Via: https://youtube.com

Provided to YouTube by RCA Bluebird Just A-Sittin' and A-Rockin' (1999 Remastered) · Duke Ellington and His Famous Orchestra Never No Lament: The Blanton-Webster Band ℗ Originally Recorded 1941. All Rights Reserved by BMG Music Released on: 2003-04-01 Composer, Piano: Duke Ellington Associated Performer: Duke Ellington and His Famous Orchestra Trumpet: Wallace Jones Trumpet: Ray Nance Cornet: Rex Stewart Trombone: Joe Nanton Trombone: Lawrence Brown Trombone: Juan Tizol Tenor Saxophone, Clarinet: Barney Bigard Alto Saxophone, Clarinet: Johnny Hodges Alto Saxophone: Otto Hardwick Tenor Saxophone: Ben Webster Baritone Saxophone, Alto Saxophone, Clarinet: Harry Carney Guitar: Fred Guy Bass: Jimmie Blanton Drums: Sonny Greer Composer: Billy Strayhorn Composer: Lee Gaines Reissue Producer, Additional Studio Producer, Engineer: Steven Lasker Reissue Producer: Orrin Keepnews Re- Mastering Engineer: Dennis Ferrante Auto-generated by YouTube.

Via: https://www.trumpetstudio.com

Master the trumpet at every level. Free sheet music, expert lessons, gear tips, and practice tools—everything you need to play smarter, stronger, better.

Via: https://x.com

???? NEW: The Indian government is complaining their citizens are being “STRANDED” in India due to President Trump’s increased vetting for H1-B visas STRANDED. IN THEIR HOME COUNTRIES ???? Just leave them there! Please! We DO NOT need them! https://t.co/5TUrpVzzDW

Via: https://www.atlanticcouncil.org

Russia’s recent hacking attacks on the Clinton campaign, the Democratic National Committee, and the party’s fundraising committee for candidates for the US House of Representatives reflect Moscow’s view that it is in a state of political war with the United States, if not the West. Efforts to take down Western political institutions are hardly a […]

Via: https://youtube.com

Edvard Grieg: Concerto for Piano and Orchestra in A minor, Op. 16 (with Score) Composed: 1868 Piano: Radu Lupu Conductor: André Previn Orchestra: London Symphony Orchestra 00:00 1. Allegro molto moderato (A minor) 13:43 2. Adagio (D-flat major) 20:27 3. Allegro moderato molto e marcato (A minor – A major) Grieg was born on Norway's fjord-coast in the same year that Leipzig's storied Konservatorium opened under the direction of Felix Mendelssohn. By the time Ole Bull, the Norse Paganini, persuaded Grieg's parents to send their gifted 15-year old there for instruction, Mendelssohn was already dead 11 years. His successors were solid, German-schooled academicians whom Edvard hated, and against whom he rebelled. Ever after, he made five years in Leipzig sound like a prison sentence. That he learned so much from allegedly hidebound and uncaring teachers validates the soundness of their instruction. Most notably, Grieg absorbed the salient stylistic traits of Mendelssohn and Schumann (who taught there briefly before moving to Dresden). Indeed, his Piano Concerto could be called Schumannesque (likewise in A minor) without invalidating its Scandinavian character or Lisztian flourishes. Despite posthumous scorn for Grieg's large solo oeuvre during much of the twentieth century, his natural habitat was the keyboard. Grieg composed this music in 1868 for himself to play; however, Edmund Neupert played the first public performance in Copenhagen on April 3, 1869. A government grant enabled Grieg to visit Italy in 1869, where he showed the work to Liszt at his residence near Rome. The kindly Abbé played it at sight with unconcealed pleasure (brilliantly, too, although for Grieg "rather too quickly" during the opening part). Liszt encouraged him to "go on, and don't let anything scare you," but tastelessly suggested that the second subject of the first movement be played by a trumpet instead of cellos. Grieg didn't restore it to the strings until his revision of 1905-1906. The concerto opens with a drum-roll and solo flourish, after which the winds play a simple, unsophisticated main theme that the piano preempts, and embroiders at length, Allegro, molto moderato. The cello subject (più lento -- a little slower) is contrastingly "soulful." Trumpets usher in the development, and later on the reprise. A solo cadenza comes just before the end. In the second movement, the key shifts from A minor to D flat major. This structurally uncomplicated Adagio in 3/8 time begins introspectively with muted strings. The piano rhapsodizes until a dramatically angular version of the main theme shatters the mood. Eventually, calm is restored, and a quiet ending leads without pause to the third movement another quick-but-not-too-quick movement in A minor, additionally marked marcato, whose structure combines sonata and rondo. The piano introduces a main theme based on the 2/4 rhythm of a Norwegian folk dance, the halling. The second subject is quirkier and more elaborate but no less folk-like. The solo flute initiates a tranquil episode, after which the main theme returns for extended development. A short solo cadenza precedes Grieg's long-delayed transition from minor to major for yet another dance, this one in 3/4 time at an accelerated tempo. During a final cadenza, Lisztian bravura blows away any lingering traces of Schumann. (https://www.allmusic.com/composition/piano-concerto-in-a-minor-op-16-mc0002369705)

