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In the wake of the turbulent election, Trump needs as much help as he can get. Paula White knows this, so she’s not only calling for God’s help, she’s trying to summon angels from Africa and South America as well.
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Russell Vought, President Donald Trump’s nominee for Office of Management and Budget director, was confirmed for that agency’s No. 2 slot in early 2018 after his former boss, Vice President Mike Pence, cast the tiebreaking vote. Having run the agency as acting director since January 2019 when his predecessor, Mick Mulvaney, became acting White House chief […]
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Paul Simon's 1966 classic, The 59th Street Bridge Song (Feelin' Groovy) as performed by Nicki Parrott on her latest CD, Feelin' Groovy on Arbors Records (ARCD#19490). Release date, May 3, 2024.
This official "Feelin' Groovy" video features:
Nicki Parrott vocals/bass
Steve Russell piano
Reuben Bradley drums
Martha Baartz tenor sax
Todd Hardy flugelhorn
Shane Hannan trombone
Arranged by Nicki Parrott
Horn arrangements by Andrew Robertson
Additional video credits:
Brian Wittman Director
Josh Northeast Director of Photography
Kye Haywood Assistant Camera
Rodney Bertram Soundstage Director
The CD reimagines a myriad of songs from the Swinging Sixties and features her core all-Australian band (a first for the label):
Nicki Parrott vocals/bass/xylophone
Steve Russell piano/vintage Wurlitzer
Dave Sanders drums
Martha Baartz tenor sax/flute
Todd Hardy trumpet/flugelhorn
Shane Hannan trombone
with special guests
Jim Kelly guitar
Nanny Assis percussion
Executive Producer Rachel Domber Arbors Records, Inc.
Producer Brian Wittman VP/Arbors Records, Inc.
The CD, Nicki Parrott : Feelin' Groovy will be released on Arbors Records on May 3, 2024 and is distributed by MVD.
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Trump says they want to make deal to open Hormuz Strait immediately because they're losing so badly
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This song was extremely popular during the dance band era, with no less than 10 recorded versions. I have 5 of them! I'd venture that this is one of the more scarcer renditions, but it features a lovely hot trumpet solo after the vocals
EDISON BELL DANCE ORCHESTRA
2t / tb / 2 cl, as / cl, ts / vn / p / bj / bb / d / Stanley Kirkby, v.
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Quiet Fire, a reggae, Latin jazz, and R&B ensemble which emerged as one of the premier groups in the U.S. Virgin Islands, was founded by teenagers attending Croix Central High and St. Joseph’s Catholic high schools on St. Croix Island. They began as the Soul Busters in 1967. The original members (with dates of birth) were leader/principal trumpeter Claude Louis Richards Jr. (January 2, 1950), trumpeter Neal “Panta” Carrington (November 2, 1952), bass guitarist/vocalist Devin Francis Carrington (March 13, 1954), piano/vocalist Daryl Anthony Richards Sr. (December 16, 1955), guitarist Ronald E. Russell (born June 10, 1954), Ray “Haseen” Iles congas (March 19, 1951); Delroy “Deli” Iles, congas (September 4, 1948); Roy Delemos on the alto saxophone (November 30, 1950), Renholdt “Rookie” Jackson, tenor saxophone (September 13, 1949), Raymond “Hoofa” Richards, composer/vocalist/percussionist, trombonist Antoine L. Joseph (November 11, 1952), and percussionist/vocalist Robert Ernest “Bobby” Richards (April 20, 1954). They originally performed rhythm and blues and Caribbean covers principally. In 1978, the Soul Busters changed their name to Quiet Fire and the following year recorded their debut studio album, Tropical Depression. The band did two follow-up albums. The work was recorded in San Juan, Puerto Rico, by Ochoa Recording Studios. In 1984 Quiet Fire’s music […]
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Oakland Stroke (Additional) · Tower Of Power
Back To Oakland
℗ 1974 Warner Records Inc.
