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Cape Town, South Africa - 26 July 2025: EFF (Economic Freed Fighters) leader, Julius Malema, ended the party’s 12th anniversary rally by singing the apartheid struggle song “Kill the Boer”. Malema addressed thousands of the party’s members at the 12th anniversary rally in the Cape Town township of Khayelitsha. The song was recently played in the White House by US President Donald Trump during a visit by a South African government delegation led by President Cyril Ramaphosa. The song is often used as evidence by right wing Afrikaner organisations as proof of a “white genocide” which has been disproved by many organisations. South Africa is a highly violent country with more than 50 murders per day while farm attacks, in which most victims are black farm workers, form only a small percentage of crime in the country.
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As President Trump considers invoking this statute of last resort, and some members of Congress and White House advisers urge him to do so, experts examine the law’s history and what domestic troop deployment could mean.
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Classic Mood Experience The best masterpieces ever recorded in the music history.
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Louis Armstrong (August 4, 1901 -- July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly-recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing (vocalizing using sounds and syllables instead of actual lyrics).
FROM WIKIPEDIA: http://en.wikipedia.org/wiki/Louis_Armstrong ???????? ???????? ????????
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Classic Mood Experience The best masterpieces ever recorded in the music history.
Explore Classic Mood Experience music, the best jazz, blues, rock, pop, R&B, soul, lantin songs ever recorded by Etta James, Billie Holiday, Bill Evans, Stevie Wonder, Ray Charles, Nina Simone, Muddy Waters, Django Reinhardt, Louis Armstrong, Miles Davis, James Brown, Chet Baker, Frank Sinatra, Ella Fitzgerald, Harry Belafonte, Nat King Cole, Louis Prima, Duke Ellington, Elvis Presley, Count Basie, Little Walter, Herbie Hancock, Edith Piaf, Aretha Franklin, Charlie Parker, Lightnin' Hopkins, Son House, B.B. King, Thelonious Monk, Howlin' Wolf, Quincy Jones, Johnny Cash, Glenn Miller, Chuck Berry, Dizzy Gillespie, Paul Anka, John Coltrane, John Lee Hooker, Coleman Hawkins, Robert Johnson, Dean Martin, Oscar Peterson, George Gershwin, Ben E. King, Big Bill Broonzy, Hank Williams, Benny Goodman, Art Tatum, Big Joe Turner, Bing Crosby, Jimmie Rodgers, Mamie Smith, Ma Rainey, Dave Brubeck, Mahalia Jackson, Fats Domino, Marvin Gaye, Bud Powell, Sonny Rollins, Fats Waller, Tony Bennett, Dinah Washington, Sarah Vaughan, Perry Como, Gerry Mulligan and many more.
Listen to the best of Classic Mood Experience:
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Personnel
Anna Aaron: vocals
Benoit Corboz: Hammond Organ, Fender Rhodes, Piano
Marc Erbetta: Drums
Marcello Giuliani: Bass
Erik Truffaz: Trumpet
Composers
Erik Truffaz
Across a twenty-year recording career, Swiss-born trumpeter Erik Truffaz has explored jazz, rock, electronica, dance and ambient musics. El Tiempo De La Revolución, his tenth album for Blue Note France, mixes jazz, '80s soul and a touch of Nordic cool to create some intriguing soundscapes and moods.
El Tiempo De La Revolución is credited to the Erik Truffaz Quartet, which Truffaz formed in 1997. Alongside original members Marcello Giuliani on bass and Marc Erbetta on drums, Truffaz is joined on this album by keyboardist Benoit Corboz, who became a member of the quartet in 2010. The tunes, all jointly composed by the band members, are constructed within relatively narrow boundaries, avoiding extremes of volume or tempo, creating a shared mood across most of the tunes but generally avoiding any sense of monotony by judicious sonic combinations.
Truffaz' muted trumpet is a consistent presence, setting up and maintaining the music's ambient, comfortable, feel. Only on "Un Souffle Qui Passe" does he move completely away from this mood, towards a more unsettling, almost voice-like, tone. It's left to the remaining three musicians to bring more varied approaches to the tunes. "African Mist" centers on Giuliani's hypnotic, repetitive, bass line, while "La Luna Mentirosa" is characterized by a seductive '80s mix of keyboards, drums and bass. On the somnolent "Istanbul Tango" Giuliani's compressed bass plays another deceptively simple line while Corboz' Hammond jumps between sleepy chordal washes and funky, percussive, stabs.
