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President Trump has started dismantling health legislation introduced under the Biden administration on day one of his new term,

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Tuva Halse Quintet live in Newtone, Norway April 10th 2024. A film by Sigurd Ytre-Arne (photography and editing). Sound by Leif Johansen and Aksel Jensen (recording) and Vidar Lunden (mix). Tuva Halse Quintet is: Tuva Halse - violin, compositions Oscar Andreas Haug - trumpet Benjamín Gísli Einarsson - piano Gard Kronborg - bass Øyvind Leite - drums "Tuva Halse Quintet - Reconnection" is out on Jazzland Recordings January 23th 2026, available on all streaming platforms, CD & vinyl. tuvahalse.bandcamp.com/album/reconnection tuvahalse.com

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Provided to YouTube by Rhino Atlantic Your Mind Is on Vacation · Mose Allison Allison Wonderland: The Mose Allison Anthology ℗ 1976 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Trumpet: Al Porcino Unknown: Bobby Warner Unknown: Carmine Rubino Alto Saxophone: David Sanborn Mastering Engineer: George Piros Producer: Ilhan Mimaroglu Bass: Jack Hannah Drums: Jerry Granelli Tenor Saxophone: Joe Farrell Piano, Vocals: Mose Allison Executive Producer: Nesuhi Ertegun Arranger, Composer, Lyricist, Writer: Mose Allison Auto-generated by YouTube.

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In memory of the late Walter Becker, the co- founder, guitar player and songwriter of Steely Dan, we decided to tackle "Home At Last". This song has so much musicality within it. As does Steely Dan's entire repertoire, so please if you haven't listened to much Steely Dan in your life, give them your ears for awhile:) I am very proud of the work and ability that all of my incredibly talented friends possess. The concept of Good Talk is an interchangeable collective of musicians and Artists that come together and start fires, musically speaking of course ;) If you dig what we do please follow our socials, there's so much more to come. Vocals- @_stantaylor_ Vocals/Bass- @lukefrancois Keys- @danielweidlein Guitar- @kyle_j_barnett Saxophone - @kosiemagee Trumpet- @bigearl7 Percussion - @rector_music Drums/production- @tripleddrums

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Little Feat have composed an album that’s their love letter to the blues entitled, ‘Sam’s Place.’ “Long Distance Call” plus many other blues classics are on this album. You can stream and order ‘Sam’s Place’ here: https://orcd.co/samsplace “Why People Like That” was written by blues legend, Bobby Charles. It has Sam Clayton on lead vocals, Bill Payne on keys, Kenny Gradney on bass, Fred Tackett on electric guitar, Scott Sharrard on slide guitar, and Tony Leone on drums. This song also features special guests Michael “The Bull” LoBue on harmonica, Marc Franklin on trumpet, and Art Edmaiston on saxophone. The ‘Sam’s Place’ album has Sam on lead vocals for the entire record. The album was recorded in Memphis, TN at Sam Phillip’s Studio. It’s got classic blues songs by legends such as Muddy Waters and Willie Dixon, plus a new original song called “Milkman” that was written by Sam, Fred and Scott. Stream or order ‘Sam’s Place’ here: https://orcd.co/samsplace Produced by Little Feat and Charles A. Martinez Recorded at Sam Phillips Recording in Memphis, TN in August 2023 Recording Engineer: Charles A. Martinez Assistant Studio Engineer: Scott Bomar Mixed by Charles A. Martinez Mastered by Michael Fossenkemper at Turtletone Studios Executive Producer: Brian Penix Band Photography: Fletcher Moore Packaging Art by Dick Bangham for RipBang Pictures, LLC Visualizer by John Schwartz “Why People Like That” was written by Bobby Charles for Street People Songs (BMI) Follow Little Feat Here: Official Website: https://www.littlefeat.net/ YouTube Page: https://www.youtube.com/LittleFeatArchive Facebook: https://www.facebook.com/LittleFeat Instagram: https://www.instagram.com/littlefeat_official/ Twitter: @littlefeattweet Lyrics: They take your love and your money They take your sugar and your honey They take you skinny or fat Why people like that? They take your house and your home They take the flesh from your bones They take the shirt of your back Why people like that? They take your phone and your clock They take everything that you got They laugh behind your back Why people like that? They take your love and your money They take your sugar and your honey They take you skinny or fat Why people like that? They take your phone or your clock They take everything that you got They take the shirt off your back Why people like that? They take your dog and your car They promise you’ll be a star They break your heart and leave you flat Why people like that I don't know why they act like that Why people like that Don’t be like that

