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Via: https://music.youtube.com

Provided to YouTube by Columbia Memories (Burning in Time) · Adelphi Music Factory Memories (Burning in Time) ℗ 2023 Adelphi Music Factory Limited under exclusive licence to Sony Music Entertainment UK Limited Released on: 2023-06-30 Composer, Lyricist: Gregory Oliver Diamond Vocal: Matt Henry Background Vocal: Sharlene Hector Background Vocal, Keyboards, Programmer, Unknown: Hal Ritson Bass, Guitar: Rob Harris Keyboards, Programmer, Unknown: Richard Adlam Trombone, Trumpet: Ashley Slater Violin: Marianne Hayes Cello: Nerys Richards Mastering Engineer, Mixing Engineer: James Richardson Auto-generated by YouTube.

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Celia Cruz, in one of her earliest TV appearances (likely late teens or early twenties), sings "Ogguere," an Afro song composed by Gilberto Valdés. According to Rosa Marquetti Torres, author of "Celia en Cuba 1925-1962," this performance may have been with the Symphonic Orchestra of Enrique González Mántici. The recording likely took place between 1945-1949 on the program "Momento Afro Cubano" presented by La Emisora Mil Diez, a radio station owned by the Popular Socialist Party. This rare footage offers a glimpse into Celia's early career and her connection to Cuban music history. DEEPER IN : Following the entry of the Soviet Union in the war against Germany the Cuban communists re-emerged as a legal political party, the PSP. The party purchased Radio Lavín and converted it into Radio Mil Diez in 1943.[he first broadcast was made on April 1, 1943.The name reflected the dial sign (1010). Decades later, as the Cuban Revolution raged in 1960, Celia (touring in concert in Mexico at the time), made the decision not to return to the island. In 1961, she moved to the U.S., and married Pedro Knight, her longtime friend and trumpet player. Fidel Castro was so enraged by Cruz’s defection, he barred her from returning to Cuba. In fact, Celia never returned to her homeland.

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Via: https://www.bustle.com

For years and years, Donald Trump has accumulated one of the most adversarial, combative, and downright childish Twitter feeds you'll ever see from a real-estate magnate and supposed world-class businessman. And even as a presidential candidate,…

Via: https://theconversation.com

An FBI raid on a Georgia elections facility has sparked concern about Trump administration interference in the 2026 midterms. An obscure 1970s Supreme Court case provides guardrails against that.

Via: https://www.politico.com

Trump declared victory over Clinton early Wednesday morning.

Via: https://www.itv.com

Via: https://extra.ie

Nigel Farage has called Donald Trump the 'single most resilient and bravest person' he's ever met during an appearance at Trump campaign rally in Arizona.