Anna Aaron—whose Dogs In Spirit (Two Gentlemen, 2011) features Truffaz and was produced by Giuliani—sings on "Blue Movie," "A Better Heart" and "Blow Away." She sounds like British soul and R&B singer Sam Browne, a slight catch in her voice lending it a distinctive emotional undertone. This similarity is clearest on "Blue Movie," the most arresting of the three songs, which may be about a broken love affair, but is (almost certainly) not about blue movies.
The bleak "Revolution Of Time" opens with Corboz's sparse, Satie-esque solo piano. It's a mournful but lovely tune and features Truffaz's most emotionally engaging playing on the whole of El Tiempo De La Revolución. It's followed by five minutes of silence and then an uncredited one-minute burst of down home, bluesy slide guitar and vocals. It's a minute worth waiting for, but it begs the question, "Why?" Perhaps Truffaz is setting the scene for a change of direction.
Source
http://www.allaboutjazz.com/el-tiempo-de-la-revolucion-erik-truffaz-blue-note-records-review-by-bruce-lindsay.php
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Topic: Practical hummingbird feeding—how to attract a healthy backyard population and avoid common mistakes. This article is a hands-on guide for both new and seasoned observers, showing that a few well-known habits can derail hummingbird success. It debunks myths (no need for red dye), stresses consistent energy sources during migration, and pairs every tip with a simple action you can take today. Surprising twists include how daylight, not just nectar availability, drives migration; why yellow insect guards can backfire by inviting wasps; and how native plants not only beautify the garden but also supply nectar and vital insect protein. Key takeaways: - No red dye: use only red-feeder color and a 4:1 water-to-sugar nectar; boil water to dissolve sugar and cool before filling. - Keep feeders filled; hummingbirds remember reliable sources and high metabolism means constant energy during migration. - Smart placement: 10–15 feet apart, out of direct sun and wind, near natural perches. - Cleanliness matters: hot-weather cleaning every 2–3 days, cooler 4–5 days; use a 1:4 white vinegar–water solution, no soap. - The right feeder matters: easy to take apart for cleaning, with anti-drip features and ant moats; saucer-style often more reliable. - Don’t rely on sugar alone—plant native flowers (e.g., trumpet honeysuckle, cardinal flower, bee balm) to provide natural nectar and insect protein. - Water features attract bats and birds alike: a misting device or shallow moving water is ideal. - Avoid overcrowding; space feeders to reduce competition and monitor peak feeding times at dawn and dusk. - Predators matter: protect feeders from cats and predators; winter feeders may need heating or rotation. - Document observations to contribute to citizen science and better understand local hummingbird activity.
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A national gun registry is illegal in the United States, yet the Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF) has one, according to lawmakers who are calling for the destruction of more than a billion gun-related records. Representative Michael Cloud (R-Texas) sent President Donald Trump and Vice President JD Vance a letter on Tuesday […]
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We Went on a Scavenger Hunt in New York City!
This video shows you our experience on self-guided #ScavengerHunt in #NewYorkCity using an app called #LetsRoam!
What fun events are you participating in? Please share in the comments below!
Timestamps for We Went on a Scavenger Hunt in New York City!
0:07 Scavenger hunt app: Let’s Roam
0:40 Bumped into a wedding in New York City
0:46 Taking the subway in New York City
0:52 Guest star today: Snickers our dog!
1:54 City Hall, New York City
2:18 Statue of Horace Greeley founder of the New York Tribune
3:37 Donald Trump at the New York Courthouse
4:00 Triumph of the Human Spirit sculpture by Lorenzo Pace, installed at Manhattan's Foley Square New York City
4;30 Concert at the site of a Colonial-era African-American burial ground
5:15 Chinatown, New York City
5:28 Columbus Park Playground, New York City
6:05 Nom Wah Tea Parlor, New York City
6:47 Supreme Store, New York City
7:56 Rice To Riches dessert shop, New York City
If you would like an excellent weight-loss program, please contact me here: https://www.facebook.com/chris.gault.12
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Chris Gault "My Journey to the Fountain of Youth: A Journey Through the Internet to Look and Feel Years Younger" The videos here depict the author's journey as he found the best intel that will help you look and feel your absolute best as you age in life. Topics include healthy eating, hydration, growing your hair back, reducing wrinkles, keeping fit and working out (exercise), healthy mind and spirit and other healthy tips found through the internet.
