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Via: https://youtube.com
#epic #cinematic #orchestral #celestial #music
Lyrics:
The veil is torn, the heavens cry,
Golden wings eclipse the sky.
Trumpets call from realms of light,
To judge the world they once held tight.
Through clouds of ash, they fall in grace,
Stars reflected in each face.
No mortal tongue can speak their hymn,
The dawn begins — the end within.
We are the fire, the sword, the flame,
Sent to recall the lost by name.
Rise or fall, the choice is thin —
Behold the Descent of the Seraphim.
Cities tremble, empires fade,
Old gods weep where idols laid.
The earth itself begins to sing,
Of judgment borne on silver wing.
Light divine, yet sorrowed deep,
For those they vowed they could not keep.
Their tears ignite the darkened rim —
The sky ignites with Seraphim.
We are the fire, the sword, the flame,
Sent to recall the lost by name.
Rise or fall, the choice is thin —
Behold the Descent of the Seraphim.
No mercy in the morning glare,
No promise left within the prayer.
The world below forgot their hymn —
Now they remember Seraphim.
We are the fire, the sword, the flame,
Cleansing hearts yet bound by shame.
Rise or fall, the light grows dim —
And heaven burns with Seraphim.
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Donald Trump explains how he lost the 2020 Presidential Election
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Performance of Sun Ra's "Space is the Place" by the Adam Simmons Creative Music Ensemble in Mildura for the Wentworth Arts Festival
Featuring:
Leader/woodwinds - Adam Simmons
Woodwinds - Cara Taber, Gideon Brazil, Paul Simmons, Sam Boon
Trumpet - Gemma Horbury
Trombone James Wilkinson
Bass - Miranda Hill
Drums - Niko Schauble
Percussion - Diokno Pasilan, Nat Grant
Fashion - Christine Crawshaw
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Via: https://youtube.com
Formed somewhere in the United Kingdom. They were the backing band to 'Cliff Bennett'. Featured here is the b-side of their only single 'Should I? / As I Look' released on 'Fontana' in 1968.
Members:
Michael "Mick" Burt (drums)
Roy Young (keyboards, vocals)
Chas Hodges, (bass)
John Golden (trumpet)
Maurice "Moss" Groves (saxophone)
Harvey Hinsley
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Via: https://www.huffpost.com
Rep. Earl Blumenauer plans an emergency resolution on global warming in response to Trump's action over a border wall.
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Via: https://casadelsole.tv
- ????CASA DEL SOLE TV: TENETELA APERTA - Trump perde il Congresso, la guerra presenta il conto di Jeff Hoffman - Il volo misterioso Roma-Teheran di Margher
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Via: https://music.youtube.com
Provided to YouTube by Parlophone UK
Chant No. 1 (I Don't Need This Pressure On) [2010 Remaster] · Spandau Ballet
Diamond
℗ 1981, 2010 Parlophone Records Limited
Engineer: Andy Jackson
Trumpet: Canute Wellington
Engineer: Colin Fariley
Flute, Saxophone: David 'Baps' Baptiste
Horns Arranger: Gary Kemp
Guitar, Keyboards, Vocals: Gary Kemp
Engineer: Gary Langan
Engineer: John Etchells
Drums, Vocals: John Keeble
Trumpet: Kenny Wellington
Bass Guitar: Martin Kemp
Vocals: Martin Kemp
Trombone: Nathaniel Augustin
Engineer: Nicholas Froome
Engineer: Pete Walsh
Horns Arranger: Richard James Burgess
Producer: Richard James Burgess
Percussion, Tabla, Vocals: Steve Norman
Vocals: Tony Hadley
Writer: Gary Kemp
Auto-generated by YouTube.
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Provided to YouTube by Columbia
Memories (Burning in Time) · Adelphi Music Factory
Memories (Burning in Time)
℗ 2023 Adelphi Music Factory Limited under exclusive licence to Sony Music Entertainment UK Limited
Released on: 2023-06-30
Composer, Lyricist: Gregory Oliver Diamond
Vocal: Matt Henry
Background Vocal: Sharlene Hector
Background Vocal, Keyboards, Programmer, Unknown: Hal Ritson
Bass, Guitar: Rob Harris
Keyboards, Programmer, Unknown: Richard Adlam
Trombone, Trumpet: Ashley Slater
Violin: Marianne Hayes
Cello: Nerys Richards
Mastering Engineer, Mixing Engineer: James Richardson
Auto-generated by YouTube.
