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Via: https://fox4kc.com
Good advice: Know your opponent before you step into the ring. One Instagram user quickly learned that lesson when he left a snide comment on an anti-Trump post by a famous musician, calling him ou…
Via: https://capitalandmain.com
Co-published by International Business Times Before Stephen Miller, who is said to be an architect of Trump's zero-tolerance border policy, began espousing far-right views as a teenager, his family belonged to Santa Monica's progressive Temple Beth Shir Shalom.
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CALIGULA'S HORSE - Charcoal Grace III: Vigil (VISUALIZER VIDEO) Taken from the album "Charcoal Grace”, out now via InsideOutMusic. Stream/Buy HERE: https://caligulashorse.lnk.to/CharcoalGrace Lyrics: So let us drink to your health The gift of eating the world's wealth I would offer up to the numb And sign a wordless welcome to Silence, in her charcoal grace A final lesson to teach The dream that none of us reached A real that shook the fearless, all helpless to bear witness to Silence, in her charcoal grace Gone The scars too old for a coup, or this new fight for what I could find in myself to forgive you and grow Down to the soil and bones Even with you gone now, I promise that you'll have no such satisfaction I refuse to heal I refuse to let go There'll be no peace for the prey you ravaged, finally choosing to embrace the damage I refuse to heal I won't break from the chain Now the choice is made Stamp the fire out They're my shackles now My righteousness I will burn this hateful world to Silence, in her charcoal grace Credits: Vocals - Jim Grey Bass - Dale Prinsse Drums - Josh Griffin Guitar and Everything Else - Sam Vallen - Sophie Willis - Flute and Clarinet on tracks 1,3,4,5,6 and 9. Victoria Taylor - Trumpet on 3, 4, and 6 Samuel Andrews - Violin on 1, 3, 4, 5, 6, and 9 Kate Derepas - Cello on 1, 3, 4, 5, 6, and 9 Produced and mixed by Sam Vallen Audio engineering by Sam Vallen and Jared Adlam Additional engineering by Dale Prinsse Mastered by Forrester Savell Arrangements by Sam Vallen Notation and additional arranging by Sophie Willis Recorded at Q Sound and Machine Lab Studios Cover artwork by Chris Panatier Album layout and design by Chris Stevenson Album photography by Dale Prinsse
According to a longtime political consultant who was a victim of a Project Veritas sting that rightwing media networks found so egregious they wouldn't touch it, the collapse of Donald Trump's MAGA movement could repeat the what happened to Veritas which shut down this past week.Noting that the orga...
Via: https://theconversation.com
A desire to fight ‘wokeness’ and reduce government spending are among the reasons that Trump and his supporters want to close the Education Department.
A slew of sports media outlets have covered the presidential election results and while many lashed out at President-elect Donald Trump, TNT’s NBA pre- and post-game personalities struck a different tone and led by host Ernie Johnson revealing that while he disliked both candidates, but was “hopeful” for the future due to his identity as follower and believer in Jesus Christ. Johnson ruled that, as someone who’s a Christian, he would be praying for Trump as well as those who are feeling scared for their own future in light of his election over Hillary Clinton.
Via: https://www.newsbusters.org
A slew of sports media outlets have covered the presidential election results and while many lashed out at President-elect Donald Trump, TNT’s NBA pre- and post-game personalities struck a different tone and led by host Ernie Johnson revealing that while he disliked both candidates, but was “hopeful” for the future due to his identity as follower and believer in Jesus Christ. Johnson ruled that, as someone who’s a Christian, he would be praying for Trump as well as those who are feeling scared for their own future in light of his election over Hillary Clinton.
