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New York, NY

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SCOOP: The top US election security watchdog has frozen all of its efforts to aid states in securing elections. The move represents the first major example of the country’s cyber defense agency accommodating Trump’s false claims of election fraud and online censorship. https://wrd.cm/4jYjGkW

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Provided to YouTube by Rhino Odwalla (Live at Ann Arbor Blues & Jazz Festival, Ann Arbor, MI, 9/9/1972) · The Art Ensemble of Chicago Bap-Tizum: Performance At The Ann Arbor Blues Festival ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Percussion, Vocals: Don Moye Percussion, Saxophone, Vocals: Joseph Jarman Flugelhorn, Percussion, Trumpet, Vocals: Lester Bowie Bass Guitar: Malachi Favors Percussion, Vocals: Malachi Favors Clarinet, Drums, Percussion, Saxophone, Vocals: Roscoe Mitchell Writer: Roscoe Mitchell Auto-generated by YouTube.

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"Do Nothing till You Hear from Me" (also written as "Do Nothin' Til You Hear From Me") is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental ("Concerto for Cootie") that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams. Russell's words were added later. In 1944, Ellington's own recording of the song, with featured vocals by Al Hibbler, was a number one hit R&B chart for eight non consecutive weeks and number six on the pop chart. "Do Nothing till You Hear from Me" has since been performed by many famous vocalists, including Mose Allison, Louis Armstrong, Tony Bennett, Mary J. Blige, Suzy Bogguss, Nat King Cole, Phil Collins, Harry Connick, Jr., Sammy Davis, Jr., Ella Fitzgerald, Lena Horne, Billie Holiday, Dr. John, Gladys Knight, Diana Krall, Patti Page, Robert Palmer, Nina Simone, Andy Williams, Robbie Williams and Fiona Apple.

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Bring Us the Bright Recorded Live (with no overdubs) at 'The Studio', Morley College, London. April 2012 http://www.morleycollege.ac.uk/departments/music/recording_studio SNARKY PUPPY Chris Bullock - Tenor Sax Bill Laurance - Keys Mike League - Bass Bob Lanzetti - Guitar Mike Maher - Flugelhorn Robert "Sput" Searight - Drums Justin Stanton - Keys/Trumpet Nate Werth - Percussion Engineered by Camilo Salazar Mixed by Camilo Salazar & Matthew Stokes Assistant Engineer: James Beck Filmed and Edited by Stephanie Tasker Tim Gomersall Colour Graded by Thomas Knowles

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Don Was Detroit All-Star Revue 2017 "1960 What" Sir Harry Bowens, Sweet Pea Atkinson, Donald Ray Mitchell The 2017 Revue theme was songs of Revolution. Sir Harry Bowens - vocals Sweet Peat Atkinson - vocals Donald Ray Mitchell - vocals Don Was - bass Luis Resto - keyboards Brian "Rosco" White - guitar Randy Jacobs - guitar Ron Pangborn - drums Ron Otis - drums David McMurray - sax Rayse Biggs - trumpet Recorded live @ the 10th Annual DON WAS DETROIT ALL-STAR REVUE at the 25th CONCERT OF COLORS July 15th, 2017, Meijer Stage, Orchestra Hall, Detroit, MI Detroit All-Star Revue Curator – Don Was Co-Host - Ann Delisi Executive Producer - Ismael Ahmed Production manager, front-of-house engineer, recording engineer – Chris Tayler Stage Manager – Dave Shelley Mixing engineer – Don Was Director of Photography – Kevin Leeser Camera Operators – Eric Steele, Nick Drankowski, Alex Jacobsen Wrangler - Rob Green Video directed and edited by Gemma Corfield Special thanks to Kathryn Grabowski

Via: https://theconversation.com

More than 50 years ago, concerns about Canada’s dependence on the U.S. led to a policy discussion centred on what became known as the ‘Third Option.’

