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Via: https://blackpast.org
Jazz great Dizzy Gillespie had a long and distinguished musical career as a trumpeter, composer, and bandleader. Unlike many jazz musicians whose lives were cut tragically short, Gillespie’s career spanned the 1930s to the 1980s, from the big band swing era of the 1930s through 1940s bebop, the Afro-Cuban jazz of the 1950s to the recording in 1989 – when he was 72 – of his United Nations Band performance “Live at Royal Festival Hall.” He is one of the most influential musicians in the history of jazz and is considered one of the founders of modern jazz. Gillespie and Charlie Parker are credited with the invention of bebop. Gillespie was born in 1917 in Cheraw, South Carolina, the youngest of nine children to James and Lottie Gillespie. Son of a bricklayer father who was a part-time musician, he began playing the piano at age four. In 1932, he won a scholarship to North Carolina’s Laurinburg Institute, where he practiced the trumpet and piano. He left school in 1935, joining his family, who had moved to Philadelphia. In 1937, after moving to New York, he made his first recording by age 20, playing trumpet in the Teddy Hill Band, and toured […]
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Provided to YouTube by Columbia/Legacy
That's All I Ask of You (Take 1) · Billie Holiday & Her Orchestra
Lady Day: The Complete Billie Holiday On Columbia (1933-1944)
℗ Originally released 1939. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Released on: 2001-10-01
Associated Performer: Billie Holiday & Her Orchestra
Vocal: Billie Holiday
Guitar: Al Casey
Drums: Cozy Cole
Piano: Sonny White
Bass: John Williams
Tenor Saxophone: Chu Berry
Trumpet: Charlie Shavers
Trombone: Tyree Glenn
Lyricist, Composer: Robert E. Pope
Lyricist, Composer: Clarence Walker
Producer: John Hammond
Producer: Bernie Hanighen
Producer: Michael Brooks
Re- Mastering Engineer: Mark Wilder
Re- Mastering Engineer: Seth Foster
Auto-generated by YouTube.
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#donnymccaslin #jasonlindner #hr-bigband
The concentrated power of two important protagonists of the US-American jazz scene meets a big band. Like it? Then please subscribe to our channel.
SHAKE LOOSE is a composition by Donny McCaslin
arranged by Jason Lindner
DONNY McCASLIN
Donny McCaslin | tenor sax
Jason Lindner | synth, e-piano, conductor
Soloists: Donny McCaslin, ts; Jason Lindner, synth
Live-Recording at hr-Sendesaal, Frankfurt, November 21st 2019
Donny McCaslin counts among the american jazz saxophonists as one of the absolute border crossers. At the latest since he played a decisive role on David Bowie's last album "Blackstar" and helped shape its sound, one knows that this musician not only knows pure jazz but also looks far beyond his own nose. For the encounter with the Frankfurt Radio Big Band he took one of his most important musical companions with him: pianist, keyboardist and arranger Jason Lindner. Since being named "Rising Star" by the US magazine "Downbeat" (2015), he has been one of the most interesting big band leaders in New York City.
deutsch:
Donny McCaslin zählt unter den US-amerikanischen Jazzsaxofonisten zu den absoluten Grenzgängern. Spätestens seit er am letzten Album von David Bowie „Blackstar“ entscheidend mitgearbeitet und dessen Sound mit geprägt hat, weiß man, dieser Musiker kennt nicht nur den reinen Jazz sondern blickt weit über seinen Tellerrand hinaus. Für die Begegnung mit der hr-Bigband hat er einen seiner wichtigsten musikalischen Weggefährten mitgenommen: den Pianisten, Keyboarder und Arrangeur Jason Lindner. Der zählt seit seiner Auszeichnung als »Rising Star« durch das US-amerikanische Magazin »Downbeat« (2015) zu den interessantesten Bigband-Leitern in New York City.
www.hr-bigband.de
hr-Bigband:
trumpets: Frank Wellert, Thomas Vogel, Martin Auer, Axel Schlosser
saxophones: Heinz-Dieter Sauerborn, Theresia Philipp, Tony Lakatos, Steffen Weber, Rainer Heute
trombones: Günter Bollmann, Felix Fromm, Christian Jaksjö, Manfred Honetschläger
guitar: Martin Scales
bass: Hans Glawischnig
drums: Jean Paul Höchstädter
Credits:
Olaf Stötzler, manager Frankfurt Radio Bigband
Lucia Rosu, executive producer
Axel Gutzler, sound-engineer
Robin Bös, sound-engineer
camera: David Elias Kar, Mareike Albert, Jens Meffert, Mathias Hundt
technical production: Nikolas Pieper
live-streaming: Tanja Kracke
recording management: Christina Schmelzle-Böhm
production engeneering: Eric Kirchheim
project coordinatior: Matthias Hohn
production manager: Sabrina Hempel
producer: Manuel Meyer
A production of Hessischer Rundfunk © 2018
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Bart Simpson gets fidget spinner
Bart Gets fidget spinner | The Simpsons | Minecraft Xbox [63]
What will The Simpson family do?