You can purchase my book "My Journey to the Fountain of Youth," here:
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George Duke was a musician who covered a number of genres, including bebop, R&B, jazz fusion, funk, and alternative rock. As a performer, arranger, composer, producer, and educator for five decades, he worked with a wide variety of performers, and among his many achievements was his induction into the Soul Music Hall of Fame in 2012. Born January 12, 1946 in San Rafael, California, Duke grew up first under the influence of the gospel music of the local Baptist church. He decided on a musical future when his mother took him to a Duke Ellington concert. After watching Ellington and his band perform, four-year-old Duke declared that he would do the same one day, saying, “That’s who I’m going to be!” His mother saved to provide a piano and lessons, and in the process, initiated his lifelong devotion to music. At twelve, Duke discovered jazz through a Miles Davis record, declaring it later to be a life-changing experience. Using jazz recordings as his guide, he also learned to play other instruments, including the trumpet. By 1967, at the age of 21, he had a BA degree from San Francisco State University. By then he regularly performed with jazz groups in the Bay […]
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Trump was right. AG Letitia James is a racist. Listen to this deranged rant: https://t.co/suAsveLvNp
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ANALYSIS: Here are six specific proposals that have recently surfaced in the former president's speeches - and what each plan might look like from the White House in 2025.
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Via: https://www.gardenia.net
Crossvine (Bignonia capreolata) is a show-stopping flowering vine with orange-red trumpets that quickly cover fences, arbors, and walls.
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Ameshia Cross and Robby Soave discuss the latest developments on the newly released footage of Jan. 6, 2021, Capitol riot. #j6 #january6
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Bob Weir Wolf Bros. & Wolf Pack, Hound Dog, Madison WI 2-28-23
Samsung S10+
The Sylvee
#londonship #bobweir @BobWeirVEVO
LYRICS: https://genius.com/Elvis-presley-hound-dog-lyrics
Sheldon Brown - Tenor Saxophone
Brian Switzer - Trumpet
Adam Theis - Trombone
Mads Tolling - Violin
Alex Kelly - Cello
Barry Sless - Pedal Steel Guitar
Bob Weir - Rythm and Lead Guitar
Jay Lane - Percussion / drums
Don Was - Contrabass
Jeff Chimenti - Piano / keyboard
Written by the team of Jerry Leiber and Mike Stoller, first recorded by Big Mama Thornton in 1952.
Original Elvis Presley release July 13, 1956
Copyright Disclaimer: This video file is an amateur composition, as observed using consumer electronics protected under Title 17 U.S.C. Section 107 of the Copyright Act 1976, where allowance is made for "fair use" for purposes such as criticism, comparative composition, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
The material is made available without profit to those who have expressed a prior interest in receiving this content and is expressly offered for the purposes of criticism, comment, news reporting, research, teaching, including but not limited to such disciplines as the scholarly and educational study of cinematic arts, music, biography, history. All rights are reserved to any third-party copyright owner of the material or portions thereof.
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From the album Zayin
Joey Baron - Drums
Greg Cohen - Bass
Dave Douglas - Trumpet
John Zorn - Sax
1996
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Supreme Court Justice Samuel Alito is facing calls to recuse himself from cases before the high court involving former President Donald Trump after reports emerged of an inverted flag flown outside his home in January 2021. The inverted flag was used by some to protest alleged election impropriety. CBS News legal contributor Jessica Levinson discusses.
CBS News 24/7 is the premier anchored streaming news service from CBS News and Stations that is available free to everyone with access to the internet and is the destination for breaking news, live events, original reporting and storytelling, and programs from CBS News and Stations' top anchors and correspondents working locally, nationally and around the globe. It is available on more than 30 platforms across mobile, desktop and connected TVs for free, as well as CBSNews.com and Paramount+ and live in 91 countries.