Via: https://youtube.com

Provided to YouTube by Rhino/Elektra Pure Sin · Carly Simon Spy ℗ 1979 Elektra/Asylum Records, A Division of Warner Communications, Inc. Producer: Arif Mardin Lead Vocals: Carly Simon Backing Vocals: Carly Simon Synthesizer: Cliff Carter Guitar: David Spinozza Acoustic Piano: Don Grolnick Guitar: Frank Carillo Mastering Engineer: George Piros Guitar: Joe Caro Mixing Engineer: Lew Hahn Unknown: Lew Hahn Baritone Saxophone: Lewis Delgatto Tenor Saxophone: Michael Brecker Assistant Engineer: Mike O' Reilly Alto Saxophone: Peter Ballin Trumpet: Randy Brecker Cowbell Percussion: Raphael Cruz Drums: Steve Gadd Backing Vocals: Tim Curry Trombone: Tom Malone Bass Guitar: Tony Levin Electric Piano: Warren Bernhardt Writer: Carly Simon Writer: Frank Carillo Auto-generated by YouTube.

Via: https://www.famousbirthdays.com

The most famous 80 year old celebrities including Donald Trump, Bill Clinton, Sylvester Stallone, George W. Bush, Cher and many more.

Via: https://amp.axios.com

Via: https://www.newsbusters.org

All of the negative news about President Donald Trump provided a convenient smokescreen to obscure a story highly damaging to former President Barack Obama on Wednesday. As first reported by Circa News, “The National Security Agency under former President Barack Obama routinely violated American privacy protections while scouring through overseas intercepts and failed to disclose the extent of the problems until the final days before Donald Trump was elected president last fall.” As would be expected, the Big Three Networks (ABC, CBS, and NBC) completely omitted from their evening broadcasts.

Via: https://youtube.com

An anti-Trump protester screams in agony as the new US President is sworn in. The woman, sitting cross-legged on the ground close to Capitol Hill, was filmed yelling "no" at the top of her voice as Donald Trump took his oath. http://townhall.com/tipsheet/christinerousselle/2017/01/20/watch-protestor-becomes-completely-unglued-as-trump-is-sworn-in-n2274574

Via: https://newsbusters.org

All of the negative news about President Donald Trump provided a convenient smokescreen to obscure a story highly damaging to former President Barack Obama on Wednesday. As first reported by Circa News, “The National Security Agency under former President Barack Obama routinely violated American privacy protections while scouring through overseas intercepts and failed to disclose the extent of the problems until the final days before Donald Trump was elected president last fall.” As would be expected, the Big Three Networks (ABC, CBS, and NBC) completely omitted from their evening broadcasts.

