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Wynton Marsalis was born on this date in 1961. He is an African American musician, composer, and educator. From New Orleans, LA, Marsalis began his classical training on trumpet at age 12. He gained experience as a young musician in local marching bands, jazz and funk bands, and classical youth orchestras. He entered The Juilliard School in 1979 when he was 17 years old and soon became recognized as the most impressive trumpeter at the conservatory. That year he also joined Art Blakey and the Jazz Messengers, where generations of emerging jazz artists honed their craft.
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A conversation with the Gold Star father.
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Buy it here:
https://bit.ly/SevenForFive
“SEVEN for FIVE” is a piece composed entirely in seven. The time signature is 7/4 but within the 7 quarter notes in each bar lie two implied juxtaposed 7/8 bars. The resulting rhythmic play between the two time signatures gives the piece an interesting drive and feel that is characteristic throughout the work. Within this rhythmic interplay lies the soul of the piece. The title of the piece implies a work in seven for five players.
This piece was commissioned by Paul Nájera for his trumpet students at Flower Mound High School (Texas) for the specific purpose of performance at the 2022 National Trumpet Competition in Delaware.
Buy it here:
https://bit.ly/SevenForFive
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Provided to YouTube by Legacy Recordings
Old Friends (Live at Central Park, New York, NY - September 19, 1981) · Simon & Garfunkel
The Concert in Central Park (Live)
℗ 1982 Paul Simon & Art Garfunkel under exclusive license to Sony Music Entertainment
Released on: 1982-02-16
Composer, Arranger, Guitar, Vocal, Producer, Lyricist: Paul Simon
Associated Performer: Simon & Garfunkel
Vocal, Producer: Art Garfunkel
Drums: Steve Gadd
Drums: Grady Tate
Guitar: David Brown
Guitar: Pete Carr
Bass: Anthony Jackson
Keyboards: Richard Tee
Synthesizer: Rob Mounsey
Trumpet: John Gatchell
Trumpet: John Eckert
Saxophone: Dave Tofani
Saxophone: Gerry Niewood
Arranger: David Matthews
Arranger: Dave Grusin
Producer: Phil Ramone
Producer, Engineer, Mixing Engineer: Roy Halee
Recording Engineer: Dave Hewitt
Assistant Engineer: John Mathias
Recording Engineer: Steve Barash
Assistant Engineer: Terry Rosiello
Auto-generated by YouTube.
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ROSÉ & Bruno Mars - APT. (Official Music Video)
credits - @roses_are_rosie,@brunomars
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One-time attorney Abramson extends the argument begun in Proof of Collusion: How Trump Betrayed America (2018) by widening the net of culprits.
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#Bach #JSBach #Baroque #ClassicalMusic
The late German conductor Karl Ristenpart (1900-1967) leads the Saar Chamber Radio Orchestra in this performance from 1960 of Bach's Brandenburg Concerto No. 4 in G major, BWV 1049. I created this video from a cassette (distributed on the Nonesuch label in the early 1970s and long since out of print), an image of which appears at the close of this presentation. The image you see during the second movement is from the cover of the cassette packaging. Ristenpart was (and is) regarded as one of the preeminent exponents of Bach's (and Telemann's) orchestral works.
