The newest* Trump stories rising fast on social media, updated every minute.
Reload now to get 0 new stories
story
Stories loaded...
Via: https://rollcall.com
Democrats saw warning signs long before President Donald Trump nominated Neomi Rao to the U.S. Court of Appeals for the District of Columbia Circuit. At the time, she was a White House lawyer who zealously defended Trump’s agenda. She’d clerked for Supreme Court Justice Clarence Thomas. But she had no experience as a judge and […]
Via: https://youtube.com
Track 9 from their second album “Young and Rich” released in 1976 copyright A&M Records. Written by Bill Spooner and produced by Ken Scott. RIP Vince Welnick, Steve Douglas, Jay Migliori, Julius Wechter, Chuck Domanico, Re Styles, Roger Steen & Rick Anderson. Featuring: Fee Waybill – Lead vocals Bill “Sputnik” Spooner – Guitar & background vocals Roger Steen – Guitar, harmonica & background vocals Michael Cotten – Synthesizer Vince Welnick – Keyboards & synthesizer Rick “Gator” Anderson – Bass “Preposterous” Prairie Prince – Drums & percussion Re Styles – “Funky-pretty” vocals Special Guests: Chuck Domanico – Bass Don Randi – Piano Alan Estes – Percusson Julius Wechter – Percussion Jay Migliori – Sax Steve Douglas – Sax Bobby Shew – Trumpet George Bohanon – Trombone Armand Kaproff – Cello David Speltz – Cello Deniece Wilson – Background vocals Julia Tillman Waters – Background vocals Maxine Williard Waters – Background vocals The Ron Hicklin Singers – Background vocals Young and rich, everything I desire Light bulbs with shades in every room And work is play, believe me, nothin' must come too hard It comes in the mail most everyday I could respect a man who had it all, he'd toss a ball away I know I'm not the kind, I wouldn't mind to have a chance thrown my way Famous friends, big parties for me, every night like tonight I, a fool, want it all I could respect a man who had it all, and he'd toss the ball away Because you know I'm not the kind, I wouldn't mind to have a chance thrown my way Young and rich with everything I desire Everything I need in every room In every room, in every room In every room With everything I desire filling every room Everything I need and maybe some more things I don't need, you know Filling every room, yeah Everything I need filling every room Filling every room, every room
Via: https://music.youtube.com
Provided to YouTube by Reprise My Funny Valentine · Michael Bublé love ℗ 2018 Warner Records Inc. Baritone Saxophone: Adam Schroeder Engineer: Alejandro Rodriguez Audio Engineer: Alejandro Rodriguez Technician: Alex Gibson Alto Saxophone: Alex Hahn Double Bass: Allen Walley Viola: Andy Parker Tenor Trombone: Andy Wood Technician: Anthony Kilhoffer Conductor: Ben Foster Trumpet: Bijon Watson Violin: Boguslaw Kostecki Cello: Bozidar Vukotic Viola: Bruce White Trumpet: Bryan Lipps Alto Saxophone: Chris Sullivan Violin: Chris Tombling Cello: Chris Worsey Audio Engineer: Christian Robles Technician: Christian Robles Production Co- Ordinator: Courtney Blooding Technician: Courtney Blooding Tenor Saxophone: Dan Higgins Oboe: Daniel Bates Violin: Daniel Bhattacharya Violin: Dave Williams Horns Arranger: David Foster Strings Arranger: David Foster Keyboards: David Foster Producer: David Foster French Horn: David Pyatt Contractor: Debbi