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The U.S., Mexico, and Canada reached a deal to revise NAFTA; Trump said he supports a “comprehensive” but “quick” FBI investigation into the allegations against Kavanaugh; 48% of American voters say K
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It’s been almost a year since Oct. 7. More than 40,000 Palestinians in Gaza are dead. The hostages are not all home, and it doesn’t look like there will be a cease-fire deal that brings them home anytime soon. Israeli politics is deeply divided, and the country’s international reputation is in tatters. The Palestinian Authority is weak. A war may break out in Lebanon soon. There is no vision for the day after and no theory of what comes next.
So I wanted to talk to David Remnick, the editor of The New Yorker. Remnick has been reporting from Israel for decades and has a deep familiarity and history with both the region and the politics and the people who are driving it. He first profiled Benjamin Netanyahu back in 1998. In 2013, he profiled Naftali Bennett, the politician leading Netanyahu in polls of who Israelis think is best suited to be prime minister. And he recently profiled Yahya Sinwar, the head of Hamas in Gaza.
In this conversation, we talk about what Remnick learned profiling Netanyahu, Bennett and Sinwar, as well as where Israel’s overlapping conflicts with Hamas, the Palestinian Authority, Hezbollah and Iran sit after nearly a year of war. Remnick and I were both recently in Israel and the West Bank, as well as near Israel’s border with Lebanon, and we discuss our impressions from those trips.
0:00 Introduction
1:37 Yahya Sinwar
16:20 Lebanon, Hezbollah and Israel's northern border
26:44 Benjamin Netanyahu
34:44 West Bank
50:53 Naftali Bennett and Israel's shifting politics
57:36 Two-state solution and Americans' declining support for Israel
1:01:11 Why Israelis are turning right
1:05:02 Why Israelis prefer Trump over Harris
1:08:20 Book recommendations
Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.
You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast.
This episode of “The Ezra Klein Show” was produced by Elias Isquith. Fact-checking by Michelle Harris, with Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Isaac Jones. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Rollin Hu and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser.
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SHALOM COLUMBIA: The Trump Admin, led by @USEDgov and the Task Force to Combat Antisemitism (@TheJusticeDept, @HHSGov, & @USGSA), has canceled ~$400M in federal grants to @Columbia over its failure to protect Jewish students from antisemitic harassment. https://t.co/CavoXbhhvx
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Russia’s Fifth Column to Disrupt the Elections
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Personnel
Clifford Brown, Trumpet; J.J. Johnson, Trombone;
Jimmy Heath, Tenor Sax, Baritone Sax; John Lewis, Piano;
Percy Heath, Bass; Kenny Clarke, Drums.
Composers
1 Capri 3:37 (Gig Gryce)
2 Lover Man 3:50 (Davis-Ramirez-Sherman)
3 Turnpike 4:15 (1.1. Johnson)
4 Sketch 1 4:21 (John Lewis)
5 It Could Happen To You 4:42 (J. Van Heusen-1. Burke)
6 Get Happy 4:47 (H. Arlen-T. Koehler)
7 Capri 3:47 (Alt. Take)
8 Turnpike 4:10 (Alt. Take)
9 Get Happy 4:11 (Alt. Take)
Recorded by Doug Hawkins on June 22, 1953 at WOR Studios, New York City
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Former President Donald Trump had to be corrected after he said he was in the wrong city at a rally in Sioux City, Iowa.
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A coalition of antipoverty organizations and black nationalist groups initiated the Watts Summer Festival in 1966 as a way to focus the Watts community on celebrating black heritage and culture annually on the anniversary of the Watts riots. Although the groups involved in establishing and organizing the festival had differing styles and philosophies – some were cultural nationalists, some emphasized economic nationalism and others focused on political power – they all supported the ideals of community empowerment and self-definition. New organizations such as SLANT (Self-Leadership for All Nationalities Today), the Afro-American Cultural Association, the Sons of Watts Improvement Association and the Black Man’s Self-Image Development Institute appeared in 1965 or 1966 and actively participated in the Watts Summer Festival in the late 1960s. The festival featured informational booths highlighting the services of various public and private antipoverty agencies, such as the Westminster Neighborhood Association and the Watts Labor Community Action Committee (WLCAC). The festival activities centered on celebrating black culture. Musical acts such as US Organization boot dancers, Zulu dancers, and trumpeter Hugh Masekela, and arts and crafts booths demonstrating and selling African jewelry and clothing entertained largely black audiences of anywhere from thirty to over one hundred thousand people at […]
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The Beatles - Carry That Weight (Copyright 1969 EMI Records)
"Carry That Weight" is a song by The Beatles. Released on Abbey Road and part of the long, climactic medley that closes the album, it features vocals from all four of The Beatles (a rarity in their songs). It is preceded by "Golden Slumbers", and segues into "The End".