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'Not for Now' - corto.alto (Music Video) / by Spike Wright Filmed, directed & edited by Spike Wright. Track written & produced by Liam Shortall. Co-produced by Tom Excell. Tracked by Gus Stirrat at Solas Sounds. Mixed by Stevie Cossar. Released on Worm Discs, 2021. Johnny Woodham - trumpet James Copus - trumpet Liam Shortall - trombone/bass Norman Wilmore - alto sax Mateusz Sobieski - tenor sax Harry Weir - tenor sax James Mackay - guitar Fergus McCreadie - piano Graham Costello - drums Peru Eizagirre - drums LISTEN: Spotify - https://open.spotify.com/artist/5Kd7e5lauV4CDdTHm5uiJH?si=SRT8_gtARVeyKRuo8psMMg Apple Music - https://music.apple.com/gb/artist/corto-alto/1476163940 BUY THIS ON VINYL: Bandcamp - https://cortoalto.bandcamp.com/ FOLLOW: Instagram - https://www.instagram.com/corto.alto/?hl=en Facebook - https://www.facebook.com/corto.alto/
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from Visions of the Void available at Tzadik Records. Follow Red Fiction: https://www.facebook.com/RedFictionBand/ https://www.instagram.com/redfictionofficial/ https://twitter.com/redfictionband https://redfiction.bandcamp.com/ CREDITS- Directed by Pat Lascu Animated by Dan Bones Visual Art by Chris Waldrep Concept Design by Brendan Donnelly MUSICIANS- Jason Schimmel - composer, guitar, rhodes, synths Ryan Parrish - tenor saxophone, bass clarinet Trevor Parrish - trumpet Rusty Kennedy - bass Mike Lockwood - drums Order Visions of the Void here - https://www.amazon.com/Visions-Void-Red-Fiction/dp/B08J21KZG6 Tzadik Records is a record label in New York City that specializes in avant-garde and experimental music. The label was established by composer and saxophonist John Zorn in 1995.
Donald Trump’s favorite network used old footage or footage that was not of Portland.
Via: https://www.opb.org
The U.S. military has joined with Israel to launch military strikes against Iran, a dramatic escalation in the years-long effort by both nations to prevent Tehran from acquiring a nuclear weapon.
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http://TheRealRudy.org/ "It's just not possible." That was the sentence we heard over and over from families who had firefighter sons, brothers, husbands and fathers killed on 9/11, from experts on emergency response, and from investigative journalists. It was just not possible that Rudy could so distort what happened on 9/11 and his role on that terrible day. “Pandemic of Hate: Anti-Asian Racism During COVID-19” This documentary exposes how Trump’s bigotry is inciting violence against Asian-Americans and putting lives at risk. Watch it here: https://www.youtube.com/watch?v=VtcBBqlRDW8&t=104s “Voting By Mail Is Patriotic: Trump Exposed” This documentary shines a light on Trump’s lies about voting by mail. Our military has been voting by mail safely and securely for 200 years! Watch it here: https://www.youtube.com/watch?v=2_g7Rn30e7s&t=35s “Suppressed: The Fight To Vote” This documentary takes a deep dive into how Brian Kemp STOLE the 2018 Georgia governor’s election through voter suppression. Watch it here: https://www.youtube.com/watch?v=03DGjnIkTdI&t=1458s “Trump Inc: Lining Their Pockets - White House For Sale” The documentary exposes Trump and his administration for profiting off the presidency. Watch it here: https://www.youtube.com/watch?v=pgHrUAVraXg&t=112s “Sentencing Reform: Part 1 - The Power of Fear” This documentary investigates our racist criminal justice system and makes the case for why mass incarceration must come to an end. Watch it here: https://www.youtube.com/watch?v=29Fotznf9lc&t=11s
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ART FORD’S JAZZ PARTY 16 October 1958, New York City Cootie Williams – trumpet; Nat Adderley – cornet; Kai Winding – trombone; Rolf Kuhn – clarinet; Julian “Cannonball” Adderley – alto sax; Coleman Hawkins – tenor sax; Harry Sheppard – vibraphone; Billy Taylor – piano; Roy Gaines – guitar; Vinnie Burke – bass; Bert Dahlander - drums.
