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Clown Trump In Jail made using starryai - Free AI Art Generator App

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( )Not so classy, captain! Yankees star Derek Jeter, one of New York’s most eligible hunks since his split with longtime gal pal Minka Kelly, is bedding a bevy of beauties in his Trump World Tower …

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Donald Trump is crushing Ron DeSantis in the polls, but he and his team are trying to use an extremely gross rumor to humiliate the Florida governor.

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“For those who believe, no proof is necessary. For those who don’t believe, no proof is possible.” – Stuart Chase Over the past few months, I’ve vaguely been aware that Donald Trump has been stirring up ideas that vaccinating children causes autism. Trump points out that many kids who get vaccinated also get autism. This is […]

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Philadelphia Orchestra conducted by Eugene Ormandy. I - Andante - Un poco più mosso - Allegro, ma non tanto - Meno mosso - Più mosso - Andante: 0:00 II - Andante - Un po' più mosso - Quasi adagio: 4:46 III - Allegro moderato - Un po' più mosso - Più mosso - Più vivo: 10:09 Diamond's Symphony No.7 was composed in 1959, being premiered on 1962 by the Philadelphia Orchestra conducted by Eugene Ormandy. The work is based on a twelve tone row and uses some serial techniques. However, as one would expect with Diamond, the harmony has strong tonal anchoring, and serial procedures are used as sources of melodic and contrapuntal inspiration, rather than as rigid rules. The first movement opens with the tone row, divided into two hexachords. The music then begins to intensify, combining traditional motivic development techniques like fragmentation with serial procedures such as retrograde, and applying new rhythms to the pitch row. An emphatic first climax leads to a powerful pedal point on C#, over which a canon develops; the melodic line is a hybrid, derived from the first three notes of the second hexachord, and the last two notes of the first. The music continues its energetic drive up to a lively new section, making use of another rhythmic variant of the first hexachord, but shortly becomes more sustained. However the nervous character returns before long, and gradually the rhythms become more and more animated, with runs in sixteenth notes adding momentum and leading to a climax. This shortly leads to a second build-up. Music previously heard returns, more powerfully orchestrated. The succeeding passage also returns but without the canon; instead the insistent semitone from the first hexachord cries out above in the winds. As so often in Diamond's work, the culminating point is achieved by rhythmic simplification, having the effect of a lively coda. This climaxes in a dialogue between the high winds and the low strings calling to each other with the seconds that end the first hexachord and start the second, respectively. A final explosion in the timpani suddenly brings back the opening tempo, and the movement ends, brooding over repeated two note phrases. The second movement starts in almost the same tempo as the ending of the first, with a complete retrograde of the row, presented by a solo flute. Winds accompany with other fragments of the series. Clarinets enter with a free imitation of the flute line. Then the string choir emerges, with a line starting with the ubiquitous semitone G-Ab (end of the first hexachord) and moves off into a lyrical extension. Meanwhile, a sixteenth note figure starts to emerge, first in the second violins, and then in violas, getting more and more emphatic. This line reaches a declamatory climax, and leads into the kind of intense, highly contrapuntal, lyrical writing that is familiar from Diamond's earliest works. It quiets down into a trumpet line, which is a thematic outgrowth of the opening flute melody, completed with imitations in the other two trumpets. The oboe picks up and spins out this line more gently. In quick succession, a light scherzando character appears, recalling the previous second violin counterpoint, to be followed by sudden emphatic fragments in dialogue between winds, brass, and strings. Now, with the opening flute line in the bass, the full brass enter fortissimo, followed by strings and winds, and rise to a climactic section. At its peak, the first hexachord appears in retrograde with strings and winds singing in unison. Echoes of the first movement's opening follow, and the movement ends, recalling the solo flute; now the bass comes to rest on a sustained G#. The third movement starts with a mysterious pizzicato line on the basses, based once more on the row, but transposed and starting from its third note. The violas enter with a sustained line, also based on the row. This is accompanied by nervous interjections in the winds, featuring slurred seconds derived from the first notes of each hexachord. This "sigh motive" will be important throughout the movement. Another motive develops in the viola and becomes more prominent. The pizzicato basses disappear, and various motives are combined. The viola motive assumes a new guise as a sort of broken chord. The orchestra broadens into a passage with very dissonant harmony. The two note motive based on the interval of the second is much in evidence. Picture: "The Empire of Light" (1954) by Rene Magritte. Source: https://bit.ly/3Xp0Nfo To check the score: https://bit.ly/3H06klK