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Never heard of 'Mezzrow'? Me either. Turns out to be quite a dood. More on that later. First, some track info: 1. REALLY THE BLUES (a) 2. JELLY ROLL (b) 3. GONE AWAY BLUES (b) 4. FUNKY BUTT (c) 5. I WANT SOME (c) 6. BLOOD ON THE MOON (d) 7. OLE MISS (b) 8. BOWIN’ THE BLUES (b) 9. HOUSE PARTY (d) 10. OLD SCHOOL (b) 11. TOMMY’S BLUES (c) 12. DE LUXE STOMP (b) 13. OUT OF THE GALLION (b) (a) Sidney Bechet (soprano sax and clarinet), Mezz Mezzrow (clarinet), Wesley ‘Sox’ Wilson (piano); Wellman Braud (bass); Baby Dodds (drums). 18 Sep 1946 (b) Bechet (soprano sax); Mezzrow (clarinet), Fitz Weston (piano); Pops Foster (bass); Kaiser Marshall (drums). 29/30 Aug 1945 (c) Bechet (soprano sax); Mezzrow (clarinet); Sam Price (“Jimmy Blythe, Jnr.”) (piano); Foster (bass); Marshall (drums). 18 Dec 1947 (d) Hot Lips Page (trumpet; vocal on 6); Bechet (Soprano sax); Mezzrow (clarinet); Price (piano); Danny Barker (guitar); Foster (bass); Sid Catlett (drums). 30 Jul 1945 I found the sleeve notes, written by one Charles Fox, interesting - most of what follows is a straight cut 'n paste. Ready? Ok... In his autobiography, “Really the Blues”, Mezz Mezzrow has described his struggle to play jazz with the feeling and power of the great Negro musicians. To do it he lived among Negroes, identifying himself not only with their music but with their whole approach to life. Mezzrow’s admiration for Sidney Bechet began in Chicago during the early ‘Twenties, when Bechet was playing with the Original Creole Band at the De Luxe Café. But not until 1938, when the French critic Hugues Panassié visited the United States and supervised a series of sessions, did they get an opportunity to record together. To create good New Orleans jazz, Mezzrow saw that it was necessary to achieve unity of style. He planned to record blues which would be models of teamwork rather than a pattern of solos, the musicians taking their parts in a balanced, harmonious whole. “A celebration of life” is how Mezzrow describes the function of jazz... Perhaps the Quintet recordings made in August, 1945, contain the greatest jazz of all. Bechet and Mezzrow...become almost equal partners in some of the most intimate ensemble improvisations ever heard in jazz. While not approaching Bechet’s stature as a soloist, Mezzrow is skilled in creating a deft, sympathetic counterpoint. Hot Lips Page plays fierce, biting trumpet on two tracks by the Septet. His singing of Blood on the moon is interrupted by a superb solo from Bechet. House party is distinguished by vigorous ensemble playing, Page and Bechet sharing the lead between them. On the 1947 session the group adopted a more conventional attitude. Funky Butt, I want some and Tommy's blues contain wonderful solos but the fabric is less complex, no attempt being made to achieve a contrapuntal effect. Apart from the excellence of front-line musicians, the performances gather added distinction from the work of the rhythm sections. Three of the greatest drummers in jazz—Sid Catlett, Baby Dodds and Kaiser Marshall—all took part. Pops Foster shows that he is still unsurpassed as a bassist at sessions of this kind; Wellman Braud, the strength of Duke Ellington’s rhythm team during the ‘Thirties, can be heard on one track. Danny Barker, a guitarist too rarely recorded, plays in the Septet. Fitz Weston, Wesley ‘Sox’ Wilson and Sam Price (for contractual reasons using the pseudonym “Jimmy Blythe, Jnr.”) all contribute extremely solid piano work. It seems no exaggeration to claim that Mezz Mezzrow and Sidney Bechet have never played better than they did at these sessions. The simplicity of blues reveals the truth about a man...no living musician can excel Bechet’s performances in this idiom. Each phrase mounts upon its predecessor with magnificent inevitability, until the solo stands revealed as a complete and organic entity. And here’s some bonus extras from Mezzrow's Wiki listing, just for the helluvit: “Milton Mesirow was ethnically and religiously Jewish, and was raised in Chicago. His wife, Johnnie Mae, was a black Baptist. They had one son, Milton Mesirow, Jr. According to the younger Mesirow, the surname "Mezzrow" was a "pen name" of his father's. In an interview with the New York Times in 2015, "Mezz Jr." told a reporter, "My father put me in a shul, and my mother's side tried to make me a Baptist. So when I'm asked what my religion is, I just say 'jazz.'"[8] The family lived in Harlem, New York, where Mezzrow declared himself a "voluntary Negro" and was listed as Negro on his draft card in World War II. [8] He believed that "he had definitely 'crossed the line' that divided white and black identities".[9] Mezzrow...was so well known in the jazz community for selling marijuana that Mezz became slang for marijuana. He was also known as the Muggles King, 'muggles' being slang for marijuana, as in Louis Armstrong's 1928 recording "Muggles". Armstrong was one of his biggest customers.”

Via: https://www.lewrockwell.com

It’s not really a secret that Europeans are conditioned from birth by their own establishment media to view the US as a terrible, racist and dangerous place with a faltering economy and no subsidies for citizens.  This propaganda program has been ongoing for decades and is designed to give Europeans a false sense that their […]

Via: https://whatthefuckjusthappenedtoday.com

Current Status: Trump and Jeff Sessions have denied knowing about the Trump campaign’s contacts with Russia. Court documents suggest otherwise. Records show that at a March 31, 2016, meeting between T

Via: https://www.lewrockwell.com

The Atlantic on October 23 published a profile of CIA chief John Ratcliffe. Its subheadline contains the most significant “tell” from the piece—“CIA Director John Ratcliffe leads an agency that’s at war with Russia, even as Trump makes nice with Putin.” The Atlantic article makes no bones about its ulterior purpose. It is to present […]

Via: http://www.theguardian.com

Americans across the country took to the streets to celebrate the end of Trump’s presidency while triumph likely to be welcomed by international allies