1. Allegro
2. Andante
3. Presto
More from Ristenpart:
Bach / Karl Ristenpart, 1960: Brandenburg Concerto No. 1 in F major, BWV 1046 - Complete - http://www.youtube.com/watch?v=ez7b2JsBQ80
Bach / Karl Ristenpart, 1960: Brandenburg Concerto No. 2 in F major, BWV 1047 - Complete - http://www.youtube.com/watch?v=yt5v93qQRcg
Bach / Karl Ristenpart, 1960: Brandenburg Concerto No. 3 in G major, BWV 1048 - Complete - http://www.youtube.com/watch?v=FieDvM9t4q0
Bach / Karl Ristenpart, 1960: Brandenburg Concerto No. 6 in B-flat major, BWV 1051 - Complete - http://www.youtube.com/watch?v=nSFW13cgWuQ
Bach / Karl Ristenpart, 1960: Brandenburg Concerto No. 5 in D major, BWV 1050 - Complete - http://www.youtube.com/watch?v=rCAbgtr2yOk
Bach / Karl Ristenpart, 1963: Orchestral Suite No. 1 in C major, BWV 1066 - Forlane, Minuets I, II - http://www.youtube.com/watch?v=QRPH_cJsFqk
Mozart / Karl Ristenpart: Eine Kleine Nachtmusik - Serenade in G major, K. 525 - Allegro - http://www.youtube.com/watch?v=LRMCQrSxb_o
Telemann / Karl Ristenpart, Maurice Andre, 1962: Trumpet Concerto in D major - Allegro -- http://www.youtube.com/watch?v=4L4dLvSWsF0
Mozart / Karl Ristenpart: Eine Kleine Nachtmusik - Serenade in G major, K. 525 - Romanze - http://www.youtube.com/watch?v=c0u0sOD7lNk
Bach / Karl Ristenpart, 1960: Brandenburg Concerto No. 4 in G major, BWV 1049 - Allegro - http://www.youtube.com/watch?v=nXxxBAlNrgo
Telemann / Karl Ristenpart, 1962: Concerto in D major for 3 Trumpets, Timpani, 2 Oboes - Movement 1 - http://www.youtube.com/watch?v=3JWvsYfMB5Y
Mozart / Karl Ristenpart: Symphonie Concertante in E flat major, K. 364 - Allegro maestoso - http://www.youtube.com/watch?v=ItOuo6-nxL0
Telemann / Karl Ristenpart, 1962: Overture in C major for 3 Oboes, Strings and Continuo (Part 4) - http://www.youtube.com/watch?v=X13GRbIsz_Y
Бранденбу́ргские концерты (BWV 1046-1051) Иоганна Себастьяна Баха — цикл из 6 концертов, преподнесённых Бахом в качестве подарка курфюрсту Бранденбурга в 1721 г., но, скорее всего, сочинённых ранее. Поскольку под дарственной надписью стоит дата 24 марта 1721 г., известен terminus ante quem, однако точное время сочинения неизвестно. Скорее всего, концерты были написаны в годы работы в Кётене или даже ранее того. Дарственная надпись Баха указывает лишь, что это «Concerts avec plusieurs instruments», т. е. концерты для нескольких инструментов. На самом деле, в концертах Бах задействовал множество инструментов в смелых и неожиданных для своего времени сочетаниях. Сегодня эти концерты обычно исполняются камерным оркестром со значительной струнной группой. Исполнялись они и камерными оркестрами, в которых было всего по одному инструменту на партию. Бах имел в распоряжении небольшой камерный оркестр и исполнял концерты с его помощью, но неизвестно, предпочёл бы он этому оркестру больший, будь у него достаточно средств, поэтому современным исполнителям предоставлен широкий выбор.
"David Hertzberg" -----------
-----------
#bach #jsbach #johannsebastianbach #baroque
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The former president, facing a scheduling conflict with a campaign rally, insisted he’s simply pausing his case seeking $500 million from the attorney who turned on him.
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I Threw a Kiss In the Ocean · Peggy Lee
The Complete Recordings 1941-1947
℗ Originally Released 1942 Sony Music Entertainment Inc.
Released on: 1999-05-20
Guitar: Tommy Morgan
Associated Performer: Peggy Lee
Drums: Ralph Collier
Piano: Mel Powell
Bass: Sid Weiss
Alto Saxophone: Bud Shiffman
Alto Saxophone: Sol Kane
Tenor Saxophone: Vido Musso
Tenor Saxophone: George Berg
Baritone Saxophone: Art Ralston
Clarinet: Benny Goodman
Trumpet: Bernie Privin
Trumpet: Jimmy Maxwell
Trumpet: John Napton
Trombone: Lou McGarity
Trombone: Cutty Cutshall
Lyricist, Composer: Irving Berlin
Arranger: Mel Powell
Producer: Didier C. Deutsch
Producer: Charles L. Granata
Producer: Darcy M. Proper
Auto-generated by YouTube.
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<p>Whether he walked in on naked teens hasn't been established.</p>
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Remember this. We are weaker now. “Trump has groomed us.” Try to hold and speak and advocate what you know is right and true. We’ve already moved so far. Don’t change your standards to accommodate their shameless incompetence & cruelty.
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Classic Mood Experience The best masterpieces ever recorded in the music history.