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A foreign policy hawk with a year-long stint as U.S President Donald Trump’s national security adviser, John Bolton, sat down with The National's Adrienne Arsenault to talk about his White House memoir and his views on Trump’s presidency. #johnbolton #johnboltoninterview #boltonbook »»» Subscribe to The National to watch more videos here: https://www.youtube.com/user/CBCTheNational?sub_confirmation=1 Voice your opinion and connect with us online: Facebook | https://www.facebook.com/thenational Twitter | https://twitter.com/CBCTheNational Instagram | https://www.instagram.com/cbcthenational »»» »»» »»» »»» »»» The National is CBC Television's flagship news program, featuring the day's top stories with in-depth and original journalism.

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Today we’re going to look at definitions of fascism and ask the question – you may have guessed – if Donald Trump is running for President as a fascist. Worry not, this isn’…

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With the cowards at CBS/Paramount having paid their $16 million bribe, Trump’s FCC was quick to rubber-stamp its approval to the company’s $8 billion merger with Skydance (owned by Trump’s bil…

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You might recall that one of the conditions of the FCC’s approval of The Ellison family’s $8 billion acquisition of CBS was that the agency would install a “ombudsman” at th…

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After a quiet exit last week – not counting her stunning report on Fauci’s crimes and US bioweapons labs around the world – Trump DNI Tulsi Gabbard went from MAGA GOAT to Trump’s scapegoat. To be clear, it wasn’t US intelligence that got Trump to start a war for Israel, a war the Pentagon had […]

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David Clayton-Thomas - vocals, Bruce Cassidy - trumpet and arrangement, Vern Dorge - alto sax, Earl Seymour - tenor sax, Richard Martinez - keyboards, Rob Piltch - guitar, David Piltch - bass, Bobby Economou - drums, Song by Jimi Hendrix This music and video are not my property but rather the property of the rights holders.

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Provided to YouTube by Ghostlight Records Dead Mom · Sophia Anne Caruso · Beetlejuice Original Broadway Cast Recording Ensemble Beetlejuice ℗ 2019 Sh-K-Boom Records, LLC, 1633 Broadway, New York, NY 10019. All rights reserved Producer: Matt Stine Producer: Eddie Perfect Producer: Alex Timbers Producer: Kurt Deutsch Conductor, Keyboards: Adam Laird Project Supervisor: Andrea Craig Assistant Engineer: Brandon Chevere Assistant Engineer: Carlos Mora Bass: Conrad Korsch Trumpet: Dylan Schwab Copier: Emily Grishman Music Preparation Coordinator: Howard Joines Mixer, Recorded By: Isaiah Abolin Woodwind: JAY BRANFORD Unknown: JIL DELL'ABATE Keyboards: JOEY JOSEPH Percussion: JOSHUA MARK SAMUELS Guitar: John Putnam Conductor: Kris Kukul Director: Kris Kukul Orchestration: Kris Kukul Synthesizer Programmer: MIDIOMATIC, LLC Keyboards Programmer: MIDIOMATIC, LLC Trombone, Tuba: NATE MAYLAND Bass Trombone: NATE MAYLAND Assistant Engineer: Neal Shaw Masterer: Oscar Zambrano Woodwind: Rick Heckman Musical Assistant: SASHA BARTON Guitar: SEAN DRISCOLL Drums: Shannon Ford Assistant Engineer: Thom Beemer Trumpet: Tony Kadleck Woodwind: VITO CHIAVUZZO Composer, Lyricist, Writer: Eddie Perfect Auto-generated by YouTube.

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Amy Goodman went viral the day before I interviewed her. It happened after she visited the CNN show “Reliable Sources” to talk about the media’s role in Donald Trump’s ascent. During her conversation with the show’s host, Brian Stelter, Goodman, the longtime co-anchor of the daily news broadcast “Democracy Now!” pointed out how, on a...