The middle bridge, featuring brass instruments, electric guitar and vocals, reprises the beginning of "You Never Give Me Your Money", but with different lyrics. The ending also reprises the arpeggiated guitar motif from the end of that track, similar to the figure featured prominently in the George Harrison written tracks "Here Comes the Sun" and "Badge" (co-written by Harrison and Eric Clapton).
Music critic Ian MacDonald interpreted the lyric as an acknowledgment by the group that nothing they would do as individual artists would equal what they had achieved together, and they would always carry the weight of their Beatle past. McCartney said the song was about The Beatles' business difficulties and the atmosphere at Apple at the time. In the film Imagine: John Lennon, Lennon says that McCartney was "singing about all of us."
The Beatles began recording "Golden Slumbers"/"Carry That Weight" as one piece on 2 July 1969. McCartney, Harrison and Starr recorded 15 takes of the two songs while Lennon was in the hospital recovering from a car accident in Scotland.
The rhythm tracks featured McCartney on piano, Harrison on bass guitar and Starr on drums. The best were takes 13 and 15, which were edited together on 3 July. That day and the next, McCartney overdubbed his lead vocals and rhythm guitar, Harrison added lead guitar, and all three sang the chorus.
On 30 July, they added more vocals, including Lennon, who had rejoined the sessions on 9 July. More vocals, timpani and drums were overdubbed on 31 July. The orchestra was recorded on 15 August.
* Paul McCartney -- vocal, chorus vocal, piano, rhythm guitar
* George Harrison -- chorus vocal, lead guitar, six- string bass
* Ringo Starr -- chorus vocal, drums
* John Lennon -- chorus vocal
* George Martin -- producer, arranger
* Uncredited -- twelve violins, four violas, four cellos, one double bass, four horns, three trumpets, one trombone, one bass trombone
In other news, I have added the lyrics to this song so you can sing along, or perhaps learn the song! This is how I learned my first Beatles song! Enjoy :)
Album: Abbey Road
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the new 'Dreams Are Mental' album is out NOW exclusively at http://thegirobabies.bandcamp.com . Launch party this Saturday 29th March at Slay, Glasgow. Tickets here: https://skiddle.com/e/40114537
This music video was directed and edited by MJ Windebank.
New York footage filmed by Jason Hull.
Recorded by Fionnbharr Marshall
Mixed & Mastered by Morphamish at Sound Sound studios.
Featuring James Windebank as the fancy man from New York to the Barras.
Lyrics:
He's sliding in her DMs
Carte blanche carpe diem
Body is a temple, streaming in a steam room
Doon the gym selling cryptoscams
He's her fancy man
Yoga teacher, yogurt weaver,
Bought an awesome water feature
Only smokes when he's in amsterdam
That's her fancy man
on the guesty, always cooshty
Gluten free gourmet Japanese sushi
Profit on his last flat was 99 grand
Does a podcast from an ice bath
Calls it fancy man
In a séance, in a sauna
Manifesting lots of aura
Stocks and shares and a plot of land
A man about town
That's her fancy man
On the prop , RT , ladder
A multi million dollar man
Na na na na na fancy man
Na na na na na fancy man
The Girobabies :
Vocals: Mark McG
Guitar: Mark Teeth
Bass: Jo D'arc
Drums: Jenny Tingle
Keys: Mima Merrow
Brass Section
Tenor Sax: Calum Cummins
Trombone: Izzy Flower
Trumpet: Colin McCafferty
Stunt Doubles:
Mark Lindsay
Jack Devitt
Jaylee CCTV
Gordy Duncan
Dreams Are Mental linktr.ee/Girobabies
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Via: https://finance.yahoo.com
Former President Donald Trump has been busy with his criminal trial in Manhattan over the past few weeks, but he has still found the time to meet with donors in his quest to return to the White House next year. According to The Washington Post’s Josh Dawsey, Trump has used his meetings with wealthy supporters to drum up exceptionally large contributions, while sometimes attaching his requests for money to promises that he will cut taxes or otherwise pursue policies that benefit the likes of oil
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A social-media meme website and rabbit hole of memes of the great awakening, a compilation of patriot memes, truth videos, funny memes, wisdom memes, dank memes - The best vines and videos of Donald Trump #trump #memes #wwg1wga
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Saviez-vous que votre foie peut produire de l'alcool sans que vous ne buviez une seule goutte ? Des études montrent qu'on peut retrouver jusqu'à 0,4 g/L d'alcool dans le sang de personnes totalement sobres. Ce phénomène porte un nom : l'alcool endogène.