Via: https://youtube.com

Via: https://youtube.com

Tracklist: 01. So Far As I Know (Mladen (Bobby) Gutesha) 02. Estrelle (Mladen (Bobby) Gutesha) 03. To Fly Or Not To Fly (Mladen (Bobby) Gutesha) 04. One Of Those Love Songs (Mladen (Bobby) Gutesha) 05. Remember The Islands (Mladen (Bobby) Gutesha) Benny Bailey: Trumpet, Flugelhorn Siegfried ''Siggi'' Schwab: Guitar, Sitar Eberhard Weber: Bass Lala Kovacev: Drums

Via: https://youtube.com

Taken from 'The Epic', released 4th May 2015 on Brainfeeder. Subscribe to Brainfeeder on YouTube: http://smarturl.it/SubscribeBFYoutube Buy: iTunes: http://smarturl.it/kwepit Ninjashop: http://smarturl.it/kwepnj Follow: Twitter: http://twitter.com/KamasiW Soundcloud: @kamasi-washington Youtube: http://youtube.com/user/KamasiWashington http://kamasiwashington.com/ Composed, Arranged and Produced by Kamasi Washington. Lyrics by Kamasi Washington and Patrice Quinn. Engineered by Tony Austin and Chris Constable. Mixed by Benjamin Tierney. Mastered by Stephen Marcussen at Marcussen Mastering. Recorded at King Size Sound Labs. Kamasi Washington- Tenor Saxophone Shaunte Palmer - Trombone Todd Simon - TrumpetCameron Graves - Piano Brandon Coleman - Organ Miles Mosley - Acoustic Bass Ronald Bruner - Drums Patrice Quinn - Lead Vocal Neel Hammond - Violin Tylana Renga Enomoto - Violin Paul Cartwright - Violin Jennifer Simone - Violin Lucia Micarelli - Violin Molly Rodgers - Viola Andrea Whitt - Viola Artyom Manukyan - Cello Ginger Murphy - Cello Dawn Norfleet - Choir Vocal Thalma de Freitas - Choir Vocal Maiya Sykes - Choir Vocal Gina Manziello - Choir Vocal Patrice Quinn - Choir Vocal Natasha F Agrama - Choir Vocal Dwight Trible - Choir Vocal Steven Wayne - Choir Vocal Taylor Graves - Choir Vocal Charles Jones - Choir Vocal Jason Morales - Choir Vocal Dexter Story - Choir Vocal Cameron Graves - Choir Vocal Tracy Carter - Choir Vocal

Via: https://youtube.com

„Stepfather Blues (Joe Williams) Recorded: Chicago, February 25. 1935 Big Joe Williams (g) (vcl) Born in Crawford, Mississippi, Williams as a youth began wandering across the United States busking and playing stores, bars, alleys and work camps. In the early 1920s he worked in the Rabbit Foot Minstrels revue and recorded with the Birmingham Jug Band in 1930 for the Okeh label. In 1934 he was in St. Louis, where he met record producer Lester Melrose who signed him to a contract with Bluebird Records in 1935. He stayed with Bluebird for ten years, recording such blues hits as "Baby, Please Don't Go" (1935) and "Crawlin' King Snake" (1941), both songs later covered by many other performers. He also recorded with other blues singers, including John Lee "Sonny Boy" Williamson, Robert Nighthawk and Peetie Wheatstraw. Williams remained a noted blues artist in the 1950s and 1960s, with his guitar style and vocals becoming popular with folk-blues fans. He recorded for the Trumpet, Delmark, Prestige and Vocalion labels, among others. He became a regular on the concert and coffeehouse circuits, touring Europe and Japan in the late 1960s and early 1970s, and performing at major U.S. Festivals. Big Joe's guitar playing is decidedly in the Delta Blues style, and yet is unique. He played driving rhythm and virtuosic lead lines simultaneously and sang over it all. He played with picks both on his thumb and index finger, plus his guitar was very heavily modified. Williams added a rudimentary electric pick-up, whose wires coiled all over the top of his guitar. He also added three extra strings, creating unison pairs for the first, second and fourth strings. His guitar was usually tuned to Open G, like such: (D2 G2 D3D3 G3 B3B3 D4D4), with a capo placed on the second fret to set the tuning to the key of A. During the 1920s and 1930s, Big Joe had gradually added these extra strings in order to keep other guitar players from being able to play his guitar. In his later years, he would also occasionally use a 12-string guitar with all strings tuned in unison to Open G. It is little known that Big Joe sometimes tuned a six-string guitar to an interesting modification of Open G. In this modified tuning, the bass D string (D2) was replaced with a .08 gauge string and tuned to G4. The resulting tuning was (G4 G2 D3 G3 B3 D4), with the G4 string being used as a melody string by Big Joe. This tuning was used exclusively for slide playing. He was inducted into the W. C. Handy Blues Hall of Fame on October 4, 1992. He died December 17, 1982 in Macon, Mississippi. Big Joe is buried in private cemetery outside Crawford near the Lowndes County line. His headstone was primarilly paid for by friends and partially funded by a collection taken up among musicians at Clifford Antone's night club in Austin, Texas, organized by California music writer Dan Forte, and erected through the Mt. Zion Memorial Fund on October 9, 1994. Harmonica virtuoso and one time touring companion of Williams Charlie Musselwhite delivered the eulogy at the unveiling. Williams' headstone epitaph, composed by Dan Forte, proclaims him "King of the 9 String Guitar".

