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“Cuando haces muchos test encuentras más casos. Por eso le digo a mi gente: ¡Parad los test!”. Pura lógica trumpista. #COVID19 #TulsaRally https://t.co/BOr2jXqbSk

Via: https://theiowastandard.com

The corrupt and highly partisan House Democrats who run the House Oversight Committee released documents on Friday—including court filings dealing with the rigged election of 2020—that they dishonestly described as attempting to overturn the election. In fact, it is just the opposite. The documents were meant to uphold the integrity and honesty of elections and […]

Via: https://halfwaypost.com

“Is it my fault God obviously likes my kids more than he likes these Central American kids?”

Via: https://halfwaypost.com

The resemblance between Donald Trump and Ralph Wiggum from The Simpsons is uncanny.

Via: https://www.rawstory.com

Former Alaska Gov. Sarah Palin didn't get the reaction she wanted during her speech promoting Donald Trump's presidential candidacy to the Milwaukee County Republican Party on Friday night."What the heck are you thinking, candidates? What the heck are you thinking when you're actually asking for mor...

Via: https://www.theatlantic.com

After everything the former attorney general has seen and heard, he says he’ll still vote for Trump.

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I wonder

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Excerpt from EWP's rehearsal performance of ASSASSINS by John Weidman and Stephen Sondheim. Donate and support East West Players - https://tinyurl.com/ewpeoy2021 "The Gun Song" from ASSASSINS by John Weidman and Stephen Sondheim Performed by Gedde Watanabe - George Xavier Joan Almedilla - Trance Thompson Directed by Snehal Desai Music Direction & Conducted by Marc Macalintal Movement by Preston Mui & Jasmine Joy Rafael Musicians Keyboard Marc Macalintal Guitar Vincent Reyes Percussion Craig Bunch Trombone May Zeng Trumpet/Brass Tamara Vaughn Saxophone/Woodwinds Dan Gonda Video Editor Ximón Wood Videography Patrick Nan Ximón Wood

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"Green Chimneys" by Thelonious Monk Emmet Cohen - Piano Ashlin Parker - Trumpet Ruben Fox - Tenor Saxophone Philip Norris - Bass Joe Saylor - Drums Brian Richburg Jr. - Percussion Video Design: Alex Weitz http://abw-productions.com Sound: Kelvin Grant tfsoundworks@gmail.com

Via: https://www.usatoday.com

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Roger Voisin (tp), possibly John Rhea (tp2), Kapp Sinfonietta cond. by Emanuel Vardi, St Paul's Chapel, Columbia University, 1961 Hora Decima (sonata no30) (Pezel, said Petzold) Archives Michel Laplace

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--Donald Trump demonstrates a total lack of understanding on the topic of health care, not even knowing the difference between Medicare and Medicaid http://www.thedailybeast.com/does-trump-know-the-1st-thing-about-health-care-aide-he-understands-winning https://www.nytimes.com/2017/06/27/us/health-care-bill-trump-pence.html --On the Bonus Show: Teen YouTuber kills her boyfriend in video stunt, woman faints after breaking a $44,000 bracelet, DHS delays plans to impose further airline laptop bans, and much more... Become a Member: https://www.davidpakman.com/membership Support us on Patreon: https://www.patreon.com/davidpakmanshow Support TDPS by clicking (bookmark it too!) this link before shopping on Amazon: http://www.amazon.com/?tag=thedavpaksho-20 David's Instagram: http://www.instagram.com/david.pakman Website: https://www.davidpakman.com Discuss This on Reddit: http://www.reddit.com/r/thedavidpakmanshow/ Support Our Sponsors: http://www.influencerbridge.com/davidpakman Facebook: http://www.facebook.com/davidpakmanshow TDPS Twitter: http://www.twitter.com/davidpakmanshow David's Twitter: http://www.twitter.com/dpakman TDPS Gear: http://www.davidpakman.com/gear 24/7 Voicemail Line: (219)-2DAVIDP Subscribe to The David Pakman Show for more: http://www.youtube.com/subscription_center?add_user=midweekpolitics Timely news is important! We upload new clips every day, 6-8 stories! Make sure to subscribe! Broadcast on June 29, 2017 --Donate via Bitcoin: 15evMNUN1g4qdRxywbHFCKNfdCTjxtztfj --Donate via Ethereum: 0xe3E6b538E1CD21D48Ff1Ddf2D744ea8B95Ba1930 --Donate via Litecoin: LhNVT9j5gQj8U1AbwLzwfoc5okDoiFn4Mt --Donate via Bitcoin: 15evMNUN1g4qdRxywbHFCKNfdCTjxtztfj --Donate via Ethereum: 0xe3E6b538E1CD21D48Ff1Ddf2D744ea8B95Ba1930 --Donate via Litecoin: LhNVT9j5gQj8U1AbwLzwfoc5okDoiFn4Mt

