - EGNEVER
Bhebha - ShaunMusiQ & Ftears & Xduppy
Co-Star (Cupidon Remix) - Amaarae
Poison (HOUSE REMIX) - Bell Biv DeVoe
Love Calls (Darryl James Mix) - Ken
Heart of a woman / Swing my way (SYNCCITY) - Summer Walker
SHAI'S LOOP - DJ Swisha
Bend Ya Back (Skinny Pimp Bass Mix) - Amadeezy
Soft Spot - JMSN
My Boo - Regal86
James Joint (CECEIV Remix) - Rihanna
Like That! (1-800-RAZ & KDP Remix) - Laila!
Sensual Seduction (dj avontz baile edit) - Snoop Dogg
FEELIN U (hate street (love ave extras) - Alicia Keys
#GoldenHour #DJLXXI #DJMix #FemaleDJ #Mashup #MusicRemix #BlackCreatives #AfroLatina #OldSchool #ClassicRNB #HipHop #Bounce #ChillBeats #DJSet #StudyMusic #RoadTrip #partyathome
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Shabbat Shalom Royal Negro Family of True Israel and Holy Hebrews!
Today will be a deep dive into The Impending Demise of America & Its Lies!
Current events indicate a quickening crescendo heard moving towards a climatic event that may soon rock this nation to its very foundation!
Led by a malevolent murderous malcontent whose mission if might be to bring about the destruction of The United States of America!
What plans are now being formulated within the confines of other Nations that observe the actions of America and wonder how long it may be before Donald Trump determines that he simply must have their resources and/or land?
What solutions to the problem that America poses have they promoted and purposed?
There seem only a few remedies possible to protect the planet from a country that appears to have gone rouge and determined to isolate itself while it goes about bullying other countries, kidnapping their leaders and confiscating their currency.
The world now realizes that America was always a lie. It was never about truth or justice. It was just about the American way. The American way of robbing, the American way of oppression, the American way of self-enrichment, and the American way of white supremacy!
It was all a con-game run by conmen who convinced themselves, their population, and the rest of the planet that they were honorable, honest, and upright.
The facts now expose them for the lying, thieving, murderous, and sexually reprobate population that they are, all led by rich and powerful white men who refuse to be held accountable and will cause all kinds of chaos rather than be put to trial.
So how will it end for these United Snakes, hissing their way into oblivion? How will the rest of the world remedy itself from the growingly aggressive giant, gaining momentum and gathering speed?
There seem only a few options and they are extreme. The teachable moment soon to come for the United States may be found in the past mechanisms they made in taming other countries and bringing them to heal.
The lessons learned by those past actions may soon be applied to America, and with devastating impact resulting in resolute finality.
Yet how else might it end for such a serious circumstance to be brought to a climactic conclusion?
There seems no other solution that avails itself.
The answer?
The Impending Demise of America & Its Lies!
Enjoy!
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We are building the biggest and broadest coalition in American Political History. This includes record-breaking numbers of Arab and Muslim Voters in Michigan who want PEACE. They know Kamala and her warmonger Cabinet will invade the Middle East, get millions of Muslims killed,
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At his rally Wednesday night in North Charleston, South Carolina, former President Trump read "The Snake" to illustrate his opposition to President Biden's border policies.
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Most of us will be familiar with and probably indeed get a little excited about the classic scene in the dark 1971 British gangster film “Get Carter”, when the antihero, “Carter”, played by a very cold, Michael Caine enters a nightclub and there’s a band onstage playing that really groovy tune.
The band was, “Jack Hawkins And His Orchestra” and the tune is, “30 60 90”. The version from the film is impossible to get as the band, who were the resident band at the "Oxford Galleries" nightclub in Newcastle at the time, were playing it live. There was a lot more footage shot of "Carter" walking around the dance floor while the band could be seen playing but sadly the director, Mike Hodges (who also directed “Flash Gordon”!), cut most of it.