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Hakim - Nar | حكيم - نار Enhanced Music Video | فيديو كليب Remastered High Quality Audio | رمستر صوت عالي الجودة Produced in Egypt by: Sonar Slam! | سونار سلاَم Released - 1994 - إصدار ???? Follow SonarSlam Everywhere: ???? Instagram: @sonar_slam – https://www.instagram.com/sonar_slam/ ???? Facebook: SonarSlam – https://www.facebook.com/sonarslam ???? TikTok: @sonarslam – https://www.tiktok.com/@sonarslam Nar | نار Composed By Essam Tawfik | ألحان: عصام توفيق Lyrics By Amal El Ta'er | كلمات: أمل الطائر Arranged By Hamid El Sha'eri | توزيع: حميد الشاعري كلمات نار ياللي حبيبك قاسي وسابك وياعذابك آه إنسي عذابك من أحبابك وأفتح بابك نار نار نار وأنا قلبي قايد نار نار نار نار وحبيبي فايتني في نار نار نار نار والفكر خلاص أحتار نار نار نار مكتوبلي أعيش في نار حبيتوا وهويتوا وأحتاجته مالقيتوا فات قلبي في نار وعذاب ومرار والعقل أحتار وديتوا وناديتوا ونسيني ما نسيتوا وفي ليله ويوم نساني النوم وبقيت محروم بكاني ولا جاني تاه منه عنواني لا بعت سلام ولاأي كلام سهرنا ونام Nar (translation) oh the one left in your torment by his cruel beloved forget your torment from your beloved ones and open your door fire fire fire my heart is set on fire fire fire fire and my beloved is leaving me on fire fire fire fire and my mind is already confused fire fire fire it's my destiny that i live in fire I loved him so much and i needed him but couldn't find him he left my heart on fire and torment and bitterness and the mind is confused I cured him and called him, he forgot but I did not he made me forget sleep and I became deprived in a night and day he made me cry and did not show up for me, he lost my address nor did he greet or say something, he kept us awake while he slept Hakim | حكيم Nar Album | البوم نار Country: Egypt Released: 1994 1 حبيته نار = Nar Composed By – عصام توفيق Lyrics By – A. El Tayer* 2 الحق عليه = El Haka'le Composed By – Hakim Lyrics By – A. El Tayer* 3 حبيبي لو = Habibi Law Composed By – H. Esh Esh* Lyrics By – A. El Tayer* 4 موال الصبر = Mawal El Sabr Composed By – H. Esh Esh* Lyrics By – A. El Tayer* 5 فيها إيه = Fiha E Composed By – E. Karika* Lyrics By – M. Kamel* 6 خد يا حلو = Khod Ya Helw Composed By – H. Esh Esh* Lyrics By – A. El Tayer* 7 مش كل آه = Mesh Kol Ah Composed By – H. Sokar* Lyrics By – S. Sakr* 8 هونا = Honna Composed By – H. Esh Esh* Lyrics By – A. El Tayer* Recorded At – Studio M. Sound Produced For – Sonar Ltd. Mixed At – Studio M. Sound Glass Mastered At – Sonar USA – S03470053 Accordion – F. M. Hassan* Arranged By – H. El Sha'eri* Backing Band – فرقة حميد الشاعري (tracks: H. El Shaeri Band) Backing Vocals – M. Fouad*, H. Nabil*, E. Soliman*, محمد عبد الراضي, محمد مبروك Engineer – A. Gouda* Instruments [Kavala] – I. Kawala* Percussion – K. Goma* Saxophone – R. Misso* Strings [Arranged By] – Y. El Mogi* Tabla – K. Goma* Tambourine – H. El Arabi* Trumpet – سامي البابلي #حكيم #arabicmusic #rakssharqui #music #egypt

Via: https://www.lewrockwell.com

Under pressure from Israeli prime minister Benjamin Netanyahu, the Trump administration may be within days of launching a nuclear strike on Iran. The target would be Pickax Mountain in central Iran, where Israeli intelligence claims the Iranian government has restarted its nuclear enrichment program. No conventional weapon in the American arsenal can penetrate 300 feet […]