Datz-Pyle Technician: Dominic Gonzales Tenor Trombone: Ed Tarrant Violin: Emlyn Singleton Trombone: Erik Hughes Leader Violin: Everton Nelson Viola: Fiona Bonds Bassoon: Gavin McNaughton Violin: Hannah Dawson Flute: Helen Keen Harp: Hugh Webb Cello: Ian Burdge Violin: Jackie Hartley Cello: Jacky Thomas Trombone: Jacob Kraft Trumpet: James Ford Technician: Jason Carson Trumpet: Jason Evans Violin: Jenny Sacha Violin: Jeremy Isaac Unknown: Jochem van der Saag Engineer, Producer, Programmer: Jochem van der Saag Mixing Engineer: Jochem van der Saag Synthesizer: Jochem van der Saag Audio Engineer: Joe Wohlmuth Clarinet: Jon Carnac Trombone: Jon Hatamiya Orchestral Recording Engineer: Jonathan Allen Cello: Jonny Byers Audio Engineer: Jorge Vivo Contractor: Jules Chaikin Viola: Julia Knight Flute: Karen Jones Viola: Kate Musker Violin: Kate Robinson Production Co- Ordinator: Kathy Frangetis French Horn: Katy Woolley Trombone: Lemar Guillary Contractor: Lucy Whalley Violin: Magnus Johnston Violin: Mark Berrow Technician: Mark Valentine Clarinet: Martin Robertson Violin: Martyn Jackson Double Bass: Mary Scully Violin: Matt Ward Viola: Max Baillie Producer: Michael Bublé Lead Vocals: Michael Bublé Guitar: Michael Thompson Trumpet: Mike Lovatt Violin: Miranda Dale Violin: Natalia Bonner Engineer: Neil Devor Audio Engineer: Neil Devor Programmer: Neil Devor Violin: Nicky Sweeney Technician: Norm Dlugatch Violin: Oli Langford Tuba: Owen Slade Violin: Patrick Kiernan Technician: Patrick Spain Bass Clarinet: Paul Richards Technician: Paul Wertheimer Violin: Paul Willey Violin: Perry Montague-Mason Violin: Pete Hanson Viola: Peter Lale French Horn: Phillip Eastop Viola: Rachel Bolt Viola: Rachel Roberts Tenor Saxophone: Ramsey Castaneda Contractor: Ray Brown Viola: Reiad Chibah Technician: Rich Toenes Double Bass: Richard Pryce French Horn: Richard Watkins Violin: Rick Koster Bass Trombone: Roger Argente Trumpet: Ryan DeWeese Assistant Engineer: Ryan Enockson Cello: Sophie Harris Double Bass: Steve Williams Cello: Tim Gill Violin: Tom Pigott-Smith Trumpet: Tom Rees-Roberts Cello: Tony Lewis Tenor Trombone: Tracy Holloway Mastering Engineer: Vlado Meller Technician: Wade Childers Violin: Warren Zielinski Horns Arranger: William Ross Strings Arranger: William Ross Writer: Lorenz Hart Writer: Richard Rodgers Auto-generated by YouTube.
It was an anti-Trump statistic beloved by the liberal media. According to a study pushed by CNN, The Washington Post, and many others, President Trump’s 2016 campaign rallies caused a 226 percent spike in hate crimes in the areas they were held. Of course, the liberal media would run with that statistic. It fit their narrative perfectly: Racist Trump inspires his racist supporters to commit racist crimes.
Via: https://youtube.com
Provided to YouTube by Columbia/Legacy Everybody's Boppin' · Lambert, Hendricks & Ross The Hottest New Group In Jazz ℗ Originally released 1959. All rights reserved by Columbia Records, a division of Sony Music Entertainment Released on: 1996-11-05 Drums: Walter Bolden Associated Performer: Lambert, Hendricks & Ross Piano: Gildo Mahones Bass: Ike Isaacs Trumpet: Harry "Sweets" Edison Lyricist, Composer: Jon Hendricks Producer: Teo Macero Producer: Irving Townsend Mastering Engineer: Mark Wilder Auto-generated by YouTube.