Engineer: Alan Chinowsky
Congas: Brent Byars
Guitar: Bruce Conte
Background Vocals: Bruce Conte
Keyboards: Chester Thompson
Background Vocals: Chester Thompson
Drums: David Garibaldi
Tenor Saxophone: Emilio Castilo
Background Vocals: Emilio Castilo
Bass Guitar: Francis Rocco Prestia
Bells, Flugelhorn, Trumpet: Greg Adams
Background Vocals: Greg Adams
Engineer: Jim Gaines
Flute, Saxophone: Lenny Pickett
Lead Vocals: Lenny Williams
Flugelhorn, Trombone, Trumpet, Vocals: Mic Gillette
English Horn: Stephen Kupka
Baritone Saxophone: Stephen Kupka
Background Vocals: Stephen Kupka
Engineer: Tom Flye
Producer: Tower Of Power
Writer: David Garibaldi
Writer: Emilio Castillo
Writer: Stephen Kupka
Auto-generated by YouTube.
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This musical air horn plays the distinctively famed Spanish tune "La Cucaracha". The Kit comes with five strong black ABS trumpets, a 12V heavy duty compressor, hose, relay and mounting hardware. This kit has all the bells and whistles you would expect from Vixen Horns, and generates immediate attention.
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http://trumpflix.com In this video Donald Trump is asked by Bill if he would take the President of China out for a fancy dinner and Trump said he would just take him to McDonalds and by him a hamburger... haha.
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Fascism has taken down democratic Republics multiple times in the past, will this happen to the United States under Trump?
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Thom Hartmann breaks down the very real possibility that we are looking at the end of the democratic experiment started in 1776.
What can we do to stop the end of our democracy? Is Donald Trump an authoritarian who wants to end democracy, is Donald Trump a fascist?
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Trumper: A supporter of Donald Trump. Used negatively in a derogatory fashion to insult someone.
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On Wednesday, August 8th, 1951, Charlie Parker (Bird) entered RCA Victor studios in New York City, accompanied by Red Rodney, trumpet, John Lewis, piano, Ray Brown, bass, and Kenny Clarke, drums. This assemblage bore some resemblance to Bird’s working quintet because it included Red Rodney, who had replaced Kenny Dorham at the end of 1949. Producer Norman Granz made a conscious effort, it would seem, not to record Bird’s working quintet, despite the artistic success of the Dial and Savoy recordings, so this date is the only studio recording with Bird and Red Rodney together.
Despite Bird’s best efforts, Rodney became a heroin addict during his years with the quintet. There’s a bogus scene in Clint Eastwood’s Bird, where Bird slams Rodney against a wall to make his feelings known, a melodramatic subversion of reality that typifies this irresponsible film. There was a more telling and historically accurate scene he might have included instead, especially given that Rodney was a consultant on the film. Picture this: while going cold turkey for the first time, Rodney arrives at Bird’s door suffering from severe abdominal pain. Having kicked many times himself, Bird knows this is atypical and gives Rodney an injection from his own supply. When withdrawal symptoms abate but not the abdominal pain, Bird rushes Rodney to the hospital, where he receives a lifesaving appendectomy. This actually happened, and had he included it Eastwood and audience would have had to sort through the moral ambiguities of such a scene, perhaps learning something in the process. Instead, due to his own artistic shortcomings, Eastwood relied on simplistic, and I think it’s quite fair to say racist, cinematic tropes and clichés.
Although he made a comeback of sorts in the 1970s, and lived into the 90s, Rodney’s career in the 50s was hobbled by intervals of prison time. It’s a shame, because he showed real promise. It’s easy to see what Bird found appealing. Rodney had a rich, nuanced sound, solid time, and an innate lyricism. He was in his early twenties when Bird approached him, and considered himself unworthy of the job. When he argued that others were more deserving, Bird replied, “Hey, let me be the judge of that. I want you. I think that you’re the player that I want in my band.” (This parallels his relationship with Miles.) Nevertheless, Rodney confides, “I was really frightened. I didn’t think I belonged.”