30 60 90 was originally written and played by Willie Mitchell (March 1, 1928 – January 5, 2010) who was an American soul, rhythm & blues, rock and roll, arranger, pop and funk record producer who ran Royal Studios in Memphis, Tennessee. He was best known for his Hi Records label of the 1970s, which released albums by a large stable of popular Memphis soul artists, including Mitchell himself, Al Green, O. V. Wright, Syl Johnson, Ann Peebles and Quiet Elegance. A trumpeter and bandleader in his own right, Mitchell released a number of popular singles for Hi Records as an artist in the 1960s, including "Soul Serenade." It peaked at #43 in the UK Singles Chart in April 1968.
Best known as the man who signed Al Green to Hi Records and as the producer of Green's most popular records, Willie Mitchell had a successful recording career of his own during the mid-60’s before meeting Green. He is often credited as being the creator of the oft-copied and instantly recognisable Hi sound (churning organ fills, sturdy horn arrangements, a steady 4/4 drumbeat, etc. – a man after my own heart then!). Mitchell's productions have been much noted for featuring a hard-hitting kick drum sound (usually played by pioneering Memphis drummer Al Jackson, Jr. of Booker T. & the M.G.'s). James Mitchell, Willie's younger brother, was a fantastic trumpet player and one of the members of the Memphis Horns.
Jack Hawkins was a British musician and dance bandleader from Portsmouth through the 60’s / 70’s. His music focused on up-tempo arrangements of American soul songs, mod dancers and pop ballads, and at the time was categorised as "Big Beat" (a form of 1960's mod music not to be confused with the late 1990's dance music of the same name). Throughout the 1960's Hawkins' band had widespread residencies at ballrooms in Portsmouth, Blackpool and many others around the country. Other than appearing in, “Get Carter”, they also had numerous appearances on the BBC, broadcasting live on the radio for "Swingalong" and later featuring on television's "Come Dancing". Sadly, Jack died on February 7, 2015, Cosham, Portsmouth, Hampshire, England.
Most readers will be aware of, “Revenge of the Cybermen” by The Prisoners which has some similarities, so I asked guitarist and singer Graham Day who wrote it and he explained, “I loved it when I heard it in “Get Carter”, and have always fancied being in the anonymous groovy band in 60’s films! I wouldn’t say I actually nicked it though, more of an adaptation or closely inspired by it. I know the verse notes are the same, but the rest is totally different. My version has a different rhythm and very much more upbeat”. There we have it from the (gift) horse’s mouth. The Prisoners actually recorded the Jack Hawkins version in the mid 90s, although it never came out, and The Forefathers recorded it as a “B” side to the “Love Me Lies” single on State Records. I’ve been lucky enough to play Hammond organ on Revenge of the Cybermen with The Prisoners, live (at my suggestion we even did one of the verses as per the Jack Hawkins arrangement which I was quite chuffed about!)
Back to Jack Hawkins And His Orchestra though and this is “30 60 90” from their live album, “Everything Is Beautiful” released in 1973, 2 years after “Get Carter” played in cinemas. It’s the same tune but a slightly different arrangement and sadly misses the Hammond solo you hear on the film. Still cool though! Tell you what, as a bonus seeing as you’ve read this all the way through, I’ll put that clip at the end!
Top trivia!
The beach (at the old pit community of Dawdon in County Durham, England), featured in the climactic final scene, was used for the opening scene of “Alien 3” and “Get Carter” is believed to be an early if not the first screen appearance of Jimmy Nail in a crowd scene outside a bar during Carter's chase of Thorpe....it’s a “blink and you'll miss it” moment! There was a remake of “Get Carter” made in 2000 with Sylvester Stallone as Carter and Michael Caine playing the part of Cliff Brumby. Modus used to open gigs with images and audio clips from Get Carter and walk on stage to the theme tune written by English composer, Roy Budd.
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Donald Trump’s tax returns have been stolen by Muslims, thus preventing him from producing them for public inspection, according sources close to the presidential candidate
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The White House
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With the indictment of Donald Trump confidant Roger Stone on January 25, 2019, CNN's Jake Tapper gives a brief history of Stone sleazy work for dictators and Republican political candidates.
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Interview de Vladimir Poutine sur Macron, Trump, l’Ukraine, la Syrie et la Russie (Le Figaro) L’interview a été enregistrée le 29 mai à Paris lors de la visite du Président russe en France. S…