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Celia Cruz, in one of her earliest TV appearances (likely late teens or early twenties), sings "Ogguere," an Afro song composed by Gilberto Valdés. According to Rosa Marquetti Torres, author of "Celia en Cuba 1925-1962," this performance may have been with the Symphonic Orchestra of Enrique González Mántici. The recording likely took place between 1945-1949 on the program "Momento Afro Cubano" presented by La Emisora Mil Diez, a radio station owned by the Popular Socialist Party. This rare footage offers a glimpse into Celia's early career and her connection to Cuban music history.
DEEPER IN :
Following the entry of the Soviet Union in the war against Germany the Cuban communists re-emerged as a legal political party, the PSP. The party purchased Radio Lavín and converted it into Radio Mil Diez in 1943.[he first broadcast was made on April 1, 1943.The name reflected the dial sign (1010). Decades later, as the Cuban Revolution raged in 1960, Celia (touring in concert in Mexico at the time), made the decision not to return to the island. In 1961, she moved to the U.S., and married Pedro Knight, her longtime friend and trumpet player. Fidel Castro was so enraged by Cruz’s defection, he barred her from returning to Cuba. In fact, Celia never returned to her homeland.
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Via: https://www.bustle.com
For years and years, Donald Trump has accumulated one of the most adversarial, combative, and downright childish Twitter feeds you'll ever see from a real-estate magnate and supposed world-class businessman. And even as a presidential candidate,…
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Via: https://theconversation.com
An FBI raid on a Georgia elections facility has sparked concern about Trump administration interference in the 2026 midterms. An obscure 1970s Supreme Court case provides guardrails against that.
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Via: https://www.politico.com
Trump declared victory over Clinton early Wednesday morning.
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Via: https://extra.ie
Nigel Farage has called Donald Trump the 'single most resilient and bravest person' he's ever met during an appearance at Trump campaign rally in Arizona.
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Never heard of 'Mezzrow'? Me either. Turns out to be quite a dood. More on that later. First, some track info:
1. REALLY THE BLUES (a)
2. JELLY ROLL (b)
3. GONE AWAY BLUES (b)
4. FUNKY BUTT (c)
5. I WANT SOME (c)
6. BLOOD ON THE MOON (d)
7. OLE MISS (b)
8. BOWIN’ THE BLUES (b)
9. HOUSE PARTY (d)
10. OLD SCHOOL (b)
11. TOMMY’S BLUES (c)
12. DE LUXE STOMP (b)
13. OUT OF THE GALLION (b)
(a) Sidney Bechet (soprano sax and clarinet), Mezz Mezzrow (clarinet), Wesley ‘Sox’ Wilson (piano); Wellman Braud (bass); Baby Dodds (drums). 18 Sep 1946
(b) Bechet (soprano sax); Mezzrow (clarinet), Fitz Weston (piano); Pops Foster (bass); Kaiser Marshall (drums). 29/30 Aug 1945
(c) Bechet (soprano sax); Mezzrow (clarinet); Sam Price (“Jimmy Blythe, Jnr.”) (piano); Foster (bass); Marshall (drums). 18 Dec 1947
(d) Hot Lips Page (trumpet; vocal on 6); Bechet (Soprano sax); Mezzrow (clarinet); Price (piano); Danny Barker (guitar); Foster (bass); Sid Catlett (drums). 30 Jul 1945
I found the sleeve notes, written by one Charles Fox, interesting - most of what follows is a straight cut 'n paste. Ready? Ok...
In his autobiography, “Really the Blues”, Mezz Mezzrow has described his struggle to play jazz with the feeling and power of the great Negro musicians. To do it he lived among Negroes, identifying himself not only with their music but with their whole approach to life.
Mezzrow’s admiration for Sidney Bechet began in Chicago during the early ‘Twenties, when Bechet was playing with the Original Creole Band at the De Luxe Café. But not until 1938, when the French critic Hugues Panassié visited the United States and supervised a series of sessions, did they get an opportunity to record together.
To create good New Orleans jazz, Mezzrow saw that it was necessary to achieve unity of style. He planned to record blues which would be models of teamwork rather than a pattern of solos, the musicians taking their parts in a balanced, harmonious whole. “A celebration of life” is how Mezzrow describes the function of jazz...