►, SUBSCRIBE! - http://bit.ly/1qJNjdU
Welcome to the Sixtieth-Third of The Simpsons Let's play Roleplay series on my youtube channel.
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Via: https://youtube.com
All tracks composed and arranged by Yoko Kanno
Choir: Raichi Koutev Ensemble
Piano, Synthesizer, Accordion: Yoko Kanno
Synthesizer: Mitsuo Yamamoto
Tenor Violin: Toshihiro Nakanishi
Strings: Nakanishi Strings
Acoustic Guitar: Masayoshi Furukawa
Guitar and Bass: Makoto Saito
Trombone: Yoichi Murata
Trumpet: Shiro Sasaki
Oboe: Masakazu Ishibashi
Flute, Clarinet, Alto and Soprano Sax: Shigeo Fuchino
Percussion: Yoichi Okabe, Mataro Misawa
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Running Wild - George Lewis and his New Orleans Jazz Band .
The last of the real New Orleans Jazz Bands.
George Lewis clarinet, Kid Howard cornet, Jim Robinson trombone, Joe Robichaux piano, Slow Drag Pavagau bass and Joe Watkins drums. Recorded in 1959 in a Jazz club in Germany.
George Lewis (1900 -- 1968) was an American jazz clarinetist who achieved his greatest fame and influence in his later decades of life. He was born in the French Quarter of New Orleans, Louisiana. Lewis was playing clarinet professionally by 1917. During the Great Depression he took a day job as a stevedore, continuing to take such music jobs after hours as he could find.
In 1942 some jazz fans and writers came to New Orleans to record the legendary older trumpeter Bunk Johnson. Bunk picked Lewis for the recording session. Previously almost totally unknown outside of New Orleans, Lewis impressed many listeners, and he made his first recordings under his own name
In 1944 Lewis was badly injured in a stevedoring accident when a container fell on his chest. For a time it was thought that even if he recovered he would be unable to play clarinet. After Bunk's final retirement in 1946, Lewis took over leadership of the band, usually featuring Robinson, Pavageau, Lwrence Marrero, AntonPurnell, drummer Joe Watkins, and a succession of New Orleans trumpet players including Avery "Kid" Howard, Starting in 1949 he was a regular at the French Quarter's Bourbon Street entertainment clubs.National touring soon followed, and Lewis became a kind of symbol of the New Orleans jazz tradition, traveling ever more widely, and often telling his audiences that his touring band was "the last of the real New Orleans jazz bands."
In the mid fiftieshe repeatedly toured Europe and Japan, and many young clarinetists from around the world modeled their playing closely on his. While in New Orleans, he played regularly at Preservation Hall from its opening in 1961 until shortly before his death.
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Provided to YouTube by Columbia
Cold · Maxwell
BLACKsummers'night (2009)
℗ 2009 Columbia Records, a division of Sony Music Entertainment
Released on: 2009-07-07
Associated Performer, Composer, Lyricist, Producer, Recording Engineer: Musze
Drums: Chris "Daddy" Dave
Bass: Derrick Hodge
Associated Performer, Guitar, Composer, Lyricist, Producer, Recording Engineer: Hod David
Organ: Shedrick Mitchell
Keyboards: Federico Pena
Trumpet: Keyon Harrold
Saxophone: Kenneth Whalum III
Trombone: Saunders Sermons II
Assistant Engineer, Recording Engineer: Jesse Gladstone
Mixing Engineer, Recording Engineer: Glen Marchese
Mixing Engineer, Recording Engineer: Mike Pela
Assistant Engineer: Dave Clauss
Assistant Engineer: Anthony Palazzole
Assistant Engineer: Michael Makowski
Mastering Engineer: Tom Coyne
Recording Engineer: Benedetto Caccavale
Auto-generated by YouTube.