Results from four scientific surveys indicate that supporters of Donald Trump in 2016 were more likely than supporters of other Republican candidates to
Via: https://www.oed.com
trump, n.¹ meanings, etymology, pronunciation and more in the Oxford English Dictionary
A rumor swirling online claims first lady Melania Trump won a $900 million lawsuit against 'The View' over comments made by co-host Sunny Hostin
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As soon as President Trump is no longer the U.S. President, he needs to answer for his alleged criminal activity ... according to Congressman Eric Swalwell, who has a proposal on how to make that happen. SUBSCRIBE: http://tmz.me/wONe5NO About TMZ: TMZ has consistently been credited for breaking the biggest stories dominating the entertainment news landscape and changed the way the public gets their news. Regularly referenced by the media, TMZ is one of the most cited entertainment news sources in the world. Subscribe to TMZ on YouTube for breaking celebrity news/ gossip and insight from the newsroom staff (TMZ Chatter & TMZ News), the best clips from TMZ on TV, Raw & Uncut TMZ paparazzi video (from TMZ.com) and the latest video from TMZ Sports and TMZ Live! Keeping Up with Our YouTube Exclusive Content: TMZ Chatter: TMZ newsroom staff insight and commentary from stories/ photos/ videos on TMZ.com TMZ News: The latest news you need to know from TMZ.com Raq Rants: Raquel Harper talks to a celebrity guest with ties to the hip hop and R&B communities. Behind The Bar Podcast: TMZ's lawyers Jason Beckerman and Derek Kaufman loiter at the intersection of law and entertainment, where they look closely at the personalities, events and trends driving the world of celebrity — and how the law affects it all. We love Hollywood, we just have a funny way of showing it. Need More TMZ? TMZ Website: http://tmz.me/fPrTwZt LIKE TMZ on Facebook! http://tmz.me/9sGB00a FOLLOW TMZ on Twitter! http://tmz.me/9LeeNWQ FOLLOW TMZ on Instagram! http://tmz.me/ep7d8Bn TMZ on TV & TMZ Sports on FS1 Tune In Info: http://tmz.me/ccuirUZ TMZ is on iOS! http://tmz.me/ecOjgiH TMZ is on Android! http://tmz.me/pkwieRA Got a Tip? Contact TMZ: http://tmz.me/UsxYCvE Check out TMZ Live, TMZ Sports and toofab! TMZ Live: http://tmz.me/GxCXCfl Subscribe! TMZ Live: http://tmz.me/cLxA82p TMZ Sports: http://tmz.me/jMBERbb Subscribe! TMZ Sports: http://tmz.me/jMBERbb Toofab: http://tmz.me/dsXztns Subscribe! toofab: http://tmz.me/VeVLMmi https://www.youtube.com/c/TMZ
Nicolás Maduro balked at a gilded exile. U.S. officials then saw a more pliant option in his vice president, Delcy Rodríguez, known for stabilizing Venezuela’s economy.
The restaurant's owner said critics seemed to assume she's a supporter of President Trump.