Via: https://www.durbin.senate.gov
The Official U.S. Senate website of Dick Durbin
Via: https://youtube.com
Date of release: 1981 Label : Columbia Musicians: James Blood Ulmer - electric guitar; vocals (tracks 2, 4 & 8) Amin Ali - electric bass G. Calvin Weston - drums Ronnie Drayton - second guitar (2, 4 & 8) Diane Wilson, Irene Datcher, Zenobia Konkerite - background vocals (2, 4 & 8) David Murray - tenor saxophone (5, 6 & 9) Oliver Lake – alto saxophone (5, 6 & 9) Olu Dara - trumpet (5, 6 & 9) Enjoy!
Watch Trump one of those people who doesn’t need a lot of sleep: physician Video Online, on GlobalNews.ca
???? 22 ???? 9 ❤️ 25 · Last weekend, Trump hosted one of the greatest sports event in history at the White House. This is what Democrats did to “counter” the UFC fight. Brace yourself… total cringe. ????…
Des avions bombardiers B-2 ont décollé d'une base aux Etats-Unis et se dirigeaient vers l'ouest, au-dessus du Pacifique, au moment où le président Donald Trump soupèse une intervention militaire contre l'Iran, rapportent samedi le New York Times et des sites de suivi de vols.
Senator Lindsey Graham may have been one of President Trump's biggest supporters in 2018, but that wasn't the case during the 2016 presidential election.
Via: https://youtube.com
00:00 - Kodachrome 03:55 - Born at the Right Time 09:10 - Me and Julio Down By The Schoolyard 12:19 - Bridge Over Troubled Water 18:18 - Proof 24:37 - Graceland 30:19 - The Obvious Child 34:53 - Loves Me Like A Rock 37:50 - Diamonds On The Soles Of Her Shoes 39:21 - You Can Call Me Al 48:25 - Still Crazy After All These Years 52:16 - America 55:48 - The Boxer 1:00:18 - Mrs Robinson 1:04:23 - The Sound Of Silence Filmed on 1991-10-12 in Tokyo, Japan. This TV special (broadcast in Japan as "Fantastic Paul Simon") was filmed on one of Paul's stops in Japan at the Tokyo Dome during his "Born At The Right Time" tour. The setlist imo reflects a pretty good cross-section of his older (1970s) Simon and Garfunkel/solo material along with his more current (1980s/1990s) pop releases. Most of the older tracks were recast in African-influenced arrangements. Though "Graceland" introduced Paul Simon to a new generation of fans and created enduring pop classics such as the title song and "You Can Call Me Al", the follow-up "The Rhythm of the Saints" was still highly successful (although commercially I don't think either the tour or the album sold as well as its predecessor). The U.S. tour for this album culminated in a huge free concert in Central Park accompanied by a worldwide broadcast (and subsequent live album). In terms of quality, it appears that this may be a couple generations removed from the master VHS. However, it is a pro-shot, not an audience recording, which gives us great dynamic views of the stage, audience and close-ups of the various performers, including Paul and his band. The audio is also excellent. Personnel: Paul Simon - Lead Vocals, Guitar, Percussion Richard Tee - Keyboards Tony Cedras - Keyboards, Synthesizers, Accordion, Percussion Vincent Nguini - Guitar, Backing Vocals John Selolwane - Guitar, Backing Vocals Ray Phiri - Guitar, Backing Vocals Armand Sabal-Lecco - Bass Michael Brecker - Saxophone, EWI, Synthesizers, Percussion Barney Rachabane - Saxophone, Pennywhistle Chris Botti - Trumpet Steve Gadd - Drums, Percussion Mingo Araujo - Percussion Cyro Baptista - Percussion Dom Chacal - Percussion Sidinho Moreira - Percussion Oren Waters - Backing Vocals Maxine Waters - Backing Vocals Julia Waters - Backing Vocals
???? 1 ???? 23 ❤️ 30 · Team Trump Quiet Over Explosive Tulsi Gabbard Cult Revelations · Gabbard may have been taking orders from Hare Krishna leader Chris Butler throughout her political career.