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Tompkins Square Park, New York, NY 1995-08-27 - audience records 01. Announcer PS/GA - 0:00 02. Klaactoveesedstene - 2:42 03. If I Should Lose You - 13:04 04. Announcer Geri Allen - 27:03 05. Cheryl - 28:01 Geri Allen - piano Wallace Roney - trumpet Jessy Davis - alto sax Ralph Armstrong - bass Eric Allen - drums

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Provided to YouTube by Rhino Move on Up (Extended Version) · Curtis Mayfield The Very Best of Curtis Mayfield ℗ 1970 Curtom Classics Inc., a label of Warner Strategic Marketing Saxophone: Clifford Davis Producer: Curtis Mayfield Vocals: Curtis Mayfield Assistant Engineer: Danny Turbeville Drums: Donald Simmons Violin: Elloit Golub Arranger: Gary Slabo Instruments: Gary Slabo Woodwinds: Harold Dessent Viola: Harold Klatz Instruments: Harold Lepp Trumpet: John Howell Keyboards: John Ross Saxophone: Leonard Druss Trombone: Lorin Binford Percussion: Master Henry Gibson Guitar: Patrick Ferreri Guitar: Phil Upchurch Instruments: Richard Single Arranger: Riley Hampton Horn: Robert Lewis Drums, Percussion: Robert Sims Engineer: Roger Anfinson Baritone Saxophone: Ron Kolber Trumpet: Rudolph Stauber Instruments: Sam Heiman Violin: Sol Bobrob Engineer: Tom Flye Writer: Curtis Mayfield Auto-generated by YouTube.

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But the defence says the former president committed no crimes and calls star witness an admitted liar.

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Provided to YouTube by Legacy Recordings Alphabet St. · Prince The Very Best Of Prince ℗ 1988 NPG Records, Inc. under exclusive license to Legacy Recordings Released on: 2001-07-31 Vocal: Cat Glover Engineer, Associated Performer, All Instruments, Vocal, Composer, Lyricist, Arranger, Producer: Prince Drums: Sheila E. Saxophone: Eric Leeds Trumpet: Atlanta Bliss Mixing Engineer, Recording Engineer: Eddie Miller Engineer: Joe Blaney Mastering Engineer: Bernie Grundman Auto-generated by YouTube.

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For me, all the proof I need that Trump, if not the biblical Antichrist, is at least a political one, is what he says and does.

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tracklist: [00:00] 01. Emergency [05:18] 02. Fresh [11:00] 03. Misled [16:01] 04. Cherish [21:41] 05. Surrender [26:40] 06. Bad Woman [32:15] 07. You Are The One credits: Alto Saxophone – Dennis "D.T." Thomas Art Direction – Joni Weinstein, Murry Whiteman Backing Vocals – James Taylor, Kendal Stubbs, Ronald Bell, Starleana "Star" Young Bass Guitar – Robert "Kool" Bell Coordinator – Gabe Vigorito Design, Cover [Concept] – Joni Weinstein Drums – George Brown Graphics – Lumel/Whiteman Graphic Design Guitar – Charles Smith Keyboards, Synthesizer – Curtis "Fitz" Williams, "D.S.C." Lead Vocals – James "J.T." Taylor Make-Up – Roz Burns Mastered By – Jose Rodriguez Mixed By – Gabe Vigorito, Jim Bonnefond, Kendal Stubbs, Ronald Bell Photography By [Cover] – Brian Hagiwara Producer – Jim Bonnefond, Kool & The Gang, Ronald Bell Recorded By [Assistant Engineer] – Joe Roth Recorded By [Engineer] – Jim Bonnefond, Kendal Stubbs Stylist – Lazaro Arias Tenor Saxophone, Synthesizer – Ronald "Khalis" Bell Trombone – Clifford Adams Trumpet – Michael Ray, Robert "Spike" Mickens Label: De-Lite Records Released: 1984 Genre: Soul, Funk, Disco Copyright © – De-Lite Records I am uploading this video for entertainment purposes only, I am not intending to make any profit from this video

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By  Alfredo Toro Hardy   According to The Economist: “The ‘Trump corollary’ to the Monroe Doctrine, featured in America’s new national security strategy in December, vowed to deny ‘non-hemispheric competitors’ the ability to position military forces or control strategic assets in the western hemisphere. The target was clear: China”. (The Economist, 2026). On its side,

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he’s looking for new talent -- CREDITS: Trump - Austin Nasso Travel Guide - Ankur Bodhe Director of Photography / Colorist - Sai Kesari Editor - Matt Larson Post Production Sound Mixer - Justin Bates ---------- Sign up for my mail list: austinnasso.com/join Follow me on my socials: https://www.instagram.com/austinnasso/ https://www.tiktok.com/@austinnasso/ https://www.facebook.com/austinnasso https://www.snapchat.com/add/austinnasso Get tickets to live shows: https://direct.me/austinnasso/

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Trump and Hitler: A Comparison of Malignant Narcissism is discussed through this psychological lens as figures displaying authoritarian tendencies.