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Debut and only album released by LaFace R&B Duo Damian Dame, The group consisted of former Geffen recording artist Debra "Deah Dame" Hurd (Sep. 20, 1958 - Jun.27, 1994) and singer/songwriter Bruce Edward "Damian" Broadus (Sep.13, 1966 – Jun 27, 1996), The duo's first single "Exclusivity" became a #1 hit on the R&B/Hip-Hop charts and nearly reached the Top 40 on the Pop Charts, a second single "Right Down To It" reached #3 (90 on Pop Charts). Sadly both members passed away (coincidentally on the same date) before a sophomore album was completed 1. Exclusivity 2. Gotta Learn My Rhythm 3. Believer 4. Right Down to It 5. Virgin Island 6. Whack It on Me 7. Don't Remind Me 8. Love Come Near Me 9. Trumpet Man [A Tribute to Miles Davis] 10. When I'm Crying 11. Sixty Seconds (The Conclusion) 12. Exclusivity Remix

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Charles Lacy Tyler (July 20, 1941–June 27, 1992) was an American jazz baritone saxophonist. Charles Tyler / Ensemble ~ Voyage From Jericho ~ 1975 1993 Edition. 1. Voyage From Jericho 2. Return To The East 3. Just For Two 4. Children's Music March 5. Surf Ravin All compositions written and arranged by Charles Tyler, except 3. which is by Earl Cross Produced by Charles Tyler Recorded at Studio We, NYC, July 1974 Charles Tyler: alto and baritone sax Ronnie Boykins: bass Earl Cross: trumpet Steve Reid: drums Arthur Blythe: alto sax on 1. and 5.

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The Alabama Contemporary Ensemble - Nov. 2009 The University of Alabama at Tuscaloosa Marvin Johnson - conductor Paul Houghtaling - bass Tota Portela - piccolo Eunice Oh - flute Derril Koelz - glockenspiel David Butler - trumpet I John Allen - trumpet II Lisa Elisabeth Tatum - trombone I Alex Norman - trombone II Sarah Crocker - harp Young Jin Jeon - piano

Via: https://theiowastandard.com

U.S. Senator Tommy Tuberville joined U.S. Senators Bill Cassidy (R-LA), Marco Rubio (R-FL), and ten other Republican Senators in demanding President Biden expand construction of the southern border wall, after U.S. Department of Homeland Security (DHS) Secretary Alejandro Mayorkas recently announced it will only resume construction for 20 more miles of the wall. In a letter to President […]

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From the album “Homage To Duke” 1993 Composed By : Duke Ellington, Juan Tizol, et Irving Mills Producer, Arranged By – Dave Grusin Credits Bass – Brian Bromberg Drums – Harvey Mason Piano – Dave Grusin Tenor Saxophone – Pete Christlieb, Tom Scott Trombone – George Bohanon Trumpet – Clark Terry Tuba – Tommy Johnson Born Harvey Williamm Mason, February 22, 1947 in Atlantic City (New Jersey), Harvey Mason is an American jazz drummer, record producer, and member of the band Fourplay. He has worked with many jazz and jazz fusion artists, including Bob James, Chick Corea, the Brecker Brothers, Chuck Loeb, Nathan East, Lee Ritenour, Herbie Hancock's Headhunters and almost all the Mizell Brothers productions with Donald Byrd, Johnny Hammond, Bobbi Humphrey, and Gary Bartz. He is featured on George Benson's multi-platinum-selling breakthrough jazz to pop crossover album of 1976, Breezin'. Mason attended Berklee and graduated from the New England Conservatory. Early gigs included four months with Erroll Garner in 1970 and a year with George Shearing from 1970-1971. Soon after leaving Shearing, Mason moved to Los Angeles and quickly became established in the studios, working in films and television. Starting in 1975, Mason began recording albums as a leader, the first five for Arista Records, which he also produced hiring the cream of the crop of primarily West Coast-based musicians and singers from the jazz, rock, pop, R&B and recording session scenes. In 1979, he had a hit single in dance clubs with "Groovin' You," the title track of his fourth album. He played with Herbie Hancock's Headhunters in 1973, Gerry Mulligan for a 1974 Carnegie Hall concert, Freddie Hubbard, Grover Washington, Jr. (appearing on Mister Magic), Lee Ritenour, Victor Feldman, George Benson (playing drums on "This Masquerade"), and Bob James, among many others. Throughout his career, Harvey Mason has been a busy studio musician and a highly versatile drummer able to excel in many different situations. In addition to his anonymous work through the years, Mason has often been part of the jazz world. In 1998, Mason paid tribute to Art Blakey's Jazz Messengers in some local Los Angeles club gigs. The early 2000s found Mason continuing with his steady session work, as well as releasing two solo albums with 2003's Trios and 2004's With All My Heart. In 2014, Mason revisited his '70s Headhunters roots with Chameleon on Concord. ~ Scott Yanow, Rovi VIDEO DISCLAIMER : Video is made for entertainment purposes. No copyright infringement is intended in th