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On Wednesday, August 8th, 1951, Charlie Parker (Bird) entered RCA Victor studios in New York City, accompanied by Red Rodney, trumpet, John Lewis, piano, Ray Brown, bass, and Kenny Clarke, drums. This assemblage bore some resemblance to Bird’s working quintet because it included Red Rodney, who had replaced Kenny Dorham at the end of 1949. Producer Norman Granz made a conscious effort, it would seem, not to record Bird’s working quintet, despite the artistic success of the Dial and Savoy recordings, so this date is the only studio recording with Bird and Red Rodney together.
Very small and very white, with red hair, Rodney’s appearance has a what’s-wrong-with-this-picture effect in photographs. Coming up as a teenager in the world of white swing orchestras wouldn’t have prepared him for Bird’s quintet and all that went with it. Dizzy first introduced him to Bird in 1945, but it’s safe to assume that Rodney wasn’t part of Bird’s inner circle, and in some odd way that may account for Bird’s decision to tap him. Bird proved himself color-blind throughout his career. He wanted Stan Levey and Al Haig in the 40s and Rodney and Kotick in the 50s, and he spoke highly of Lennie Tristano, Dave Brubeck, Paul Desmond, and Chet Baker. Despite the impact of racism on every aspect of his life, Bird refused to let that carry over into the sacred sphere of music and taint his feelings toward his fellow musicians. He judged them entirely by the content of their characters, if you will.
When it comes to any solo by any player, reasonable listeners can disagree, but this session proved quite influential due to Bird’s composition Blues For Alice (named for Norman Granz’s secretary!). This remains the foremost example of what came to be referred to as a “Swedish Blues”, due to its substitutions in the first four bars.
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Peter Serafinowicz has always been ahead of his time. He was making fun of Donald Trump long before the world turned upside down, and the orange-haired maniac became President of the United States. Back when he was the harmless host of the Apprentice, Trump appeared on O News to give a tour of his garishly decorated house.
Watch full episodes of The Peter Serafinowicz Show right here ????
http://bit.ly/PeterSerafinowiczShow_Playlist
Absolute Jokes brings you the best of British comedy every week.
Let us be the giggle to your chuckle, the LOL to your haha, the badum tish to your guffaw.
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Content licensed to Little Dot Studios.
Any queries, please contact us at owned-enquiries@littledotstudios.com
#DeadParrot #BritishHumour #BritishComedy
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Provided to YouTube by RCA Classics
Christopher Columbus · Benny Goodman and His Orchestra · Benny Goodman
Sing, Sing, Sing
℗ Originally Recorded 1936. All rights reserved by BMG Music
Released on: 1987-09-01
Associated Performer: Benny Goodman and His Orchestra
Clarinet: Benny Goodman
Trumpet: Harry Geller
Trumpet: Nate Kazebier
Trumpet: Pee Wee Erwin
Trombone: Red Ballard
Trombone: Joe Harris
Alto Saxophone: Bill DePew
Alto Saxophone: Hymie Schertzer
Tenor Saxophone: Dick Clark
Tenor Saxophone: Arthur Rollini
Piano: Jess Stacy
Guitar: Allan Reuss
Bass: Harry Goodman
Drums: Gene Krupa
Composer: Leon Berry
Composer: Andy Razaf
Reissue Producer: Ed Michel
Re- Mastering Engineer: Steven Miller
Engineer: Ray Hall
Engineer: James Nichols
Auto-generated by YouTube.
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Gutfeld and Melania Trump END the View with $900M Lawsuit?!
Melania Trump has reportedly achieved a significant legal triumph, winning a $900 million defamation lawsuit against Sunny Hostin, a co-host of The View. After enduring months of intense disputes and courtroom confrontations, the judgment favored Melania, highlighting The View's alleged irresponsible criticisms and placing Sunny in a precarious situation. Already entangled in several legal battles and facing public disapproval, this substantial defeat could signal the downfall of the contentious talk show. The pressing questions now are: Can Sunny Hostin rebound from this setback? And what implications does this have for The View's future? Stay tuned as the astonishing revelations continue to emerge!
