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Live at the Roseland Ballroom New York City April 19th, 1982 "Meso America" Tour on Recording Quality: A+ (soundboard) 00:00 - Party Out Of Bounds 05:10 - Give Me Back My Man 11:11 - Big Bird 15:24 - Cake 21:10 - Lava 25:11 - Loveland 29:37 - Mesopotamia 33:26 - Planet Claire 37:45 - 6060-842 40:32 - Throw That Beat In The Garbage Can 44:31 - Dance This Mess Around 48:45 - 52 Girls 51:24 - Nip It In The Bud 54:40 - Rock Lobster xx:xx - Private Idaho (performed, but missing from my source) Notes : After four years searching for this bootleg, I finally got to put my hands on it. Well, here we are folks, the famous "extra good sounding B-52's live bootleg from the 1982 era everyone was searching for". For some odd reasons, I've always thought that the bootleg I was searching was the Boston Orpheum one, but last night, I found this NYC one. And damn, it sounds friggin gorgeous ! The B-52's performed a few "Mesopotamia" songs they never performed after this tour, so this is a kind of a rarity, with an extra good & crispy sound quality for rare songs such as "Loveland", "Cake" and "Nip It In The Bud" ! And they played mostly all of their classics in the "Party Mix" way, with horn and trumpets from Dave Buck and Ralph Carney ! Anyway, a very good concert, maybe my favourite in the B-52's "unofficial live discography" (if I may say so). Sit back, relax and enjoy ! Picture by Adrian Boot The B-52's 1982 are : Kate Pierson - vocals, keyboards Fred Schneider - vocals, percussions Keith Strickland - drums Cindy Wilson - vocals, percussions Ricky Wilson - guitar + David Buck - trumpet Ralph Carney - saxophone

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Provided to YouTube by Rhino Atlantic Nonaah · The Art Ensemble of Chicago Fanfare For The Warriors ℗ 1973 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Unknown: Chris Sabold Percussion: Don Moye Flute, Saxophone: Joseph Jarman Flugelhorn, Trumpet: Lester Bowie Bass Guitar: Malachi Favors Producer: Michael Cuscuna Piano: Muhal Richard Abrams Piccolo, Saxophone: Roscoe Mitchell Writer: Roscoe Mitchell Auto-generated by YouTube.

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Los granjeros están quebrando a un ritmo récord ???????? Los aranceles de Trump provocaron un aumento del 50% en bancarrotas y pérdidas de 44 mil millones de dólares. ¿La solución de Trump? ???? Un “rescate” de 12 mil millones ???? Luego se pone una nota de A+++++ a la economía Primero los arruina, después los “ayuda”… y todavía se aplaude solo ???? Matemáticas simples, comedia brutal. #trump #farmers #economia #aranceles #humorpolitico #satira #usa #latenight #shorts #comedy

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Provided to YouTube by Rhino/Elektra Can't Keep from Crying Sometimes · The Paul Butterfield Blues Band What's Shakin' ℗ 1997 Elektra Entertainment Group, A Division of Warner Communications Inc. Bass Guitar: Bugsy Maugh Alto Saxophone: Dave Sanborn Guitar: Elvin Bishop Tenor Saxophone: Gene Dinwiddie Producer: John Court Trumpet: Keith Johnson Keyboards: Mark Naftalin Harmonica, Vocals: Paul Butterfield Drums: Phil Wilson Auto-generated by YouTube.

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The three-story penthouse in Trump Tower is is covered in gold.

