Jesse Watters Primetime - Monday, October 19 | Fox News Video
Midterms, Trump, France, JD Vance, Energy Costs
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Midterms, Trump, France, JD Vance, Energy Costs
US president rallies in favour of Republican incumbent amid voter frustration over rising prices, Iran war
Via: https://rairfoundation.com
Economic issues and LGBTQ issues in local schools are prompting more Somali voters to choose Republican candidates.
Via: https://youtube.com
White House senior policy advisor Stephen Miller was asked by ABC's George Stephanopoulos about Trump's most recent voter fraud claims. If you like my videos and want to support my work, check out my Patreon here: https://www.patreon.com/vicberger
Via: https://www.lewrockwell.com
Right-wing and left-wing interventionists and interventionist mainstream-press commentators are up in arms over President Trump’s decision to ease economic sanctions against Russia in connection with the Russian government’s agreement to supply diesel fuel to the United States. The notion is that nothing — not even the midterms — must be permitted to interfere with the […]
Via: https://www.nationalmemo.com
Trumpists have declared Grenell's document to be a smoking gun that exonerates disgraced former Trump national security advisor Michael Flynn, who pleaded guilty for lying to the FBI about his calls with Russian Ambassador Sergey Kislyak.
Via: https://youtube.com
Provided to YouTube by Warner Sunset/Warner Records Not Their Fight · David Holmes Music From The Motion Picture Ocean's Thirteen ℗ 2007 Warner Bros. Entertainment Inc. for the U.S., Canada, Bahamas & Bermuda. 2007 Village Roadshow Films (BV) Limited for the rest of the world Trombone: Bruce Fowler Percussion: Davey Chegwidden Music: David Holmes Dulcimer, Guitar: George Doering Mixer, Percussion, Recorded By: Hugo Nicolson Bass Guitar: Jason Falkner Orchestral Contractor: Joyce Ryan Additional Guitar: Leo Abrahams Orchestral Contractor: Linda Colianni Percussion: Luis Conte Acoustic Bass: Robert Hurst Fender Rhodes Keyboards: Scott Kinsey Keyboards, Programmer: Stephen Hilton Flute: Steve Tavaglione Alto Saxophone: Steve Tavaglione Baritone Saxophone: Steve Tavaglione Tenor Saxophone: Steve Tavaglione Acoustic Bass: Tim Le Febvre Harmonica: Tommy Morgan Music Editor: Valente Torrez Orchestration: Walt Fowler Trumpet: Walt Fowler Unknown: Wesley Seidman Bass, Chamberlain Strings, Guitar: Woody Jackson Chamberlain Strings, Organ: Zac Rae Drums: Zach Danziger Writer: David Holmes Contributor: Frankie Pine Contributor: Zac Rae Auto-generated by YouTube.
Via: https://youtube.com
Chet Baker: trumpet Michel Graillier: piano Riccardo del Fra: bass Live At Ronnie Scott's London June 6, 1986
Via: https://www.borderreport.com
House Minority Leader Hakeem Jeffries (D-N.Y.) is calling for Congress to investigate top Trump administration officials in the wake of a bombshell revelation that The Atlantic’s top editor was inc…
Via: https://youtube.com
Provided to YouTube by Virgin Music Group Miss Otis Regrets · Van Morrison · Joey DeFrancesco You're Driving Me Crazy ℗ 2018 Exile Productions Ltd Released on: 2018-04-27 Organ, Trumpet, Co- Producer: Joey DeFrancesco Guitar: Dan Wilson Drums: Michael Ode Tenor Saxophone: Troy Roberts Mastering Engineer, Recording Engineer: Jim Stern Composer: Cole Porter Producer: Van Morrison Auto-generated by YouTube.
Via: https://youtube.com
Alto Saxophone – Ornette Coleman. Bass – Percy Heath. Drums – Shelly Manne. Trumpet – Don Cherry.
Via: https://whatthefuckjusthappenedtoday.com
1/ George W. Bush all but called Trump a threat to democracy, saying “bigotry seems emboldened. Our politics seems more vulnerable to conspiracy theories and outright fabrication.” He called bigotry “
Via: https://whatthefuckjusthappenedtoday.com
Trump’s co-defendant Sidney Powell pleaded guilty in the Georgia election subversion case; Jim Jordan told Republicans he would suspend his bid to become speaker after two failed efforts but hours lat
Via: https://youtube.com
Le candidat républicain à l'élection présidentielle, Donald Trump, était en meeting vendredi 1er novembre à Milwaukee dans l'État-clé du Wisconsin. L'ancien président des États-Unis s'est plaint du positionnement de son micro et a esquissé un geste obscène devant l'assistance.
Via: https://music.youtube.com
Provided to YouTube by Ten2 Donald Trump · Jeezy Gangsta Grillz: The Real Is Back 2 (No DJ) ℗ Agency 99 Released on: 2011-09-03 Auto-generated by YouTube.
