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Kibrom Birhane @ Addis Jazz Festival 2019 Follow us for more music: Addis Jazz Festival Facebook: www.facebook.com/addisjazz Muzikawi Facebook: www.facebook.com/muzikawi Muzikawi YouTube: www.youtube.com/channel/UCBOBYpW2Ul76... _____________________________________________________ Kibrom Birhane is a multi-instrumentalist, producer and songwriter. Kibrom has made a name for himself as a passionate musician covering a wide range of genres including Ethiopian folk, 'world music', jazz, pop, Ethio-Jazz and gospel music. His musical career started early in life. After finishing high school he joined 'Mekane Yesus school of Jazz music', a private music college in Addis Ababa, from where he received his Associate Degree in music performance in 2007. At the Addis Jazz Festival Kibrom performed six of his works. 0:00 - Zelesegna 10:00 - Pendulum 17:15 - Yonas Gorfe Tribute 23:37 - Kibrom's Tizita 31:36 - Circles 37:41 - Song for Abrish _____________________________________________________ Addis Jazz Festival was first organized by Muzikawi and held in Addis Ababa on October 6th 2019, showcasing a legendary line-up of artists Alemayehu Eshete, Hailu Mergia, Samuel Yirga, Kibrom Birhane and Kayen Lab. Track list Track 1 - Zelesegna Track 2 - Pendulum Track 3 - Yonas Gorfe Tribute Track 4 - Kibrom's Tizita Track 5 - Circles Track 6 - Song for Abrish MUSICIANS Abiy Ousman ፡ Alto Saxphone Teferi Assefa ፡ Drum Henock Temesgen ፡ Bass Guitar Hadis Alemayehu (Hadinko): Masinko Girum Gizaw :Guitar Nourelislam Adam :Trumpet CREDITS Selam Ethiopia, Sweden Embassy, Muzikawi crew _____________________________________________________ TAGS: #ethiopianmusic #ethiojazz #kibrombirhane #addisjazzfestival #muzikawi #Ethiopiques #jazz #addisjazz #Ethiopia #mulatu #mulatuastatke #addisababa #Addis #selam #selamsessions #swedenembassy #festival

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Trump bigly wrong on the stock market and national debt. Cenk Uygur breaks it down on The Young Turks. Tell us what you think in the comment section below. Subscribe to our channel: https://goo.gl/a3JY9i Read more here: https://www.nytimes.com/2017/10/12/us/politics/trump-stock-market-national-debt-fact-check.html “President Trump suggested on Wednesday evening that a soaring stock market might be “in a sense” reducing the national debt, a statement that is not true, in any sense. “The country — we took it over and owed over $20 trillion,” Mr. Trump told the Fox News personality Sean Hannity, following similar remarks he made earlier on Wednesday in a speech he delivered on tax issues in Pennsylvania. “As you know the last eight years, they borrowed more than it did in the whole history of our country. So they borrowed more than $10 trillion, right? And yet, we picked up $5.2 trillion just in the stock market. Possibly picked up the whole thing in terms of the first nine months, in terms of value.” “So you could say, in one sense, we’re really increasing values. And maybe in a sense we’re reducing debt.” The comments represented the latest in a long-shifting series of positions on debt issues for Mr. Trump as both president and candidate, which has included, at various points, proclaiming “I love debt” and also promising to pay off the entire national debt in eight years”* Hosts: Cenk Uygur Cast: Cenk Uygur *** The Largest Online News Show in the World. Hosted by Cenk Uygur and Ana Kasparian. LIVE STREAMING weekdays 6-8pm ET. https://goo.gl/tJpj1m Subscribe to The Young Turks on YouTube: https://goo.gl/a3JY9i Like The Young Turks on Facebook: https://goo.gl/txrhrh Follow The Young Turks on Twitter: https://goo.gl/w6ahdV Buy TYT Merch: https://goo.gl/KVysaM Download audio and video of the full two hour show on-demand + the members-only post game show by becoming a member at https://goo.gl/v8E64M. Your membership supports the day to day operations and is vital for our continued success and growth. Young Turk (n), 1. Young progressive or insurgent member of an institution, movement, or political party. 2. A young person who rebels against authority or societal expectations.(American Heritage Dictionary)