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Scholars and commentators in both the US and China are drawing comparisons between the early months of President Donald Trump’s second term and communist dictator Mao Zedong’s Cultural Revolution. But some believe the way of Mao is unlikely to take root in America. CNN's Kristie Lu Stout explores the similarities and differences between the two leaders. #cnn #news

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Theme from "Star Trek: The Next Generation" and "Star Trek: The Motion Picture" by Alexander Courage, arranged for Tuba / Euphonium Quartet and performed by the arranger. Want sheet music? Tuba / Euphonium Quartet: http://www.tubapeter.com/index_files/free_pdf.htm#Courage_StarTrekTNG_Tuba4tet Tuba / Euphonium Trio: http://www.tubapeter.com/index_files/free_pdf.htm#Courage_StarTrekTNG_TubaTrio Tuba / Euphonium Duet: http://www.tubapeter.com/index_files/free_pdf.htm#Courage_StarTrekTNG_TubaDuet Trombone / Euphonium Duet: http://www.tubapeter.com/index_files/free_pd.htmf#Courage_StarTrekTNG_TboneDuet Trumpet / Baritone T.C. Duet: http://www.tubapeter.com/index_files/free_pdf#Courage_StarTrekTNG_TmptDuet Instruments and mouthpieces used in this video: Yamaha YFB-621 3/4-size Bass Tuba in F, with B+S 'Perantucci' PT-65 mouthpiece; Antique store euphonium with Vincent Bach 3 mouthpiece. Want to help me make more videos and sheet music like this? Why not donate to TubaPeter.com thru PayPal: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=G5FGGWQVK6S9Y Visit http://www.TubaPeter.com http://www.FaceBook.com/TubaPeter http://www.Twitter.com/TubaPeter http://www.CDBaby.com/PeterOpaskar Apple iTunes: https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?playListId=283775554

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Drag queen shows up to first public Trump impeachment hearing https://t.co/mCNYxbmLHa https://t.co/C4dXUOHWfq

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Retired United States Army lieutenant general H.R. McMaster spoke with Axios this week and sounded the alarm on Donald Trump for his constant talk about a "rigged" election. According to McMaster, Trump's attack on the election has given Russian President Vladimir Putin the chance to undermine it.

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(CAMDEN, NJ) -- Rutgers–Camden Theater kicks off 2026 with Kenneth Elliott's, Hand Me Down the Silver Trumpet, which celebrates the legacy of great African American musical artists of the 1920s and 30s who recorded "race records" for the Victor Talking Machine Company, and features performances of classic blues, jazz, and spirituals performed by special guest artists, students, alumni, and a truly swinging band.

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Mike Johnson just said President Trump was an FBI Informant working to take down Jeffrey Epstein

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Kellyanne Conway - Trump Manager Campaign

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Provided to YouTube by Epic Um Amor Puro · Djavan Djavan "Ao Vivo" ℗ 1999 Sony Music Entertainment (Brasil) I.C.L. Released on: 1999-03-25 Guitar, Vocal: João Castilho Executive Producer: Mara Rabello Guitar, Vocal, Assistant Producer: Max Viana Contrabassoon, Vocal: André Vasconcellos Assistant Producer: Helena Neves Trombone, Vocal: François de Lima Assistant Producer: Isabel Mills Assistant Producer: Eveline Alves Assistant Producer: Leila Teixeira Fluegelhorn, Trumpet, Vocal: Walmir Gil Unknown: Ronaldo Viana Flute, Saxophone, Vocal: Marcelo Martins Mixing Engineer, Recording Engineer: Marcio Gama Mastering Engineer: Ricardo Garcia Drums: Carlos Drums: Bala Carlos Drums: Cecilia Spyer Keyboards: Paulo Calasans Recorder: Roberto Marques Auto-generated by YouTube.

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???? 0  ???? 3  ❤️ 1 · Education shuffling is worse than doing nothing · The American people elected President Trump and Republican majorities to restore sanity and local control of education.