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Experts say that for the estimated 5.29 million Black migrants living in the United States, the risk of detention and deportation is particularly high.

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???? 0  ???? 14  ❤️ 8 · DOJ Refuses to Officially Say Trump’s $1.8 Billion Slush Fund Is Dead · The Department of Justice is making it clear: Trump isn’t giving up his slush fund.

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Provided to YouTube by Rhino Domino dancing (2023 Remaster) · Pet Shop Boys SMASH – The Singles 1985 – 2020 ℗ 1988, 2023 Parlophone Records Limited Masterer: Andy 'Hippy' Baldwin Engineer: Ceaser Sogbe Keyboards: Chris Lowe Vocals: Chris Lowe Brass: Dana Tebor Brass: Ed Calle Keyboards: Fro Sossa Brass: Kenneth William Faulk Brass Arranger: Lewis Martinée Mixing Engineer: Lewis Martinée Audio Recording Engineer: Lewis Martinée Producer: Lewis Martinée Brass, Keyboards: Mike Bakst Mixing Engineer: Mike Couzzi Audio Recording Engineer: Mike Couzzi Vocals: Neil Tennant Guitar: Nestor Gomez Associate Producer: Pet Shop Boys Mixing Engineer: Rick 'Billy Bob' Alonso Backing Vocals: The Voice in Fashion Brass: Tony Conception Solo Trumpet: Tony Conception Writer: Chris Lowe Writer: Neil Tennant Auto-generated by YouTube.

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… Last video: https://www.youtube.com/watch?v=YKSa4XGMOtU Savior of the Waking World by Toby Fox: https://homestuck.bandcamp.com/track/savior-of-the-waking-world-2 Field of Hopes and Dreams by Toby Fox: https://tobyfox.bandcamp.com/track/field-of-hopes-and-dreams Trumpet solo (1:57–2:13) transcribed from Penumbra Phantasm by Toby Fox: https://www.youtube.com/watch?v=OdntMzdkFnk Artwork by Ikimaru: https://www.deviantart.com/ikimaru-art/art/Fireflies-gif-599896969

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KRAUTHAMMER IS FINALLY BACK ON A PARTIAL BASIS. BELOW IS HIS EXCELLENT UNDERSTANDING OF WHO DONALD TRUMP IS: A PRAGMATIST. Charles Krauthammer had taken time off for some surgery, and this is the f…

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Provided to YouTube by Parlophone UK Sæglópur · Sigur Rós Sæglópur ℗ 2005 Sigur Ros under exclusive licence to Parlophone Records Ltd Producer: Sigur Ros Additional Engineer: Birgir Jón Birgisson Mastering Engineer: Ted Jensen Performed By: Jon Thor Birgisson Performance: Orri Páll Dýrason Performed By: George Holm Strings: Amina Engineer: Birgir Jon Birgisson Trumpet: Eirikur Orri lafsson Viola: Eyjolfur Bjarni alfredsson Performance: Georg Holm Violin: Greta Salome Stefansdottir Trombone: Helgi Hrafn Jonsson Violin: Ingrid Karlsdottir Cello: Julia Mogensen Performance: Jón þor Birgisson Engineer, Mixer, Producer: Kenneth Vaughan Thomas Performance: Kjartan Sveinsson Cello: Kristin Larusdottir Violin: Matthias Stefanson Violin: Olaf Julia Kjartabsdottir Performance: Orri Pall Dyrason Tuba: Ossur Geirsson Trombone: Samuel Jon Samuelsson Producer: Sigur Rós Trumpet: Snorri Sigurdarson Viola: Stefania Olafsdottir Masterer: Ted Jensen Composer: Georg Holm Composer: Jónsi Composer: Kjartan Sveinsson Composer: Orri Páll Dýrason Composer: Sigur Rós Auto-generated by YouTube.