Via: https://ca.news.yahoo.com
The assertion was made on "Fox and Friends" following a discussion about the necessity of hand-washing.
Via: https://theconversation.com
The Trump administration’s job cuts and advisory board changes at the agency won’t change those rules, as a former EPA science adviser explains.
Via: https://youtube.com
I found this to be an interesting tune by these two gents. Jeff Lorber with his rock funk fusion style on keyboard and arrangement and Chris Botti with his more transitional jazz style on horn. Me? I just do what I do to stuff like this and have a gas doing it! Chop! Chop!
Via: https://theiowastandard.com
What country will be the primary beneficiary from a “Billionaires Tax,” or Wealth Tax? Where will wealthy people and companies move to, leaving the United States high and dry? Most don’t need to be in the U.S. anyway. I know all of those very smartly run countries, and they are all thrilled by what the […]
???? 1 ???? 21 ❤️ 44 · Bishop Talbert Swan: Trump’s obsession with the Obamas has never been political. It has always been personal, racial, and ugly. First, he spent years pushing the racist birther…
You might recall how when U.S. telecom giants lobbied the Trump FCC to kill net neutrality, they hired a bunch of PR firms to flood the FCC with fake comments from a bunch of fake and dead people. …
CNN on Sunday continued the network’s efforts to politicize the coronavirus and blame Donald Trump. Fareed Zakaria trashed the President for “emulating” the “propaganda” of North Korea. Opening his Fareed Zakaria GPS show, the anchor hammered, “This crisis seems to have been designed to bring out the worst of Trump. The President doesn't like or trust experts, often explaining that he knows more than they do. He has bluffed and fibbed his way through much of his life.”
Via: https://youtube.com
Hans Werner Henze's 3rd Symphony is scored for large orchestra, including 4 percussionists, piano, celesta and harp. It is in three movements: 1. Anrufung Apolls (Invocation of Apollo) 2. Dithyrambe (Dithyramb) 3. Beschwörungstanz (Incantation Dance) Henze himself said that the symphony is an attempt to "separate the term "symphony" from the idea of Classical or Romantic forms." and has a "thoroughly Pagan atmosphere". Live performance by the Berlin Radio Symphony Orchestra conducted by Marek Janowski on 16 February 2010. "Henze's Third Symphony is one of the most overtly programmatic of his symphonies; the three movements are entitled "Invocation of Apollo," Dithyramb," and "Dance of Conjuration." This seems logical when one considers that Henze began to compose for the ballet in this same period: in 1949 he composed the Ballet Variations for large orchestra and the chamber ballet Jack Pudding; and the next year he not only composed the ballet Rosa Silber, but he became artistic director and conductor of the ballet at Wiesbaden. In 1951 Peter van Dyk choreographed the first movement for a ballet evening conducted by the composer. Henze actually had ballet in his ears while he was working on the score of the symphony: he reports that the sounds of a piano playing for a nearby ballet school wafted into his rooms. The symphony was first performed at Donaueschingen, the capital of serialism in the early Fifties, in October 1951. Although this was Henze's first large-scale work after his switch to serialism (or his interpretation of it), one can't imagine a work less calculated to please the dogmatists at the premiere: the movement titles, the jazzy rhythms and tenor saxophone melody, occasional "lapses" into tonality, and the massive counterpoint in the second movement all seem to set the work apart. Henze said that "Some people were not best pleased that the work