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Track List: 8-11 8. James Taylor - Lighthouse (0:00) 9. James Taylor - Angry Blues (3:16) 10. James Taylor - Love Songs (6:43) 11. James Taylor - Sarah Maria (12:29) Part 1. https://www.youtube.com/watch?v=LTcVwWVBt9M Part 2. https://www.youtube.com/watch?v=cuZas_MFZes Part 3. https://www.youtube.com/watch?v=aC1SqsyVAAo Gorilla is the sixth studio album by American singer-songwriter James Taylor. Released in May 1975, it was more successful than Walking Man, his previous release. Two album tracks released as singles, "Mexico" and "How Sweet It Is (To Be Loved By You)", rose to the top five on the Billboard charts. This would be Taylor's second-to-last album of new material for Warner Bros. Records, his last being In the Pocket. In many ways, Gorilla showcased Taylor's electric, lighter side that became evident on Walking Man. The song "Sarah Maria" is about his daughter Sally (born Sarah Maria Taylor on January 7, 1974). His then-wife Carly Simon was featured on "How Sweet It Is (To Be Loved By You)", originally recorded by Marvin Gaye. Jimmy Buffett recorded "Mexico" on his 1995 album Barometer Soup and performed "Lighthouse" during his Salty Piece of Land tour of 2005. Personnel: James Taylor – lead vocals, acoustic guitar (1, 2, 4, 5, 7-11), electric guitar (1), harmony vocals (2, 4, 5, 10, 11), arrangements (4), ukulele (5), high-string acoustic guitar (10) Clarence McDonald – Fender Rhodes (2, 3, 6, 7), acoustic piano (3, 6) Nick DeCaro – accordion (4, 7, 11), string arrangements Randy Newman – hornorgan (8) Danny Kortchmar – electric guitar (1, 3, 6) Al Perkins – pedal steel guitar (2, 10) David Grisman – mandolin (5, 11) Arthur Adams – electric guitar (7) Lowell George – electric guitar (9), harmony vocals (9) Leland Sklar – bass (1, 3, 7, 8, 11) Willie Weeks – bass (2, 5, 6, 9) Russ Kunkel – drums (1, 3, 7, 8, 10), shaker (1), tambourine (3), percussion (7), congas (10) Andy Newmark – drums (2, 5, 6, 9) Jim Keltner – drums (3) Milt Holland – percussion (1, 2, 9), wind chimes (10) Victor Feldman – percussion (9, 10), marimba (11) Gayle Levant – harp (1, 2, 10) David Sanborn – saxophone (3, 6) Jules Jacob – clarinet (5, 10), oboe (10) George Bohanon – trombone (7) Chuck Findley – trumpet (7) David Crosby – harmony vocals (1, 8) Graham Nash – harmony vocals (1, 8) Carly Simon – harmony vocals (3) Valerie Carter – harmony vocals (9) Production: Producers – Russ Titelman and Lenny Waronker Engineered, Mixed and Mastered by Lee Herschberg Additional Engineer – Donn Landee Assistant Engineer – Loyd Clifft Recorded at The Burbank Studios (Burbank, CA). Mixed and Mastered at Warner Bros. Recording Studios (Hollywood, CA). Cover and Design – Mike Salisbury Photography – Norman Seeff

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Elements inside Trumps own FBI secretly ran an operation code named ROUND RIVER and with no proof whatsoever, the FBI labeled Trumps allies conduits of Russian disinformation, while labeling Biden and his allies victims.CALLED CONDUITS BY FBI (no proof) Rudy Giuliani, AG Bill Barr, Pompeo, Jim Jordan, Grassley, Lindsey Graham, even Trumps own chief of staffCALLED VICTIMS BY FBI (no proof) Joe Biden, Hunter Biden, Hillary, Obama, Soros53 informants swept up. 14 had dirt on Biden. The FBI never checked if it was true - just stamped it disinformation and buried it, mid-campaign.COULD THIS BE DEEP STATE ELECTION INTERFERENCE, PAID FOR BY TAXPAYERS?ARE THESE AGENTS STILL AT THE FBI? And the question that matters most- WHO ORDERED THE INVESTIGATION? Was it Christopher Wray himself?Will Congress subpoena and investigate? @jsolomonReports @JustTheNews