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Count Basie - One O'clock Jump [1937]
"One O'Clock Jump" is a jazz standard, a 12-bar blues instrumental, written by Count Basie in 1937.
The melody derived from band members' riffs—Basie rarely wrote down musical ideas, so Eddie Durham and Buster Smith helped him crystallize his ideas. The original 1937 recording of the tune by Basie and his band is noted for the saxophone work of Herschel Evans and Lester Young, trumpet by Buck Clayton, Walter Page on bass, and Basie himself on piano. The song is typical of Basie's early riff style. The instrumentation is based on "head arrangements" where each section makes up their part based on what the other sections are playing. Individuals take turns improvising over the top of the entire sound. Basie recorded "One O'Clock Jump" several times after the original performance for Decca in 1937, for Columbia in 1942 and 1950 and on a number of occasions in the fifties. "One O'Clock Jump" became the theme song of the Count Basie Orchestra. They used it to close each of their concerts for the next half century. It was reportedly titled "Blue Ball" at first but a radio announcer feared that title was too risqué.
In 1979, the song was inducted into the Grammy Hall of Fame. Later, it was listed in the Songs of the Century.
- “Two O'Clock Jump" was a performance by Harry James and his big band in 1939, slightly based on "One O'Clock Jump" but using triplets. Several versions of the original by Harry James and Benny Goodman feature the "Two O'Clock Jump" ending. Lionel Hampton used the song as his theme song for a while as well. Basie later released "Jumpin' at the Woodside" in a similar style.
- A popular jazz standard for virtually all top swing bands and their fans and jitterbuggers, it was part of the concert bill for Benny Goodman's famous 1938 concert at Carnegie Hall. It was also the last number ever recorded by Earl Hines, in 1981 after a 58-year recording career.[4]
- Al Hirt released a version on his 1961 album He's the King and His Band.[5]
- Rush drummer Neil Peart included "One O'Clock Jump" in his drum solos on the band's concert tours in 2002 and 2004.
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Provided to YouTube by Columbia
Born to Run (Acoustic Version - Live at LA Memorial Sports Arena, Los Angeles, CA - April 1988) · Bruce Springsteen
Chimes of Freedom (Live) - EP
℗ 1988 Bruce Springsteen
Released on: 1988-08-01
Composer, Vocal, Associated Performer, Guitar, Lyricist, Producer: Bruce Springsteen
Guitar, Vocal: Nils Lofgren
Vocal, Guitar: Patti Scialfa
Percussion, Saxophone: Clarence Clemons
Drums: Max Weinberg
Piano, Synthesizer: Roy Bittan
Organ, Synthesizer: Danny Federici
Bass: Garry Tallent
Tenor Saxophone: Mario Cruz
Baritone Saxophone: Ed Manion
Trumpet: Mark Pender
Trumpet: Mike Spengler
Trombone: Richie Rosenberg
Producer: Jon Landau
Producer: Chuck Plotkin
Mixing Engineer: Bob Clearmountain
Mastering Engineer: Bob Ludwig
Recording Engineer: Toby Scott
Auto-generated by YouTube.
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If you don't think support for Trump is a cult of personality that enables a dictator, watch this and think again.
The Lincoln Project is a leading pro-democracy organization in the United States — dedicated to the preservation, protection, and defense of democracy. Our fight against Trumpism is only beginning. We must combat these forces everywhere and at all times — our democracy depends on it.
Don’t forget to like, share, and follow The Lincoln Project on social media below!
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Trump's first impeachment - 2020
Rep. Sylvia Garcia, D-Texas, told senators in the impeachment trial that President Donald Trump perpetuated a debunked conspiracy theory pushed by Russia that Ukraine interfered in the 2016 presidential election. “President Trump continued to promote this fake conspiracy theory just because it would be beneficial and helpful to his own reelection campaign,” Garcia, one of the House managers said. House managers have been allowed 24 hours over the course of three days to present their case. The White House will then make its defense. The House of Representatives impeached the president in December on two articles — abuse of power and obstruction of Congress. The trial will determine whether Trump is convicted of those charges and removed from office, or acquitted.
For more on who’s who in the Trump impeachment inquiry, read: https://www.pbs.org/newshour/politics/whos-who-in-the-trump-impeachment-inquiry
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You can tell the Iowa winter has taken a toll on the MAGA GOP.