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If many people were shocked by Donald Trump’s 2016 election, many more were stunned when, months later, white supremacists took to the streets of Charlottesville, Virginia, chanting “Blood and Soil” and “Jews will not replace us!” Like Trump, the Charlottesville marchers were dismissed as aberrations―crazed extremists who did not represent the real US. It Can Happen Here demonstrates that, rather than being exceptional, such white power extremism and the violent atrocities linked to it are a part of American history. And, alarmingly, they remain a very real threat to the US today. Alexander Hinton explains how murky politics, structural racism, the promotion of American exceptionalism, and a belief that the US has have achieved a color-blind society have diverted attention from the deep roots of white supremacist violence in the US’s brutal past. Drawing on his years of research and teaching on mass violence, Hinton details the warning signs of impending genocide and atrocity crimes, the tools used by ideologues to fan the flames of hate, and the shocking ways in which “us” versus “them” violence is supported by inherently racist institutions and policies.

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De beurs stond op z'n kop na uitspraken van Donald Trump over importheffingen. Maar wat gebeurde er écht? Kort vóór zijn aankondiging explodeerde het handelsvolume op Nasdaq en S&P500. Is er sprake van insider trading? En hoe reageert de markt op deze onrust? Thumbnail: ANP Heb je meer BNR in je leven nodig? Check dan ook onze podcasts en artikelen: https://www.bnr.nl/ Volg ons ook op andere social media: Instagram: https://www.instagram.com/bnrnieuwsradio/ TikTok: https://vm.tiktok.com/ZML5nvq2A/ Twitter: https://twitter.com/BNR Facebook: https://www.facebook.com/bnr.nieuwsradio LinkedIn: https://www.linkedin.com/company/bnr-nieuwsradio Download de BNR-app: https://www.bnr.nl/app

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And as awful and intentionally horrific as Trump’s COVID-19 non-policy has been, there’s plenty of bad governance to go around. As of Sunday evening, the two-week prevalence of SARS-CoV…

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Secretary of State Rex Tillerson's vicious insult towards Donald Trump becomes Jordan's new rallying cry. Watch full episodes of The Opposition now:  http://www.cc.com/shows/the-opposition-with-jordan-klepper/full-episodes       The Opposition w/ Jordan Klepper airs weeknights at 11:30/10:30c on Comedy Central.

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Provided to YouTube by Columbia Cherokee · Wynton Marsalis Marsalis Standard Time - Volume I ℗ 1987 SONY BMG MUSIC ENTERTAINMENT Released on: 1987-07-07 Drums: Jeff "Tain" Watts Trumpet, Associated Performer: Wynton Marsalis Piano: Marcus Roberts Bass: Robert Leslie Hurst III Composer: R. Noble Producer: Steve Epstein Executive Producer: George Butler A& R Coordinator: Butler Engineer: J.B. Matteotti Engineer: Phil Gitomer Engineer: Tim Geelan Assistant Engineer: Dennis Ferrante Auto-generated by YouTube.