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via The Federalist: https://thefederalist.com/2016/02/26/watch-trump-drop-the-f-bomb-5-times-in-74-seconds/
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This can be regarded as a key work marking the transition from late Romantic music to so-called “New Music”: Gustav Mahler’s Symphony No. 5. The symphony written for an expanded orchestra is played by the Lucerne Festival Orchestra under the direction of Andris Nelsons. The concert took place on 19 August 2015 at the Lucerne Culture and Congress Centre. Program: (00:00) I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt (Funeral March. In measured pace. Strict. Like a cortège) (14:10) II. Stürmisch bewegt. Mit größter Vehemenz (Stormily agitated. With the greatest vehemence) (30:25) III. Scherzo. Kräftig, nicht zu schnell (Scherzo. Vigorous, not too fast) (48:39) IV. Adagietto. Sehr langsam (Adagietto. Very slow) (59:50) V. Rondo-Finale. Allegro – Allegro giocoso (Rondo-Finale. Allegro – Allegro giocoso) At the beginning of Gustav Mahler’s (1860–1911) Symphony No. 5 there is a nod to another famous classical work: the trumpet’s opening motif, with its distinctive short-short-short-long rhythm, calls to mind the famous “fate motif” of that most renowned Fifth Symphony of all —Ludwig van Beethoven’s (1770–1827) Symphony No. 5 in C minor. The two works also share a parallel in their overall trajectory: Beethoven’s begins with a dramatic, dark movement and ends with a triumphant march in the major key. Mahler’s Fifth likewise opens with a weighty funeral march that seems to pull everything downwards, while the finale arrives with playful, buoyant cheerfulness, culminating in such a dazzling close that it almost borders on parody. It is therefore quite possible that Mahler intended, in his own way, to carry Beethoven’s great symphony forward. After Beethoven, the symphony as a genre was regarded as a particular challenge. The standard set by the great classical master was one his successors felt compelled not only to match but to expand upon. Gustav Mahler achieved this in a unique manner. Formally, Mahler’s symphonic writing clearly draws upon Beethoven, yet departs from it in highly individual ways. His Symphony No. 5 illustrates this exemplary balance. Mahler drafted the first sketches in the summer of 1901, and by 1902 the long work was essentially complete—apart from the orchestration, which occupied him intensely. An initial version was completed in 1903, with a revised one following in 1904. On October 18 of that year, the symphony premiered in Cologne with the composer conducting. Even in 1911, the year of his death, Mahler revisited the orchestration once more. This final version appeared in print as part of the collected edition of his works. Mahler’s mastery of orchestration was without peer in his time: not only did he expand the orchestra to monumental proportions, but he also deployed its instruments in strikingly unusual combinations. The result was a wealth of tonal colors that had never been heard previously. Formally too, the Fifth Symphony is remarkable, for it encompasses two structural designs at once. On the one hand, it consists of five movements, the first functioning almost as a kind of prelude to the four-movement symphony that follows. On the other hand, the five movements are grouped into three large sections: movements 1 & 2, movement 3, and movements 4 & 5. At the center stands the third movement, a Scherzo—an unprecedented focus on a Scherzo of unusual length. In this we see how Mahler, while rooted in traditional forms, simultaneously pushes beyond them. Mahler’s style of motivic and thematic writing is particularly modern, already described in his day as a form of collage. In the Fifth Symphony too, themes and motifs sometimes clash in stark contrast, as though they had little to do with one another and were simply juxtaposed. Yet they are always woven together with profound compositional logic, exemplifying Mahler’s characteristic polyphonic technique. In this way, Mahler can be seen as a direct forerunner of New Music. Fun fact: Today, Gustav Mahler’s Fifth ranks among his most beloved symphonies. The fourth movement, the Adagietto, played a special role in this. Luchino Visconti (1906–1976) used the movement’s plaintive music in his film Death in Venice (Morte a Venezia, 1971), an adaptation of the novella by Thomas Mann (1875–1955). The main character—modeled in part on Gustav Mahler himself—is accompanied leitmotif-like throughout by the Adagietto. Text: Rita Kass © 2015 Accentus Music Watch more concerts in our CONCERT HALL: https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey Find more famous pieces in our SYMPHONIES playlist: https://www.youtube.com/playlist?list=PL_SdnzPd3eBXvpOWNmQ1AUBPQeyNanpxY And if you like music from the ROMANTIC PERIOD, look here: https://www.youtube.com/playlist?list=PL_SdnzPd3eBUCHNKKxIIM88sntDk1TVih Subscribe to DW Classical Music: https://www.youtube.com/dwclassicalmusic #symphony #mahler #romanticmusic
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Earl Hines: piano, vocals) Ben Webster: sax Don Byas: sax Jimmy Woode: bass Stuff Smith: violin Roy Eldridge: trumpet, flugelhorn, vocals Kenny Clarke: drums Paris Jazz Festival 1965
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Einer der Vordenker des Weltwirtschaftsforums (WEF) hat vor der „sehr wahrscheinlichen“ Möglichkeit gewarnt, dass Präsident Donald Trump in diesem Jahr wiedergewählt wird. Yuval Noah Ha…