The Lincoln Project is a leading pro-democracy organization in the United States — dedicated to the preservation, protection, and defense of democracy. Our fight against Trumpism is only beginning. We must combat these forces everywhere and at all times — our democracy depends on it.
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Produced and composed by Daniel Masson.
Track from album Jetlag released October 2015.
Samples:
Michel Ragonnnet: Trumpet
Esther Efana, Rataro: vocals
Spotify:https://artists.spotify.com/c/artist/4JJeSoW7T42xfTveSyHpRO/profile/overview
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Website: http://www.danielmasson.net/
Soundcloud: https://soundcloud.com/daniel-masson
Facebook: https://www.facebook.com/Daniel-Masson-115363525320/
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Prediction for MAGA in 2024: more of the same (loss).
The Lincoln Project is a leading pro-democracy organization in the United States — dedicated to the preservation, protection, and defense of democracy. Our fight against Trumpism is only beginning. We must combat these forces everywhere and at all times — our democracy depends on it.
Don’t forget to like, share, and follow The Lincoln Project on social media below!
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00:00 01 - Birth - Nascimento
04:10 02 - Quero a Pancada Motor - Alegria
08:26 03 - Quero Passar - Dúvida
13:10 04 - Fogo - Transformação
17:36 05 - No Caminho
21:34 06 - Eu sou um Africano - Escravidão
25:16 07 - Terra para todos - Retomada
29:08 08 - Nietzsche era triste porque nunca
foi numa macumba - Celebração
32:45 09 - Giro - Cura
Sétimo trabalho de DJ Tudo e sua Gente de Todo Lugar, nascido das gravações da cultura brasileira e feito entre 2007 e 2019 em viagens pelo mundo - Brasil e mais 11 países.
Deveria ter saído em 2013, mas o “Pancada Motor - Manifesto da Festa” saiu na frente, tendo como sequência os dois volumes da série Gaia Música. Em 2019, o disco pode ser finalizado.
Pancada Motor é um termo oriundo das tradições alagoanas como o Samba de Matuto, Cambinda, Baianá e Caboclinha, e falam do seu fazer cultural ou de seus ritmos. Aqui esse nome foi expandido para outras culturas e ritmos do Brasil.
Transformação e cura são necessidades urgentes para a humanidade e nossa relação com o planeta, precisamos transformar nossa relação com os outros e com a mãe Terra para nossa cura.
Artistas de vários países e diferentes culturas contribuíram para esse trabalho. É difícil colocar uma ordem de grandeza e de importância, mas, sem dúvidas, os grupos tradicionais brasileiros foram a inspiração inicial: As Matutinhas do Pontal de Coruripe, A Cambinda Palmeirense de Porto de Pedras, o Maracatu Nação e o Rural de Recife, A Caceteira do Seu Rindu de São Cristóvão, O Terno de Congo 13 de Maio de Goiânia, O Reisado São Miguel de Juazeiro de Norte e o Carimbó Raízes de Coremar de Salinas, a Rainha Dona Neta do Maracatu Cruzeiro do Forte do Recife.
Igualmente fundamental é a contribuição de Sérgio Ricardo, lenda da MPB, e a rapper chilena Ana Tijoux que integram a faixa “Terra pra todos”. Da Bélgica, Rolland Van Campenhout, Steven de Bruyn, Bart Maris, Tuur Florizoone e David Bovée.De São Paulo, meus parceiros de caminhada, a banda Gente de todo lugar, o baterista Gustavo Souza, a percussionista e cantora Rafaella Nepomuceno, o guitarrista Rafael Martinez, os saxofonistas Marcelo Monteiro e Filipe Nader e o trompetista Amílcar Rodrigues.
Muito obrigado pela música e o afeto que colocaram nesse trabalho, o resultado são nove músicas e nove estações ligadas a vida.
Conhecer e respeitar culturas é um eterno caminho de transformação, que esse trabalho chegue a cada um como um elemento transformador, principalmente nesse momento quase inexplicável que vivemos no planeta.
Vida plena!
