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Trump squandered his presidency, loss the chance for an American revival, and demoralized traditional Americans in order to serve the Zionist agenda of Greater Israel.  Trump’s supporters have shown their disappointment, but they do not realize the unintended consequences of their ill-considered punishment.  It will come home to bite them..   American-born Abdul El-Sayed is […]

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This is a Bobby Bland number and though the title might suggest a soul number it's actually from 1958 when he was still largely recording blues for Duke Records. Doug speeds it up and with riffing horns and stinging guitar it's a archetypal Texan Blues. The album "The Last Real Texas Blues Band featuring Doug Sahm" was effectively a belated follow-up to 1989's "Juke Box Music" even though it came out five years later. Although the initial impression you might have gotten was that of a blues album, in fact the proportion of songs that you could call straight blues differs little between the two albums, for example there's a Guitar Slim and a Bobby Bland track on each and Doug even revisits a couple of the songs from the first set. The source of songs this time around is still mainly the black R&B sector in the fifties with the occasional excursion outside that date range. The musicians are assembled into a big band with arrangements from Doug himself. Composition of the band does vary from song to song but many of the performers are familiar from the earlier album. Musicians who appear, include: Doug Sahm - Vocals, Piano & Guitar Denny Freeman - Guitar Mel Brown - Piano & Hammond B-3 Louis Terrazas - Bass George Rains - Drums Rocky Morales - Tenor Sax Louis Bustos - Tenor Sax Charlie McBurney - Trumpet Mark "Kaz" Kazan off - Baritone Sax Sauce Gonzales - Hammond B-3 Derek O'Brien - Guitar Jack Barber - Bass & Background Vocals Al Gomez - Trumpet Jon Blondell - Trombone Production is from Doug Sahm and Derek O'Brien with Clifford Antone as Executive Producer. A number of the tracks were recorded live at Antone's nightclub in Austin, Texas. However the producers have done an excellent job and there's little difference in sound between the live and studio tracks. As a final note I believe that it's still possible to purchase the two albums as a "two-fer".

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Carte Blanq, Nils van Zandt & Maxx Power - 33 Max Verstappen is OUT NOW! Download/Stream here: https://spinninrecords.lnk.to/SEVa9nYL Make sure to subscribe to Spinnin' Records: https://spinnin.lnk.to/subscribe ..and turn on notifications to stay updated with all new uploads!???? Join our official Discord server: https://spinnin.lnk.to/discord Join our Spinnin' Records Dance Top Hits Playlist ► https://spinninrecords.lnk.to/top100!YT Follow Carte Blanq: https://www.instagram.com/carteblanq/ https://www.facebook.com/CARTEBLANQ/ Follow Nils van Zandt: https://www.instagram.com/nilsvanzandt https://twitter.com/nilsvanzandt https://www.facebook.com/nilsvanzandt --- The Spinnin’ Records YouTube channel is the home for all music videos of the world’s leading dance record label! We feature the latest music videos by Spinnin’ artists like Afrojack, KSHMR, Ummet Ozcan, Blasterjaxx, Timmy Trumpet, Tujamo, Alok, Mike Williams, Lucas & Steve and many, many more! Expect daily uploads of official music videos, lyric videos and official audio across genres like dance, house, electro house, future house, deep house, big room, trap and slap house. Follow Spinnin’ Records: https://open.spotify.com/user/spinninrecordsofficial https://soundcloud.com/spinninrecords https://facebook.com/SpinninRecords https://instagram.com/spinninrecords https://twitter.com/SpinninRecords https://www.youtube.com/@spinninrecords https://spinninrecords.com #carteblanq #nilsvanzandt #maxxpower #Spinnin #SpinninRecords

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A key witness in the impeachment inquiry acknowledged there was a quid pro quo linking U.S. aid to Ukraine with an investigation into Trump’s political rival; House Democrats requested that Trump’s ac