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San Francisco Symphony Orchestra conducted by Michael Tilson Thomas. I - Largo molto sempre (string & trumpet) / Adagio - Allegretto - Allegro molto - Presto molto agitato (woodwinds): 0:00 Ives' "The Unanswered Question" was composed in 1908, being revised much later between 1930-5. Ives added a 13-bar introduction, made the woodwind parts more dissonant, and added further dynamic and articulation indications. He also made a small but significant change to the "question motif", which had originally ended on the note that began it, but now remained unresolved. The piece was originally coupled with "Central Park in the Dark" as part of "Two Contemplations". It was premiered on May 1 of 1946, by a student chamber orchestra from the Juilliard Graduate School conducted by Edgar Schenkman and Theodore Bloomfiel. The original version was not premiered until March 1984, when Dennis Russell Davies and American Composers Orchestra performed it in New York City. The piece was possibly inspired by Emerson’s poem "The Sphynx", in which the title phrase appears. Ives viewed Emerson as rising "to almost perfect freedom of action, of thought and of soul, in any direction and to any height". Ives provided a short text by which to interpret the work, giving it a narrative as in program music. Throughout the piece, the strings sustain slow tonal triads that, according to Ives, represent "The Silence of the Druids — who Know, See and Hear Nothing". Against this background, the trumpet poses a mysterious phrase — "The Perennial Question of Existence" — seven times, to which the woodwinds "answer" the first six times in an increasingly erratic way. Ives wrote that the woodwinds' answers represented "Fighting Answerers" who, after a time, "realize a futility and begin to mock 'The Question'" before finally disappearing, leaving "The Question" to be asked once more before "The Silences" are left to their "Undisturbed Solitude". The piece ends with the strings "hum[ming] softly in the distance, like the eternal music of the spheres." The strings twice repeat a pianississimo thirteen-bar progression, so slowly it has a static feel. It uses voice leading, passing tones, and ornamental notes in a manner reminiscent of a hymn or chorale. After the repetition, the strings' part varies in subtle ways that are difficult for the listener to detect. In contrast to this ever-changing but seemingly regular "Silence", the trumpet repeats the same "Question": five notes, of which the last alternates between C and B. It is the woodwinds' atonal answers that change in obvious ways, growing increasingly agitated and dissonant. After the woodwinds finally give up, the trumpet poses the question quietly one last time. Picture: Edited photograph of a stock photo of the night sky fused with Ives portrait. Sources: https://t.ly/ABjYt and https://t.ly/on_ca To check the score: https://t.ly/061aq

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This 1958 TV Western seems to uncannily predict Trump. Link to the full episode: https://youtu.be/h1D2ynASqe4 original posting of 4 min video: https://youtu.be/Gs6UcgiDwg0

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In the third presidential debate, Republican candidate Donald Trump answers questions on Aleppo. » Subscribe to CNBC: http://cnb.cx/SubscribeCNBC About CNBC: From 'Wall Street' to 'Main Street' to award winning original documentaries and Reality TV series, CNBC has you covered. Experience special sneak peeks of your favorite shows, exclusive video and more. Connect with CNBC News Online Get the latest news: http://www.cnbc.com/ Find CNBC News on Facebook: http://cnb.cx/LikeCNBC Follow CNBC News on Twitter: http://cnb.cx/FollowCNBC Follow CNBC News on Google+: http://cnb.cx/PlusCNBC Follow CNBC News on Instagram: http://cnb.cx/InstagramCNBC Donald Trump: Syrian Refugees Will Be The Great Trojan Horse | CNBC

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“The cost of war is too damn high Not another nickel Not another dime We won’t pay for Trump’s war crimes.” —Chanted by anti-war military veteran protesters in DC Reports of food shortages on naval ships deployed to the Middle East. Video footage of disabled military veterans—some in wheelchairs, others leaning on canes—being zip-tied and dragged out […]

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U.S. President Donald Trump has again chickened out of his threats to Iran: Trump said the ceasefire had been due to end on Wednesday, but he decided to keep it in place because the government in Tehran is “seriously fractured.” He said the pause will continue “until such time as” Iran’s leaders and representatives submit a “unified […]

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In Munich, the US announced its intent to crush all opposition to its permanent status as imperial top dog, even if that means destroying everything, and all of us, in the process US Secretary of State Marco Rubio’s speech at the Munich Security Conference last weekend was another troubling declaration of intent by the Trump administration. The […]

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Donald Trump ran for the presidency as a populist and he won as a populist. All the usual suspects—such as Hillary Clinton—condemned him as a populist. The political playbook his campaign followed served up the typical populist fare for the voters. That is, Trump promised to serve the “common people” by fighting against the ruling […]

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Kansas City, MO