Perhaps the Quintet recordings made in August, 1945, contain the greatest jazz of all. Bechet and Mezzrow...become almost equal partners in some of the most intimate ensemble improvisations ever heard in jazz. While not approaching Bechet’s stature as a soloist, Mezzrow is skilled in creating a deft, sympathetic counterpoint.
Hot Lips Page plays fierce, biting trumpet on two tracks by the Septet. His singing of Blood on the moon is interrupted by a superb solo from Bechet. House party is distinguished by vigorous ensemble playing, Page and Bechet sharing the lead between them.
On the 1947 session the group adopted a more conventional attitude. Funky Butt, I want some and Tommy's blues contain wonderful solos but the fabric is less complex, no attempt being made to achieve a contrapuntal effect.
Apart from the excellence of front-line musicians, the performances gather added distinction from the work of the rhythm sections. Three of the greatest drummers in jazz—Sid Catlett, Baby Dodds and Kaiser Marshall—all took part. Pops Foster shows that he is still unsurpassed as a bassist at sessions of this kind; Wellman Braud, the strength of Duke Ellington’s rhythm team during the ‘Thirties, can be heard on one track. Danny Barker, a guitarist too rarely recorded, plays in the Septet. Fitz Weston, Wesley ‘Sox’ Wilson and Sam Price (for contractual reasons using the pseudonym “Jimmy Blythe, Jnr.”) all contribute extremely solid piano work.
It seems no exaggeration to claim that Mezz Mezzrow and Sidney Bechet have never played better than they did at these sessions. The simplicity of blues reveals the truth about a man...no living musician can excel Bechet’s performances in this idiom. Each phrase mounts upon its predecessor with magnificent inevitability, until the solo stands revealed as a complete and organic entity.
And here’s some bonus extras from Mezzrow's Wiki listing, just for the helluvit:
“Milton Mesirow was ethnically and religiously Jewish, and was raised in Chicago. His wife, Johnnie Mae, was a black Baptist. They had one son, Milton Mesirow, Jr. According to the younger Mesirow, the surname "Mezzrow" was a "pen name" of his father's. In an interview with the New York Times in 2015, "Mezz Jr." told a reporter, "My father put me in a shul, and my mother's side tried to make me a Baptist. So when I'm asked what my religion is, I just say 'jazz.'"[8]
The family lived in Harlem, New York, where Mezzrow declared himself a "voluntary Negro" and was listed as Negro on his draft card in World War II. [8] He believed that "he had definitely 'crossed the line' that divided white and black identities".[9]
Mezzrow...was so well known in the jazz community for selling marijuana that Mezz became slang for marijuana. He was also known as the Muggles King, 'muggles' being slang for marijuana, as in Louis Armstrong's 1928 recording "Muggles". Armstrong was one of his biggest customers.”
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Via: https://www.lewrockwell.com
It’s not really a secret that Europeans are conditioned from birth by their own establishment media to view the US as a terrible, racist and dangerous place with a faltering economy and no subsidies for citizens. This propaganda program has been ongoing for decades and is designed to give Europeans a false sense that their […]
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Current Status: Trump and Jeff Sessions have denied knowing about the Trump campaign’s contacts with Russia. Court documents suggest otherwise. Records show that at a March 31, 2016, meeting between T
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The Atlantic on October 23 published a profile of CIA chief John Ratcliffe. Its subheadline contains the most significant “tell” from the piece—“CIA Director John Ratcliffe leads an agency that’s at war with Russia, even as Trump makes nice with Putin.” The Atlantic article makes no bones about its ulterior purpose. It is to present […]
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Via: http://www.theguardian.com
