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Via: https://www.lewrockwell.com
On Sunday, President Trump announced on his Truth Social account that he is patching things up with North Korean dictator, Kim Jong Un, and is therefore no longer concerned about the security of South Korea — one of the US’s key trading partners. This is a classic example of an overextended empire picking too many […]
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Via: https://okmagazine.com
Melania Trump's absence from the White House amid aide Natalie Harp's constant presence around Donald Trump sparked salty speculation.
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Via: https://takeaction.io
Since 2001, the Roadless Area Conservation Rule has safeguarded some of our nation's most wild and intact national forest lands . The implementation of the Roadless Rule followed 600 local meetings as well as 1.6 million public comments, with 95% in support. Today 58 million acres of backcountry landscapes across 39 states are designated as Roadless Areas. The Roadless Rule did not close existing roads or trails , and exceptions to roadbuilding include access to inholdings and mineral leases. Additionally, select timber harvest is permitted within Inventoried Roadless Areas to reduce fire risk or to improve fish and wildlife habitat. On August 29, 2025, The U.S. Department of Agriculture (USDA) published a Notice of Intent to rescind the Roadless Rule and to open 45 million acres of public lands to new roadbuilding and commercial timber harvest. There will be a 21-day public comment period from August 29, 2025 to September 19, 2025, during which time public land owners can voice their opinion. The National Forest System already contains approximately 370,000 miles of roads . That's twice as many miles of roads than the entire U.S. National Highway System and enough to circumnavigate the globe more than 14 times! Repealing the Roadless Rule will directly result in an expansion of that development network across currently unfractured fish and wildlife habitat. Further, nearly 85% of wildfires are human caused, and approximately 90% of wildfires start within half a mile of a road. Repealing the Roadless Rule will only increase fire risk on our public lands . Join BHA in opposition to rescinding the Roadless Rule in its entirety and ask your member of Congress to instead support the Roadless Area Conservation Act, legislation that would codify the Roadless Rule as law. Use BHA's action alert to contact your member of congress and to sign on to a comment letter we BHA will deliver to President Trump and the USDA. We also strongly encourage you to provide unique comments and your own stories about Inventoried Roadless Areas by commenting directly through regulations.gov (docket number FS-2025-0001) . Where the road ends, the adventure begins.
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Via: https://youtube.com
Provided to YouTube by Rhino Atlantic
You're Good for Me · Solomon Burke
Rock 'N Soul
℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Piano: Artie Butler
Tenor Saxophone: Ben Smith
Producer: Bert Berns
Guitar: Billy Butler
Guitar: Bob Bushnell
Drums: Bobby Donaldson
Guitar: George Barnes
Saxophone: Haywood Henry
Trumpet: Irv Markowitz
Producer: Jerry Wexler
Trumpet: Robert Scott
Electric Bass Guitar: Russ Saunders
Tenor Saxophone: Sam Taylor
Writer: Donald Covay
Arranger: Gary Sherman
Writer: Horace Ott
Auto-generated by YouTube.
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Via: https://youtube.com
Provided to YouTube by Warner Jazz
Goodnight Irene · Dr. John
Goin' Back To New Orleans
℗ 1992 Warner Records Inc.
Percussion: Alfred Roberts
Percussion: Charles Neville
Percussion: Cyril Neville
Organ, Piano: Dr. John
Lead Vocals: Dr. John
Baritone Saxophone: Roger Lewis
Producer: Stewart Levin
Guitar: Tommy Moran
Trumpet: Umar Sharif
Writer: H. Ledbetter
Writer: John Lomax
Arranger: Wardell Quezergue
Auto-generated by YouTube.
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Via: https://youtube.com
Leonard Bernstein conducts the London Symphony Orchestra and the Edinburgh Festival Chorus in a performance of Mahler’s 2nd symphony, 1st movement. This is the 2nd longest movement of this symphony at a length of 24 minutes, and is mainly set in the key of C Minor. This is the 5th of 46 teaser videos to the upcoming “Bernstein - The 10 Mahler Symphonies + Das Lied von der Erde” project.