failed to follow the modernist eclectics of the Darmstadt School." He is probably exaggerating when he says (brags?) that he "was practically the only composer to break free of the Darmstadt manner," but it is interesting that he began to mold their teachings to fit his own voice so early on, much as Berg melded Schoenberg's twelve-tone system with tonal procedures to create a musical language more accessible to the general public. The symphony is composed for the standard large orchestra, with the addition of glockenspiel, vibraphone, xylophone, piano and tenor sax. The twittering flutes that open the piece must be a depiction of birds -- at sunrise perhaps -- and the horn fifths seem to represent Apollo. A lyrical theme in the violins and repeated horn fifths lead the orchestra to its first climax (perhaps Apollo's appearance?). The following section could hardly be more contrasting, with a disjointed theme in the piano driving the orchestra along in a dance-like celebration. Note how Henze holds the strings in reserve until he pulls them in for a second lyrical melody leading to the second climax (Apollo's departure?). A short, quiet coda ends with a recall of the horn fifths. A dithyramb is either a short, wildly irregular poem or -- more appropriate to the second movement -- an exultant, visionary statement. It starts quietly enough, with a recurrence of the Apollo horn fifths from the first movement. But the full orchestra soon erupts, with strange, upward-swooping figures in the winds and brass. After this outburst the music adopts a rather somber, almost Hindemithian tone, and some of the interplay of thematic material approaches that composer's work in complexity. An interesting little coda is built around an upward figure in the bass clarinet, and the horn fifths reappear to end the movement. The closing "Dance of Conjuration" sounds Stravinskian at times -- The Rite of Spring forty years later. Ostinato figures drive the end movements. In the first, the trumpets, sax, and drums let loose with jazzy little riffs as if this were a swing band invocation of Apollo instead of a German-Grecian one. A contrasting meno mosso section features a soaring melody in the strings, and the final section builds in Dionysian frenzy to a rather abrupt conclusion." (David Anderson)
Via: https://youtube.com
Provided to YouTube by Rhino/Warner Records Let There Be Love (Remastered) · Sammy Davis Jr. The Wham Of Sam ℗ 1961 Reprise Records for the U.S. and WEA International for the world outside of the U.S. Trumpet: Al Porcino Trumpet: Jack Sheldon Bass: Joe Mondragon Trumpet: John Audino Conductor, Producer: Marty Paich Drums: Mel Lewis Tuba: Red Callender Trombone: Stu Williamson French Horn: Vincent DeRose Contributor: Bill Perkins Contributor: Bud Shank Writer: Ian Grant Writer: Lionel Rand Arranger: Marty Paich Contributor: William Hood Auto-generated by YouTube.
Via: https://youtube.com
Provided to YouTube by Rhino Keys to the Rain (2024 Remaster) · Robert Hunter Tales of the Great Rum Runners ℗ 1974, 2024 Rhino Entertainment Company, a Warner Music Group Company. Producer: Barry Melton Engineer: Bob Matthews Pedal Steel Guitar: Buddy Cage Castanets: Chrisie Bourne Engineer: Dan Healy Bass: David Freiberg Trumpet: Hadi El Sadoon Mixing Engineer: Jerry Garcia Guitar: Jerry Garcia Keyboards: Keith Godchaux Banjo, Mandolin: Markie Shubb Percussion: Maureen Aylett Drums: Mickey Hart Producer: Mickey Hart Bass: Peter Albin Banjo, Mandolin: Rick Shubb Musical Director: Robert Hunter Guitar, Organ, Vocals: Robert Hunter Fiddle, Vocals: Rodney Albin Saxophone: Snooky Flowers Engineer: Steve Brandon Saxophone: Steve Schuster Vocals: T. Will Claire Writer: Robert Hunter Auto-generated by YouTube.