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Gabriel Fauré: Piano Quartet No 2, G minor, Op.45 I. Allegro molto moderato II. Allegro molto. 11:23 III. Adagio non troppo. 15:26 IV. Allegro molto. 26:38 Christian Ihle Hadland - piano, Bogdan Bozovic - violin, Michel Camille - viola, Pau Codina - cello at the 22nd Esbjerg International Chamber Music Festival (EICMF) 2020, a year despite the pandemic, in which we were overjoyed to have the opportunity to perform fifteen concerts throughout the month of August. This concert was recorded on the 23rd August, the last day of the Festival and was held at South Denmark's Music Academy, SDMK, Esbjerg. The hall, originally the city's old power station is considered among the best in Europe for chamber music due to its acoustic, its architecture inspired by Antiquity and the interesting mix of Jugend and Classicist styles found in Viennese architecture. EICMF is unique in Denmark as it invites artists to collaborate in new constellations, form new relationships, establish a foundation for exchange and annually act as a host for an international community of artists. www.eicmf.dk. A Heartfelt Welcome to the Festival! 2020 Despite the difficulties and challenges we all face and live with in this pandemic, we as musicians have the strongest yearning to perform for you. It is impossible to switch off, even in the midst of a pandemic, because since we were young, that is what we have always done. Since March, as a member of Esbjerg Ensemble and surrounded by such creative people, it is fortunate that the Ensemble performing since 1967, has maintained its routine and reached out to thousands of listeners through performances online and broadcasts on radio.  As musicians we are drawn to the Festival and the opportunity to perform live. We will perform among others some of the greatest pieces of music written by John Sebastian Bach, Wolfgang Amadeus Mozart, Johannes Brahms, Gabriel Fauré, Antonin Dvorak, Ludwig van Beethoven and even theatrical and jazz works, including one by the greatest living jazz trumpeter of our time, Wynton Marsalis. One of the highlights this year is being able to step back in time a 900 hundred years with a performance of music by the female composer Hildegard von Bingen. Hildegard was a remarkable woman. Pledged to the Church as a child by her parents, she spent much of her life in a cell-like enclosure with only a handful of other nuns. At age 40, she emerged as an outspoken woman who went on to counsel popes and emperors, fight for church reform and compose music she insisted was inspired by angels. She was a prolific writer, philosopher, Christian mystic, visionary, and considered by many to be the founder of scientific natural history in Germany. She is one of the best-known composers of sacred monophony, which is simply a pure musical tune with no accompanying chords. She has became one of the most well recorded in modern history. Her character was steely, determined and overbearing at times, but the nuns who flourished in her monastery she run and in which she lived 80 years were allowed extraordinary freedoms, such as wearing their hair long, uncovered and even crowned with flowers. Not only was she made a Saint but is hailed as one of the earliest feminists and as a New Age Guru. It’s brings to light that music not only reflects its time but continues to challenge, stimulate, comfort and console timelessly. Now that we have the opportunity to reach out and perform “live” one feels the musicians, in close dialogue and often in a fervor strive to communicate the music’s storytelling and the huge palette of emotions, that range from the most intimate to the extrovert. It is so inspiring to be surrounded by creative people, who challenge you to be as good. It’s something that should never be taken for granted and as a working musician and experiencing long days sometimes up to 10-12 hours does exhaust, but it is a day in which we do not just play in our room, it is a day we reach out. Esbjerg International Chamber Music Festival, a private initiative in its 22nd year has invited guest musicians from all over the world to this international community of artists, collaborating in new consternations and forming new relationships. As in every past year we are especially honored that the musicians of Esbjerg Ensemble also collaborate this year in 15 concerts from the 6th to the 23rd August, which include concerts in Ribe, Hjerting, Treenigheds and Vor Frelsers Church in Esbjerg, five concerts in Nordby and Sønderho on Fanø and finally the beautiful concert hall of the Academy of Music, which features for the first time in this festival, the famous Dutch Soprano Francine Vis and world renowned Norwegian pianist Christian Ihle Hadland. Michel Camille, Artistic Director

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Wolf Braxton - SHOT Written by Wolf Braxton and Rodger Marlowe (Rojo) Video by Wolf Braxton and Rodger Marlowe Shot Lyrics Well them soldiers turned their guns around And aimed them at the people in the small towns And they fired on those of faith And them deplorable wretched fools who voted red And I wish I could believe That it was only a dream But Heaven knows that Revelation Closer than it seems How Long how long how long Has it been going on How long how long how long Till the shots heard round the world Well some say it’s been since sixty three When they took out President Kennedy That’s when the (NWO) New World opposition Was in position to pull the trigger on the plan And so they killed to rise in power And demise democracy Then slowly gained control And stole the the vote from me Repeat Chorus Though the Trumpets play the music Loud and clear There is none so blind As he who refuses to hear Something is wrong Has one nation under God Become a nation under fire Now there’s deceitful politicians And there’s judges who are clearly compromised And I guess some are bought with money And others I think fear for their lives But there’s an enemy among us And he’s evil to the core He stokes the fires of hell And fans the flames of civil war God Help Us How long till the shots heard round the world? #Trump #shooting #wolfbraxton