Via: https://steemit.com

What Joseph Heller's Catch-22  Can Teach us About Donald Trump It was miraculous. It was almost no trick at all, he… by bluethought

Via: https://youtube.com

เพลง : ยิ่งมองยิ่งหลง ศิลปิน : The Gasoline เนื้อร้อง/ทำนอง : โชเล่ย์ ชคัทพล เรียบเรียง : สุวัตร วงศ์นคร Mix & Mastering : สุวัตร วงศ์นคร Executive Producer : The Gasoline Directed by : Pisit Jitsuwan Director of Photography : Atthaphol Wimsikkamol Production Manager : Boonyaradt Aungkulanawin Assistant Director : Promote Chotprasert Assistant Camera : Thippakorn Sarachat Mackup : Phimphat Leeratanakajon Editor & Colorist : Pisit Jitsuwan Vocal : อ๊อฟ IG : https://www.instagram.com/aof_chanaphon/ Vocal : คิม IG : https://www.instagram.com/kimhunz_gasoline/ Drums : โอม IG : https://www.instagram.com/ohm_punk8/ Bass : เจมส์ IG : https://www.instagram.com/jamebass_v.2/ Guitar : แมน IG : https://www.instagram.com/man_thegasoline.b/ Keyboards : โจ IG : https://www.instagram.com/jocho_rt/ Trumpet : เสก IG : https://www.instagram.com/sektrumpet1993/ Trombone : บัส IG : https://www.instagram.com/buszurey/ ติดต่องานแสดง : 084-2595029 (อ๊อฟ) Facebook : The Gasoline Band ------------------------------------------------------------------------------- Lyrics : ท้องฟ้าก็สวย เหมือนทุกวันแต่วันนี้สวยกว่า เพราะว่ามีเธอให้มอง ได้เห็นแล้วชื่นใจ เป็นบุญตา ที่ได้เห็นนางฟ้าใกล้ๆ มันช่างสุขหัวใจฉันเหลือเกิน *เอาแล้วหล่าว ใจสั่นแล้วหล่าว พอเธอเดินเข้ามาใกล้ๆ ทุกอย่างหยุดเคลื่อนไหว เห็นแต่หน้าเธอ หยุดยิ้มไม่ได้ ไม่รู้ไซร้ ใจมันลอยไปที่เธอ ถ้าหลุดปากไปว่าชอบเธอ หวังว่าเธอคงเข้าใจ **อย่ายิ้มพันนี้ ใจไม่ค่อยดี ก็เธอคนนี้น่ารักซะเกินใคร ยิ่งมองก็ยิ่งหลง หน้าคมๆ ทำใจแทบละลาย สวรรค์ส่งเธอลงมาหรือไร ถ้าปล่อยให้เธอหลุดมือไปเป็นของใคร (คงน่าเสียดาย ที่ไม่ได้บอกชอบเธอ) มันคงจะดีถ้าหากว่าเราได้เป็นแฟนกัน รับประกันฉันจะทำให้เธอยิ้มได้ทุกวัน ส่งมือมาให้ฉันรับรองจะไม่ผิดหวัง จะดูแลเธออย่างดี ทั้งชีวิตนี้ของฉันให้เธอ Solo ซ้ำ * , ** , ** #ยิ่งมองยิ่งหลง #TheGasoline #1ในไม่มาแรง