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Anton Webern (3 December 1883 – 15 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern comprised the core among those within and more peripheral to the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Křenek, and even Schoenberg himself. As tutor Webern guided and variously influenced Arnold Elston, Frederick Dorian (Friederich Deutsch), Fré Focke, Karl Amadeus Hartmann, Philipp Herschkowitz, René Leibowitz, Humphrey Searle, Leopold Spinner, and Stefan Wolpe. Please support my channel: https://ko-fi.com/bartjebartmans Concerto for 9 instruments, Op. 24 (1934) Dedication: Arnold Schoenberg for his 60th birthday 1. Etwas lebhaft (0:00) 2. Sehr langsam (2:30) 3. Sehr rasch (4:38) Description by James Leonard [-] In the early 1930s, while the world economy was disintegrating and German politics were descending into barbarism, Anton Webern retreated into his world of strictly organized sounds. Webern first sketched the work that would become his Konzert, Op. 24, on January, 16, 1931; it began life as a single-movement orchestral piece inspired by his visit to his parents' graves, and based on a twelve-tone row so tightly organized that the standard 48 permutations were reduced to only 12. As the work grew into three movements, Webern continued distilling its essence and concentrating its form. In the final version, Webern reduced the number of instruments to nine -- flute, oboe, and clarinet; horn, trumpet, and trombone; violin, viola, and piano. The Konzert was completed on September 13, 1934, and dedicated to Webern's teacher and friend Arnold Schoenberg. The opening movement (in duple time, marked Etwas lebhaft), is in three parts with an introduction and postlude; each section is clearly articulated by tempo markings. Each section is more intensely worked out then the one before it, culminating in a fortissimo stringendo climax at the end of the third section. The central movement is a brief, gentle waltz for muted instruments in two sections; the closing movement is a quick dance for winds, strings, and muted brass above the piano, rushing headlong toward a climactic chord in the winds, brass, and piano in the final bars.

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JUST IN: Tesla Cybertruck explodes at the entrance to Trump International Hotel in Las Vegas

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Artist: Bob Downes Open Music Album: Electric City Genre: Jazz, Rock Released: 1970 Label: Vertigo Personnel: Baritone Saxophone – Don Faye Bass – Daryl Runswick, Harry Miller, Herbie Flowers Concert Flute, Vocals, Woodwind, Alto Saxophone, Tenor Saxophone – Bob Downes Congas – Robin Jones Drums – Alan Rushton, Clem Cattini, Dennis Smith Flugelhorn – Bud Parks, Harry Beckett, Ian Carr Guitar – Chris Spedding, Ray Russell Trumpet – Bud Parks, Harry Beckett, Ian Carr, Kenny Wheeler, Nigel Carter Producer: Bob Downes

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Artist: Bob Downes Open Music Album: Electric City Genre: Jazz, Rock Released: 1970 Label: Vertigo Personnel: Baritone Saxophone – Don Faye Bass – Daryl Runswick, Harry Miller, Herbie Flowers Concert Flute, Vocals, Woodwind, Alto Saxophone, Tenor Saxophone – Bob Downes Congas – Robin Jones Drums – Alan Rushton, Clem Cattini, Dennis Smith Flugelhorn – Bud Parks, Harry Beckett, Ian Carr Guitar – Chris Spedding, Ray Russell Trumpet – Bud Parks, Harry Beckett, Ian Carr, Kenny Wheeler, Nigel Carter Producer: Bob Downes

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This isn’t mine but I don’t wanna get terminated so yeah ???? this is by: danavadin229 :/

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Governors and state legislatures turned blue. Texas turned blue. The 2026 Republican midterm bloodbath did not represent a mandate for Democrat leftist ideology. On the contrary, the 2026 midterms were a repudiation of Trump, and more importantly, Psychopathic Authoritarianism. From various ends of the political spectrum, Americans voted against perceived Psychopathic Authoritarianism. Left leaning voters […]

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Several friends and readers have asked me why, in my estimation, the Republicans received such a drubbing during the midterm elections. The answer, it seems to me, is that President Trump was widely perceived to have betrayed his “America First” campaign promises. Instead of maintaining his focus on policies that would serve patriotic American citizens […]

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If the conflict drags on or he provokes Iran into obliterating the Gulf’s energy infrastructure in retaliation for being nuked, for example, then the resultant surge in the cost of living that was responsible for the Republicans’ latest bloodbath will sweep MAGA into the dustbin of history in 2028. The Democrats retook control of Congress […]

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Remember when police lined the Capitol in riot gear and called in the National Guard for BLM protests? Trump's mob didn't get the same response. Read more on Grazia.