#MelaniaTrump #TheView #sunnyhostin
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Storm Coming · Gnarls Barkley · CeeLo Green · Danger Mouse
St. Elsewhere
℗ 2006 Gnarls Barkley, LLC
Mixing Engineer: Ben H. Allen
Audio Recording Engineer: Ben H. Allen
Vocals: Cee-Lo Green
Trumpet: Chris Tedesco
Mixing Engineer: Danger Mouse
Producer: Danger Mouse
Orchestra Leader: Daniele Luppi
Mixing Engineer: Kennie Takahashi
Mastering Engineer: Mike Lazar
Writer: Cee Lo Green
Writer: Danger Mouse
Auto-generated by YouTube.
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Via: https://time.com
'Find a way to have fun, or get out of the race'
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A group of London, Ont., teens have created a board game called American Dictator, which pokes fun at U.S. President Donald Trump's activities since he began his second term in office. They hope other young people playing the game will learn more about the political climate.
Story: https://www.cbc.ca/news/canada/london/london-teens-board-game-donald-trump-9.6937163
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Provided to YouTube by Warner Records
Shine on Harvest Moon · Leon Redbone
Double Time
℗ 1977 Warner Records Inc.
Background Vocals: Andrew Smith (Captain Billy's Whiz Bang)
Piano: Bob Greene
Unknown: Bob Liftin
Unknown: Bob Liftin
Trombone: Dick Rath
Accordion: Dominic Cortese
Clarinet: Ed Barefield
Trumpet: Ed Polcer
Banjo: Eric Weissberg
Background Vocals: Frederick Mount III (Captain Billy's Whiz Bang)
Associate Producer: Hal Willner
Whistle: Jerry Teifer
Drums: Jo Jones
Producer: Joel Dorn for The Masked Announcer
Tuba: Jonathan Dorn
Cello: Kermit Moore
Guitar: Leon Redbone
Lead Vocals: Leon Redbone
Violin: Lewis Elgy
Background Vocals: Mark S. Bentley (Captain Billy's Whiz Bang)
Bass: Milt Hinton
Additional Engineer: Neil Brody
Violin: Sanford Allen
Viola: Selwart Clarke
Trombone: Vic Dickenson
Additional Engineer: Vince McGarry
Masterer: Vince McGarry
Background Vocals: William Kruse (Captain Billy's Whiz Bang)
Horns Arranger: Al Cohn
Lyricist: Jack Norworth
Arranger, Contributor: Leon Redbone
Composer: Nora Bayes
String Arranger: William S. Fischer
Auto-generated by YouTube.
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Rachel Parker is back! Today on the show, Rachel explains her absence.
She is then joined by Alberta Prosperity Project's legal counsel Jeffrey Rath to explain the latest in the Alberta Independence movement.
Tune in now!
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Today I’m honored to have back on the show: Podcast regular, United Church Minister turned whistleblower, Canadian Hero, humanitarian, loving father, published writer and author, public speaker and podcaster, documentary filmmaker, Nobel Peace Prize nominee, co-founder of the International Tribunal into Crimes of Church and State, righteous soul, and Eagle Strong Voice: Kevin Annett
A little bit about Kevin if you’ve missed any of his episodes, a recap of what we talked about last time to catch you up, and a bit about what we will be talking about today:
Born in Edmonton, Canada, in 1956, Kevin was a United Church minister turned global human rights crusader whose relentless pursuit of truth has shaken the foundations of power. Known as Eagle Strong Voice, Kevin’s life transformed when he uncovered horrific crimes at the Port Alberni Indian Residential School in the early 1990s. His refusal to stay silent cost him his ministry, marriage, and reputation, as the United Church and Canadian authorities blacklisted him. Undeterred, Kevin’s courage ignited a movement to expose systemic genocide, leading him to confront one of the world’s most powerful institutions: the Vatican.
Kevin’s groundbreaking work began with the 1998 human rights tribunal in Vancouver, where he documented Canada’s residential school genocide, forcing the nation to face its dark past. His award-winning documentary Unrepentant and books like Hidden from History: The Canadian Holocaust brought global attention to the deaths of thousands of Indigenous children, compelling Canada’s 2008 apology. But Kevin’s mission didn’t stop there. In 2010, he co-founded the International Tribunal into Crimes of Church and State (ITCCS), uniting survivors across 26 countries to hold the Vatican, British Crown, and others accountable for crimes against humanity. His efforts led to the historic resignation of Pope Benedict in 2013 after the ITCCS convicted him of complicity in child trafficking and abuse.