An Army of Locusts Blow the trumpet in Zion;sound the alarm on my holy hill.Let all who live in the land tremble,for the day of the Lord is coming.It is close at hand— a day of darkness and gl
Via: https://youtube.com
'Gun Burial ’ is taken from Dominique Fils-Aimé’s sophomore album STAY TUNED! , released in February 2019. The album is now available on all major online music platforms via Ensoul Records. We acknowledge the financial support of FACTOR and Canada’s private radio broadcasters. Listen to "STAY TUNED!": https://song.link/staytuned Upcoming shows: https://domiofficial.com/en/#shows Listen to all of her albums: 'Nameless' (2018): http://hyperurl.co/DFA-Nameless 'Stay Tuned!' (2019): http://hyperurl.co/DFA-StayTuned 'Three Little Words' (2021): https://hyperurl.co/linkThreeLittleWords 'Our Roots Run Deep' (2023): https://lnk.to/OurRootsRunDeep ‘Live at the Montreal International Jazz Festival’ (2025): https://lnk.to/DFA-Live Follow / Suivre Dominique Fils-Aimé : Instagram: https://www.instagram.com/sing.with.mi/ TikTok : https://www.tiktok.com/@sing.with.mi Facebook: https://www.facebook.com/domiofficialpage Threads : https://www.threads.net/@sing.with.mi Blue Sky : https://bsky.app/profile/dominiquefilsaime.bsky.social Bandcamp : https://singwithmi.bandcamp.com/ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Credits Song written by Dominique Fils-Aimé (Ensoul Publishing) Vocals: Dominique Fils-Aimé Bass: Jacques Roy Drums: Salin Cheewapansri Percussions: Elli Miller Maboungou Keys: Nathan Vanheuverzwijn Guitar: Étienne Miousse Piano: Jean-Michel Frédéric Trumpet: Hichem Khalfa Didgeridoo: Kevin Annocque Photography: Kevin Millet Artwork: Siou-Min Julien Recorded at Studios OPUS in Assomption (Quebec), Canada under the supervision of Daniel Lepage. Produced and engineered by Jacques Roy. Mastered by Harris Newman at Grey Market Mastering in Montréal (Quebec), Canada. ℗ & © Ensoul Records, 2019. All rights reserved. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Lyrics The way you change your heart When you change your mind Makes you change your ways with me See I cannot deny it Everything you do’s blind sighting me Like someone pulled a trigger Did I pull the trigger Did I pull the trigger Did I bury the gun Fact that you’d burn down Paradise Within the blink of a random eye Makes me wonder what’s left for Hell to look like For Hell to look like Wanting me to beg and plead Every Sunday on my knee Something here don’t feel right Cause you don’t treat me right You don’t treat me like the queen you keep telling me you see You don’t treat me like the queen you keep telling me you see You don’t treat me like the queen we both know I’ll always be Mind over matter (mind) Do you mind if it matters (Be) Mind over matter Don’t you mind that you matter (Be) Mind over matter Do you mind, do you matter (mind mind mind) (Be) Mind over matter Please don’t mind all the matter (Be) Mind over matter Do you mind if it matters (mind mind mind) (Be) Mind over matter Don’t you mind that you matter (Be) (Mind over matter) Mind over Matter (mind mind mind) Do you mind, do you matter (Be) Mind over matter (mind mind mind) Please don’t mind all the matter (Mind over matter) Mind over matter Do you mind if it matters (mind mind mind) (Be) Mind over matter Don’t you mind that you matter (Be) (Mind over matter) Mind over Matter (mind mind mind) Do you mind, do you matter (Be) Mind over matter (mind mind mind) Mind over matter See I cannot deny it Everything you do’s blind sighting me Like someone pulled a trigger Should I pull the trigger Should I pull the trigger Should I bury the gun
Via: https://youtube.com
Watch Gene Simmons getting fired in the American Celebrity Apprentice... Donald trump... Episode 3..Board room...
Via: https://timworthington.org
An only very slightly academic study of the houses, buildings, shops, sheds, walls, windmills and cider presses that appeared in Camberwick Green, Trumpton and Chigley.
Via: https://americanelephant.wordpress.com
Well, the Democrats certainly demonstrated their lack of respect for the American voter.The Postal scam was an attempt to make voters think that the evil Trump was trying to prevent their vote from…
Via: https://youtube.com
President Joe Biden struggled with a raspy voice while former President Donald Trump resorted to personal attacks.