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This is the official live teaching video for “Revelation 4. feat Corey Russell ” by Mercy Culture Worship. This is a part of Mercy Culture Worship’s newest album “Make Me Holy: Revival + Reformation II” available 01.03.25 everywhere you choose to stream! Click this link to get right to the release: https://vyd.co/MAKEMEHOLY ----------------------------- Mercy Culture Worship is a presence-driven worship community of Mercy Culture Church based out of Fort Worth, Texas. We exist to take people from corporate encounters with God to daily personal encounters with God. Our greatest desire is to please the Lord above everything else. FOLLOW US — YouTube https://youtube.com/@MercyCultureWorship — Instagram https://instagram.com/mercycultureworship?igshid=MjEwN2IyYWYwYw== — Spotify https://open.spotify.com/artist/7qbjOkkH57gPl41xfR8RuI?si=zTfhw-8lT7OP5M_MX8YcXg — Apple Music https://music.apple.com/us/artist/mercy-culture-worship/1593440332 — ENCOUNTERS Podcast https://MCW.lnk.to/ENCOUNTERS For more information, you can find us at www.mercycultureworship.com. ----------------------------- | Transcription | Corey Russel – Rev. 4 I saw a door standing open in heaven and the first voice which I heard was like a trumpet speaking with me, saying come up here. Immediately I was in the spirit. And behold, a throne set in heaven. Friends, I need you to know that there is a throne that is far above every principality, power, ruler, and dominion. It’s above every name that is named. Every power-base. Every governmental system. Every governmental base. There is a throne that is set. It’s immovable. There will never be a coup to overthrow it. It’s set from eternity. He sat enthroned at the flood and He sits as king forever. And we have direct access to the throne by the blood of Jesus. Friends, the one on the throne, He shines like Jasper. He burns like sardius and He’s an emerald rainbow surrounding Him. He’s blinding, burning Mercy. Blinding, burning Mercy. Around the throne, are 24 thrones and on them sit elders. This is where you and I come into the storyline. Everybody say, “I’m robbed.” Say “I’m throned.” And “I’m crowned.” Do you have any idea what you look like in the presence of God? You are not last weeks failure. You are the righteousness of God in Christ. Where is your hunger at? It’s lagging. I’m not talking about “louder”, I’m talking about pulling on the anointing. Hunger that’s desperate to break out of cycles. Hunger that’s desperate to break through situations at home. I need God. Not as a nice “if this helps my quiet time…” “I can put that in my journal tomorrow.” I need God. I got to learn how to get out of funk and get into the throne room. And get into that place of peace and joy and righteousness. I’ve got to get something stronger than a spirit of this age that says you need to drink this or have that or do this to find happiness. I got a touch of joy that transcends anything that this world offers. Because you don’t understand the power of sight. You don’t understand the power of eyes. You don’t understand that when eyes are open, lips get anointed. You don’t understand that to see is everything. And that when you stop seeing, you start dying. When you are living in the memory of last year. Friends, you cannot live in the memory of last year‘s breakthrough, last year‘s insight, last year‘s revival. There is always fresh revelation that needs to touch your spirit. And the spirit of religion, if it settles you into a complacency that stops crying to see. And then cataracts gets on your spiritual eyes. Blindness touches you. That’s religion. Living in last year’s breakthrough. Eyes. Eyes. Eyes. Eyes. They do not rest. Holy. Holy. Holy. That doesn’t sound productive, don’t they need to be doing stuff? Oh, they will. They will. They need to go be fruitful. Oh, they will. Three, two, one, “HOLY.” They combust. “HOLY, HOLY, HOLY, HOLY” And guess what happens when “holy” comes from anointed eyes. Crowns start falling. Crowns start falling. Friends, come to the throne. Get your eyes open. Quit looking at lesser images. Get off all the stuff and let your eyes get flooded with light. Are you fascinated? ----------------------------- Written by: Mercy Culture Worship, Corey Russell Revelation 4. feat Corey Russell | Mercy Culture Worship - Official Live Video #mercycultureworship #throneroom #holyholy #Kingforever #crownedandrobed

Via: http://www.theguardian.com

After four years of Trump, many diplomats are hopeful – but US critics say the idea of a return to a ‘golden age’ is a delusion

Via: https://www.washingtonpost.com

Via: https://emptywheel.net

Given how narrow the GOP majority in the House is, any investigation into a sitting member of Congress could more immediately disrupt the status quo power than an investigation into a potential Presidential candidate. Which means the appointment of Jack Smith as Special Counsel may also pertain to the investigation of Scott Perry's actions leading up to January 6.