As discussed on our last episode, Kevin has now set his sights on exposing the shadowy Ninth Circle cult and its sinister leader, our current Pope, Pope Leo. Through the International Common Law Court of Justice (ICLCJ), where he serves as a chief advisor, Kevin is spearheading a 2025 criminal lawsuit charging Pope Leo with murder, conspiracy, and crimes against humanity. Drawing on chilling eyewitness testimonies, Vatican archives, and INTERPOL records, Kevin's investigation reveals Pope Leo’s alleged role in ritualistic child sacrifice, trafficking, and drug trade cover-ups, implicating other global elites like Donald Trump, King Charles III, Cardinal Dolan - who’s name you’ve heard on this podcast before from Catholic School survivor Chris O’Leary, and even the CEO of Pfizer. Today, he will be updating us on what’s happened since the last time he was on, where the case stands today, and what is next. This is a case you will want to closely follow if you aren’t already and a gripping episode you will want to watch all the way through!
Despite smears, blacklisting, and threats, Kevin remains unyielding - inspiring survivors and truth-seekers worldwide. Kevin’s radio program Here We Stand and the Republic of Kanata movement amplify his call for accountability and grassroots resistance.
Kevin is a beacon of hope, proving one voice can challenge empires. His fearless stand against the Vatican and Pope Leo calls us all to action, igniting a global movement for justice and healing. Join him at www.murderbydecree.com to stand with the voiceless, reclaim truth, and build a world where no child suffers in silence. Together, with fearless leaders like Kevin leading the way, we can forge a future of courage, compassion, and unstoppable change.
INTERIM REPORT / VERDICT:
https://murderbydecree.com/2025/10/06/__trashed/#page-content
CONNECT WITH KEVIN:
Email: angelfire101@protonmail.com
Phone: 289-680-8724
Websites:
-Republic of Kanata: https://republicofkanata.org/
-Radio Free Kanata: https://bbsradio.com/radiofreekanata
-'Murder by Decree' & other books published by Kevin: https://murderbydecree.com/#books
-'Unrepentant' Documentary: https://www.youtube.com/watch?v=Czej73SfYJc
CONNECT WITH THE IMAGINATION:
EMAIL: imagineabetterworld2020@gmail.com
My Substack: https://emmakatherine.substack.com/
BUY ME A COFFEE: https://www.buymeacoffee.com/theimagination
All links: https://direct.me/theimaginationpodcast
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Leave My Woman Alone · Ray Charles
Yes Indeed!
℗ 1956 Atlantic Recording Corporation
Producer: Ahmet Ertegun
Background Vocals: Darlene "Ethel" McCrea
Alto Saxophone: David "Fathead" Newman
Tenor Saxophone: David "Fathead" Newman
Background Vocals: Dorothy Jones
Background Vocals: Earl-Jean "Ethel" McCrea
Baritone Saxophone: Emmett "Jay" Dennis
Producer: Jerry Wexler
Arranger: Jesse Stone
Trumpet: John Hunt
Background Vocals: Margaret "Margie" Hendricks
Background Vocals: Priscilla "Pat" Lyles
Piano, Vocals: Ray Charles
Bass: Roosevelt Sheffield
Drums: William "Bill" Peeples
Writer: Ray Charles
Auto-generated by YouTube.
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Provided to YouTube by Rhino/Warner Records
Postcard from Paris · Jimmy Webb
Suspending Disbelief
℗ 1993 Elektra Entertainment, a division of Warner Communications Inc.
Guitar: Dean Parks
Producer: George Massenburg
Vocals: Jimmy Webb
Additional Vocals: Leah Kunkel
Bass Guitar: Leland Sklar
Producer: Linda Ronstadt
Additional Vocals: Linda Ronstadt
Trumpet: Mario Guarneri
Synthesizer: Robbie Buchanan
Drums: Russ Kunkel
Additional Vocals: Valerie Carter
Composer, Lyricist: Jimmy Webb
Auto-generated by YouTube.