Alfredo Bello, 2021
DJ Tudo e sua Gente de Todo Lugar’s 7th album, breed from Brazilian field recordings and made between 2007 and 2019 in trips around the world - Brazil and 11 other countries. It is a project that should have come out in 2013, but the “Pancada Motor - Manifesto da festa” came out ahead, having as a sequel the two volumes of Gaia Music series. By early 2019, the album was finalized.
Pancada Motor is a term derived from the Alagoas traditions like the Samba de Matuto, Cambinda, Baianá and Caboclinha, about their cultural make or their rhythms. Here this name has been expanded to other cultures and rhythms of Brazil.
Transformation and Cure are urgent needs for humanity and our relation with the planet, we need to transform our relationship with each other and Mother Earth for our healing as a whole.
Artists from many countries and different cultures contributed to this work. It is hard to place an order of greatness and importance but certainly the traditional Brazilian groups were the initial inspiration: Matutinhas do Pontal de Coruripe, Cambinda Palmeirense de Porto de Pedras, Maracatu Nação e Rural de Recife, Caceteira do Seu Rindu de São Cristóvão, Terno de Congo 13 de Maio de Goiânia, Reisado São Miguel de Juazeiro de Norte, Carimbó Raízes de Coremar de Salinas and Queen Dona Neta from Maracatu Cruzeiro do Forte do Recife.
Equally fundamental is the contribution of Sérgio Ricardo, legend of MPB (Brazilian Popular Music), and Chilean rapper Ana Tijoux that features the track “Terra para todos (Land for all)”. From Belgium, Rolland Van Campenhout, Steven de Bruyn, Bart Maris, Tuur Florizoone and David Bovée. Alan Bryden and Stuart Brown, BigTad and duo Twelfth day Esther and Catriona from Scotland. From Paris, guitarist Stefane Goldman who has participated in several DJ Tudo’s albums. From London, the. From São Paulo, my brothers and sisters in arms: Gente de Todo Lugar - drummer Gustavo Souza, percussionist and singer Rafaella Nepomuceno, guitarist Rafael Martinez, saxophonists Marcelo Monteiro and Filipe Nader and trumpeter Amílcar Rodrigues.
Thank you so much for the music and the affection that you put in this work, the result is nine songs and nine seasons linked to life.
Knowing and respecting cultures is an eternal path of transformation, that this work reaches each one as a transforming element, especially in this almost inexplicable moment that we live on the planet.
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Via: https://youtube.com
Live at the 11th Open Air Party Γιαννιjazz n Giannitsa, Greece.
29 June 2023.
Video by Vaggelis Ameranis.
Spotify: https://tinyurl.com/52dytacr
Bandcamp: https://pankapetan.bandcamp.com
Instagram: https://instagram.com/kaptenbandgr
Facebook: https://www.facebook.com/kaptenbandgr
Vocals: Alexandra Karampournioti & Tsop
Trumpet: Kapten
Sax: Thanos Tsakiltzidis
Guitar: Grigoris Liolios
Bass: Maquitto
Drums: Thomas Kostoulas & Alex Makatselos
Sound Engineer: Adam Siagas
Composed by Kapten
Lyrics by Kapten & Tsop
Mastered by H12
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Via: https://finance.yahoo.com
The American Health Care Act, the GOP plan to overhaul the US healthcare system, passed in the...
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Via: https://youtube.com
Hillary Clinton dropped the mic on Twitter on Tuesday following the presidential debate between Joe Biden and President Donald Trump, responding to the moment Biden asked Trump to ‘shut up.’ Back in 2016, Clinton went three rounds with then-fellow candidate Trump when she was the Democrat running against him in the presidential election.
Exclusives from #ETonline :
https://www.youtube.com/playlist?list=PLQwITQ__CeH2Y_7g2xeiNDa0vQsROQQgv
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Via: https://youtube.com
To squeeze a year's worth of MAGA crazy into two minutes... We hope you enjoy this look back on the chaos, craziness, and cultish behavior of MAGA in 2023.
The Lincoln Project is a leading pro-democracy organization in the United States — dedicated to the preservation, protection, and defense of democracy. Our fight against Trumpism is only beginning. We must combat these forces everywhere and at all times — our democracy depends on it.
Don’t forget to like, share, and follow The Lincoln Project on social media below!
DONATE TO THE LINCOLN PROJECT
https://action.lincolnproject.us/donate
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Help us stay in this fight.