Americans across the country took to the streets to celebrate the end of Trump’s presidency while triumph likely to be welcomed by international allies
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Hakim - Nar | حكيم - نار
Enhanced Music Video | فيديو كليب
Remastered High Quality Audio | رمستر صوت عالي الجودة
Produced in Egypt by: Sonar Slam! | سونار سلاَم
Released - 1994 - إصدار
???? Follow SonarSlam Everywhere:
???? Instagram: @sonar_slam – https://www.instagram.com/sonar_slam/
???? Facebook: SonarSlam – https://www.facebook.com/sonarslam
???? TikTok: @sonarslam – https://www.tiktok.com/@sonarslam
Nar | نار
Composed By Essam Tawfik | ألحان: عصام توفيق
Lyrics By Amal El Ta'er | كلمات: أمل الطائر
Arranged By Hamid El Sha'eri | توزيع: حميد الشاعري
كلمات نار
ياللي حبيبك قاسي وسابك وياعذابك آه
إنسي عذابك من أحبابك وأفتح بابك
نار نار نار
وأنا قلبي قايد نار
نار نار نار
وحبيبي فايتني في نار
نار نار نار
والفكر خلاص أحتار
نار نار نار
مكتوبلي أعيش في نار
حبيتوا وهويتوا وأحتاجته مالقيتوا
فات قلبي في نار
وعذاب ومرار
والعقل أحتار
وديتوا وناديتوا ونسيني ما نسيتوا
وفي ليله ويوم نساني النوم وبقيت محروم
بكاني ولا جاني تاه منه عنواني
لا بعت سلام ولاأي كلام سهرنا ونام
Nar (translation)
oh the one left in your torment by his cruel beloved
forget your torment from your beloved ones and open your door
fire fire fire
my heart is set on fire
fire fire fire
and my beloved is leaving me on fire
fire fire fire
and my mind is already confused
fire fire fire
it's my destiny that i live in fire
I loved him so much and i needed him but couldn't find him
he left my heart on fire
and torment and bitterness
and the mind is confused
I cured him and called him, he forgot but I did not
he made me forget sleep and I became deprived in a night and day
he made me cry and did not show up for me, he lost my address
nor did he greet or say something, he kept us awake while he slept
Hakim | حكيم
Nar Album | البوم نار
Country: Egypt
Released: 1994
1 حبيته نار = Nar
Composed By – عصام توفيق
Lyrics By – A. El Tayer*
2 الحق عليه = El Haka'le
Composed By – Hakim
Lyrics By – A. El Tayer*
3 حبيبي لو = Habibi Law
Composed By – H. Esh Esh*
Lyrics By – A. El Tayer*
4 موال الصبر = Mawal El Sabr
Composed By – H. Esh Esh*
Lyrics By – A. El Tayer*
5 فيها إيه = Fiha E
Composed By – E. Karika*
Lyrics By – M. Kamel*
6 خد يا حلو = Khod Ya Helw
Composed By – H. Esh Esh*
Lyrics By – A. El Tayer*
7 مش كل آه = Mesh Kol Ah
Composed By – H. Sokar*
Lyrics By – S. Sakr*
8 هونا = Honna
Composed By – H. Esh Esh*
Lyrics By – A. El Tayer*
Recorded At – Studio M. Sound
Produced For – Sonar Ltd.
Mixed At – Studio M. Sound
Glass Mastered At – Sonar USA – S03470053
Accordion – F. M. Hassan*
Arranged By – H. El Sha'eri*
Backing Band – فرقة حميد الشاعري (tracks: H. El Shaeri Band)
Backing Vocals – M. Fouad*, H. Nabil*, E. Soliman*, محمد عبد الراضي, محمد مبروك
Engineer – A. Gouda*
Instruments [Kavala] – I. Kawala*
Percussion – K. Goma*
Saxophone – R. Misso*
Strings [Arranged By] – Y. El Mogi*
Tabla – K. Goma*
Tambourine – H. El Arabi*
Trumpet – سامي البابلي
#حكيم
#arabicmusic
#rakssharqui
#music
#egypt
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Under pressure from Israeli prime minister Benjamin Netanyahu, the Trump administration may be within days of launching a nuclear strike on Iran. The target would be Pickax Mountain in central Iran, where Israeli intelligence claims the Iranian government has restarted its nuclear enrichment program. No conventional weapon in the American arsenal can penetrate 300 feet […]
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This is the official live teaching video for “Revelation 4. feat Corey Russell ” by Mercy Culture Worship. This is a part of Mercy Culture Worship’s newest album “Make Me Holy: Revival + Reformation II” available 01.03.25 everywhere you choose to stream!
Click this link to get right to the release: https://vyd.co/MAKEMEHOLY
-----------------------------
Mercy Culture Worship is a presence-driven worship community of Mercy Culture Church based out of Fort Worth, Texas. We exist to take people from corporate encounters with God to daily personal encounters with God. Our greatest desire is to please the Lord above everything else.