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Conservation groups and the Bureau of Land Management (BLM) yesterday reached a settlement agreement that will prevent new oil and gas drilling on 58,000 acres of public lands in Montana and the Dakotas pending a new analysis of its potential harm to groundwater and the climate. The agreement resolves a 2021 lawsuit challenging the Trump […]

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Provided to YouTube by Rhino Power of Love · Huey Lewis And The News Live At 25 ℗ 2005 Warner Strategic Marketing Drums, Vocals: Bill Gibson Harmonica, Vocals: Huey Lewis Bass: John Pierce Guitar, Saxophone, Vocals: Johnny Calla Trumpet: Marvin McFadden Baritone Saxophone: Rob Sudduth Tenor Saxophone: Rob Sudduth Tenor Saxophone: Ron Stallings Keyboards, Vocals: Sean Hopper Guitar, Vocals: Stef Burns Writer: Chris Hayes Writer: Huey Lewis Auto-generated by YouTube.

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A mix of jazz and comedy! Charlie Parker speaks on a disc featuring Slim Gaillard's hipster language known as "vout"! Slim uses the name "Charlie Yardbirdarooney" for the alto sax player! Slim Gaillard & His Orchestra plays "Slim's Jam" on Majestic 9001, recorded on December 29, 1945. Charlie Parker says he wants to "blow something" but is having "a little reed trouble." Slim seems to misunderstand, asking, "You haven't got a reed?" Charlie does have a reed in his horn (maybe he was late to the session and this was his excuse? he was often late, more interested in getting high than in being on time). Charlie Parker soon plays in a bluesy manner Dizzy Gillespie (trumpet) is called John Berks on the disc label Charlie Parker (alto saxophone) Jack McVea (tenor saxophone) is identified on the label as Jack Mack Dodo Marmarosa (piano) Slim Gaillard (piano, guitar, vocals) Tiny Brown (bass, vocals) Zutty Singleton (drums)

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#shorts

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Join Trumpsterz Tuesday Triumph every week in Palm Beach County for conservative Tuesday night events, happy hours, live music, speakers, and a high-energy community of patriots.

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MeidasTouch host Ben Meiselas breaks down the midterm election results in a live special edition of the MeidasTouch Podcast. Ben is joined first by Pennsylvania Governor Josh Shapiro and then by New York City Mayor Zohran Mamdani for two interviews on the message voters sent and what comes next. Remember to subscribe to ALL the […]

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The oldest source is a partially autographed set of parts from around 1730. Bach wrote out the first violin and continuo parts, C. P. E. Bach wrote out the trumpet, oboe, and timpani parts, and J. S. Bach's student Johann Ludwig Krebs wrote out the second violin and viola parts. Rifkin has argued that the original was a version for strings and continuo alone. Source: Wikipedia *OUR PATREON* https://www.patreon.com/composerscanvas

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http://www.patreon.com/moviebob1 Happy Halloween! All month, IN BOB WE TRUST will present a treasure-trove of spooky cinematic obscurities - and more! TWITTER: https://twitter.com/the_moviebob BLOG: http://moviebob.blogspot.com "In Bob We Trust" and related material created by Bob Chipman "Schlocktober" and all related elements created by Bob Chipman All media discussed and images/videos/sounds/etc utilized for journalistic and critical purposes under Fair Use. All media/concepts/etc property of their respective owners. MUSIC: "Heroic Reception", "Night on the Docks - Trumpet", "Reformat","Zap Beat", "Eighties Action", "The Dread" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/b... Some Footage/FX by FOOTAGE ISLAND: www.youtube.com/user/footageisland Some sound FX by www.soundbible.com

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Following Daniel Penny's acquittal of killing Jordan Neely last week, I made the following observation : The New York Post  is celebrating P...

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Let me begin by stating that Mike Johnson's tenure as Speaker of the House of Representatives has exceeded my expectations which, granted, w...

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Prior to the midterms, there were indications that President Trump might initiate another intense bombing campaign in Iran after the elections. I’ve got a better idea for the president. In light of the tsunami-like rejection of his presidency at the hands of American voters — owing partly to his illegal and unconstitutional war of aggression […]

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Stephen Miller’s latest culture-war rant about a “self-loathing” America was swamped by online backlash, as critics lined up to credit immigrants with America’s biggest leaps. Miller, 40, Donald Trump’s deputy chief of staff for policy and hardliner immigration czar, fired off a late-night X post on Sunday, complaining that the modern world does not match “what our ancestors imagined” because America and the West supposedly spent generations in...

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Resurfaced video from Trump's early career details his outlook on loyalty and revenge — and provides background on what we've seen from him as President.