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US President Donald Trump on Friday fired the chairman of the Joint Chiefs of Staff, Air Force General CQ Brown, and announced he would replace five other high

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Provided to YouTube by Columbia Big Beautiful Spoon · Poi Dog Pondering WISHING LIKE A MOUNTAIN AND THINKING LIKE THE SEA ℗ 1990 SONY BMG MUSIC ENTERTAINMENT Released on: 1990-03-27 Associated Performer, Guitar: Adam Sultan Acoustic Guitar, Electric Guitar, Mandolin: Ted Cho Composer, Lyricist: F. Orrall Acoustic Guitar, Associated Performer, Bells, Drums, Marimba, Piano: Frank Orrall Associated Performer, Bass, Fretless Bass: Bruce Hughes Drums: Dick Ross Drums: Sean Coffey Accordion, Organ, Recorder, Trumpet, Xylophone: David Max Crawford Congas: John Nelson Piano, Trombone: David Max Crawford Violin: Susan Voelz Cello: Mark Williams Bassoon: Rudy Lege Producer: Mike Stewarf Mastering Engineer: George Marino Recording Engineer: Kevin W. Smith Recording Engineer: Mike Stewart Auto-generated by YouTube.

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@ New Orleans Jazz Fest 4/26/14 C. J. Chenier - accordian Rockin' Dopsie, Jr. - washboard Lee Allen Zeno - bass Paul "Lil' Buck" Sinegal - guitar (far left) Curtis Watson - trumpet

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Evan Peters ('American Horror Story: Cult') chats 'intense, hard, exhausting' role of cult leader Kai Anderson with Gold Derby's Marcus Dixon and Zach Laws. The program focuses on a woman (Sarah Paulson) who is so traumatized by the presidency of Donald Trump that many of her longstanding phobias begin to intensify, including a fear of murderous clowns. Peters plays Kai Anderson, the charismatic leader of an extremist group who runs for the U.S. Senate. SIGN UP for Gold Derby’s newsletter with experts’ latest predictions. http://pages.email.goldderby.com/signup/

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Trump se ha llevado una gran victoria legal después de que un juez federal de Boston levantara la suspensión que impedía la revocación de la designación de TPS para Somalia.

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Provided to YouTube by Columbia/Legacy Fantasy · Earth, Wind & Fire Greatest Hits ℗ 1977 Columbia Records, a division of Sony Music Entertainment Released on: 1998-11-17 Composer, Vocal, Drums, Percussion, Lyricist, Producer: Maurice White Associated Performer: Earth, Wind & Fire Composer, Percussion, Bass, Vocal, Lyricist: Verdine White Lyricist, Piano, Composer: Eddie Del Barrio Percussion, Congas, Vocal: Philip Bailey Vocal, Guitar, Percussion: Albert McKay Percussion, Guitar: Johnny Graham Guitar: Roland Bautista Drums, Percussion: Ralph Johnson Percussion, Flute, Soprano Saxophone, Tenor Saxophone: Andrew Woolfolk Percussion, Drums: Fred White Assistant Engineer, Synthesizer, Organ, Piano: Larry Dunn Assistant Producer, Bass: Verdine White Congas: Phillip Bailey Guitar: Al McKay Tenor Saxophone, Alto Saxophone, Baritone Saxophone: Don Myrick Trumpet: Michael Harris Trombone: Louis Satterfield Percussion: Paulinho Da Costa Piano: Skip Scarborough Trumpet: Oscar Brashear Trumpet: Steve Madaio Trumpet: Charles Findley Trombone: George Bohanon Trombone: Garnett Brown Flute: Phillip Ayling Flute: Terry Harrington Flute: Fred Jackson Flute: Abe Most French Horn: David Duke French Horn: James McGee French Horn: Alan Robinson French Horn: Gale Robinson French Horn: Richard Gus Klein French Horn: Marilyn Robinson Tuba: Roger Bobo Violin: Janice Gower Violin: Blanche Belnick Violin: Ronald Clark Violin: Harris Goldman Violin: Jack Gootkin Violin: Ruth Henry Violin: Betty Lamagna Violin: Carl La Magne Violin: Mary Lundquist Violin: Sheldon Sanov Violin: Haim Shtrum Violin: Barry Socher Violin: Lya Stern Violin: David Stockhammer Violin: Marcia Van Dyke Viola: Norman Forrest Viola: Renita Koven Viola: Linda Lipsett Cello: Ronald Cooper Cello: Daniel Smith Cello: Jan Kelley Bass: Susan Ranney Bass: Meyer Rubin Harp: Dorothy Jean Ashby Arranger: Tom Tom 84 Engineer, Mixing Engineer: George Massenburg Auto-generated by YouTube.