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???????????? TURN THE VOLUME UP ???????????? My 2nd Channel (Mr. Bass Boost NC): https://www.youtube.com/channel/UC6Z8b_dVE2UmhprWgl0pcOw The Song Creators Are Mentioned in Description Enjoy Do you like the beat? please COMMENT LIKE SUBSCRIBE I do not create this song I Bass Boost it. All Rights go to the respectful Artists!!!! I don't earn money with YouTube. I make it as fun I don't use an Subwoofer

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Provided to YouTube by Rhino Show Me the Way (2003 Remaster) · Chicago Hot Streets ℗ 1978 Rhino Entertainment Company, a Warner Music Group Company. Synthesizer: Blue Weaver Associate Producer: Carol Peters Drums: Danny Seraphine Producer: Danny Seraphine Assistant Engineer: Dave Martone Fender Rhodes Keyboards: David "Hawk" Wolinski Audio Recording Engineer: Don Gehman Guitar: Donnie Dacus Producer: Donnie Dacus Backing Vocals: Donnie Dacus Brass Arranger: James Pankow Producer: James Pankow Trombone: James Pankow Mixing Engineer: Jim Boyer Audio Recording Engineer: Jim Boyer Assistant Engineer: Kevin Ryan Percussion: Laudir de Oliveira Producer: Laudir de Oliveira Audio Recording Engineer: Lee DeCarlo Producer: Lee Loughnane Trumpet: Lee Loughnane Backing Vocals: Lee Loughnane Bass Guitar: Peter Cetera Producer: Peter Cetera Backing Vocals: Peter Cetera Assistant Engineer: Peter Lewis Mixing Engineer: Phil Ramone Producer: Phil Ramone Keyboards: Robert Lamm Producer: Robert Lamm Lead Vocals: Robert Lamm Backing Vocals: Robert Lamm Mastering Engineer: Ted Jensen Producer: Walter Parazaider Woodwinds: Walter Parazaider Writer: Danny Seraphine Composer: David Wolinski Auto-generated by YouTube.

Via: https://www.bbc.co.uk

The text messages sent by the Fox News host were released as part of a 2020 election lawsuit.

Via: https://www.politico.com

How a textile magnate turned the Party of Lincoln into the Party of Trump.

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Video directed by Martin Hedman Vocals and guitar by Matthew Caws, recorded at home Arrangement, cello, horns, trumpets, tympani by Phillip Peterson Violins by Victoria Parker Recorded by Phillip Peterson at House of Breaking Glass, Seattle, Washington Piano, mixing and mastering by Louie Lino at Resonate, Austin, Texas Written by Caws/Lorca/Elliot Songs as Pets (BMI) / Karmacode (ASCAP) Lyrics: I’m a New Yorker with long American roots I see a land that’s tilting and I don’t know what to do Something is different, this danger feels new Who do we look to? In the capitol building, the chosen few I wrote a song for you As you walk through Statuary Hall Do you hear the marble breathing? All the statues are trying to talk What do you think that they’re saying? The muse of history writes everything down She writes just what she sees in Washington town As you walk through Statuary Hall Did you catch the marble moving? All these statues are trying to walk Where do you think that they’re going? We’re on a bigger team than left or right We have a flickering history as a guiding light Don't want to see the american dream die in the night Around the world in bars and parks People commiserate Complex feelings around this flag of ours But don't want to see it fade They still want their american friend As you walk through Statuary Hall Do you see the marble moving? All these statues are starting to walk Where do you think that they’re going? To find the man who would be king Doesn’t seem to care about anything Now's the time to do something Now’s the time to say something Do we dare look away, turn our heads As we slide into the dark? When we’re old, looking back We will cry when we see what we have done Families split up, the world heating up We are letting hate lead us away

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Provided to YouTube by Label Worx Limited Freaks · Timmy Trumpet · Savage Freaks ℗ Hussle Recordings, a division of TMRW Music Pty Ltd Released on: 2014-07-31 Producer: Timmy Trumpet Producer: Savage Composer: Timothy Jude Smith Composer: Ivan Gough Composer: Demetrius Savelio Music Publisher: UMPG Music Publisher: Sony ATV Music Publisher: 120 Publishing Auto-generated by YouTube.

Via: https://www.breitbart.com

Four people are now in custody following a recent Facebook livestream that appears to show an unidentified young man tied up, gagged and tortured as his assailants shout “f*ck Donald Trump.” | Politics

Via: https://stephenaltofttrumpet.bandcamp.com

Stephen Altoft is dedicated to the creation of new repertoire for the trumpet. As a solo artist, and with percussionist Lee Ferguson as duo Contour, he has given concerts throughout Asia, Europe, the United States and Canada. He is particularly working on microtonal trumpets and microtonal flugelhorn. stephenaltoft.com microtonalprojects.com

Via: https://www.voxnews.al

Administrata e presidentit të Shteteve të Bashkuara, Donald Trump, dhe partnerët kryesorë evropianë nuk kanë ndryshuar qëndrimin ndaj kryeministrit Edi Rama, pavarësisht reagimit të ashpër të forcave të sigurisë ndaj protestave që kanë përfshirë Shqipërinë që prej verës