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Donald Trump booed as the 1st sitting US president at a regular-season NFL game since Carter in 1978
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Directed by bassist Paul Simonon, the performance video was shot simultaneously on three iPhones.
The Truce of Twilight - 'Merrie Land' out now: http://ada.lnk.to/merrieland
The Good, The & Queen are: Damon Albarn, Paul Simonon, Simon Tong & Tony Allen.
Follow The Good, The Bad & The Queen:
https://www.instagram.com/goodbadqueen
https://www.facebook.com/thegoodthebadandthequeen
https://twitter.com/goodbadqueen
Vocals Lowrey Organ, Mellotron, Piano & Farfisa by Damon Albarn. Drums by Tony Allen. Bass & Additional Vocals by Paul Simonon. Guitar & Additional Vocals by Simon Tong
Bassoon by Gareth Humphreys. Trumpet by Tan Tan. Saxophone by Michael “Bammi” Rose. Trombone by Lucas Petter.
THE TRUCE OF TWILIGHT
Enjoy it while it lasts because soon it will be different
Pernicious playgrounds and new age cultism
Outbreaks of optimism in care homes of England
The famous goodwill dumped in your fly tips so…
Go raise your idols pull them out the marshes
Go give them sanctuary put them in your new builds
Because everything is now a live stream the noise is rising
Curtain twitchers can take out their sunscreen
It looks like it’s come to rest
The truce of twilight the echoes of the Horned Ooser
In a Southend caravan park from shore to pierhead
The twelve that follow on they are camping on the cliff top
They not dreaming just looking to midnight
Go fill your pockets now with tomorrow’s landfill
The Lions and Unicorns are sleeping out in shop doors
Outside dreamland glassy eyed demography
The smell of cut grass the swallows are returning
And it looks like they’ve come to rest
Bring me my shell box and my submachine gun
Because you can’t get over anything quite like this
Where the water is darker than the mirror of the sky
And Demis Roussos playing “Forever” on the waterslide
Conscripted into ranks
Look what we have done
The feckless and the lazy
Look what we’ve become
Chicken collector man
Look what we have done
The fortune teller she sits with the starlings
Look what we have done
Oh the mass elopers turn to exhale
Look what we have done
In the dance schools of England
Look what we have done
The Good, The Bad & The Queen are managed by Eleven Management
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Over the years, Deutsche Bank has grown to become one of the largest financial institutions in the world. But some say the bank has been built on a history of risky business alliances and unorthodox practices. In the new book out Tuesday, titled "Dark Towers - Deutsche Bank, Donald Trump, and an Epic Trail of Destruction," author and New York Times finance editor David Enrich uncovers a historically rocky partnership between the president and the financial titan.
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Entreolhares (The Way You're Looking at Me) · Ana Carolina · John Legend
Nove
℗ 2009 Armazém
Released on: 2009-07-30
Associated Performer: Ana Carolina feat. John Legend
Composer, Vocal, Associated Performer, Guitar: Ana Carolina
Associated Performer, Vocal: John Legend
Conductor: Lincoln Olivetti
Background Vocal: Jussara Lourenço
Programmer, Producer: Alê Siqueira
Acoustic Bass: Paulo Paulelli
Keyboards: Marcelo Jeneci
Percussion, Drums, Programmer: Guilherme Kastrup
Trombone: Serginho Trombone
Fluegelhorn: Jessé Nascimento
Trumpet: Philip Doyle
Programmer: Rica Amabis
Programmer: Tejo Damasceno
Programmer: Pedro Bernardes
Composer: John Stephens
Composer: Antonio Villeroy
Auto-generated by YouTube.
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President Trump is one Bad MF! ????????
* I do not own the copyrights to this video or song. No copyright infringement intended. Phil Collins owns the copyrights https://youtu.be/YkADj0TPrJA?si=g0F5nf9LGnQjtWIh
Dan Scavino shared the OG post (on IG.) to his Facebook, yesterday? 3-12-25. The copyright credit goes to the owner - it is NOT me. ????????
* This timeless ???? belongs to Phil Collins - ???? all credit belongs to him. ????????????????????????????????????????
No copyright infringement is intended.