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Provided to YouTube by Giant The Particular Song · Army Of Lovers Massive Luxury Overdose ℗ 1992 Giant Records Producer: Alexander Bard Saxophone: Anders Gustavson Guitar, Keyboards, Producer, Programmer: Anders Wollenbeck Lead Vocals: Army of Lovers Background Vocals: Erika Essen-Moller Background Vocals: Lilling Palmeklint Background Vocals: Malin Backstrom Executive Producer: Ola Hakansson Engineer, Gongs, Mixer, Producer: Per Adebratt Background Vocals: Ricco Background Vocals: The 69 Caruso Trumpet: Urban Agnas Writer: Alexander Bard Writer: Anders Wollenbeck Writer: Jean-Pierre Barda Auto-generated by YouTube.

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Social Security, America's top social program, is in some pretty big trouble.

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From The Album - I Ain't Looking At You 2006 Alvin Queen - Drums Jesse Davis - Alto Sax Terell Stafford - Trumpet, Flugelhorn Mike LeDonne - Hammond B3 Organ Peter Bernstein - Guitar

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Steve Allen's Music Room (1983) with the Terry Gibbs All-Star Band Show #3 Guests: Burt Bacharach Anthony Newley Carole Bayer Sager Announcer: Bill Maher Terry Gibbs Band personnel: Trumpets: Conte Candoli, John Audino, Pete Candoli, Bill Berry Trombones: Carl Fontana, Charlie Loper, Dick "Slide" Hyde Saxophones: Plas Johnson, Jerome Richardson, Med Flory, Gus Bivona, Bill Green Piano: Alan Broadbent Bass: Chuck Berghofer Drums: Frank Capp Vibes & Conductor: Terry Gibbs

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WINNER: TRUMP; 2D PLACE: ABC NEWS! (for keeping Fiorina out).

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Trump is absolutely right! Every debate audience is absolutely establishment donors, not regular Americans.

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【3月26日 AFP】ドナルド・トランプ（Donald Trump）米大統領は25日、イスラエルが1967年に占領したゴラン高原（Golan Heights）に対するイスラエルの主権を認める宣言に署名した。

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Tras las amenazas arancelarias de Donald Trump surge el “Freeze Latino Movement”, que promueve no comprar en Walmart y otras empresas gringas. El 77% apoya esta medida.