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Via: https://politifact.com
As President Donald Trump’s administration increased deportation efforts in its first week in office, a Fox News host claimed that federal officials had already found up to 80,000 missing migrant children. In a Jan. 24 segment about Trump’s deportation efforts, Harris Faulkner, co-host of “Outnumbered,” a Fox News talk show, said border czar Tom Homan […]
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Via: https://bsky.app
At Mar-a-Lago, a bizarre, golden-hoofed goat idol is on display.
The idol is wrapped in Trump $100 bills that say, “In Trump we Trust,” replacing God with Trump.
The idols’ base says, “I love you” along with Trump’s signature.
NEW
Via: https://chavedosmisterios.com
O presidente Donald Trump disse em uma entrevista que investigará mais profundamente os relatórios sobre a existência de OVNIs
NEW
Via: https://theconversation.com
Deportations are draining the pool of agricultural workers, while tariffs are forcing up costs for farmers and small businesses.
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"True the Vote" is the group behind the film 2000 Mules, released by Donald Trump from Mar-al-Lago last year that purported to show Black men stuffing ballot boxes. Their campaign was extremely successful, pushing Georgia to all-but-eliminate voting drop boxes—a principal means of voting used by African-Americans in Atlanta.
In VIGILANTE: GEORGIA'S VOTE SUPPRESSION HITMAN, we rip apart True the Vote’s claims and travel to Milwaukee to hunt down the source of their funding to right-wing billionaires, the Bradley Family. The Bradley’s foundation is run by Cleta Mitchell, a big True the Vote booster, who was subpoenaed by Congress for her role in the January 6 insurrection.
Watch Vigilante in full for Free at www.VigilanteMovie.com
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Via: https://www.nytimes.com
For this group of Christians, “Trump is good. He’s been baptized by their theology.”
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Provided to YouTube by Warner Classics
Porgy and Bess, Act 1: "Summertime" (Orch. Behrisch) · Lucienne Renaudin Vary · Erik Truffaz
The Voice of the Trumpet
℗ A Warner Classics/Erato release, ℗ 2017 Parlophone Records Limited
Trumpet: Erik Truffaz
Trumpet: Lucienne Renaudin Vary
Orchestra: Orchestre National de Lille
Conductor: Roberto Rizzi Brignoli
Composer: George Gershwin
Orchestrator: Stefan Behrisch
Auto-generated by YouTube.
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Via: https://newsbusters.org
If Donald Trump wants to build a wall, he might consider one around Hollywood. After all, the majority of The Hollywood Reporter’s list of top 100 influencers are progressive liberals who donate to democratic congressman, committees and candidates. Thus it is only natural that these movers and shakers have taken to movies, shows and music to revile Donald Trump in whatever way possible. They know they have a potent platform to incite change. In the words of activist actress Kerry Washington, “We have power in what we do.”
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Fiona Apple has shared a new chant, written with composer Michael Whalen, as CoS points out. It’s for the Women’s March on Washington that is taking place in D.C. on January 21, the day after the inauguration.
“Tiny Hands” has only one refrain: “We don't want your tiny hands/Anywhere near our underpants.”
Thanks for Watch the video is Under creative common attribution if you have any problem comment below.
Keywords:
Fiona Apple,
Tiny Hands,
Antri trump song,
Womens March,
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Tompi performs "Menghujam Jantungku" Live at the Jakarta International Java Jazz Festival 2024.
May 26th, D1 Hall JiExpo Kemayoran Jakarta - Indonesia
Tompi - Vocal
Odi Purba - Bass
Indra Prasetyo - Guitar
Yongky - Keyboards
Damez Nababan - Saxophone
Ricika Iwuskaka - Trumpet
Ayla Adjie - Kendang
Echa Soemantri - Drums
Follow him on:
Instagram: https://www.instagram.com/dr_tompi
X: https://x.com/dr_tompi
Youtube: https://www.youtube.com/channel/UC212ZqeYR0Stu8zY6TLaXyw
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Minggu, 26 Mei 2024
Java Jazz Festival 2024
PRJ Kemayoran
Menghujam Jantungku (Tompi)
Odi Purba - Electric Bass
Indra Prasetyo - Electric Guitar
Yongky - Keys
Damez Nababan - Saxophone
Ricika Iwuskaka - Trumpet
Ayla Adjie - Kendang
Mix Engineer - Nabil Husin
Dedi Kusworo & Galih Pamungkas - Technician
Photography - Prayoga Raharjo
Recorded with DJI Osmo Action & Zoom Q2N
Echa Soemantri endorsed by Sonor, Paiste, Evans, Wincent, BFSD, LP & Shure.