Via: http://youtube.com
If you've seen the trailer for The Adjustment Bureau, you'd be forgiven for thinking that it was some sort of relentless chase , not unlike Paycheck, perhaps, though hopefully less abysmal. An adaptation of a Philip K Dick short story, it also appeared to contain all the usual trappings you might associate with the writer's work: alternate layers of reality, an unfathomable conspiracy, and a lone protagonist who struggles to lift the curtain on the whole insane cabal. On one level, this is precisely what The Adjustment Bureau is. It does, indeed, contain a male protagonist battling against a seldom seen, powerful organisation. But not, perhaps, in the way that its trailer, or its association with Philip K Dick, might suggest. The Adjustment Bureau is more like Dick's work filtered through Michael Powell's A Matter Of Life Or Death, or maybe Frank Capra's It's A Wonderful Life. If you're at a dinner party and want to sound incredibly erudite and witty, you could even say it's less Franz Kafka and more Frank Capra. That's sure to raise a chortle over the After Eights. If nothing else, it's a reminder of just how varied the films inspired by Philip Dick's work can be. Blade Runner was a Metropolis-style fever dream of the future, Total Recall was an ultra-violent gun fantasy, while The Adjustment Bureau is a fantasy romance with an added dash of Phildickean bureaucracy and red tape. Matt Damon stars as down-to-earth senator, David Norris, whose head is turned by pretty, feisty dancer, Elise (Emily Blunt). While the two share an immediate attraction, there's a sinister organisation at work that is adamant that their relationship will develop no further. Without spoiling huge chunks of the film's events, that's about all there is to the slight, yet intriguing story. Lighter on suspense than the movie's trailer might suggest, The Adjustment Bureau has to get by instead on the sharpness of its dialogue and the warmth of its characters. Fortunately, writer/director George Nolfi's script is engagingly light on its feet, in an old-fashioned Hollywood romance kind of way, and there's a gentle chemistry between Damon and Blunt. Those going into the cinema expecting the usual paranoid drama one might expect from Philip K Dick may be disappointed, and perhaps even slightly alarmed by the faint air of whimsy present in The Adjustment Bureau. The existential interrogation of even the loosely adapted Total Recall or Blade Runner are seldom in evidence, nor is the trippy gloom of the most faithful porting of the author's work, A Scanner Darkly. I wonder, too, what Dick would have made of a film so lacking in his biting cynicism. Relationships featured heavily in many of his stories, but they were seldom happy ones, and he certainly wasn't an author intent on making his readers feel all warm and fuzzy inside. If you're prepared for this, The Adjustment Bureau is a pleasant, if slightly inconsequential fantasy with some sporadically good dialogue and dapper performances from John Slattery (Mad Men's Roger Sterling), The Hurt Locker's Anthony Mackie and Terence Stamp who, let's face it, is always great in everything. It's difficult to escape the feeling later on in the film, however, that the Bureau, and, by extension, Nolfi, is making up the metaphysical rules as he goes along. There are numerous, very odd conversations about doors and hats that you may or may not find distractingly ridiculous, depending on your state of mind. Perhaps it's this aspect that makes The Adjustment Bureau's more dramatic moments less dynamic than they might otherwise have been. Say what you will about the trumpeting bombast of Inception, its more emotional moments packed a hefty wallop. By contrast, The Adjustment Bureau comes across as a little wan and tentative, its narrative lacking in the kind of gut-wrenching twist or moment of pathos to really break through the screen and grab you by the shoulders. That said, it's a stylishly shot film, making great use of New York's most gothic locations to atmospheric effect. Its performances are uniformly good throughout, and there are even one or two moments when Nolfi almost had me jumping out of my seat. (http://www.denofgeek.com/movies/790898/the_adjustment_bureau_review.html)
LindellTV's @alisonintheknow fires back after @BarackObama accused the Trump administration of politically targeting Rep. @Ilhan Omar amid questions surrounding her involving her finances and immigration records.Alison challenges Obama's defense of Omar, pointing to the discrepancies in immigration records and efforts to change her reported birth year.But the bigger issue is OBAMA'S OWN RECORD - including that his administration knew about efforts to link Trump to Russia during the 2016 election.For Barack Obama to have the audacity to weigh in ... maybe this is a good one for him to sit out.
Via: https://www.wmagazine.com
Arthur Elgort maintains Trump never paid him—though it was only a few hundred dollars.
Via: https://barrymooreforalabama.com
Trump Conservative. The Fighter Alabama Needs in the U.S. Senate.
Via: https://youtube.com
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Via: https://sofrep.com
America decided Nidal Hasan’s execution was too disturbing to broadcast, but the cameras recording public killings on our streets will keep rolling.
Via: https://dccc.org
????CNN: DEMOCRATS GAIN GROUND IN OHIO’S MOST TRUMP-FRIENDLY COUNTIES
Via: https://bsky.app
RFK Jr: "Somebody showed me a TikTok video of a pregnant woman at 8 months pregnant -- she's an associate professor at the Columbia Medical School -- and she is saying 'F Trump' and gobbling Tylenol with her baby in her placenta. The level of Trump Derangement Syndrome is now a pathology."
A little more than a week after House Speaker Nancy Pelosi suggested that “Make America Great Again” means “Make America White Again,” CNN host Chris Cuomo argued that “Make America Great Again” actually means “Make America Hate Again.” Cuomo devoted his closing argument Wednesday night to highlighting how “Trump’s racist message becomes 2020 rally cry,” as the chyron at the bottom of the screen read. Cuomo began by reading Donald Trump’s incendiary tweets about the Democratic “Squad” aloud as they appeared on screen. The most controversial parts were highlighted.
Via: https://youtube.com
James Bovard joins host Ryan McMaken to talk about how the White House went from targeting illegal aliens to seizing legal residents guilty of the "crime" of criticizing the government of the State of Israel. Do non-citizens have due-process rights? The Founding Fathers thought so. Register for our Revisionist History of War Conference now at https://mises.org/rhw Be sure to follow Radio Rothbard at https://Mises.org/RadioRothbard Radio Rothbard mugs are available at the Mises Store. Get yours at https://Mises.org/RothMug PROMO CODE: RothPod for 20% off
Via: https://www.independent.co.uk
The filmmaker was one of the few people to predict Donald Trump's win