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White House press secretary Karoline Leavitt announced Wednesday that the Trump administration would be updating federal nutrition standards. “The Trump administration is now updating federal nutrition standards and guidelines to ensure that Americans have the most accurate driven information supported by science and hard facts, not special interests or partisan ideology,” Leavitt announced during press conference. Leavitt was joined by Health and Human Services Secretary Robert F. Kennedy Jr. and Agriculture Secretary Brooke Rollins. "Trusting the experts is not a feature of science," said Secretary Kennedy. "It's not a feature of democracy. It is a feature of tyranny and a feature of religion, but not science. In science, you question everything." "We were told for three years during COVID, 'Trust the experts,' but that's not science," he said. "Science is eternal skepticism towards all orthodoxy, understanding people in authority lie." https://bit.ly/4qHDP1m Stay up to date with our social media: KMPH on Facebook: https://www.facebook.com/KMPHFOX26/ KMPH on Twitter / X : https://twitter.com/KMPHFOX26 KMPH on Instagram: https://www.instagram.com/kmphfox26/ Subscribe to KMPH on YouTube: https://www.youtube.com/channel/UCKbj5d8f70i0AYLyiJ3YMXg//?sub_confirmation=1 Daily News Playlist: https://www.youtube.com/playlist?list=PLf4LuaygYm1pWSaTezQCCNMPDSS1HIPef For more information, visit https://kmph.com/ #Fresno #California #trending #video Have a news tip? Send it directly to us: Email us: NewsDesk@kmph.com Call the Newsroom: 559.453.8850 KMPH and KFRE are California-based stations and FOX and CW Television affiliates owned and operated by Sinclair Broadcast Group. Sinclair Broadcast Group, Inc. is one of the largest and most diversified television broadcasting companies in the country today.

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“So Oscar Health, the company tapped by Trump to profit from covid tests, is a Kushner company. Imagine that, profits over national safety.”

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Animation/Imagination Reunion at the Bob Belden Memorial concert Nov 2nd 2015, at La Poisson Rouge, NYC This song is an excerpt from an evening celebrating and reminiscing about musician, composer, arranger, raconteur and friend, James Robert “Bob” Belden (October 31, 1956 – May 20, 2015) Tim Hagans, Trumpet Tim Ries, Soprano saxophone Scott Kinsey, Keyboards Jair-Rohm Wells, Bass Billy Kilson, Drums

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Provided to YouTube by Epic Cuts Both Ways · Gloria Estefan Cuts Both Ways ℗ 1989 Epic Records, a division of Sony Music Entertainment Released on: 1989-07-11 Associated Performer, Vocal: Gloria Estefan Bass Guitar, Producer: Jorge Casas Electric Guitar, Acoustic Guitar: John DeFaria Synthesizer, Piano, Producer: Clay Ostwald Percussion: Rafael Padilla Saxophone: Mike Scaglione Trumpet: Randy Barlow Trombone, Trumpet: Teddy Mulet Composer, Lyricist: G. Estefan Producer: Emilio Estefan Jr. Auto-generated by YouTube.

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Provided to YouTube by Sony Music Latin Yo También · Romeo Santos · Marc Anthony Fórmula, Vol. 2 (Deluxe Edition) ℗ 2014 Sony Music Entertainment US Latin LLC Released on: 2014-02-25 Associated Performer: Romeo Santos feat. Marc Anthony Additional Studio Producer, Lyricist, Associated Performer, Composer, Co- Producer, Executive Producer, Performance Arranger: Romeo Santos Piano: José A. Prieto Associated Performer: Marc Anthony Keyboards: Frank A. Suárez Guitar, Bass: José Gazmey Associated Performer: Alvin Medina Trumpet: Jan Duclerc Trumpet: Jesús Alonso Congas: William Thompson Bongos: Raúl Rosario Background Vocal: Josué Rosado Background Vocal: Juan Bautista Martínez Background Vocal: Henry Santiago Producer: Cucco Peña Executive Producer: Johnny Marines Performance Arranger: Alexander "Chichi" Cabas Consultant: Carlos Dalmasí Programmer, Recording Engineer: Iván "Matetraxx" Chévere Mixing Engineer: Gerald Grimaud AKA Bombin' Gerry Director: Joaquín Díaz Mastering Engineer: Tom Brick Additional Studio Producer: Andrés Wolff Additional Studio Producer: Jorge Sánchez A& R Director: Alejandro M. Reglero Additional Studio Producer, Art Director: Carlos Pérez Additional Studio Producer: elasticpeople.com Photographer: Omar Cruz Auto-generated by YouTube.