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Donate to Lincoln Project
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Via: https://youtube.com
It's a job he couldn't turn down.
If you'd like it on your phone or watch or pad or possibly directly implanted into your brain, you can visit:
iTunes: https://itunes.apple.com/us/album/russian-agent-man-feat-ellis-weiner-single/1436613713?app=itunes&ign-mpt=uo%3D4
Apple Music: https://itunes.apple.com/us/album/russian-agent-man-feat-ellis-weiner-single/1436613713?app=apple%20music&ign-mpt=uo%3D4
Google Play: https://play.google.com/store/music/album/Kompromat_Russian_Agent_Man_feat_Ellis_Weiner?id=Bqgio4szdefxo43sqtesqtpmmfe
Amazon: https://www.amazon.com/gp/product/B07HGG2J4X
Spotify: https://open.spotify.com/album/52PrrPyb6BJx1Io4Vi1w6o
Tidal: https://tidal.com/browse/album/95283543
Deezer: https://www.deezer.com/us/album/73465412
Napster: https://us.napster.com/artist/kompromat/album/russian-agent-man
Soundcloud: https://soundcloud.com/steve-radlauer/russian-agent-man-feat-ellis-weiner-on-drums
iHeartRadio: https://www.iheart.com/artist/kompromat-32153145/albums/russian-agent-man-feat-ellis-weiner-62079898/
Kompromat = the Trump-inspired songs, singing, and musical-instrument-playing of Steve Radlauer. He is also the co-author of the book Monsters of the Ivy League, which you can see here: https://tinyurl.com/kfla7mw. You'll find all the Kompromat songs here: https://www.youtube.com/user/steveradlauer/videos.
On some songs, Radlauer is accompanied by friends—on What's In It For Me? it's Ellis Weiner on drums. (The multitalented Mr. Weiner is also Mr. Radlauer's collaborator on Monsters of the Ivy League.)
© 2018 S. Radlauer, all rights reserved
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Via: https://youtube.com
Arrangement, Piano & Beatbox: Lukas DeRungs
Voice: Elian Zeitel Frei
Trumpet: Martial In-Albon
Drums: Jonas Esser
Bass: Lukas Hatzis
Sound: Jürgen Losigkeit
Kamera: Arthur Bauer
Alte Feuerwache Mannheim, 5.7.2017
www.lukas.derungs.de
Bass
Raphael Kuhn
Lorenz Leenen
Dominik Dieterle
Uli Kneisel
Jürgen Parison
Fabian Fahrenschon
Tenor
Joe Weis
Benjamin Wankmüller
Nicolas Arnold
Angela Requena Fuentes
Alt
Henriette Götz
Amelie Meister
Johanna Götz
Martina Egli
Laura Volk
Sopran
Chiara Fürniss
Larissa Schnadt
Anna Stumpf
Katharina Götz
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Via: https://youtube.com
Title Track : opus 12 symphony《if a cause is worth dying for then be》
Album : Shiro SAGISU Music from "SHIN EVANGELION"
Produced, Composed & Arranged by Shiro SAGISU
Choir Lyrics : Mike Wyzgowski
Orchestra & Choir arrangement : Shiro SAGISU
[ =Shiro SAGISU's Special Choir= ]
Soprano : Catherine Bott
Alto : Deborah Miles-Johnson
Tenor : Andrew Busher
Bass : Michael George
[ =The London Studio Orchestra= ]
Conductor : Nick Ingman
Violin (1st principals) : Perry Montague-Mason, John Mills
Violin (2nd principal) : Emlyn Singleton
Viola (principals) : Peter Lale, Vicci Wardman
Cello (principals) : Anthony Pleeth, Martin Loveday, Nick Cooper
Contrabass (principals) : Chris Laurence, Stacey Watton
Flute : Eliza Marshall, Anna Noakes, Siobhan Grealey, Karen Jones, Jonathan Snowden
Oboe : Davis Thomas, Chris Cowie, John Anderson, David Theodore, Jane Marshall
Clarinet : Michael Whight, Anthony Pike, Jon Carnac, Dave Fuest
Bassoon : Gavin McNaughton, Richard Skinner, Stephen Maw
Horn : David Pyatt, Richard Watkins, Simon Rainer, Mike Thompson, Martin Owen, John Thurgood, Philip Eastop, Nicholas Korth, Nigel Black, Richard Bissill, Laurence Davies, Richard Berry
Trumpet : Derek Watkins, Tom Rees-Roberts, John Barclay, Paul Mayes, Simon Monday, Kate Moore, Philip Cobb, Andy Crowley, Maurice Murphy
Trombone : Mark Nightingale, Pete Moore, Dave Stewart, Andy Wood, Ed Tarrant, Richard Edwards, David Vines
Tuba : Peter Smith, Owen Slade, Nick Hitchens, Lee Tsarmaklis
Harp : Skaila Kanga, Lucy Wakeford, Hugh Webb
Percussion : Frank Ricotti, Gary Kettel, Chris Baron, Paul Clavis, Stephen Henderson, Glyn Matthews, Bill Lockhart
[ Shiro SAGISU pays his respects to.. ]
Derek Watkins (1945 - 2013) デレク、素晴らしい演奏ありがとう!