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Very difficult to watch but great to listen to! The original deteriorated state of the 1/2” B&W reel to reel master before the final transfer to DV in 2012 is obvious. The missed camera cues are few and inherent in an unrehearsed live shoot and with only stage lighting. The excellent Jazz - Funk audio (with some fade outs) and tight performance overcomes the state of the visuals. It was a mono mix from the house sound mixer to that original tape. For this post I duplicated it to both channels. Watch on the smallest screen possible and listen with headphones! I did not produce this Blackbyrds with Donald Byrd video but must have worked on it, most likely as one of the three cameramen. In one scene I see Howard Lamden on the bulky closeup camera. Taped in Boston at the legendary Paul’s Mall on December 29, 1974 at the end of a 10 night stand. I am certain no one was paid to do this video. It could have been done for the non-profit BVAC Boston Video Access Center of the Unitarian Universalist Association for airing on pre-cable CCTV distribution in low income housing. For more on the history of Paul’s Mall/Jazz Workshop the Music Museum of New England has a great article here: https://www.mmone.org/pauls-mall-the-jazz-workshop/ Any internet search will give you a plethora of information on the fantastic teacher Donald Byrd and the great student musicians in this version of the Blackbyrds. For this gig it was Kevin Toney on keyboards, Keith Killgo on drums, Joe Hall bass, Jay Jones flute and sax, Orville Saunders guitar, Donald Byrd flugelhorn. The group had just released their second album on Fantasy Records called “Flying Start” so this gig may have been in support of that release. This tape may be out of order and from two sets which I believe were 8PM and 10PM. At the beginning Donald Byrd is leaving center stage and going over to play the electric organ of Kevin Toney who also played on an Arp synthesizer and a Fender Rhodes electric piano. After the fourth tune Donald Byrd calls out to an audience member “How do you like that s___ Claudio?” It could have been Claudio Roditi the famed trumpeter who was attending the Berklee School (now College) of Music a few blocks away on Boylston Street. Any and all errors are mine. Any participant, attendees, current musicians, family or fans please feel free to suggest corrections and instrument brands with a comment. All rights to the music are reserved to their owners.

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Herb Alpert & The Tijuana Brass with Herb Alpert—age 90—still throwing it down, here with his wife of 52 years Lani Hall. Kristofer Bergh is the second trumpeter. Dolby Theatre in Hollywood, California on Friday, November 14, 2025. Tour: Herb Alpert & the Tijuana Brass & Other Delights Herb Alpert is a member of: Herb Alpert & The Tijuana Brass, Barbara Campbell. Notes: Co-founder of A&M Records, Almo Sounds, Carnival Records and Shar-Dee Records; founder of Herb Alpert Presents; married to Lani Hall [1973-present]. Also Known As: Herbert Alpert, Herbie Alpert, Dore Alpert. Genres: Smooth Jazz, Easy Listening, Jazz-Funk, Jazz Pop, Jazz Fusion, Latin Jazz Sérgio Mendes covered the song "Mas que nada" with his band Brasil '66 on their debut album, Herb Alpert Presents Sergio Mendes & Brasil '66 (1966).

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Mostly Vietnamese Trump supporters gathered in Little Saigon, CA. Also making an appearance was the Recall Gavin Newsom petition booth signing on Saturday August 29, 2020. #california #recallgavinnewsom #recallgavin2020

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Chesney Henry "Chet" Baker, Jr. (December 23, 1929 -- May 13, 1988) was an American jazz trumpeter, flugelhornist and singer. Chet Baker - Chet (1959) Chet Baker - trumpet Herbie Mann - flute (tracks 1, 4, 9 & 10) Pepper Adams - baritone saxophone (tracks 1-5, 6 & 8-10) Bill Evans - piano (tracks 1-5 & 7-10) Kenny Burrell - guitar (tracks 1-7, 9 & 10) Paul Chambers - bass Connie Kay - drums Composed by Tadd Dameron & Carl Sigman

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Provided to YouTube by Parlophone UK Never Knew Love Like This Before · Emma Emma ℗ 1998 Parlophone Records Ltd, a Warner Music Group Company Drum Programmer: Ed Baden-Powell Strings: Adrian Bradbury Producer: D'Influence Vocals: Deborah Ffrench Bass, Guitar, Keyboards, Programmer: Ed Baden-Powell Strings: Fiona McCapra Flugelhorn, Trumpet: John Thirkell Strings: Jonathan Hill Keyboards: Kwame Kwaten Strings: Rebecca Lowe Strings: Steve Hussey Flute, Percussion, Saxophone: Steve Marston Composer: James Mtume Composer: Reginald Lucas Auto-generated by YouTube.