➡️ La suite de cet entretien est disponible exclusivement pour nos membres.
Cliquez sur “Rejoindre” sous la vidéo pour y accéder immédiatement à la 2ème partie : https://www.youtube.com/playlist?list=UUMOb14zlqDRQ7ZDRFuIewUy9g
Dans cet entretien exclusif, le Professeur Didier Raoult dévoile les résultats stupéfiants de son laboratoire sur ce mécanisme caché. Son équipe a découvert que chez les malades du "foie gras" (NASH), l'intestin est colonisé par des levures (Candida) capables de faire fermenter le sucre pour créer de l'alcool directement dans votre ventre.
Mais le plus grand scandale concerne l'origine de ce sucre. Le Pr Raoult a comparé en laboratoire trois types de Coca-Cola : le malien, le français et l'américain. Le verdict est sans appel :
- En France : Le Coca est fait avec du sucre de betterave (Glucose).
- Aux USA : Le Coca est fabriqué avec du sirop de maïs OGM (Fructose).
Le problème ? Le fructose fermente beaucoup plus facilement. Résultat de l'expérience : le Coca-Cola américain fait fabriquer à votre corps 5 fois plus d'alcool que le Coca français !
Une révélation choc qui explique pourquoi la maladie du "foie gras" (NASH) est devenue la première cause de greffe du foie aux États-Unis, remettant en cause toute l'industrie agroalimentaire et ses mensonges sur les OGM.
????Ce que vous venez de lire n'est que la partie émergée de l'iceberg. Dans la seconde partie de cet entretien, le Pr Raoult aborde les conséquences politiques de ses découvertes :
- L'intervention secrète de Donald Trump : Comment l'ex-président a demandé à Coca-Cola de changer sa recette après avoir pris connaissance de ces faits.
- Le scandale du Glyphosate : Comment cet antibiotique massif détruit les écosystèmes et modifie notre microbiote.
- Lobbies : Pourquoi l'agroalimentaire est "aussi dangereux que l'industrie pharmaceutique".
➡️ Pour découvrir ces vérités dérangeantes, devenez membre et soutenez la chaîne : https://www.youtube.com/playlist?list=UUMOb14zlqDRQ7ZDRFuIewUy9g
???? ABONNEZ-VOUS pour ne manquer aucune vérité dérangeante sur votre santé ! ???? Activez la cloche pour être notifié chaque vendredi à 17h.
???? CHAPITRAGE
00:00 Introduction + Didier Raoult (mise en contexte)
02:49 Yaourts, probiotiques… et prise de poids
04:23 Antibiotiques : des “facteurs de croissance”
07:22 Expérience choc : bactéries/probiotiques → gros foies
11:11 NASH : le microbiote fabrique de l’alcool avec le sucre
15:12 100% des NASH : levures (Candida) + alcool endogène
21:23 Coca France vs USA : 5x plus d’alcool (fructose) + conclusion
???? MOTS-CLÉS : Didier Raoult, Pr Raoult, Coca Cola, Coca Cola Alcool, NASH, Maladie du foie gras, Stéatose hépatique, Coca Américain, OGM, Fructose, Danger Sucre, Scandale alimentaire, Microbiote, Levures, Alcool sans boire, Obésité, Yaourts font grossir, Probiotiques, Lobbies, Donald Trump, Glyphosate, Santé, Nutrition, Foie
NEW
Via: https://www.nytimes.com
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