Blessings!
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God has sanctified—set apart as holy time—seven Holy Days for us to reflect and learn about His Plan. Each one is rich with meaning that He wants us to be reminded of annually. One of these special days is the Feast of Trumpets. It is a memorial of miraculous events God has performed in the past, as well as momentous events soon to come in the future. Let’s learn more about what this day pictures and all we can learn about God’s Plan. (1) Where do we find the command to keep the Feast of Trumpets? Leviticus 23:24-25. Is this day also considered an annual Sabbath, a
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Provided to YouTube by BMG Rights Management (UK) Limited
Palermo (Akustik Version) · Sondaschule
Schere, Stein, Papier (Akustik Album)
℗ 2018 Click Music Publishing under exclusive license to BMG Rights Management GmbH
Released on: 2018-07-06
Vocals: Tim Kleinrensing
Bass, Ukulele, Guitar: Hannes Kelch
Drums, Percussion, Tuba, Trombone, Trumpet: Friedrich Milz
Sound Engineer: Sebastian Braunreuther
Author, Arranger, Composer: Tim Kleinrensing
Arranger, Composer: Maik Timmermann
Auto-generated by YouTube.
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Provided to YouTube by Grateful Dead/Rhino
Rosemary (2019 Remaster) · Grateful Dead
Skeletons from the Closet: The Best of the Grateful Dead
℗ 1979 Grateful Dead Productions 2018 Remastered Rhino Entertainment
Engineer: Betty Cantor
Arranger, Drums, Percussion: Bill Kreutzmann
Producer: Bill Kreutzmann
Engineer: Bob Matthews
Arranger, Guitar, Vocals: Bob Weir
Producer: Bob Weir
Lead Vocals: Bob Weir
Producer: Bobby Mitchell
Additional Engineer: Dan Healy
Producer: David Hassinger
Guitar, Mandolin: David Nelson
Unknown: Debbie Eisenberg
Arranger, Guitar, Vocals: Jerry Garcia
Producer: Jerry Garcia
Lead Vocals: Jerry Garcia
Engineer: Leo De Gar Kulka
Unknown: Marma-Duke
Arranger, Drums, Percussion: Mickey Hart
Producer: Mickey Hart
Unknown: Mouse
Additional Engineer: Owsley Stanley
Banjo, Dobro: Pete Grant
Steel Guitar: Pete Grant
Arranger, Harpsichord, Piano, Timpani, Trumpet, Vocals: Phil Lesh
Bass Guitar: Phil Lesh
Producer: Phil Lesh
Arranger, Harmonica, Keyboards, Percussion, Vocals: Ron "Pigpen" Mckernan
Producer: Ron "Pigpen" Mckernan
Additional Engineer: Ron Wickersham
Arranger, Keyboards, Piano: Tom Constanten
Producer: Tom Constanten
Producer: Tom Donahue
Unknown: WENDY
Writer: Jerry Garcia
Writer: Phil Lesh
Writer: Robert Hunter
Auto-generated by YouTube.
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Karen Borca - bassoon
Lisa Mezzacappa - double bass
Donald Robinson - drums
Karen Borca is the only bassoonist who has made a mark in Avant-Garde Jazz and Free Jazz. Her bands have played The Berlin Jazz Festival, Taklos Festival in Switzerland, Jazz Happening in Finland, The Vision Festivals in USA and many other concerts, clubs and venues. Her Quartet and 10 peice ensemble "Tentet" played in the Newport Jazz Salute to Women in Jazz Festivals in '78 & '79. She was a representative of the US as a member of Canaille, an international group of women composers, which played at the Gulhbenkian Art Center in Lisbon, Potugal in 1990.
She has played and recorded with some of the most important pioneers of Avant-Garde Jazz and Free Jazz including Cecil Taylor, both as a member of his large ensembles and Unit from '70-'89, Jimmy Lyons, for 12 years , Bill Dixon, Andrew Cyrille, William Parker and more.