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In scenes that shocked the world, the very heart of the US government was stormed by a crowd of Trump supporters on January 6, 2021. Watch the full story on BBC Select: https://bit.ly/41NwJgt Robert Moore and the only news crew who filmed the rioters inside The Capitol, watched as the growing crowd of Trump supporters wreaked havoc. Moore tells the story of the terrifying day that became the defining and dramatic conclusion to President Trump’s ill-fated time in office. Watch now on BBC Select now streaming in the US and Canada. Follow us on social media ???????? Facebook: https://bit.ly/37UXpBn Twitter: https://bit.ly/3dSUqxc Instagram: https://bit.ly/3uEVieL

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I do not own this video. Kreayshawn fan in VietNam Lyric [Sample:] One big room full of bad bitches [Hook:] And we stunting like Gucci Gucci, Louis Louis, Fendi Fendi, Prada Basic bitches wear that shit so I don't even bother [Verse 1:] Gucci Gucci, Louis Louis, Fendi Fendi, Prada The basic bitches wear that shit, so I don't even bother I put that on my partner, I put that on my family Oakland city representer, address me as your majesty Yeah you can kiss the ring, but you can never touch the crown I smoke a million Swisher bluntsand I ain't never coming down Bitch you ain't no Barbie I see you work at Arby's Number 2, super-sized Hurry up I'm starving Gnarly, radical, on the block I'm magical See me at your college campus baggie full of Adderalls Call me if you need a fix, call me if you need a boost See them other chicken heads? They don't never leave the coop I'm in the coupe cruising, I got the stolen plates Serving all the fiends over there by the Golden Gate Bridge, I'm colder than the fridge and the freezer I'm snatching all your bitches at my leisure [Hook:] And we stunting like Gucci Gucci, Louis Louis, Fendi Fendi, Prada Basic bitches wear that shit so I don't even bother [Verse 2:] Gucci Gucci, Louis Louis, Fendi Fendi, Prada I'm lookin like Madonna but I'm flossing like Ivana Trump, you know I keep that work in my trunk Got my hand on the pump if you wanna press your luck I'm yelling "Free V-Nasty" 'til my throat is raspy Young, rich and flashy I be where the cash be You can't find that? I think you need a Google Map My pearl-handled kitty-cat will leave and press your noodle back Now Google that groupies follow me like Twitter I'm rolling up my catnip and shitting in your litter Why you looking bitter? I be looking better The type of bitch that make you wish that you ain't never met her The editor, director plus I'm my own boss So posh, nails fierce with the gold gloss Which means nobody getting over me I got the swag and it's pumping out my ovaries [Hook:] And we stunting like Gucci Gucci, Louis Louis, Fendi Fendi, Prada Basic bitches wear that shit so I don't even bother [Outro:] Oh, all you basic ass hoes out there Man I got rooms full of bad bitches They don't need Gucci, they don't need Louis We swagging, ehh, meow

Via: https://disabilityvisibilityproject.com

The Eugenics Logic Behind Running a Government Like a Startup Under the Trump Administration   Valerie Black   Trump’s favorite broligarch Elon Musk is attempting to run the United States…

Via: https://thenewamerican.com

What happened at Bilderberg and why did President Trump allow Jared Kushner, Mike Pompeo and other administration officials to attend this cabal of anti-Trump, anti-American globalists? by William F. Jasper

Via: https://starryai.com

Clown Trump In Jail made using starryai - Free AI Art Generator App

Via: https://nypost.com

( )Not so classy, captain! Yankees star Derek Jeter, one of New York’s most eligible hunks since his split with longtime gal pal Minka Kelly, is bedding a bevy of beauties in his Trump World Tower …

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Donald Trump is crushing Ron DeSantis in the polls, but he and his team are trying to use an extremely gross rumor to humiliate the Florida governor.