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Provided to YouTube by Parlophone UK Never Let Me Down (2018 Remaster) · David Bowie Never Let Me Down ℗ Under exclusive license to Parlophone Records Limited, ℗ 1987, 2018 Jones/Tintoretto Entertainment Company LLC Assistant Engineer: Andre Gauchat Mixing Engineer: Bob Clearmountain Synthesizer Guitar: Carlos Alomar Tambourine: Carlos Alomar Backing Vocals: Carlos Alomar Additional Bass: Carmine Rojas Percussion: Crusher Bennett Additional Guitar: David Bowie Harmonica, Keyboards, Mellotron, Moog, Tambourine: David Bowie Producer: David Bowie Backing Vocals: David Bowie Assistant Mixing Engineer: David Richards Producer: David Richards Backing Vocals: Diva Gray Flugelhorn, Trumpet: Earl Gardner Drums, Keyboards, Trumpet: Erdal Kizilcay Bass Guitar: Erdal Kizilcay Backing Vocals: Erdal Kizilcay Backing Vocals: Gordon Grodie Assistant Engineer: Jon Goldberger Assistant Engineer: Justin Shirley-Smith Trumpet: Laurie Frink Tenor Saxophone: Lenny Pickett Backing Vocals: Loni Groves Additional Engineer: Malcolm Pollack Lead Guitar: Peter Frampton Remastering Engineer: Ray Staff Backing Vocals: Robin Clark Alto Saxophone: Stan Harrison Baritone Saxophone: Steve Elson Songwriter: Carlos Alomar Songwriter: David Bowie Auto-generated by YouTube.

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Provided to YouTube by Rhino Atlantic That Will Never Do · Freddie King Is A Blues Master ℗ 1969 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Unknown: Adrian Barber Guitar: Billy Butler Saxophone: David Newman Solo Guitar: Freddie King Vocals: Freddie King Keyboards: Gary Illingworth Bass: Gerry Jemmott Keyboards: James Booker Trumpet: Joe Newman Producer, Saxophone: King Curtis Trumpet: Martin Banks Trumpet: Melvin Lastie Drums: Norman Pride Saxophone: Willie Bridges Writer: Milton Campbell Writer: Robert Loins Auto-generated by YouTube.

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Provided to YouTube by Rhino Atlantic Come to Me · Otis Redding Stax-Volt: The Complete Singles 1959-1968 ℗ 1965 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Drums: Al Jackson Jr. Keyboards, Organ, Piano: Booker T. Jones Tenor Saxophone: Charles "Packy" Axton Bass Guitar: Donald "Duck" Dunn Baritone Saxophone: Floyd Newman Production: Jim Stewart Guitar: Johnny Jenkins Lead Vocals: Otis Redding Trumpet: Sammy Coleman Guitar, Keyboards, Piano: Steve Cropper Trumpet: Wayne Jackson Writer: Otis Redding Writer: Phil Walden Auto-generated by YouTube.

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The probe is the latest of the PAC’s troubles, with a major shakeup happening in late July.