Via: https://www.foxnews.com

Trump , Target , A.I.

Via: https://www.foxnews.com

Darlene Graham, South Carolina Election, WNBA, Dolly Parton, Trump

Via: https://youtube.com

作詞・作曲・編曲：角松敏生　ブラス編曲：佐藤準 Drums：菊池丈夫　E.Bass：青木智仁　E.Guitar：土方隆行、角松敏生 Keyboard：佐藤準　Moog Bass：佐藤準　T.Sax：ジェイク・コンセプション、包国充 B.Sax：砂原俊三　Trumpet：数原晋　Trombone：新井英治　T.Sax Solo：包国充 Precussion：磯広行　Chorus：角松敏生、磯広行、白石嘉彦、藤圭子 Strings：多グループ　Rap&Talk：中平英治 1983年作品 角松さん初の12inchシングル。当時24トラックの時代に2台並べて48トラックで録音したそうです。 B-Side1「It’s Hard to Say Good-bye (さよならは愛の言葉)」 https://youtu.be/7MhtplP2DIk B-Side2「Fly-By-Day」 https://youtu.be/5BhbbwX2S_g

Via: https://youtube.com

Album: Steal The Light (2013) https://www.youtube.com/playlist?list=OLAK5uy_mN2feq4co8lRBP1rWWWXFKOCigYxHLgoY Stay up to date: https://thecatempire.com/#subscribe Shop: https://store.thecatempire.com/collections Place of Recording: Melbourne, Australia Producer, Engineer & Mixer: Jan Skubiszewski Mastering: Abbey Road - Geoff Pesche Composer: Felix Riebl, Harry Angus Publishing: BMG Publishing, GAGA Publishing Lyricist: Felix Riebl Session Artists: Ross Irwin (Trumpet), Kieran Conrau (Trombone) Record Label: Two Shoes Records PTY LTD Lyrics: [F.RIEBL] Sing now muse I won’t be scared She’s wearing flowers not snakes up in her hair tonight And love we’ve been around before We washed up on the old shore but it’s new tonight ‘It’s only light’ she said ‘But we are liars to be free’ Ooh ooh ooh we’ll steal the light to see The hour falls we fall to dance Now sirens and the marching bands sing ‘it’s nothing but chance tonight’ The billion ones and many few And everyone I never new they’re here tonight ‘It’s only light’ we said But we are liars to be free Ooh ooh ooh we’ll steal the light to see What if I’m lonely? What if the skies should fall and disappear? For one night only Open your eyes and run into the clear So if I may, what if I say ‘It’s good to have you here!’ She said ‘If you lead I’ll come along And if you need me there I’ll sing your song tonight And all that glows and all that shines And all we leave behind will keep them warm tonight ‘It’s only light’ I said But we are liars to be free Ooh ooh ooh we’ll steal the light to see What if I’m lonely? What if the skies should fall and disappear? For one night only Open your eyes and run into the clear I love you only Until the skies fall down and disappear So if I may, what if I say ‘It’s good to have you here!’ Oh oh oh… About: Formed in Melbourne, Australia and adored the world over, The Cat Empire is a musical success story that continues to be written. After the release of their most recent album Stolen Diamonds (Feb 2019), their stratospheric trajectory continues as the band craft infectious, genre-embracing anthems and play hundreds of world-class, awe-inspiring shows a year, while sustaining and growing an army of ardent fans at home and abroad. It seems The Cat Empire brand of feel-good, high-energy, smile-inducing, euphoric roots pop has a global address when it comes to the winning of hearts. It’s not unusual to find the band mobbed by fans and media at airports in Spain, selling out the world’s most famous arenas, appearing live on iconic TV shows hosted by the likes of Letterman, Leno, and Ferguson. While riding high at the business end of international album charts they dominate global airwaves and main stage bills at all of the iconic international music festivals including Glastonbury and Bonnaroo. So wherever you are on the planet, if you take a look around and see hands in the air, people smiling and dancing, and you hear joyful sounds that elevate your spirit till it soars, then chances are you are at another thrilling show by The Cat Empire. Take a listen to our latest release ‘Oscar Wilde’ feat. Grace Barbé recorded live at the Odeon Theatre in Tasmania Australia November 2019: https://youtu.be/Qpo_90BGXuk. The Cat Empire: Vocals: Felix Riebl Vocals & Trumpet: Harry James Angus Keys: Ollie McGill Drums: Will Hull-Brown DJ: Jamshid “Jumps” Khadiwala Bass: Ryan Monro The Empire Horns: Trumpet: Ross Irwin Trombone: Kieran Conrau Guest Baritone Saxophone: Phil Noy Tour Dates: https://thecatempire.com/tour/ https://thecatempire.com https://facebook.com/thecatempire https://instagram.com/thecatempire https://twitter.com/thecatempire Contact: admin@thecatempire.com