FOLLOW US
— YouTube https://youtube.com/@MercyCultureWorship
— Instagram https://instagram.com/mercycultureworship?igshid=MjEwN2IyYWYwYw==
— Spotify https://open.spotify.com/artist/7qbjOkkH57gPl41xfR8RuI?si=zTfhw-8lT7OP5M_MX8YcXg
— Apple Music https://music.apple.com/us/artist/mercy-culture-worship/1593440332
— ENCOUNTERS Podcast https://MCW.lnk.to/ENCOUNTERS
For more information, you can find us at www.mercycultureworship.com.
-----------------------------
| Transcription |
Corey Russel – Rev. 4
I saw a door standing open in heaven and the first voice which I heard was like a trumpet speaking with me, saying come up here. Immediately I was in the spirit. And behold, a throne set in heaven.
Friends, I need you to know that there is a throne that is far above every principality, power, ruler, and dominion. It’s above every name that is named. Every power-base. Every governmental system. Every governmental base. There is a throne that is set. It’s immovable.
There will never be a coup to overthrow it. It’s set from eternity. He sat enthroned at the flood and He sits as king forever.
And we have direct access to the throne by the blood of Jesus. Friends, the one on the throne, He shines like Jasper. He burns like sardius and He’s an emerald rainbow surrounding Him. He’s blinding, burning Mercy. Blinding, burning Mercy.
Around the throne, are 24 thrones and on them sit elders. This is where you and I come into the storyline. Everybody say, “I’m robbed.” Say “I’m throned.” And “I’m crowned.” Do you have any idea what you look like in the presence of God? You are not last weeks failure. You are the righteousness of God in Christ. Where is your hunger at? It’s lagging. I’m not talking about “louder”, I’m talking about pulling on the anointing. Hunger that’s desperate to break out of cycles. Hunger that’s desperate to break through situations at home.
I need God. Not as a nice “if this helps my quiet time…” “I can put that in my journal tomorrow.” I need God. I got to learn how to get out of funk and get into the throne room. And get into that place of peace and joy and righteousness. I’ve got to get something stronger than a spirit of this age that says you need to drink this or have that or do this to find happiness. I got a touch of joy that transcends anything that this world offers.
Because you don’t understand the power of sight. You don’t understand the power of eyes. You don’t understand that when eyes are open, lips get anointed. You don’t understand that to see is everything. And that when you stop seeing, you start dying. When you are living in the memory of last year. Friends, you cannot live in the memory of last year‘s breakthrough, last year‘s insight, last year‘s revival. There is always fresh revelation that needs to touch your spirit. And the spirit of religion, if it settles you into a complacency that stops crying to see. And then cataracts gets on your spiritual eyes. Blindness touches you. That’s religion. Living in last year’s breakthrough.
Eyes. Eyes. Eyes. Eyes. They do not rest. Holy. Holy. Holy.
That doesn’t sound productive, don’t they need to be doing stuff? Oh, they will. They will. They need to go be fruitful. Oh, they will. Three, two, one, “HOLY.” They combust.
“HOLY, HOLY, HOLY, HOLY”
And guess what happens when “holy” comes from anointed eyes. Crowns start falling. Crowns start falling. Friends, come to the throne. Get your eyes open. Quit looking at lesser images. Get off all the stuff and let your eyes get flooded with light. Are you fascinated?
-----------------------------
Written by: Mercy Culture Worship, Corey Russell
Revelation 4. feat Corey Russell | Mercy Culture Worship - Official Live Video
#mercycultureworship
#throneroom
#holyholy
#Kingforever
#crownedandrobed
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Via: http://www.theguardian.com
After four years of Trump, many diplomats are hopeful – but US critics say the idea of a return to a ‘golden age’ is a delusion
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Via: https://emptywheel.net
Given how narrow the GOP majority in the House is, any investigation into a sitting member of Congress could more immediately disrupt the status quo power than an investigation into a potential Presidential candidate. Which means the appointment of Jack Smith as Special Counsel may also pertain to the investigation of Scott Perry's actions leading up to January 6.
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???????????? TURN THE VOLUME UP ????????????
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The Song Creators Are Mentioned in Description
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