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23.1K Posts, 203 Following, 699 Followers · Amateur breton-auvergnat né vers 334ppm. Parle #ville, #mobilités, #numérique, #politique et #démocratie ; combat les nazillons (X, #Trump, #Bolloré, #Stérin, ...) Traîne aussi sur Bluesky, mais préfère discuter et débattre ici : plus facile en 500+ caractères, lieu +raisonné & respectueux. Hobbies : abonné à toutes les causes perdues ???? #ClermontFerrand #Gauche #Urbanisme #Vélo #Vélotaf ???? #Écologie #Climat ???? #Libre #Linux #ZorinOS #FreeSoftware #FirefoxOS /e/OS ???? #DoctorWho

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Take a personal and historic tour of "Bloody" Breathitt County, Kentucky, inspired by J.D. Vance's spot next to Donald Trump on the Republican ticket.

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Provided to YouTube by Epic Estrella De Mar (Remasterizado 2008) · Los Fabulosos Cadillacs Rey Azúcar ℗ 1995 Sony Music Entertainment (Argentina) S.A. Released on: 1995-06-18 Associated Performer: Los Fabulosos Cadillacs Vocal: Vicentico Vocal: Debbie Harry (Invitada) Vocal: Tina Weymouth (Invitada) Electric Guitar: Vaino Rigozzi Drums: Fernando Ricciardi Percussion: Gerardo "Toto" Rotblat Trumpet: Dany Lozano Keyboards: Mario "Spiker" Siperman Trombone: Fernando Albareda Saxophone: Sergio Rotman Bass: Flavio Cianciarulo Lyricist, Composer: Gabriel Fernandez Capello Producer: Tina Weymouth Producer: Christopher Frantz Coordinator: Fabián Couto Recording Engineer: Doug McKean Mixing Engineer: Steven Stanley Auto-generated by YouTube.

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Tin Tin Deo (Rumba) James Moody and His Bop Men Chano Pozo (Singer & Bongo) James Moody (Tenor Sax) Dave Burns, Elmon Wright (Trumpets) Ernie Henry (Alto Sax) Cecil Payne (Baritone Sax) Hen Gates (Piano) Art Blakey (Drums) Writer: ; "Gil" Fuller Catalog Number: Blue Note 555-A Matrix Number: BN 347-0 Place and Take Date: Apex Studios New York, 1948-10-25 The recording on the other side of this disc: Oh Henry! Tin Tin Deo Oye mi negro que yo te canto esta rumba mia Oye mi negro que yo te canto esta rumba mia Esta es la rumba, o tin tin deo Esta es la rumba, o tin tin deo Porororo tin tin tin deo Porororo tin tin tin deo O tin tin deo O tin tin deo.

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Former federal prosecutor Kevin O’Brien lays out the steps the DOJ must take when deciding to pursue criminal charges against former President Donald Trump following the recommendations of the Jan. 6 committee.

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President Donald Trump said he was bringing Christmas back at an event in Pennsylvania. "Remember, they went into the radical left, wanted to get rid of those. They wanted to get rid of the word Christmas. They said, I don't think that's going to work out. And we did it. And now everybody's saying Merry Christmas again," Trump said. --------------------------------------- KEPR offers the only Tri-Cities focused local news, weather and sports weekdays on KEPR Action News. For the latest news visit our website: https://keprtv.com/ Follow KEPR on Social Media: Facebook: https://www.facebook.com/keprtv #kepr #kepractionnews #localnews #easternwashington #tricitieswa #tricities #washingtonstate #pasco #richland #kennewick #news

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‘A Change Is Gonna Come’ written by the legendary Sam Cooke and covered by Oz Noy, recorded at the Carriage House (CT) for the album ‘Who Gives A Funk’. Band: Steve Wolf - drums Will Lee - bass John Medeski - organ Ian Hendrickson Smith - sax David Guy - trumpet Clark Gayton - trombone Danny Sadownick - percussion Produced by Oz Noy Video - Shlomotions ✅ NEW MASTERCLASSES at https://oznoystore.myshopify.com ✅ Subscribe below: https://www.youtube.com/user/oznoy?sub_confirmation=1 ✅ Connect with Oz Noy: Website: https://www.oznoy.com TikTok: http://www.tiktok.com/@oznoyguitar Instagram: https://instagram.com/oznoyguitar?igshid=gt76tf9b5e4b Facebook: https://www.facebook.com/oznoymusic Twitter: https://twitter.com/oznoy ✅ Listen to Oz Noy: Spotify: https://open.spotify.com/artist/0AM6acfaheGmY5egsH0shd?si=pDsumsBJRV-iV5DAIIhsqA Apple Music: https://music.apple.com/us/artist/oz-noy/6138456 Amazon Music: https://music.amazon.com/artists/B000TOOYWC/oz-noy Bandcamp: https://oznoy.bandcamp.com/ #OzNoy #guitar #blues #jazz #samcooke

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America First fails its own test when it alienates our allies, strengthens our adversaries, and leaves the American people paying the price for strategic...