The first movement is marked Mit durchaus ernstem und feierlichem Ausdruck (With complete gravity and solemnity of expression). It is written in C minor, but passes through a number of different moods and resembles a funeral march. The movement's formal structure is modified sonata form. The exposition is repeated in a varied form (from rehearsal number 4 through 15, as Ludwig van Beethoven often did in his late string quartets). The development presents several ideas that will be used later in the symphony, including a theme based on the Dies irae plainchant. Mahler uses a somewhat modified tonal framework for the movement. The secondary theme, first presented in E major (enharmonic of F♭ major, Neapolitan of E♭), begins its second statement in C major, a key in which it is not expected until the recapitulation. The statement in the recapitulation, coincidentally, is in the original E major (F♭ major). The eventual goal of the symphony, E-flat major, is briefly hinted at after rehearsal 17, with a theme in the trumpets that returns in the finale. Following this movement, Mahler calls in the score for a gap of five minutes before the second movement. This pause is rarely observed today. Often conductors will meet Mahler half way, pausing for a few minutes while the audience takes a breather and settles down and the orchestra retunes in preparation for the rest of the piece. Julius Buths received this instruction from Mahler personally, prior to a 1903 performance in Düsseldorf; however, he chose instead to place the long pause between the fourth and fifth movements, for which Mahler congratulated him on his insight, sensitivity, and daring to go against his stated wishes. A practical way of following Mahler's original indication is to have the two soloists and the chorus enter the stage only after the first movement. This creates a natural separation between the first movement and the rest of the symphony and also saves the singers more than twenty minutes of sitting on stage. One can get an idea of Mahler's intention through a comparison with his Symphony No. 3, where – due to the length of the piece – a real break after the first movement (as between two acts of an opera) is highly recommended, and indeed indicated by Mahler. As in the case of Symphony No. 2, this is not always observed nowadays.
Traditumium 26 Mar 2021
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Via: https://politifact.com
Rep. Byron Donalds, R-Fla., a prominent supporter of former President Donald Trump, recently tried to draw Black voters to Trump’s side, but a comparison he made involving the Jim Crow era drew criticism from Democrats. At a June 4 event in Philadelphia, Donalds compared today’s Black culture with that of the Jim Crow era, when […]
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Via: https://youtube.com
Fats Waller - piano and vocals
John Hamilton - trumpet
Gene Cedric - tenor sax
John Smith - guitar
Cedric Wallace - bass
Slick Jones - drums
Recorded August 1939
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Via: https://youtube.com
Provided to YouTube by Rhino
Thunder and Lightning (2015 Remaster) · Phil Collins
Face Value
℗ 1981 Atlantic Recording Corporation 2015 Remastered Rhino Entertainment Company for World
Guitar: Daryl Stuermer
Tenor Saxophone: Don Myrick
Assistant Producer: Hugh Padgham
Bass Guitar: John Giblin
Trombone: Louis Satterfield
Trumpet: Michael Harris
Drums, Percussion, Vocals: Phil Collins
Electric Piano: Phil Collins
Producer: Phil Collins
Trumpet: Rahmlee Michael Davis
Writer: Phil Collins
Auto-generated by YouTube.
NEW
Via: https://thehill.com
Third party candidate Jill Stein was a surprising addition this week to investigators casting an increasingly wide net in the congressional probe into Russian interference in the presidential …
NEW
Via: https://twitter.com
Great interview on @foxandfriends with the parents of Otto Warmbier: 1994 - 2017. Otto was tortured beyond belief by North Korea.
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Via: https://music.youtube.com
Provided to YouTube by Warner Records
In These Shoes · Bette Midler
Bette
℗ 2000 Warner Records Inc.
Bass Guitar: Abraham Laboriel
Background Vocals: Arnold McCuller
Lead Vocals: Bette Midler
Fender Rhodes Keyboards: Bobby Lyle
Hammond Organ: Bobby Lyle
Piano: Bobby Lyle
Background Vocals: Carlos Cuevas
Programmer: Charles Judge
Background Vocals: Cynthia Bass
Tenor Saxophone: Dan Higgins
Trumpet: Darrell Leonard
Background Vocals: David Lasley
Guitar: Dean Parks
Producer: Don Was
Background Vocals: Donna De Lory
Mastering Engineer: Doug Sax
Guitar: Dwight Sills
Engineer: Ed Cherney
Mixing Engineer: Ed Cherney
Unknown: Ed Cherney
Trumpet: Gary Grant
Baritone Saxophone: Gary Herbig
Background Vocals: Howard McCrary
Keyboards: Jamie Muhoberac
Trumpet: Jerry Hey
Tenor Saxophone: Jerry Vivino
Arranger: Jimmy Vivino
Tenor Saxophone: Joe Sublett
Keyboards, Piano: Larry Cohn
Percussion: Lenny Castro
Arranger: Marc Shaiman
Keyboards: Marc Shaiman
Additional Producer: Marc Shaiman
Background Vocals: Maria Vidal
Guitar: Mark Goldenberg
Trumpet: Mark Isham
Background Vocals: Melanie Taylor
Guitar: Mike Miller
Background Vocals: Nikki Harris
Guitar: Paul Jackson Jr.