Lisa Mezzacappa is a San Francisco Bay Area-based bassist, bandleader, composer, curator and producer. An active collaborator in the Bay Area music community for more than a dozen years, she leads her own groups Bait & Switch, the Interlopers, Nightshade, Eartheaters and the Lisa Mezzacappa Trio, and co-leads the ensembles BODABODA, duo B., Cylinder, the Mezzacappa-Phillips Duo, and the Caribbean folk band Les Gwan Jupons. Lisa has released her music on the Clean Feed, NoBusiness, Leo, NotTwo, Evander, Odd Shaped Case and Edgetone record labels, and has recorded as a sideperson for the Tzadik, Kadima and Porto Franco labels. She collaborates frequently on cross-disciplinary projects in sound installation, film/video, sculpture and public music/art.
Described as a 'percussive dervish' (Coda) Donald Robinson is a technical master of the drums. He is a stalwart of the of San Francisco bay area avant-garde jazz scene, playing and recording with many of the area's improvisational players, from saxophonists John Tchicai, Marco Eneidi and Larry Ochs to koto player Miya Masaoka and pianist Matthew Goodheart, and with prominent visitors like Cecil Taylor, Wadada Leo Smith, George Lewis, trumpeter Raphe Malik and Canadian pianist Paul Plimley. Much of this work has featured the combination of Robinson and bassist Lisle Ellis as rhythm section: 'the best bass-drums tag team on the scene' (Jazz Times). His longest musical association, dating from the 1970's, was with the late tenor saxophonist Glenn Spearman. Born is Boston, Massachusetts in 1953, Robinson first studied classical percussion at the New England Conservatory. During the early 1970's he served his musical apprenticeship in the jazz world of Paris, studying with Kenny Clarke and playing with Alan Silva, Anthony Braxton, Oliver Lake and Bobby Few among many others. He first played with Spearman as a duet partner during this period in Paris, an association which continued through various configurations and many recordings until the saxophonist's death in 1998. Robinson is currently playing in many configurations with a broad range of musicians throughout Europe and the US.
16th Annual Outsound New Music Summit
San Francisco Community Music Center
July 29, 2017
video by Charles Smith
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Via: https://www.lewrockwell.com
Bond yields are ripping today, with the 10-year climbing above 4.9% and at the highest level since 2007. Meanwhile, the 30-year yield has risen above 5.3 percent, the highest level seen since 2002. There are many reasons that Treasury yields might increase, but given the current fiscal situation in the United States, the most likely dominant factor […]
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Via: https://www.ncronline.org
Philadelphia: In the wake of the elections, there's been an "outpouring of inquiries and support" from U.S. congregations that want to sign on as sanctuary sites.
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Provided to YouTube by Rhino Atlantic
I Need Someone · Canned Heat
One More River To Cross
℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Drums, Percussion: Adolfo "Fito" De LaParra
Producer: Barry Beckett
Harmonica, Vocals: Bob "The Bear" Hite
Trombone: Charles Rose
Keyboards: Ed Beyer
Trumpet: Harrison Calloway
Tenor Saxophone: Harvey Thompson
Guitar: Henry Vestine
Engineer: Jerry Masters
Producer: Roger Hawkins
Saxophone: Ronnie Eades
Engineer: Steve Melton
Composer: Robert Hite Jr.
Auto-generated by YouTube.
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Jimmy Kimmel Humiliates Trump With Perfect ‘Metaphor’ for Presidency, Texas, DallasLate-night host Jimmy Kimmel mocked Donald Trump’s recent speech at the Republican midterm convention in Dallas. Kimmel highlighted the president's rambling 106-minute address and his insistence that the venue was packed, despite reports and visual evidence showing empty seats in the stadium. The host used the event as a metaphor for the current state of the Trump presidency, contrasting the president's claims of a sold-out crowd with the reality observed by reporters on the ground.
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Via: https://www.yahoo.com
Donald Trump winked and smiled at photographers during the 9/11 memorial ceremony at Ground Zero. Minutes before the first moment of silence marking American Airlines Flight 11 striking the World Trad...
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Provided to YouTube by Epic/Legacy
Runnin' Away (Single Version) · Sly & The Family Stone
There's a Riot Goin' On
℗ Originally released 1971. All rights reserved by Epic Records, a division of Sony Music Entertainment
Released on: 1971-11-01
Producer, Keyboards, Guitar, Vocal: Sly Stone
Associated Performer: Sly & The Family Stone
Vocal, Guitar: Freddie Stone
Drums: Greg Errico
Keyboards: Rosie Stone
Bass: Larry Graham
Saxophone: Jerry Martini
Trumpet: Cynthia Robinson
Lyricist, Composer: Sylvester Stewart
Auto-generated by YouTube.