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Passages from Melania Trump's prime time speech at the Republican National Convention tonight bear a striking similarity to parts of Michelle Obama's speech at the Democratic National Convention in 2008. » Subscribe to MSNBC: http://on.msnbc.com/SubscribeTomsnbc About: MSNBC is the premier destination for in-depth analysis of daily headlines, insightful political commentary and informed perspectives. Reaching more than 95 million households worldwide, MSNBC offers a full schedule of live news coverage, political opinions and award-winning documentary programming -- 24 hours a day, 7 days a week. Connect with MSNBC Online Visit msnbc.com: http://on.msnbc.com/Readmsnbc Find MSNBC on Facebook: http://on.msnbc.com/Likemsnbc Follow MSNBC on Twitter: http://on.msnbc.com/Followmsnbc Follow MSNBC on Google+: http://on.msnbc.com/Plusmsnbc Follow MSNBC on Instagram: http://on.msnbc.com/Instamsnbc Follow MSNBC on Tumblr: http://on.msnbc.com/LeanWithmsnbc Lawrence: Melania Trump's Passage 'Pure Plagiarism' Of Michelle Obama | Rachel Maddow | MSNBC

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Republicans didn’t want the #TrumpUniversity deposition getting out. https://twitter.com/johnogpdx/status/1309504193393078273 https://www.facebook.com/watch/?v=817678752306874 https://www.instagram.com/p/CFkHgNEB2jS/ https://vm.tiktok.com/ZMJUP3L36/

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Provided to YouTube by Columbia/Legacy New Rhumba (Mono Version) · Miles Davis Miles Ahead (Mono Version) ℗ Originally released 1957. All rights reserved by Columbia Records, a division of Sony Music Entertainment Released on: 1957-01-01 Fluegelhorn, Associated Performer: Miles Davis Conductor: Gil Evans Trumpet: Ernie Royal Trumpet: Bernie Glow Trumpet: Louis Mucci Trumpet: Taft Jordan Trumpet: Johnny Carisi Trombone: Frank Rehak Trombone: Jimmy Cleveland Trombone: Joe Bennett Trombone: Tom Mitchell French Horn: Willie Ruff French Horn: Jimmy Buffington Tuba: Bill Barber Flute: Romeo Penque Flute: Sid Cooper Alto Saxophone: Lee Konitz Bass Clarinet: Danny Bank Bass: Paul Chambers Drums: Arthur Taylor Lyricist, Composer: Jamal Producer: George Avakian Recording Engineer: Harold Chapman Auto-generated by YouTube.

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Provided to YouTube by Kontor New Media GmbH First Song in the Day · Cecil McBee · Chico Freeman Music from the Source ℗ enja records Released on: 2020-12-18 Artist: Cecil McBee Featured Artist: Chico Freeman Bass, Composer: Cecil McBee Saxophone: Chico Freeman Drums: Don Moye Trumpet: Joe Gardner Piano: Dennis Moorman Drums: Steve McCall Music Publisher: Copyright Control Auto-generated by YouTube.

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Provided to YouTube by Columbia/Legacy Springsville (Mono Version) · Miles Davis Miles Ahead (Mono Version) ℗ Originally released 1957. All rights reserved by Columbia Records, a division of Sony Music Entertainment Released on: 1957-01-01 Lyricist, Trumpet, Composer: Johnny Carisi Associated Performer, Fluegelhorn: Miles Davis Conductor: Gil Evans Trumpet: Ernie Royal Trumpet: Bernie Glow Trumpet: Louis Mucci Trumpet: Taft Jordan Trombone: Frank Rehak Trombone: Jimmy Cleveland Trombone: Joe Bennett Trombone: Tom Mitchell French Horn: Willie Ruff French Horn: Jimmy Buffington Tuba: Bill Barber Flute: Romeo Penque Flute: Sid Cooper Alto Saxophone: Lee Konitz Bass Clarinet: Danny Bank Bass: Paul Chambers Drums: Arthur Taylor Producer: George Avakian Recording Engineer: Harold Chapman Recording Engineer: Fred Plaut Auto-generated by YouTube.

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In former President Donald J. Trump’s third campaign for the White House, his speeches have grown coarser and coarser.

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