Via: https://newsbusters.org

Nightline correspondent David Wright on Thursday night desperately tried to get actress and singer Dolly Parton to label Donald Trump as the face of 21st century sexism. Talking to the entertainer about her role in the iconic film 9 to 5, Wright played a clip of Jane Fonda deriding her character’s boss as a “sexist, egotistical, lying, hypocritical bigot.”

Via: https://youtube.com

Provided to YouTube by Epic/Legacy Shadow Boxing · Teena Marie Robbery (Expanded Edition) ℗ 1983 Epic Records, a division of Sony Music Entertainment Inc. Released on: 1983-06-01 Background Vocal: Julia Waters Arranger, Electric Guitar, Associated Performer, Acoustic Guitar, Background Vocal, Percussion, Piano, Drums, Composer, Drum Programmer, Producer, Vocal, Lyricist, Synthesizer: Teena Marie Background Vocal: Maxine Waters Background Vocal: Carmen Twillie Arranger, Conductor: Paul Riser Guitar: Nick Brown Guitar: Paul Jackson Jr. Acoustic Guitar: Greg Poree Percussion: Paulinho Da Costa Drums: Paul Hines Drums: Nick Ceroli Piano: J. Bokowski Jr. Bass: Abraham Laboriel Bass: Anthony Jackson Bass: Stanley Clarke Alto Saxophone: Ernie Watts Tenor Saxophone: Gary Herbig Horn, Trumpet: Gary Grant Horn, Trumpet: Chuck Findley Trombone: Charlie Loper Trombone: Dick Hyde Auto-generated by YouTube.

Via: https://youtube.com

Provided to YouTube by Rhino Wonderful Christmas Time (feat. Dolly Parton) (2023 Remaster) · Chicago · Dolly Parton Greatest Christmas Hits ℗ 2011 Chicago Records II Audio Recording Engineer: Adam Deane Engineer: B.J. Ramone Mixing Engineer: B.J. Ramone Lead Vocals: Dolly Parton Assistant Engineer: Drew Hester Additional Percussion: Drew Hester Arranger, Trombone: James Pankow Arranger: Jason Scheff Bass Guitar: Jason Scheff Lead Vocals: Jason Scheff Backing Vocals: Jason Scheff Guitar: Keith Howland Backing Vocals: Keith Howland Assistant Engineer: Keith Smith Trumpet: Lee Loughnane Backing Vocals: Lee Loughnane Keyboards: Lou Pardini Backing Vocals: Lou Pardini Audio Recording Engineer: Matt Coles Producer: Phil Ramone Keyboards: Robert Lamm Backing Vocals: Robert Lamm Drums: Tris Imboden Flute, Saxophone: Walter Parazaider Writer: Paul McCartney Auto-generated by YouTube.