Via: https://lastwordonnothing.com

“For those who believe, no proof is necessary. For those who don’t believe, no proof is possible.” – Stuart Chase Over the past few months, I’ve vaguely been aware that Donald Trump has been stirring up ideas that vaccinating children causes autism. Trump points out that many kids who get vaccinated also get autism. This is […]

Via: https://www.washingtonpost.com

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Philadelphia Orchestra conducted by Eugene Ormandy. I - Andante - Un poco più mosso - Allegro, ma non tanto - Meno mosso - Più mosso - Andante: 0:00 II - Andante - Un po' più mosso - Quasi adagio: 4:46 III - Allegro moderato - Un po' più mosso - Più mosso - Più vivo: 10:09 Diamond's Symphony No.7 was composed in 1959, being premiered on 1962 by the Philadelphia Orchestra conducted by Eugene Ormandy. The work is based on a twelve tone row and uses some serial techniques. However, as one would expect with Diamond, the harmony has strong tonal anchoring, and serial procedures are used as sources of melodic and contrapuntal inspiration, rather than as rigid rules. The first movement opens with the tone row, divided into two hexachords. The music then begins to intensify, combining traditional motivic development techniques like fragmentation with serial procedures such as retrograde, and applying new rhythms to the pitch row. An emphatic first climax leads to a powerful pedal point on C#, over which a canon develops; the melodic line is a hybrid, derived from the first three notes of the second hexachord, and the last two notes of the first. The music continues its energetic drive up to a lively new section, making use of another rhythmic variant of the first hexachord, but shortly becomes more sustained. However the nervous character returns before long, and gradually the rhythms become more and more animated, with runs in sixteenth notes adding momentum and leading to a climax. This shortly leads to a second build-up. Music previously heard returns, more powerfully orchestrated. The succeeding passage also returns but without the canon; instead the insistent semitone from the first hexachord cries out above in the winds. As so often in Diamond's work, the culminating point is achieved by rhythmic simplification, having the effect of a lively coda. This climaxes in a dialogue between the high winds and the low strings calling to each other with the seconds that end the first hexachord and start the second, respectively. A final explosion in the timpani suddenly brings back the opening tempo, and the movement ends, brooding over repeated two note phrases. The second movement starts in almost the same tempo as the ending of the first, with a complete retrograde of the row, presented by a solo flute. Winds accompany with other fragments of the series. Clarinets enter with a free imitation of the flute line. Then the string choir emerges, with a line starting with the ubiquitous semitone G-Ab (end of the first hexachord) and moves off into a lyrical extension. Meanwhile, a sixteenth note figure starts to emerge, first in the second violins, and then in violas, getting more and more emphatic. This line reaches a declamatory climax, and leads into the kind of intense, highly contrapuntal, lyrical writing that is familiar from Diamond's earliest works. It quiets down into a trumpet line, which is a thematic outgrowth of the opening flute melody, completed with imitations in the other two trumpets. The oboe picks up and spins out this line more gently. In quick succession, a light scherzando character appears, recalling the previous second violin counterpoint, to be followed by sudden emphatic fragments in dialogue between winds, brass, and strings. Now, with the opening flute line in the bass, the full brass enter fortissimo, followed by strings and winds, and rise to a climactic section. At its peak, the first hexachord appears in retrograde with strings and winds singing in unison. Echoes of the first movement's opening follow, and the movement ends, recalling the solo flute; now the bass comes to rest on a sustained G#. The third movement starts with a mysterious pizzicato line on the basses, based once more on the row, but transposed and starting from its third note. The violas enter with a sustained line, also based on the row. This is accompanied by nervous interjections in the winds, featuring slurred seconds derived from the first notes of each hexachord. This "sigh motive" will be important throughout the movement. Another motive develops in the viola and becomes more prominent. The pizzicato basses disappear, and various motives are combined. The viola motive assumes a new guise as a sort of broken chord. The orchestra broadens into a passage with very dissonant harmony. The two note motive based on the interval of the second is much in evidence. Picture: "The Empire of Light" (1954) by Rene Magritte. Source: https://bit.ly/3Xp0Nfo To check the score: https://bit.ly/3H06klK

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A foreign policy hawk with a year-long stint as U.S President Donald Trump’s national security adviser, John Bolton, sat down with The National's Adrienne Arsenault to talk about his White House memoir and his views on Trump’s presidency. #johnbolton #johnboltoninterview #boltonbook »»» Subscribe to The National to watch more videos here: https://www.youtube.com/user/CBCTheNational?sub_confirmation=1 Voice your opinion and connect with us online: Facebook | https://www.facebook.com/thenational Twitter | https://twitter.com/CBCTheNational Instagram | https://www.instagram.com/cbcthenational »»» »»» »»» »»» »»» The National is CBC Television's flagship news program, featuring the day's top stories with in-depth and original journalism.

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Today we’re going to look at definitions of fascism and ask the question – you may have guessed – if Donald Trump is running for President as a fascist. Worry not, this isn’…

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