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Leonard Bernstein, Conductor L'Orchestre National de France Recorded Live 1975 0:12 A: Flute 0:57 A: Bb Clarinet 1:43 B: Bassoon 2:29 B: Eb Clarinet 3:16 A: Oboe d'amore 4:02 A: Flute + Trumpet (muted) 4:49 B: Tenor Saxophone 5:36 B: Soprano(ino) Saxophone 6:22 A: Horn + Piccolos + Celesta 7:08 A: Oboe d'amore + Clarinets + Cor anglais 7:54 B: Trombone 8:40 B: Woodwinds 9:25 A: Violins + Woodwinds 10:10 A: Violins + Woodwinds 10:56 B: Violins + Woodwind + Trumpets 11:41 B: Violins + Woodwind + Trombones 12:27 A: Tutti (without Trombones) 13:13 B: Tutti (with Trombones) 13:49 Coda: Tutti Boléro is a one-movement orchestral piece by the French composer Maurice Ravel (1875–1937). Originally composed as a ballet commissioned by Russian actress and dancer Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous composition. Before Boléro, Ravel had composed large-scale ballets (such as Daphnis et Chloé, composed for the Ballets Russes 1909–1912), suites for the ballet (e.g. the second orchestral version of Ma mère l'oye, 1912), and one-movement dance pieces (for example La valse, 1906–1920). Apart from these compositions intended for a staged dance performance, Ravel had demonstrated an interest in composing restyled dances, from his earliest successes—the 1895 Menuet and the 1899 Pavane—to his more mature works such as Le Tombeau de Couperin, which takes the format of a dance suite. Boléro epitomizes Ravel's preoccupation with restyling and reinventing dance movements. It was also one of the last pieces he composed before illness forced him into retirement. The two piano concertos and the song cycle Don Quichotte à Dulcinée were the only completed compositions that followed Boléro. *I do not own the rights to this composition or this recording, they are the properties of the composer, publisher and performers. This video is solely for educational purposes and has been monetized for the copyright owners.*

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With a keystroke, the Trump administration shifted the world’s attention onto something that didn’t happen. At the same time, the most serious abuses h ...

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White House officials and senior members of the Trump administration are praising Karoline Leavitt following the announcement that she will leave her position.

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      ESPIONAGE, TREASONApril 24, 2019 Crown Agent Saboteurs Busted Readers of the American Intelligence Media and Americans for Innovation know where all this is headed – right into…

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Provided to YouTube by PIAS The Age Of Vulture Culture · Diablo Swing Orchestra Pacifisticuffs ℗ Tanglade Ltd t/a Candlelight Records Released on: 2017-12-12 Producer: Pontus Kjell Oskar Mantefors Producer: Roberto Laghi Banjo: Pontus Kjell Oskar Mantefors Cello: Johannes Karl Bergion Drums: Johan Norbäck Guitar: Daniel Håkansson Guitar: Pontus Kjell Oskar Mantefors Lead Vocals: Daniel Håkansson Lead Vocals: Kristin Evegård Percussion: Johan Norbäck Trombone: Daniel Hedin Trumpet: Martin Isaksson Composer: Anders Johansson Composer: Kristin Evegård Composer: Martin Isaksson Composer: Pontus Kjell Oskar Mantefors Composer: Daniel Håkansson Composer: Daniel Hedin Composer: Johan Norbäck Composer: Johannes Karl Bergion Auto-generated by YouTube.