Tenor Saxophone: Plas Johnson
Bass Guitar: Reggie Hamilton
Keyboards: Rick Knowles
Additional Producer: Rick Knowles
Production Co- Ordinator: Shari Sutcliffe
Drums: Sonny Emory
Guitar: Tim Pierce
Tenor Saxophone: Wayne Rodrigues
Writer: Kirsty Maccoll
Writer: Melvin Clark Lastie
Writer: Pete Glenister
Writer: William Correa
Auto-generated by YouTube.
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Via: https://youtube.com
Concert Switzerland 1997. Larry Graham -- bass, vocals; Rose Stone -- keyboards, beat-box; Hershall Kennedy -- keyboards, trumpet; Robert Samm -- Hammond Organ; Wilton Rabb -- guitar; Noel T. Closson - drums
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Via: https://emptywheel.net
Marc Caputo describes the woman who posted the Reich meme to Trump's Truth Social account as his digital gatekeeper.
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Via: https://youtube.com
The US president nearly took a tumble when he was heading back to Washington DC after spending the weekend in New Jersey.
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???? 0 ???? 25 ❤️ 58 · Donald J Trump fans :
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Via: https://twitter.com
President Obama made a desperate and terrible deal with Iran - Gave them 150 Billion Dollars plus I.8 Billion Dollars in CASH! Iran was in big trouble and he bailed them out. Gave them a free path to Nuclear Weapons, and SOON. Instead of saying thank you, Iran yelled.....
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Via: https://democracyforward.org
For over 30 years, the federal government restricted immigration enforcement at houses of worship and other sensitive locations, acknowledging that to carry out raids, arrests…
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Via: https://www.brut.media
Le président Donald Trump a présenté mercredi le site web dédié à la "gold card", un visa permanent pour les Etats-Unis sur le modèle des cartes vertes, vendu à cinq millions de dollars, annonçant qu'une liste d'attente était déjà ouverte.
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Via: https://www.providencejournal.com
Flynn, Trump's former national security advisor, will be in Rhode Island on March 7 to fundraise for his friend Vic Mellor.
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Via: https://youtube.com
Provided to YouTube by Warner Records
Zip Gun Bop (Reloaded) · Royal Crown Revue
The Contender
℗ 1996 Warner Records Inc.
Baritone Saxophone: Bill Ungerman
Drums: Daniel Glass
Vocals: Eddie Nichols
Guitar: James Achor
Tenor Saxophone: Mando Dorame
Trumpet: Scott Steen
Producer: Ted Templeman
Bass: Veikko Lepisto
Arranger, Writer: Eddie Nichols
Contributor: Lorna Stoval
Arranger, Writer: Mando Dorame
Auto-generated by YouTube.
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Via: https://www.tumblr.com
???? 0 ???? 40 ❤️ 42 · Families of US sailors denounce Trump and Hegseth for ‘dismissing their experiences and calling them liars’ · One US sailor’s mother asks: ‘My son signed up to serve his country.…
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Via: https://youtube.com
Provided to YouTube by Parlophone Spain
¿Quién vengo siendo? · Siniestro Total
Sesion Vermu
℗ 1997 Grabación sonora original EMI Music Spain, S.A.
Vocals: Siniestro Total
Violin: Alfonso Franco
Percussion: Blanco
Viola, Violin: Isabel Abril
Trombone: José R. Morales
Trumpet: Rosendo Torres
Producer: Siniestro Total
Composer: Siniestro Total
Auto-generated by YouTube.
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Via: https://www.lewrockwell.com
Polymarket predicts Democrats taking both houses of Congress this November. Instead of a more typical election year focus on hearth and home, economy and peace, Trump devotedly pursues deep state continuity and endless war. His administration is rallying what is left of our military to vainly extend the life of a dying petrodollar. Trump’s Israel […]
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Via: https://youtube.com
Provided to YouTube by BMG Rights Management (UK) Ltd.
All in My Mind · James
La Petite Mort
℗ 2014 BMG Rights Management (UK) Ltd.
Released on: 2014-09-16
Bass Guitar: Jim Glennie
Drums: David Baynton-Power
Guitar: Larry Gott
Guitar: Saul Davies
Keyboards: Mark Hunter
Trumpet: Andy Diagram
Vocals: Tim Booth
Sound Engineer, Producer: Max Dingel
Sound Engineer: Mike Spink
Pro Tools Technician: Isabel Seeliger Morley
Pro Tools Technician: Helen Atkinson
Sound Engineer: Dick Beetham
Composer: Tim Booth
Composer: Larry Gott
Composer: Jim Glennie
Composer: Saul Davies
Composer: Mark Hunter
Auto-generated by YouTube.