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I blundered on Saturday by failing to check the latest updated terrorist profile before visiting Washington, DC. How was I to know that National Guard troops would be on the lookout for 60ish bicyclists who are too damn curious about algae? I went riding around downtown Washington to check the latest Trump administration efforts to […]

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After a quiet exit last week – not counting her stunning report on Fauci’s crimes and US bioweapons labs around the world – Trump DNI Tulsi Gabbard went from MAGA GOAT to Trump’s scapegoat. To be clear, it wasn’t US intelligence that got Trump to start a war for Israel, a war the Pentagon had […]

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The former army chief has also come out in favour of Donald Trump's 'deal of the century' being released ahead of March election

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Provided to YouTube by Rhino Atlantic Everybody's Somebody's Fool · Betty Carter 'Round Midnight ℗ 1962 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Drums: Al Harewood Producer: Arif Mardin Vocals: Betty Carter Tenor Saxophone: Bob Ashton Trumpet: Conte Candoli Clarinet, Saxophone: Danny Bank Drums: Ed Shaughnessy Producer: Jerry Wexler Trombone: Jimmy Cleveland Trumpet: Joe Newman Piano: Lloyd Mayers Producer: Nesuhi Ertegun Piano: Norman Simmons Conductor: Oliver Nelson Piano: Russ Freeman Cello: Seymour Barab Drums: Shelly Manne Writer: Ace Adams Writer: Gladys Hampton Arranger: Oliver Nelson Writer: Regina Adams Auto-generated by YouTube.

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President Donald Trump and Interior Secretary Doug Burgum have quietly put a Texas wealth manager with no conservation experience in charge of all national parks and wildlife refuges. Kevin Lilly is the acting assistant secretary for fish, wildlife, and parks at the Interior Department—a position that oversees both the National Park Service and U.S. Fish […]

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ThanQ for supporting by downloading directly from https://stephentenner.com/thanq-for-coming/ Also available on all major streaming platforms at link below https://stephenwilliamtenner.hearnow.com/thanq-for-coming CD Single & Merchandise https://stephentenner.com/thanq-for-coming/ ~ ThanQ For Coming ~ Artist - Stephen William Tenner - Featuring Kristen Capolino Lyrics - Stephen William Tenner © 2024 Music - Kristen Capolino Recorded at Dreamland Studios & Ecaterina Productions Music Video Written & Directed by Stephen William Tenner Camera - James Armstrong & Stephen William Tenner Editor - Tony Grocki Shot on Location at Dreamland Studios in Hurley, NY & surrounding areas A Stella May Production Vocal - Stephen William Tenner Guitars/Vocal - Kristen Capolino Piano/ARP 2600 - John Rofrano Bass - Greg Smith Drums - Jerry Marotta Drums - Mike Sorrentino Trumpet - Kim Nicholas Trombone -Jason Miller Flute - Mikaylah S Snyder Mixing - Ecaterina Productions & Pasquarella Recordings Mastering - Alan Douches / West West Side Music Follow Stephen William Tenner: TRUTH SOCIAL https://truthsocial.com/@TennerTalk RUMBLE https://rumble.com/TennerTalk YOUTUBE https://www.youtube.com/@StephenWilliamTenner TELEGRAM https://t.me/TennerTalk TWITTER https://twitter.com/StephenWTenner TICKTOCK https://www.tiktok.com/@stephenwtenner FACEBOOK https://www.facebook.com/stephentenner/ INSTAGRAM https://www.instagram.com/stephentenner/ #Thanqforcoming #officialmusicvideo #stephenwilliamtenner

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The American composer, teacher, band leader and trombonist William (Bill) Russo (1928-2003) is probably better known for his work as a band leader, trombonist and chief composer-arranger for the Stan Kenton Orch. (1950-54). However, he wrote a number of orchestral works which might be characterized as third-stream scores. His 2nd Symphony was written for Leonard Bernstein and the New York Philharmonic and trumpeter Maynard Ferguson. Although never commercially recorded, that premiere performance is available on the New York Philharmonic's website. This performance is a better recording and features the trumpeter Bud Brisbois and the Chicago Symphony Orchestra conducted by Seiji Ozawa from a performance recorded on July 30, 1967. -Video Upload powered by https://www.TunesToTube.com

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