Martin Loveday (1958 - 2020) マーティン、素晴らしい演奏ありがとう!
Orchestra Contractor : Lucy Whalley, Jenny Nendick, Isobel Griffiths
Librarian : Yuiko SAGISU, Yukiko Tanimoto, Ron Shillingford
Pro Tools Operator : Takashi Kimitsuka, Mayumi Akao
Overseas Studio Affairs : Philip Bagenal, Alison Burton, Fiona Gillot, Jack Doutt
Recording : Jonathan Allen, Simon Rhodes, Rupert Coulson, Tom Bailey, Olga FitzRoy, Jake Jackson, Philip Bagenal, George Murphy, Masahiro Kawaguchi, Shiro SAGISU
Premix : Rupert Coulson
Mixing : Shiro SAGISU
Mastering : Patricia Sullivan
Post Production : Machiko Suzue, Kaori Ishibashi, Masahiro Kawaguchi
Recording Studio Hall (London) : Abbey Road studios, Air Lyndhurst Hall, Eastcote studios
Recording Studio (Paris, Angoulême) : Beethoven d'Hallwyll Printz
Recording Studio (Tokyo, Yokohama) : AVACO, King Sekiguchidai studio, Sound City, ∠R, Ro-JAM
Premix : Beethoven
Premix, Post-Production : Sony Nogizaka, ∠R, Ro-JAM
Mixing Studio : Ro-JAM
Mastering : Patricia Sullivan room at Bernie Grundman Mastering
Overseas Management : Shiro SAGISU
Local Management : Fumio Miyata, Mai Sato, Rie Shimasue
Production Manager : Shiro SAGISU, Rie Shimasue, Ro-JAM Ltd.
Executive Producer : Hideaki Anno
|:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::|
Thanks Artworks from...
― Screenshots from "Operation 0706" and "First 12min 10sec 10f of Evangelion:3.0+1.0"
Translated Thai Lyrics, Edited & Rendering Directed by @S2P_ThaiLyrics_infinity (S2P_p8k)
Thanks for Watching ^ ^
#ShinEvangelion #ShiroSAGISU #MikeWyzgowski #TheLondonStudioOrchestra #SpecialChoir #CatherineBott #DeborahMilesJohnson #AndrewBusher #MichaelGeorge #Evangelion #シンエヴァンゲリオン #エヴァンゲリオン #エヴァ #鷺巣詩郎 #S2P_ThaiLyrics #S2P_infinity
◆ All pictures belong to their respective owners. ◆
◆ All music rights go to Shiro SAGISU, Mike Wyzgowski, khara and King Record Co., Ltd. ◆
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Via: https://music.youtube.com
Jen Houston sings this parody song detailing just SOME of the treacherous crimes of the Trump presidency. Sung by Jen Houston, Lyrics by Elliott Stein.
Original song Time After Time by Robert Hyman / Cyndi Lauper
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Via: https://newsbusters.org
In another blatant attempt by the liberal media to drum up resentment against President Trump with more false reporting, the Monday editions of ABC’s World News Tonight and the CBS Evening News featured reports claiming the President was putting the life of the so-called “whistleblower” behind the Ukraine phone complaint, at risk.
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Via: https://www.cavinnash.at
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