Via: https://youtube.com

Thelonious Monk Trio: 00:00 - Just You, Just Me 04:13 - Blue Monk 09:07 - 'Round Midnight 13:42 - Well You Needn't Thelonious Monk Quartet: 17:27 - In Walked Bud 27:14 - Blue Monk 36:00 - Crepuscule With Nellie 38:31 - Well You Needn't 47:01 - Rhythm A Ning Thelonious Monk With The Duke Ellington Orchestra: 54:09 - Introduction By Duke Ellington 54:30 - Monk's Dream 59:56 - Ba-Lue-Bolivar-Ba-Lues-Are Personnel: Thelonious Monk - piano Charlie Rouse - tenor saxophone (tracks 5-9) Henry Grimes - bass (tracks: 1-4) Sam Jones - bass (tracks 5-9) Roy Haynes - drums (tracks: 1-4) Art Taylor - drums (tracks 5-9) Duke Ellington Orchestra: Bill Berry - trumpet Roy Burrowes - trumpet Cat Anderson- trumpet Ray Nance - trumpet Lawrence Brown - trombone George “Buster” Cooper - trombone Charles “Chuck” Connors - trombone Jimmy Hamilton - clarinet, tenor saxophone Johnny Hodges - alto saxophone Gene Hull - alto saxophone Paul Gonsalves - tenor sax Harry Carney - baritone sax Thelonius Monk – piano Aaron Bell – bass Sam Woodyard – drums Edward “Duke” Ellington - master of ceremonies Recorded: Tracks 1-4: Newport Jazz Festival, Newport, Rhode Island, July 7, 1958 Tracks 5-9: Newport Jazz Festival, Newport, Rhode Island, July 3, 1959 Tracks 10-12: Voice Of America “Music USA” Broadcast, Newport Jazz Festival, Freebody Park, Newport, Rhode Island, July 8, 1962 Labels: Gambit Records, 'IN' CROWD Records

Via: https://www.jractivist.com

The Supreme Court now has a majority of Paul Weyrich and Leonard Leo chosen Federalist Society theocon Catholic judges. There are more in other federal and state courts. Paul Weyrich chose judges for Reagan and GHW Bush, Leo for GW Bush and Trump. Catholic activist Weyrich was one of the most influential never elected men in modern history. He founded ALEC, co-founded the Heritage Institute and Moral Majority. He used lies and propaganda about abortion to unite "evangelicals" and "conservative"

Via: https://www.straitstimes.com

WASHINGTON, Aug 25 - Darline Graham, sister of the late Senator Lindsey Graham, won the Republican primary runoff in South Carolina for U.S. Senate on Tuesday, according to U.S. media projections, in a triumph for President Donald Trump. Read more at straitstimes.com. Read more at straitstimes.com.

Via: https://music.youtube.com

Provided to YouTube by Warner Records Danger Line · Avenged Sevenfold Nightmare ℗ 2010 Warner Records Inc. Mixing Engineer: Andy Wallace Piano: David Palmer Bass Guitar: Johnny Christ Vocals: M. Shadows Producer: Mike Elizondo Strings Arranger: Stevie Blacke String Arranger: Stevie Blacke Trumpet: Stewart Cole Guitar: Synyster Gates Mastering Engineer: Ted Jensen Drums: The Rev Whistle: The Whistler Guitar: Zacky Vengeance Writer: Jonathan Seward Writer: Matthew Sanders Writer: Zachary Baker Auto-generated by YouTube.

Via: https://youtube.com

Via: https://www.brut.media

La nuit de mardi à mercredi est restée plutôt calme dans le centre-ville de Los Angeles, même si la police a interpellé plusieurs personnes qui violaient le couvre-feu instauré au cinquième jour de manifestations parfois violentes contre la politique migratoire du gouvernement Trump.