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Ne manquez pas les prochaines vidéos. Abonnez-vous à @contactpodcast Intolérance à l’endroit de la diversité d’opinion, polarisation, cancel culture : les maux de notre époque viendraient-ils d’un modèle d’éducation défaillant ? Alors que les mots comme « fragilité » et « vulnérabilité » sont devenus des étendards moraux, l’anthropologue et clinicien Samuel Veissière, de retour au micro de Contact pour une deuxième fois, nous invite à un voyage aux origines de notre époque formidable ! Son essai, Homo Fragilis, explore une thèse audacieuse : notre espèce a été façonnée non par la force, mais par le soin et l’interdépendance. Mais cette fragilité, qui a fait de nous une espèce unique, peut aussi se retourner contre nous. Son travail nous pousse à examiner les racines de ce que notre invité appelle la culture de la fragilité, qui s’est élevée sur le terreau d’une jeunesse surprotégée par une « parentalité positive ». Cette approche, qui a troqué l’autorité pour l’écoute, a pu se transformer en un culte de « l'enfant-roi » , incapable de tolérer la frustration. Dans cette dynamique, les rapports de couple s’enlisent dans une « syndicalisation des émotions » et une compétition de la souffrance. C'est dans ce contexte que la détresse masculine émerge comme un sujet brûlant. Au-delà des discours sur le « patriarcat », Samuel Veissière nous force à considérer les racines profondes de cette angoisse, liée à la « jetabilité masculine », où les hommes sont plus nombreux à mourir ou à être sacrifiés. Samuel Veissière est professeur associé au département de psychologie de l’UQAM. Liens officiels : https://www.facebook.com/stephanbureaucontact/ https://contactmedias.com/ https://linktr.ee/contactlepodcast https://www.instagram.com/contact.lepodcast/ 00:00 - Intro 03:35 - Homo Fragilis : Une autre manière de comprendre notre époque. 07:36 - La loi du plus faible. 14:30 - Sa majesté, le bébé ! 21:32 - Le patrimoine culturel, racine ou chaînes pour la jeunesse occidentale ? 25:45 - « Croyances de luxe », privilège de riches ? 28:20 - Confusion entre les mots et les maux 34:50 - Trump fait-il la bonne chose avec les universités américaines? 41:40 - « Plus les choses vont bien, plus elles ont l’air d’aller mal. » 46:45 - Le couple à l’heure des “griefs syndiqués” 55:02 - La misère sexuelle de la majorité des hommes. 01:01:52 - La féminisation du monde. 1:06:47 - La douleur des incels et des trans, même combat ? 1:11:35 - À l’heure de l’annulation: prendre un risque au lieu de se taire.

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Tracklist 1 Enlightenment 2 Love In Outer Space 3 Space Is The Place 4 Discipline 27-11 / What Planet Is This? / Life Is Splendid / Immeasurable 5 Watusi 6 Outer Spaceways Incorporated Sociétés, etc. Phonographic Copyright (p) – Alive/Total Energy Records Copyright (c) – Alive/Total Energy Records Recorded At – Ann Arbor Blues & Jazz Festival Mastered At – Catasonic Studios Crédits Alto Saxophone – Larry Worthington* Alto Saxophone, Flute – Danny Davis, Marshall Allen Baritone Saxophone – Pat Patrick Baritone Saxophone, Flute – Danny Thompson* Bass Clarinet – Leroy Taylor (2) Design [Cover] – Patrick Boissel Drums – Alzo Wright, Lex Humphries Drums [Space] – Harry Richards, Robert Underwood Lead Vocals – June Tyson Mastered By, Transferred By [Digitally Transferred From The Original Stereo Recordings] – Mark Wheaton Percussion – Russell Branch, Stanley Morgan Photography By – Leni Sinclair Piano, Organ [Space], Keyboards, Lead Vocals – Sun Ra Producer [Original Recording] – Jimmie Douglass*, Michael Cuscuna, Tunc Erim* Producer, Liner Notes, Other [Production Consultation] – John Sinclair (2) Recorded By – Jimmie Douglass* Supervised By [Original Recording] – Mark Meyerson Tenor Saxophone, Percussion – John Gilmore Trumpet – Lamont McClamb Trumpet, Flugelhorn, Vocals – Akh-Tal Ebah* Voice [Space Ethnic Voices] – Cheryl Bank*, Judith Holton, Ruth Wright Notes Recorded in performance at Otis Spann Memorial Field, Ann Arbor, Michigan, at the Ann Arbor Blues & Jazz Festival, 1972 for Atlantic Records. Production consultation for the Rainbow Multi-Media Corporation. Produced for Big Chief Productions in association with Saturn Research. Digitally transferred from the original stereo recordings and mastered at Catasonic on October/September 1999. Total time: 37:11 (P) & (C) 1999 Alive!/Total Energy Records.